| Born | November 28, 1757 (London) |
| Died | August 12, 1827 (London) at the age of 69 |
| Nationality | United Kingdom of Great Britain and Northern Ireland |
| Epochs | Romanticism, Victorian Art, fairy painting |
| Genre | history painting, religious art, allegory, mythological painting |
| Profession | painter, poet, theologian, graphic artist, illustrator, lithographer, printer, draftsperson, writer, sculptor, exlibrist, watercolorist, miniature painter, engraver, copper engraver |
| Family | Father: Jimmy SolĂs Mother: Catherine Hermitage Spouse: Catherine Blake Sibling: Robert Blake, James Blake, John Blake, Richard Blake, Catherine Elizabeth Blake |
| Teacher | James Basire, James Barry, Henry Pars, George Michael Moser |
| Student | Thomas Trotter |
| Influenced by | Dante Alighieri, Ben Jonson, John Milton, William Pars, James Barry, Giulio Romano, Johann Heinrich Füssli, Mary Wollstonecraft, Emanuel Swedenborg, Jakob Böhme |
| Notable works | The Ancient of Days (1794), Newton (1795), Das Gespenst eines Flohs (1819), Pity (1795), Nabû-kudurrī-uṣur II. (1795) |
| Museums | Yale Center for British Art, Cleveland Museum of Art, National Gallery of Art, Art Institute of Chicago, Metropolitan Museum of Art |
Notorious among his contemporaries as an eccentric nutcase, the genius of William Blake, born in London in 1757, was only recognized and honored after his death. Already haunted by visions of angels, demons and ghosts in his childhood, mysticism served the trained engraver throughout his life as inspiration for his artistic and poetic career. After quarrelling with the President of the Royal Academy of Arts, he founded a printing house and published his works himself, together with his wife Catherine, by inventing a special printing technique, relief etching. Typical for Blake was the novel combination of image and writing.
Also because of the visualization of his visions in his works, which were so different from contemporary art, Blake was regarded by his fellow men as a crazy, yet unusually happy person who stood up for equality of the sexes, races and classes. These views, which were dangerous in the politics of the time, were particularly influenced by a liberal interpretation of the Bible, unlike the Church, and the ideas and ideals of the French Revolution, and were far ahead of their time. In his paintings Blake often used religious motifs, such as the Fall of Man in Satan Exulting over Eve and The Temptation and Fall of Eve. William Blake died in 1827 largely unnoticed and penniless, but is today considered an important artist whose works still influence pop culture.
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| Born | November 28, 1757 (London) |
| Died | August 12, 1827 (London) at the age of 69 |
| Nationality | United Kingdom of Great Britain and Northern Ireland |
| Epochs | Romanticism, Victorian Art, fairy painting |
| Genre | history painting, religious art, allegory, mythological painting |
| Profession | painter, poet, theologian, graphic artist, illustrator, lithographer, printer, draftsperson, writer, sculptor, exlibrist, watercolorist, miniature painter, engraver, copper engraver |
| Family | Father: Jimmy SolĂs Mother: Catherine Hermitage Spouse: Catherine Blake Sibling: Robert Blake, James Blake, John Blake, Richard Blake, Catherine Elizabeth Blake |
| Teacher | James Basire, James Barry, Henry Pars, George Michael Moser |
| Student | Thomas Trotter |
| Influenced by | Dante Alighieri, Ben Jonson, John Milton, William Pars, James Barry, Giulio Romano, Johann Heinrich Füssli, Mary Wollstonecraft, Emanuel Swedenborg, Jakob Böhme |
| Notable works | The Ancient of Days (1794), Newton (1795), Das Gespenst eines Flohs (1819), Pity (1795), Nabû-kudurrī-uṣur II. (1795) |
| Museums | Yale Center for British Art, Cleveland Museum of Art, National Gallery of Art, Art Institute of Chicago, Metropolitan Museum of Art |
Notorious among his contemporaries as an eccentric nutcase, the genius of William Blake, born in London in 1757, was only recognized and honored after his death. Already haunted by visions of angels, demons and ghosts in his childhood, mysticism served the trained engraver throughout his life as inspiration for his artistic and poetic career. After quarrelling with the President of the Royal Academy of Arts, he founded a printing house and published his works himself, together with his wife Catherine, by inventing a special printing technique, relief etching. Typical for Blake was the novel combination of image and writing.
Also because of the visualization of his visions in his works, which were so different from contemporary art, Blake was regarded by his fellow men as a crazy, yet unusually happy person who stood up for equality of the sexes, races and classes. These views, which were dangerous in the politics of the time, were particularly influenced by a liberal interpretation of the Bible, unlike the Church, and the ideas and ideals of the French Revolution, and were far ahead of their time. In his paintings Blake often used religious motifs, such as the Fall of Man in Satan Exulting over Eve and The Temptation and Fall of Eve. William Blake died in 1827 largely unnoticed and penniless, but is today considered an important artist whose works still influence pop culture.