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George Morland
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

George Morland

United Kingdom of Great Britain and Northern Ireland · 1763–1804 · Nonclassified artists · 304 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
George Morland
1763–1804
Born1763 (London)
Died1804 (London)
NationalityUnited Kingdom of Great Britain and Northern Ireland
Genrelandscape
Professionpainter, graphic artist
Family
Spouse: Anne Morland
Notable worksBefore a Thunderstorm (1791), Gypsy Encampment (1793), Outside the Bull's Head, The Power of Justice (1788), Gypsies Around a Campfire in a Clearing
MuseumsYale Center for British Art, Art Institute of Chicago, National Gallery of Art, Metropolitan Museum of Art, Yale University Art Gallery
George Morland

George Morland

George Morland was the son of portraitist Henry Robert Morland and the grandson of genre painter George Henry Morland. His education began at a very young age. Morland painted already at the age of 3 years. He was allowed to exhibit his first drawings at the Royal Academy at the age of 10. His father Henry Robert is said to have been very strict and forbade the boy everything that could have somehow hindered his creative development. When he was not on long drawing excursions or painting at home, he was only allowed to read or practice the violin. The father's strict upbringing was not supposed to have been altruistic. Morland had to make countless copies of various painters for his father. He stayed with his father until 1784. Then he obviously had enough of being patronized, because Morland broke with his father and moved in with an art dealer. But even here the desired independence failed to materialize, for his patron exploited him at least as much as his father. About a year later, Morland was finally able to free himself from the awkward situation. He moved to another city to work as a portraitist.

After a short stay in France Morland returned to London. There he lived near his friend and colleague William Ward. The closeness to Ward and his family brought stability to Morland's life, which his difficult childhood had driven to alcohol and other debauchery. He married Ward's sister Anne. One month later Ward married Morland's sister Maria. The two couples lived together in a house after the wedding. But after only 3 months there were already disputes between the two women, so that the common household had to be dissolved. For some years the married life could prevent Morland's escapades. The nights he spent in pubs and in dubious company seemed to belong to the past. But the long illness of his wife after the stillbirth of their first and only child threw Morland off course again. He began to drink, which put an increasing strain on the marriage. The couple finally separated.

At first, however, the alcohol addiction seemed to have little effect on his work. Morland is said to have done 1 or 2 paintings a day. In the course of his career he created more than 4000 works. But at some point the income was no longer sufficient to finance his decadent lifestyle and he became a hunted man with creditors breathing down his neck. He hid out with various friends and in taverns until he was finally arrested in 1799. Morland was initially able to negotiate a kind of open prison sentence. But this did not improve his situation, because he drank as much as he worked. In the end he was hardly able to keep his colour palette due to paralysis. When he ran up debts again, he was sent to prison, where he died at the age of 41.

Artworks by George Morland

304 artworks found
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George Morland
Inside a Stable
Undated | oil on canvas

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George Morland
An Extensive Mountainous Landsca...
1799 | oil on canvas

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George Morland
The Pigsty, 1792 (pencil with re...
1792 | pencil with red and white chalk on paper

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George Morland
 
1792 |

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William Ward
Moeder bezoekt haar kindA Visit ...
Undated | paper

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George Morland
Trepanning a Recruit, c.1790
1790 | oil on canvas

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George Morland
The Old Farm (oil on canvas)
Undated | oil on canvas

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George Morland
Trepanning a Recruit, c. 1790.
Undated | oil painting

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George Morland
Gypsy Encampment
Undated | oil on canvas

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William Ward
Familie voor een herberg The Dr...
Undated | paper

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George Morland
Paying the Hostler, engraved by ...
1805 | Mezzotint engraving

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George Morland
The Soldier's Return, c.1790 (oi...
1790 |

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George Morland
A Farrier's Shop (or The Farrier...
1793 | oil on canvas

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George Morland
 
1791 | oil on canvas

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George Morland
 
Undated |

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George Morland
Paying the Ostler
Undated | oil on canvas

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George Morland
The Reckoning, c1783-1804, 1912.
1912 |

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George Morland
Visit to the child at nurse, c.1...
Undated | oil on canvas

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George Morland
The Warrener, engraved by Willia...
1806 | Mezzotint engraving

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George Morland
 
1790 |

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George Morland
Landscape
Undated | oil on panel

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George Morland
The Bell Inn, late 1780s.
Undated |

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George Morland
Horses in a Stable, 1791
1791 | oil on canvas

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George Morland
A Woman Called Anne, the Artist'...
Undated | oil on canvas

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George Morland
Landscape with a Gypsy Encampmen...
18th century | oil on canvas

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George Morland
Study of a Hound, 1794
1794 | Brush on paper

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George Morland
Cottage Door with a Donkey (oil ...
Undated | oil on canvas

