The Annunciation by Benvenuto Tisi da Garofalo

The Annunciation

(Die Ankündigung)

Benvenuto Tisi da Garofalo

Late Renaissance
graceful · heartfelt · beautiful · peaceful · glorious · heavenly · serenity · delightful · charming · enchanting
The Annunciation by Benvenuto Tisi da Garofalo
1528   ·  Öl auf Holz  ·  Picture ID: 9
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The year in which the Italian painter Benvenuto Tisi da Garofalo completed the announcement, he hid in the painting itself. The Roman numeral MDXXVIII is immortalized above the chimney: 1528. The artist's coat of arms motif, the carnation, also finds its place in the foreground of the painting. She has earned the Benvenuto Tisi born Italians the nickname Garofalo, derived from the Italian word for carnation (Garofano). Like most of Garofalo's works, which painted until his blindness in 1550, the announcement reveals a biblical motif. The Archangel Gabriel with wings, wreath and golden ornaments announces to reading Mary that she will give birth to the Son of God. In contrast to Gabriel, Mary is dressed rather simply and is in an intimate, home-like environment with a book, a burning fireplace and a resting cat. Next to the archangel diagonally symbolizes the Trinity: the father as an old man in the clouds, the son as a small child and the Holy Spirit as a dove. Announcing his fate on earth, the child wears a wooden cross with nails. © Meisterdrucke
The Annunciation by Benvenuto Tisi da Garofalo

The Annunciation

(Die Ankündigung)

Benvenuto Tisi da Garofalo

Late Renaissance
graceful · heartfelt · beautiful · peaceful · glorious · heavenly · serenity · delightful · charming · enchanting
The Annunciation by Benvenuto Tisi da Garofalo
1528   ·  Öl auf Holz  ·  Picture ID: 9
   Add to favorites
0 Reviews
The year in which the Italian painter Benvenuto Tisi da Garofalo completed the announcement, he hid in the painting itself. The Roman numeral MDXXVIII is immortalized above the chimney: 1528. The artist's coat of arms motif, the carnation, also finds its place in the foreground of the painting. She has earned the Benvenuto Tisi born Italians the nickname Garofalo, derived from the Italian word for carnation (Garofano). Like most of Garofalo's works, which painted until his blindness in 1550, the announcement reveals a biblical motif. The Archangel Gabriel with wings, wreath and golden ornaments announces to reading Mary that she will give birth to the Son of God. In contrast to Gabriel, Mary is dressed rather simply and is in an intimate, home-like environment with a book, a burning fireplace and a resting cat. Next to the archangel diagonally symbolizes the Trinity: the father as an old man in the clouds, the son as a small child and the Holy Spirit as a dove. Announcing his fate on earth, the child wears a wooden cross with nails. © Meisterdrucke
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

(inkl. 20% MwSt)

Produktionszeit: 2-4 Werktage
Bildschärfe: PERFEKT
Other art prints by Benvenuto Tisi da Garofalo
Painting depicting the Holy Family Augustus and the Tiburtine Sibyl The Agony in the Garden, Between 1520 and 1539 Madonna del Riposo with portrait of Lionello, by Garofalo, in the National Picture Gallery in Ferrara Treasure Room Fresco The Annunciation Madonna and Child with saints The Vision of Saint Augustine, c. 1520 Saint Lucy, 1535-1540 Christ carrying the Cross The Immaculate Conception with saints, c. 1535-1550 Massacre of the Innocents Crucifixion with the Virgin and Saint John the Baptist The Annunciation Allegory of the Old and New Testaments
Other art prints by Benvenuto Tisi da Garofalo
Painting depicting the Holy Family Augustus and the Tiburtine Sibyl The Agony in the Garden, Between 1520 and 1539 Madonna del Riposo with portrait of Lionello, by Garofalo, in the National Picture Gallery in Ferrara Treasure Room Fresco The Annunciation Madonna and Child with saints The Vision of Saint Augustine, c. 1520 Saint Lucy, 1535-1540 Christ carrying the Cross The Immaculate Conception with saints, c. 1535-1550 Massacre of the Innocents Crucifixion with the Virgin and Saint John the Baptist The Annunciation Allegory of the Old and New Testaments
Excerpt from our top sellers
The Last Supper Christ before the High Priest, 1617 Little children mocking Elisha Christ at the Sea of Galilee, c.1575-80 The King rules by himself, 1661 The Sleeping Christ, 1655 Christ on the Cross, 1884 Madonna San Sista, Sistine Madonna Yellow Christ, 1889 The Good Shepherd, c.1650-60 Adoration of the Magi detail, 1423 (tempera on panel) The Deposition Crucifixion Apotheosis of King Louis XIV of France Christ in the Garden of Olives (detail), 1562
Excerpt from our top sellers
The Last Supper Christ before the High Priest, 1617 Little children mocking Elisha Christ at the Sea of Galilee, c.1575-80 The King rules by himself, 1661 The Sleeping Christ, 1655 Christ on the Cross, 1884 Madonna San Sista, Sistine Madonna Yellow Christ, 1889 The Good Shepherd, c.1650-60 Adoration of the Magi detail, 1423 (tempera on panel) The Deposition Crucifixion Apotheosis of King Louis XIV of France Christ in the Garden of Olives (detail), 1562
Excerpt from our top sellers
Still Life with Oranges Judith beheading Holofernes Composition, 1930 (wc and indian ink) Homo, wire figure with rear view figure in its hand, 1930, by Oskar Schlemmer (1888-1949). Germany, 20th century. Le Petit arbousier des Alpes (Mountain heather), c.1776 (hand-colored engraving) Dynamic Suprematism The Card Players,1893-6 Advertising poster by Alphonse Mucha (1860-1939) for the Cognac Bisquit, Dubouche, 1899 - Advertising poster by Alphonse Mucha for “Cognac Bisquit, Dubouche” , 1899 Sun 61x32 cm Private collection Ship on the high seas Fish in the torrent Once upon a time (the knitting guard) P.Mönsted, spring day at the Waldbach Landscape on the banks of the Oise Ophelia, 1851-2, 1911 A Wheatfield, with Cypresses, 1889
Excerpt from our top sellers
Still Life with Oranges Judith beheading Holofernes Composition, 1930 (wc and indian ink) Homo, wire figure with rear view figure in its hand, 1930, by Oskar Schlemmer (1888-1949). Germany, 20th century. Le Petit arbousier des Alpes (Mountain heather), c.1776 (hand-colored engraving) Dynamic Suprematism The Card Players,1893-6 Advertising poster by Alphonse Mucha (1860-1939) for the Cognac Bisquit, Dubouche, 1899 - Advertising poster by Alphonse Mucha for “Cognac Bisquit, Dubouche” , 1899 Sun 61x32 cm Private collection Ship on the high seas Fish in the torrent Once upon a time (the knitting guard) P.Mönsted, spring day at the Waldbach Landscape on the banks of the Oise Ophelia, 1851-2, 1911 A Wheatfield, with Cypresses, 1889

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