The Gambols of Ghosts According with Their Affections Previous to the Final Judgement by William Blake

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

(Die Gambols der Geister nach ihren Affektionen vor dem letzten Urteil)

William Blake

Victorian art
tree · leaves · people · dancing · clouds · peaceful · flying · legs · muscles · movement
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement by William Blake
1805   ·  Graphit auf Papier  ·  Picture ID: 2154
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The Gambols of Ghosts According with Their Affections Previous to the Final Judgement by William Blake

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

(Die Gambols der Geister nach ihren Affektionen vor dem letzten Urteil)

William Blake

Victorian art
tree · leaves · people · dancing · clouds · peaceful · flying · legs · muscles · movement
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement by William Blake
1805   ·  Graphit auf Papier  ·  Picture ID: 2154
   Add to favorites
0 Reviews
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(inkl. 20% MwSt)

Produktionszeit: 2-4 Werktage
Bildschärfe: PERFEKT
Other art prints by William Blake
The Ancient of Days The Argument, illustration and text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and wc) Satan, Sin and Death, 1807 The Great Red Dragon and the Woman Clothed with the Sun Help! Help!, plate 10 from For the Sexes, The Gates of Paradise, pub. 1793 (line engraving) The Ghost of a Flea The circle of the lustful or The lovers whirlwind, Francesca da Rimini and Paolo Malatesta, from Dantes Inferno, Canto V, 1824-27 The Little Black Boy, from Songs of Innocence Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from The First Book of Urizen, 1794 (relief etching with wc) P.124-1950.pt38 The Chimney Sweeper: plate 38 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and wc) The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the Divine Comedy by Dante Alighieri, c.1827-38 The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the Divine Comedy by Dante Alighieri, 1954 The Number of the Beast is 666 Visions of the Daughters of Albion, 1793 Illustration 1 to Miltons Paradise Lost: Satan Calling Up His Legions, 1807
Other art prints by William Blake
The Ancient of Days The Argument, illustration and text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and wc) Satan, Sin and Death, 1807 The Great Red Dragon and the Woman Clothed with the Sun Help! Help!, plate 10 from For the Sexes, The Gates of Paradise, pub. 1793 (line engraving) The Ghost of a Flea The circle of the lustful or The lovers whirlwind, Francesca da Rimini and Paolo Malatesta, from Dantes Inferno, Canto V, 1824-27 The Little Black Boy, from Songs of Innocence Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from The First Book of Urizen, 1794 (relief etching with wc) P.124-1950.pt38 The Chimney Sweeper: plate 38 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and wc) The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the Divine Comedy by Dante Alighieri, c.1827-38 The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the Divine Comedy by Dante Alighieri, 1954 The Number of the Beast is 666 Visions of the Daughters of Albion, 1793 Illustration 1 to Miltons Paradise Lost: Satan Calling Up His Legions, 1807
Excerpt from our top sellers
Nude female figure, standing on Tip-toe Nude man sitting on a tree trunk listening to a parrot Study of elephants Sleeping nude on a sofa Standing Nude Boy Seated Woman, Naked to the Waist Nude Standing Girl (Legs Crossed) Nude Nude Woman in Bed, c.1914  Portrait study of Annie Miller, c.1860-63 (pen, indian ink and graphite on paper) Tree Studies Portrait Head, 2012 (red chalk on paper) Two girls taking a bath in Badetub Studies of a Horse with Two Nude Riders and a Male Torso Drawings for cube multiplication
Excerpt from our top sellers
Nude female figure, standing on Tip-toe Nude man sitting on a tree trunk listening to a parrot Study of elephants Sleeping nude on a sofa Standing Nude Boy Seated Woman, Naked to the Waist Nude Standing Girl (Legs Crossed) Nude Nude Woman in Bed, c.1914  Portrait study of Annie Miller, c.1860-63 (pen, indian ink and graphite on paper) Tree Studies Portrait Head, 2012 (red chalk on paper) Two girls taking a bath in Badetub Studies of a Horse with Two Nude Riders and a Male Torso Drawings for cube multiplication
Excerpt from our top sellers
Elizabeth and Mary Linley Lambs head on a plate River Landscape with Ferry Landscape with Saint John on Patmos A fisherman inspeziert his catch to a torrent The Luncheon: Monets garden at Argenteuil, c.1873 Sunflowers, 1888 Expulsion of Adam and Eve from Eden and Moses receiving the Tablets, from the Dance of Death cycle by Albrecht Kauw, 1649 Two costume designs for fairies from A Midsummer Nights Dream, produced by R. Courtneidge at the Princes Theatre, Manchester (pen and ink and wc on paper) Hypnosis  Harlequin with Guitar Poster advertising Moet & Chandon - Champagne White Star, 1899 Ruby, Gold and Malachite, 1902, 1912. The times of day: The morning, 1821-1822 Cairn in Snow, 1807
Excerpt from our top sellers
Elizabeth and Mary Linley Lambs head on a plate River Landscape with Ferry Landscape with Saint John on Patmos A fisherman inspeziert his catch to a torrent The Luncheon: Monets garden at Argenteuil, c.1873 Sunflowers, 1888 Expulsion of Adam and Eve from Eden and Moses receiving the Tablets, from the Dance of Death cycle by Albrecht Kauw, 1649 Two costume designs for fairies from A Midsummer Nights Dream, produced by R. Courtneidge at the Princes Theatre, Manchester (pen and ink and wc on paper) Hypnosis  Harlequin with Guitar Poster advertising Moet & Chandon - Champagne White Star, 1899 Ruby, Gold and Malachite, 1902, 1912. The times of day: The morning, 1821-1822 Cairn in Snow, 1807

