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James Ward
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Museum Quality Art Prints
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Ă–sterreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

James Ward

United Kingdom of Great Britain and Northern Ireland · 1769–1859 · Genre painting · 750 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
James Ward
1769–1859
Born October 23, 1769 (London)
Died November 23, 1859 (Cheshunt) at the age of 90
Nationality United Kingdom of Great Britain and Northern Ireland
Epochs Genre painting
Profession painter, portrait painter, graphic artist, caricaturist, draftsperson, watercolorist, copyist, lithographer
Family
Spouse: Charlotte Fritche
Child: George Raphael Ward
Sibling: William Ward
Teacher John Raphael Smith
Student William Say
Memberships Royal Academy of Arts
Notable works Oberschlächtiges Wasserrad in Wales (Aberdulais) (1847), Der Engpaß von Gordale, Yorkshire (1813), Allegory of Waterloo (sketch) (1822), Venus Rising from her Couch (1828), The Deer Stealer (1823)
Museums Yale Center for British Art, Art Institute of Chicago, National Gallery of Art, Cleveland Museum of Art, Tate Britain
James Ward

James Ward

    October 23, 1769   -   November 23, 1859

The London painter and engraver James Ward, born in London in the late 18th century, was commissioned by the British government over a period of six years to paint a gigantic picture of the Battle of Waterloo entitled "Allegory of Waterloo", which is still considered lost today. The work also brought Ward neither special praise nor the hoped-for financial success. Some heavy family strokes of fate - the death of his first wife and one of his daughters - in combination caused Ward to fall into a bitter state of mind. It all began in London in 1769, when he was born as the son of James and Rachael. His older brother, William Ward, was one of the most successful artists of the time and was appointed engraver to the Prince of Wales, the Duke of York and the Royal Academy of Arts in London. James Ward learned the art of engraving from William.

However, he was inspired less by his brother than by his brother-in-law George Morland and later by the Flemish painter Peter Paul Rubens. In addition to the "Allegory of Waterloo", his works include numerous landscape, animal and genre paintings. In the course of his career Ward turned to ever larger landscapes. He reached his artistic peak with the landscape painting of the limestone gorge Gordale Scar, which lies in the Yorkshire region. However, Ward basically earned his money with commissions from wealthy noblemen, for whom he painted their favourite horses or hunting dogs. After the death of his first wife he married again and finally moved to the small town of Cheshunt, where he continued his work and turned to religious subjects. His granddaughter Henrietta Ward became a painter herself. She concentrated on history and genre painting. His great-grandson Leslie Ward was the well-known portraitist and caricaturist of the magazine "Vanity Fair". James Ward died impoverished in 1855 from a stroke.

Ward was considered one of the best artists of his time, especially with regard to his animal paintings. Together with his brother, he made considerable progress in the British art scene. The combination of artistic talent and perfect craftsmanship produced impressive works, which made it to the gallery of the Tate Modern in London, among others.

Artworks by James Ward

750 artworks found
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750 artworks found

James Ward
Fight between a Lion and a Tiger...
1797 | oil on canvas

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James Ward
A Persian Horse, from 'Celebrate...
Undated | lithograph

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James Ward
 
1840 | Oil on panel

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James Ward
Fourteen Celebrated Horses: Adon...
Undated | lithograph/lithograph/lithograph

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James Ward
Eagle, a Celebrated Stallion
Undated | oil on canvas

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James Ward
The Yeldham Oak at Great Yeldham...
1833 | oil on canvas

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James Ward
 
140 | Graphite on paper

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James Ward
 
18th century | mezzotint

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James Ward
 
Undated | Graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured beige laid paper

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James Ward
 
165 | Graphite on paper

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James Ward
 
1830 | Oil on panel

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James Ward
Interior of a Stable, 1810
1810 | oil on canvas

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James Ward
 
1828 | Oil on panel

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James Ward
 
127 | Graphite on paper

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James Ward
 
1810 | Oil on panel

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James Ward
 
200 | Graphite on paper

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James Ward
Fourteen Celebrated Horses: Adonis
1824 | lithograph

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James Ward
 
114 | Graphite on paper

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James Ward
Rough-coated Collie, 1809
1809 | Oil on cardboard

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James Ward
 
undatiert | Watercolor on paper

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James Ward
 
311 | pencil on paper

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James Ward
 
undatiert | Graphite on paper

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James Ward
 
1814 | Ink on paper

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James Ward
 
1814 | Watercolor on paper

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James Ward
A Harvest Scene with Workers Loa...
18th century | Oil on panel

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James Ward
 
1803 | Graphite on paper

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James Ward
Snowdon, An Approaching Storm, 1...
1853 | pen and grey wash on paper

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James Ward
 
Undated | Graphite on medium, smooth, cream wove paper mounted on medium, slightly textured, beige laid paper

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James Ward
Sir Charles Blunt Hunting the Bo...
352 | Graphite on paper

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James Ward
Hunter in a landscape
1810 | Oil on panel

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James Ward
 
18th century | oil on canvas

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James Ward
A Farmhand Riding Side-saddle, C...
184 | Graphite on paper

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James Ward
 
133 | Graphite on paper

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James Ward
A Harvest Scene with Workers loa...
Undated | oil on panel

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James Ward
 
1787 | Graphite on paper

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James Ward
 
210 | Graphite on paper

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James Ward
 
undatiert | Graphite on paper

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James Ward
Adonis, a white stallion
Undated |

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James Ward
 
133 | Graphite on paper

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James Ward
 
251 |

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James Ward
 
276 | Graphite on paper

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James Ward
Drawing of a Man's Skeleton (bro...
1859 | brown pen and ink on paper

