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Sauve qui peut, or Every man for himself, aquatint by Thomas Sutherland, published by James Jenkins, 1 May 1816 by William Heath

Sauve qui peut, or Every man for himself, aquatint by Thomas Sutherland, published by James Jenkins, 1 May 1816

(Sauve qui peut, or Every man for himself, aquatint by Thomas Sutherland (1785-1838), published by James Jenkins, 1 May 1816 (colour aquatint))


William Heath

€ 133.38
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1816  ·  colour aquatint  ·  Image ID: 277830

Caricatures, Comics

Sauve qui peut, or Every man for himself, aquatint by Thomas Sutherland, published by James Jenkins, 1 May 1816 by William Heath. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
battle of waterloo · napoleonic wars · battle · battles · battlefield · battlefields · wars · warfare · fighting · soldier · soldiers · military · army · armies · british · french · thomas sutherland · james jenkins · sauve qui peut · every man for himself · napoleon bonaparte · fleeing · retreating · retreat · hrose · horses · National Army Museum, London / Bridgeman Images
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Keilrahmen
Museumslizenz

€ 133.38
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Woman with a large hat on which male figures are seated - The Beau Monde, title on object Battle of Vittoria, 21st June, 1813, etched by I. Clark, aquatinted by M. DuBourg Storming of San Sebastián, 31st August, 1813, engraved by Thomas Sutherland (b. c.1785) Defence of the breach at St. Jean d Battle of Buçaco, 27 September 1810, engraved by Thomas Sutherland (born c. 1785) The centre of the British Army in action at the Battle of Waterloo, 18 June 1815, aquatint by Sutherland, 1815 Battle of Assaye, 23 September 1803, engraved by J.C. Stadler, published by Thomas Tegg, 1st April 1818 Battle of Pombal, 12th March 1811, engraved by Thomas Sutherland (b. c. 1785) Battle of Quatre Bras, June 16th 1815, from ’The Martial Achievements of Great Britain and her Allies from 1799 to 1815’, by James Jenkins, engraved by Thomas Sutherland (b. c. 1785), published 1815 Battle of Morales, 2 June 1813, engraved by Thomas Sutherland (b. c. 1785) Battle of Salamonda, May 16th, 1809, from “The Martial Achievements of Great Britain and Her Allies from 1799 to 1815”, by James Jenkins, engraved by Thomas Sutherland (b. c. 1785) Battle of Salamanca, 22nd July 1812, etched by J. Clarke, coloured by M. Dubourg Battle of the Pyrenees, 27th July 1813, printed by J. C. Stadler (active 1780-1813), published by Thomas Tegg, 1st April 1818 Morning Noon Night, c.1828 The Duke of Wellington at the taking of Ciudad Rodrigo, Spain, Peninsular War, 1812, c. 1818
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More art prints by William Heath

Woman with a large hat on which male figures are seated - The Beau Monde, title on object Battle of Vittoria, 21st June, 1813, etched by I. Clark, aquatinted by M. DuBourg Storming of San Sebastián, 31st August, 1813, engraved by Thomas Sutherland (b. c.1785) Defence of the breach at St. Jean d Battle of Buçaco, 27 September 1810, engraved by Thomas Sutherland (born c. 1785) The centre of the British Army in action at the Battle of Waterloo, 18 June 1815, aquatint by Sutherland, 1815 Battle of Assaye, 23 September 1803, engraved by J.C. Stadler, published by Thomas Tegg, 1st April 1818 Battle of Pombal, 12th March 1811, engraved by Thomas Sutherland (b. c. 1785) Battle of Quatre Bras, June 16th 1815, from ’The Martial Achievements of Great Britain and her Allies from 1799 to 1815’, by James Jenkins, engraved by Thomas Sutherland (b. c. 1785), published 1815 Battle of Morales, 2 June 1813, engraved by Thomas Sutherland (b. c. 1785) Battle of Salamonda, May 16th, 1809, from “The Martial Achievements of Great Britain and Her Allies from 1799 to 1815”, by James Jenkins, engraved by Thomas Sutherland (b. c. 1785) Battle of Salamanca, 22nd July 1812, etched by J. Clarke, coloured by M. Dubourg Battle of the Pyrenees, 27th July 1813, printed by J. C. Stadler (active 1780-1813), published by Thomas Tegg, 1st April 1818 Morning Noon Night, c.1828 The Duke of Wellington at the taking of Ciudad Rodrigo, Spain, Peninsular War, 1812, c. 1818
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Meadows near Greifswald Dominant Curve, 1936 The Carpet Merchant Mori (Forest) A Moonlit Lane. Two lovers at a gate Tiger, 1912 The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) The Sleeping Gypsy Return of the Prodigal Son Indian Roller on Sandalwood Branch, folio from a Series Commissioned by Lady Impey, 1779 Sunset over the Lake Ghost of a Genius Renard the Fox, c. 1800, 1922 Woman with a Veil, 1915 Morning amongst the Coniston Fells, Cumberland
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A selection of our top sellers

Meadows near Greifswald Dominant Curve, 1936 The Carpet Merchant Mori (Forest) A Moonlit Lane. Two lovers at a gate Tiger, 1912 The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) The Sleeping Gypsy Return of the Prodigal Son Indian Roller on Sandalwood Branch, folio from a Series Commissioned by Lady Impey, 1779 Sunset over the Lake Ghost of a Genius Renard the Fox, c. 1800, 1922 Woman with a Veil, 1915 Morning amongst the Coniston Fells, Cumberland
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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