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Simon Vouet
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Museum Quality Art Prints
Individual Customization Options

Simon Vouet

France · 1590–1649 · Baroque, barocke Malerei · 232 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Simon Vouet
1590–1649
Born January 9, 1590 (Paris)
Died June 30, 1649 (Paris) at the age of 59
Nationality France
Epochs Baroque, barocke Malerei
Genre portrait, genre painting, history painting, religious art
Profession painter, draftsperson, architectural drafter
Family
Spouse: Virginia Vezzi
Sibling: Aubin Vouet
Student Charles Le Brun, Pierre Mignard, Nicolas Mignard, Nicolas Chaperon, Louis Leramberg
Memberships Accademia di San Luca
Notable works Darbringung im Tempel (1640), Lot und seine Töchter (1633), Allegorie des Reichtums (1637), Madonna and child (1640), Judith (1625)
Museums National Gallery of Art, Art Institute of Chicago, Cleveland Museum of Art, Amsterdam Museum, Los Angeles County Museum of Art (LACMA)
Simon Vouet

Simon Vouet

    9th January 1590   -   June 30, 1649

Simon Vouet played an important role in French painting, as he introduced the Italian Baroque to the country. Vouet learned the basics of painting from his father Laurent Vouet. He soon became a well-known portrait painter. Already at the age of 14 he travelled to England for a commission. He finally travelled to Constantinople in 1611 in the wake of the Baron of Sancy. In the following year he continued his journey to Italy. Vouet developed his style during his stay in Italy between 1612 and 1627. Vouet was a natural academic talent. He quickly learned the Baroque style that was predominant in Italy at the time. Among other things he adopted Caravaggios dramatic play with light and shadow. The techniques of other great Italian masters like Paolo Veronese, Carracci, Guido Reni and Lanfranco also influenced his style. Vouet's fame grew rapidly and he became known beyond the borders of Italy. His probably most important commission in Rome was an altarpiece for St. Peter's Basilica, which is only preserved in fragments today.

His fame also caught the attention of King Louis XIII, who appointed Vouet as the first royal painter in 1627. Vouet therefore returned to France. For the next 15 years he dominated the French art scene and was able to get almost every major commission. He was not only responsible for portraits in the royal house. Vouet was commissioned to decorate various castles such as the Palais du Louvre, the Palais du Luxembourg and various other palaces. Before Vouet returned to France, the country lagged far behind Italy in its artistic development. This made him one of the most important French painters of the 18th century. In his studio Vouet trained the next generation of painters. His students included Charles le Brun, Valentin de Boulogne and his later sons in law Michel Dorigny and Francois Tortebat.

Simon Vouet's first marriage was to Virginia de Vezzo who was a famous and talented painter. She was also known for her beauty. Vouet therefore often took Virginia as a model for depictions of the Madonna or other holy women, in his religious works. The couple had 5 children. When Virginia died, Vouet remarried two years later. With his second wife he had 3 more children. One of his sons, Louis-René Vouet and his grandson Ludovico Dorigny also became painters. Despite his influence Vouet never found his way into the Académie Royale. This is said to have been due to his student le Brun, who was allegedly envious and jealous.

Artworks by Simon Vouet

232 artworks found
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232 artworks found

Simon Vouet
Ohnmacht Maria Magdalena
1640 | painting

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Simon Vouet
 
1626 | oil on canvas

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Simon Vouet
 
1640 |

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Simon Vouet
 
1625 |

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Simon Vouet
Prudence Leading Peace and Abund...
Undated | oil on canvas

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Simon Vouet
The Death of Dido, 1642-43
Undated | oil on canvas

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Simon Vouet
Detail of “” The Virgin and Chil...
1699 | oil on canvas

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Simon Vouet
Louis XIII (1601-43)
Undated | oil on canvas

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Simon Vouet
Self Portrait, 1620
1620 | oil on canvas

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Simon Vouet
Psyche and Cupid, c.1627
Undated | oil on canvas

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François Tortebat
Heilige Lodewijk IX door twee en...
Undated | paper

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Simon Vouet
 
1642 | oil on canvas

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Simon Vouet
Madonna and Child, known as the ...
Undated |

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Simon Vouet
The Birth of the Virgin, c.1620
Undated | oil on canvas

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Simon Vouet
The fortune teller Painting by S...
1620 | oil on canvas

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Simon Vouet
Ceres Vanquishing the Attributes...
Undated | oil on canvas

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Simon Vouet
Father Time Overcome by Love, Ho...
1627 |

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Simon Vouet
Angels with Attributes of the Pa...
Undated | oil on canvas