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James Ward
Mr. Thompsons Wire Mill, Tintern
1807 | Graphite on paper

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James Ward
 
248 | Watercolor on paper

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James Ward
 
1814 | Ink on paper

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James Ward
Mr. Howards Large Oak, August 5,...
1820 | Graphite on paper

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James Ward
 
1810 | oil on canvas

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James Ward
 
330 | Ink on paper

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James Ward
Study of a Cossack- Gregory Yell...
1814 | Watercolor on paper

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James Ward
 
257 | Graphite on paper

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James Ward
 
187 | Watercolor on paper

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James Ward
 
184 | Watercolor on paper

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James Ward
 
143 | Graphite on paper

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James Ward
 
133 | Graphite on paper

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James Ward
The Beggars Oak, Bagots Park, Au...
1820 | Graphite on paper

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James Ward
 
Undated |

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James Ward
 
140 | Graphite on paper

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James Ward
 
undatiert | Watercolor on paper

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James Ward
Drawing of a Mans Skeleton
521 | Graphite on paper

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James Ward
Landscape near Swansea, South Wa...
Undated | Oil on panel

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James Ward
 
Undated | Graphite on medium, slightly textured, beige wove paper mounted on medium, slightly textured, cream laid paper

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James Ward
A Human Skeleton (pen und ink wa...
Undated | pen and ink wash and pencil on paper

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James Ward
 
Undated | Watercolor on medium, slightly textured, cream laid paper

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James Ward
 
undatiert | Graphite on paper

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James Ward
Portraits of two extraordinary o...
1814 | Oil on panel

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James Ward
 
Undated | Black and red chalk and graphite on medium, slightly, cream wove paper

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James Ward
Sir Charles Blunt (b.1775) Hunti...
1815 | pencil heightened with white on grey paper

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James Ward
 
1822 | Graphite on paper

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Samuel William Reynolds (I)
Gesprek in de stal Rustic Conve...
Undated | paper

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James Ward
Study of a Climbing Plant (Pumpk...
Undated | pencil heightened with white on blue paper

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James Ward
 
114 | Graphite on paper

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James Ward
Sleeping Pig (black and red chal...
Undated | Black and red chalk on paper

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James Ward
Man Struggling with a Boa Constr...
1803 | oil on canvas

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James Ward
 
1802 | Oil on panel

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James Ward
 
133 | Ink on paper

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James Ward
 
1810 | Oil on panel

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James Ward
 
137 | Graphite on paper

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James Ward
Two Girls (or Lady and Child) on...
213 |

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James Ward
 
undatiert | Graphite on paper

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James Ward
 
Undated | Graphite on medium, smooth, cream wove paper

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James Ward
 
undatiert | Graphite on paper

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James Ward
Study of Sculpture- from the Elg...
219 | Graphite on paper

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James Ward
 
Undated |

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James Ward
 
333 | Watercolor on paper

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About the artist

James Ward
James Ward
1769–1859
BornOctober 23, 1769 (London)
DiedNovember 23, 1859 (Cheshunt) at the age of 90
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsGenre painting
Professionpainter, portrait painter, graphic artist, caricaturist, draftsperson, watercolorist, copyist, lithographer
Family
Spouse: Charlotte Fritche
Child: George Raphael Ward
Sibling: William Ward
TeacherJohn Raphael Smith
StudentWilliam Say
MembershipsRoyal Academy of Arts
Notable worksOberschlächtiges Wasserrad in Wales (Aberdulais) (1847), Der Engpaß von Gordale, Yorkshire (1813), Allegory of Waterloo (sketch) (1822), Venus Rising from her Couch (1828), The Deer Stealer (1823)
MuseumsYale Center for British Art, Art Institute of Chicago, National Gallery of Art, Cleveland Museum of Art, Tate Britain

The London painter and engraver James Ward, born in London in the late 18th century, was commissioned by the British government over a period of six years to paint a gigantic picture of the Battle of Waterloo entitled "Allegory of Waterloo", which is still considered lost today. The work also brought Ward neither special praise nor the hoped-for financial success. Some heavy family strokes of fate - the death of his first wife and one of his daughters - in combination caused Ward to fall into a bitter state of mind. It all began in London in 1769, when he was born as the son of James and Rachael. His older brother, William Ward, was one of the most successful artists of the time and was appointed engraver to the Prince of Wales, the Duke of York and the Royal Academy of Arts in London. James Ward learned the art of engraving from William.

However, he was inspired less by his brother than by his brother-in-law George Morland and later by the Flemish painter Peter Paul Rubens. In addition to the "Allegory of Waterloo", his works include numerous landscape, animal and genre paintings. In the course of his career Ward turned to ever larger landscapes. He reached his artistic peak with the landscape painting of the limestone gorge Gordale Scar, which lies in the Yorkshire region. However, Ward basically earned his money with commissions from wealthy noblemen, for whom he painted their favourite horses or hunting dogs. After the death of his first wife he married again and finally moved to the small town of Cheshunt, where he continued his work and turned to religious subjects. His granddaughter Henrietta Ward became a painter herself. She concentrated on history and genre painting. His great-grandson Leslie Ward was the well-known portraitist and caricaturist of the magazine "Vanity Fair". James Ward died impoverished in 1855 from a stroke.

Ward was considered one of the best artists of his time, especially with regard to his animal paintings. Together with his brother, he made considerable progress in the British art scene. The combination of artistic talent and perfect craftsmanship produced impressive works, which made it to the gallery of the Tate Modern in London, among others.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        Austria
        +43 4257 29415
        support@meisterdrucke.com
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