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Guido Reni

Guido Reni

   Baroque
213 Discovered works of art


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Guido Reni

   •   Baroque   •   Wikipedia: Guido Reni
213 Discovered works of art  •  ID: #2162
The painter Guido Reni was born in Bologna in 1575 in Italy. The baroque artist is best known for his highly decorative paintings. His artistic teaching began Reni with the Mannerist Denis Calvaert until he later switched to a newly created and for those times more progressive art school. The Carracci family, who ran the art school, had a decisive influence on Reni's art. Primarily, they faced the mannerism Renis former champion Calvaert represented with great hostility. They were committed to a return of the arts to the realism of the great masters of the High Renaissance. Examples of this time were Raphael , Titian and Veronese .

Reni's private life has always been a mystery to art history: the Italian painter had a peculiarity of being terrified of women. This expressed itself in his concern of being poisoned by the mere touch of a woman. Some suspect that he may have been gay, while others call him ascetic. Already in Renis lifetime, he was among fellow artists because of his extraordinary way of life as a nerd. His patrons, in the discrete quality of his art, saw a connection with life other than idiosyncrasies.

Reni loved Rome and spent many years in the big city of culture. His idol was the Roman painter Caravaggio . In the painting "Crucifixion of St. Peter" from 1603, Reni tried to reproduce Caravaggio's rough way of painting deep shadows. At the same time, Reni managed to maintain his Bolognese classicism through the more formal poses of the figures and the meticulous symmetry of the composition. Soon, however, Reni found this balancing act between the styles an uncomfortable compromise, and remembered a clearer form of expression that we now associate with Baroque classicism. Reni was very successful and replaced Annibale Carracci as master of Baroque Classicism in Rome. The so-called Aurora fresco, painted by Reni in Rome's Pallavicini-Rospigliosi Palace Casino, bears witness to his superiority: the crisp, Hellenistic elegance rightfully earned him the leading position.

In 1614, the painter returned to his hometown of Bologna, where he continued his formalism even more accentuated. In his work "Atalanta and Hippomenes", the cold, impersonal nudes look like fragments of antique marble statues. As a mature artist he developed his painting style further. On oil paintings such as "Cleopatra and girls with wreath" no elaborate poses or folds are more to see. Reni's painting loosens and no longer consists of lines, but of colors, which were applied thinly with a quick brushstroke. All shades of green deposited Renis gray, so they often appear faded. © Meisterdrucke


Guido Reni
 
Undated | chromolithograph

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Guido Reni
 
1642 | Oil on canvas

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Guido Reni
 
Undated |

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
1615 | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
1622 | oil on canvas

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Guido Reni
Joseph and Potiphar's Wife, c.1626
Undated | Oil on canvas

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Joseph and Potiphar's Wife, c.1626
0 | Oil on canvas

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Guido Reni
 
Undated | painting

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Guido Reni
 
1604 | Ink on paper

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Guido Reni
 
1640 | Oil on canvas

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Guido Reni
 
Undated | chromolithograph

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Guido Reni
 
1620 |

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Guido Reni
 
1640 |

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
1638 | Oil on canvas

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Guido Reni
Ecce Homo
Undated | colour lithograph

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Ecce Homo
0 | colour lithograph

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Guido Reni
 
1640 | Oil on canvas

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Guido Reni
 
1640 | Oil on canvas

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Guido Reni
 
1639 | Oil on canvas

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1639 | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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undatiert | Oil on canvas

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Guido Reni
 
Undated | Oil on panel

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Guido Reni
 
Undated | oil on canvas

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Guido Reni
 
1640 | Oil on canvas

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1640 | Oil on canvas

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Guido Reni
 
Undated | colour lithograph

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Guido Reni
 
Undated | Oil on canvas

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undatiert | Oil on canvas

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Guido Reni
 
1635 | Oil on canvas

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Guido Reni
 
1622 | Oil on canvas

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Guido Reni
St. Veronica
Undated | Oil on canvas

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St. Veronica
0 | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated |

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
1622 | Oil on canvas

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Guido Reni
 
1625 | Oil on canvas

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1625 | Oil on canvas

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Guido Reni
 
1635 | Oil on canvas

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Guido Reni
 
1590 |

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Guido Reni
 
1630 | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
1611 | Oil on canvas

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Guido Reni
 
1626 | oil painting

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | engraving

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
1628 | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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undatiert | Oil on canvas

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Guido Reni
 
1636 | Oil on canvas

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Guido Reni
 
1640 | Oil on canvas

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1640 | Oil on canvas

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Guido Reni
 
1640 | Oil on canvas

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Guido Reni
 
1615 | Oil on canvas

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1615 | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
Saint Jerome
Undated | engraving

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Saint Jerome
0 | engraving

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
Undated | Oil on canvas

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0 | Oil on canvas

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Guido Reni
 
Undated |

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Guido Reni
 
1614 |

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Guido Reni
 
Undated | Oil on canvas

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Guido Reni
 
16 |

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Guido Reni
 
1774 |

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