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Simon Vouet
The ill-matched couple (Vanitas).
1621 |

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Simon Vouet
Apotheosis of St. Louis, 1639-42
1642 | oil on canvas

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Simon Vouet
Studie af kvinde til "Madonna og...
1649 | Colured chalks

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Simon Vouet
Allegorical portrait of Anne of ...
1644 | oil on canvas

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Simon Vouet
 
1630 | oil on canvas

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Simon Vouet
Martha Blames her Vain Sister Ma...
1621 |

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Simon Vouet
Roman Charity', 1620s.
Undated |

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Simon Vouet
The Entombment
1699 | Oil on panel

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Simon Vouet
The Virgin and Child of the Colu...
1639 | oil painting

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Simon Vouet
Portrait of a man
1699 | oil on canvas

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Simon Vouet
Ulysses accompanied by Telemachu...
Undated | wool tapestry

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Simon Vouet
Christ on the Cross with Mary Ma...
Undated | oil painting

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Simon Vouet
La charite romaine (Roman charit...
1620 | oil on canvas

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Francois Perrier
Minerva toont Lodewijk XIII de t...
Undated | paper

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Simon Vouet
The Angel with the tunic, instru...
17th century | oil on canvas

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Simon Vouet
Portrait of a man in profile, tu...
1632 | black and white chalks, red, pink and yellow pastel on light brown paper

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Simon Vouet
Engeltje bij het been van de H. ...
Undated | paper chalk

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Simon Vouet
Judith avec la tete d'Holopherne...
1620 |

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Simon Vouet
The Love which is Avenged, 17th ...
1610 | oil painting

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Simon Vouet
Lot and his Daughters, c.1630
1630 | oil on canvas

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Simon Vouet
Israeliten, die zur Ehernen Schl...
Undated | oil on canvas

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Simon Vouet
The sisters Martha and Mary of B...
Undated | painting

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Simon Vouet
Time Vanquished by Love, Venus a...
1646 | oil on canvas

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Simon Vouet
Louis XIII, 17th century
1620 | oil painting

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Simon Vouet
Polymnie, muse de l' eloquence -...
Undated |

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Simon Vouet
Venus and Adonis, c.1642 (oil on...
1642 |

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Simon Vouet
 
Undated |

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Simon Vouet
Engel mit Werkzeugen der Passion
1626 | painting

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Simon Vouet
Pope Urban VIII, engraved by Wil...
Undated | engraving

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Simon Vouet
 
Undated | oil on canvas

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Simon Vouet
Presentation in the Temple
Undated | oil on canvas

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François Tortebat
Elias in de vurige wagen
Undated | paper

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Simon Vouet
France, Lyon, Love and psyche (o...
Undated | oil on canvas

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Simon Vouet
The Birth of the Virgin (oil on ...
Undated | painting

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Simon Vouet
Self-Portrait.
Undated |

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Simon Vouet
The Entombment of Christ
1699 | oil on canvas

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Simon Vouet
Ceres and Harvesting Cupids, c. ...
Undated |

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Simon Vouet
Artemise II
1649 |

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Simon Vouet
The Virgin and the Child Jesus (...
1699 | oil on canvas

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Simon Vouet
La charite celeste - Heavenly ch...
Undated |

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Simon Vouet
Artemisia Building the Mausolaeu...
1640 | oil on canvas

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Simon Vouet
Study for the figures of Venus a...
Undated |

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Claude Mellan
Heilige Catherina van Alexandrië
Undated | paper

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Michel Dorigny
Ornamental Panel Surmounted by a...
1647 | etching with engraving on laid paper

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Simon Vouet
Studie van een buigende jonge vrouw
Undated | paper chalk

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Simon Vouet
 
Undated | paper chalk

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Simon Vouet
Young Man with a Fig, c.1620-30
Undated | oil on canvas

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Simon Vouet
The Virgin a Child and a Rose Pa...
1627 | oil on canvas

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Simon Vouet
Allegorie de la Richesse - An al...
Undated |

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Simon Vouet
 
Undated | black chalk and graphite, heightened with white on tan laid paper

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Simon Vouet
アレクサンドリアの聖カタリナ
Undated |

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Simon Vouet
The Crucifixion, detail: The Vir...
1636 | oil on canvas

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Simon Vouet
De H. Rochus met hond en engeltje
Undated | paper chalk

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Simon Vouet
The angel carrying the spear hav...
17th century | oil on canvas

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Simon Vouet
Temperance, from a series of the...
Undated | oil on canvas