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Die Gambols der Geister nach ihren Affektionen vor dem letzten Urteil (AT) Die Gambols der Geister nach ihren Affektionen vor dem letzten Urteil (DE) Die Gambols der Geister nach ihren Affektionen vor dem letzten Urteil (CH) The Gambols of Ghosts According with Their Affections Previous to the Final Judgement (GB)
I Gambols of Ghosts in accordo con i loro affetti precedenti al giudizio finale (IT) Les Gambols des fantômes selon leurs affections antérieures au jugement final (FR) De Gambols of Ghosts volgens hun affirmaties voorafgaand aan het laatste oordeel (NL) Los Gambols de los fantasmas de acuerdo con sus afectos antes del juicio final (ES) Гамболы призраков в соответствии с их чувствами, предшествующими окончательному решению (RU)
अंतिम निर्णय के लिए उनके प्रभाव के अनुसार भूतों का जुआ (HI) 最终审判前的幽灵鬼魂根据他们的情感 (ZH) Os Gambóis dos Fantasmas de acordo com seus afetos antes do julgamento final (PT) 最終審判前の愛情による幽霊のガンボル (JP) The Gambols of Ghosts وفقًا لمودة عواطفهم السابقة على الحكم النهائي (AE)

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Hausergasse 25 · 9500 Villach, Austria
+43 4257 29415 · office@meisterdrucke.com
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Die Gambols der Geister nach ihren Affektionen vor dem letzten Urteil (AT) Die Gambols der Geister nach ihren Affektionen vor dem letzten Urteil (DE) Die Gambols der Geister nach ihren Affektionen vor dem letzten Urteil (CH) The Gambols of Ghosts According with Their Affections Previous to the Final Judgement (GB) I Gambols of Ghosts in accordo con i loro affetti precedenti al giudizio finale (IT) Les Gambols des fantômes selon leurs affections antérieures au jugement final (FR) De Gambols of Ghosts volgens hun affirmaties voorafgaand aan het laatste oordeel (NL) Los Gambols de los fantasmas de acuerdo con sus afectos antes del juicio final (ES) Гамболы призраков в соответствии с их чувствами, предшествующими окончательному решению (RU) अंतिम निर्णय के लिए उनके प्रभाव के अनुसार भूतों का जुआ (HI) 最终审判前的幽灵鬼魂根据他们的情感 (ZH) Os Gambóis dos Fantasmas de acordo com seus afetos antes do julgamento final (PT) 最終審判前の愛情による幽霊のガンボル (JP) The Gambols of Ghosts وفقًا لمودة عواطفهم السابقة على الحكم النهائي (AE)


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