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Simon Vouet
Model for Altarpiece in St. Pete...
1625 | oil on canvas

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Claude Mellan
Allegorie ter ere van het huis S...
Undated | paper

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Simon Vouet
Portrait allegorique d'Anne d'Au...
17th century | oil on canvas

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Simon Vouet
The Rest of the Holy Family Pain...
1639 | oil on canvas

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Simon Vouet
Presentation at the Temple Paint...
17th century | oil on canvas

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Simon Vouet
The Fortune Teller, 1617.
Undated |

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Simon Vouet
Polymnia, the Muse of Eloquence
Undated | oil on canvas

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Simon Vouet
The Brazen Serpent, right hand s...
Undated | oil on canvas

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Simon Vouet
 
1626 | oil on canvas

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Simon Vouet
Representation of the King of Fr...
17th century | oil on canvas

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Simon Vouet
Roman Charity
1699 | oil on canvas

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Simon Vouet
Portrait of Aubin Vouet (1595-16...
1620 | oil on canvas

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Pierre Daret
Maria met Kind aan de voet van e...
Undated | paper

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Simon Vouet
Angels with Attributes of the Pa...
Undated | oil on canvas

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Simon Vouet
 
Undated |

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Simon Vouet
An Allegory of Peace (oil on can...
Undated | oil on canvas

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Simon Vouet
La Vierge et l'Enfant (Virgin an...
17th century | oil on canvas

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Simon Vouet
St. Veronica Holding the Holy Sh...
1699 | oil on canvas

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Simon Vouet
Portrait of a young lady
1621 | oil on canvas

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Page 1 / 3

About the artist

Simon Vouet
Simon Vouet
1590–1649
BornJanuary 9, 1590 (Paris)
DiedJune 30, 1649 (Paris) at the age of 59
NationalityFrance
EpochsBaroque, barocke Malerei
Genreportrait, genre painting, history painting, religious art
Professionpainter, draftsperson, architectural drafter
Family
Spouse: Virginia Vezzi
Sibling: Aubin Vouet
StudentCharles Le Brun, Pierre Mignard, Nicolas Mignard, Nicolas Chaperon, Louis Leramberg
MembershipsAccademia di San Luca
Notable worksDarbringung im Tempel (1640), Lot und seine Töchter (1633), Allegorie des Reichtums (1637), Madonna and child (1640), Judith (1625)
MuseumsNational Gallery of Art, Art Institute of Chicago, Cleveland Museum of Art, Amsterdam Museum, Los Angeles County Museum of Art (LACMA)

Simon Vouet played an important role in French painting, as he introduced the Italian Baroque to the country. Vouet learned the basics of painting from his father Laurent Vouet. He soon became a well-known portrait painter. Already at the age of 14 he travelled to England for a commission. He finally travelled to Constantinople in 1611 in the wake of the Baron of Sancy. In the following year he continued his journey to Italy. Vouet developed his style during his stay in Italy between 1612 and 1627. Vouet was a natural academic talent. He quickly learned the Baroque style that was predominant in Italy at the time. Among other things he adopted Caravaggios dramatic play with light and shadow. The techniques of other great Italian masters like Paolo Veronese, Carracci, Guido Reni and Lanfranco also influenced his style. Vouet's fame grew rapidly and he became known beyond the borders of Italy. His probably most important commission in Rome was an altarpiece for St. Peter's Basilica, which is only preserved in fragments today.

His fame also caught the attention of King Louis XIII, who appointed Vouet as the first royal painter in 1627. Vouet therefore returned to France. For the next 15 years he dominated the French art scene and was able to get almost every major commission. He was not only responsible for portraits in the royal house. Vouet was commissioned to decorate various castles such as the Palais du Louvre, the Palais du Luxembourg and various other palaces. Before Vouet returned to France, the country lagged far behind Italy in its artistic development. This made him one of the most important French painters of the 18th century. In his studio Vouet trained the next generation of painters. His students included Charles le Brun, Valentin de Boulogne and his later sons in law Michel Dorigny and Francois Tortebat.

Simon Vouet's first marriage was to Virginia de Vezzo who was a famous and talented painter. She was also known for her beauty. Vouet therefore often took Virginia as a model for depictions of the Madonna or other holy women, in his religious works. The couple had 5 children. When Virginia died, Vouet remarried two years later. With his second wife he had 3 more children. One of his sons, Louis-René Vouet and his grandson Ludovico Dorigny also became painters. Despite his influence Vouet never found his way into the Académie Royale. This is said to have been due to his student le Brun, who was allegedly envious and jealous.



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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        support@meisterdrucke.com
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