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George Morland
 
Undated |

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William Ward
Mannen in een herberg Ale-house...
Undated | paper

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George Morland
 
1790 | oil on canvas

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George Morland
St. James's Park
Undated | oil on canvas

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George Morland
Zwijnenhoeder
Undated |

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George Morland
Guinea Pigs, engraved by Thomas ...
1796 | stipple engraving

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George Morland
The Shepherds, engraved by Willi...
1806 | Mezzotint engraving

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George Morland
A Woman, possibly Anne (née Ward...
1795 | oil on canvas

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George Morland
The Gipsies Tent, engraved by Jo...
Undated | coloured engraving

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George Morland
Seashore: Fishermen Hauling in a...
1791 | oil painting

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George Morland
A Woodland Scene, c1795
1795 |

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George Morland
Stable Scene
Undated | oil on canvas

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George Morland
The Deserter Pardoned, 1792
1792 | oil on canvas

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George Morland
The Wreckers, c.1790
1790 | oil on canvas

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George Morland
 
Undated | Graphite on medium, slightly textured, cream wove paper mounted very thick, smooth, cream wove card

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George Morland
 
Undated |

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John Rathbone
Landscape with Figures Crossing ...
Undated | oil painting

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George Morland
 
Undated |

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George Morland
 
Undated |

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George Morland
The Inside of a Stable, 1791, c1915
1791 | oil painting

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George Morland
Old horses with a dog in a stabl...
Undated | oil on panel

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George Morland
Anne Ward Morland, c.1786 (graph...
1786 |

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William Ward
Melkmeid en twee boerenknechten ...
Undated | paper

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William Ward
Moeder bezoekt haar kind A Visi...
Undated | paper

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George Morland
Gypsies in a Landscape, c.1790 (...
1790 | oil on canvas

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George Morland
The Farmers Stable, 1791 1901
1901 |

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George Morland
Morning, or the Benevolent Sport...
1792 | oil on canvas

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George Morland
The Inside of the Stable, 1791, ...
1791 |

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George Morland
Unbekanntes Bild
1786 |

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George Morland
[Animals] Seven studies on hound...
1794 |

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George Morland
Fisherfolk Unloading their Catch...
Undated | oil on canvas

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John Raphael Smith
Afrikaanse familie wordt geschei...
Undated | paper

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George Morland
Shepherds Reposing, c18th centur...
1919 |

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George Morland
Set of Five: Five studies of Pe...
1791 | Hand colored soft-ground etching

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George Morland
Gypsies, c. 1800.
Undated |

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George Morland
 
1795 | Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper

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George Morland
Shooting Sea Fowl, 1795
1795 | oil painting

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William Ward
Jagers in de stal maken hun dier...
Undated | paper

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George Morland
Unbekanntes Bild
1786 |

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George Morland
The Death of the Fox (oil on can...
18th century | oil on canvas

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George Morland
Donkey foals (charcoal on paper)
Undated | charcoal on paper

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George Morland
'The Fruits of Early Industry an...
1789 | engraving

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George Morland
 
1791 | oil on canvas

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George Morland
The Unlucky Sportsman, 1792
1792 | oil on wood

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George Morland
The Sportsman Resting, c.1790
1790 | oil on canvas

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George Morland
 
Undated | Soft-ground etching with aquatinting, colored by hand

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George Morland
Mrs Morland by George Morland, 1...
1913 |

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George Morland
Portrait of a Girl in a Garden, ...
Undated | oil on canvas

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George Morland
 
1791 | oil painting

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George Morland
'The Weary Sportsman', c1803
1803 | engraving

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George Morland
Smugglers, engraved by James War...
1793 | Mezzotint engraving

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George Morland
 
1790 | painting

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George Morland
The Sportsman's Return (oil on c...
19th century |

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George Morland
 
Undated | Graphite touched with red chalk on medium, slightly textured, cream, wove paper

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William Ward
Jagers en jachthonden met hun bu...
Undated | paper

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George Morland
 
1787 | Hand colored mezzotint

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George Morland
The Wreckers
Undated | oil on canvas

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George Morland
Smugglers traffic on the coast. ...
19th century | oil on canvas

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George Morland
Summer
Undated | oil on canvas

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George Morland
Gathering Wood, engraved by R.M....
1793 | stipple engraving

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George Morland
Winter Landscape with Men Snowba...
1790 | oil on canvas

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George Morland
The Pressgang, 1790
1790 | oil on wood

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George Morland
Pigs, 1775-1800
1775 | oil on canvas

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George Morland
A Hillside with Tramps reposing,...
1793 | oil painting

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Page 1 / 4

About the artist

George Morland
George Morland
1763–1804
Born1763 (London)
Died1804 (London)
NationalityUnited Kingdom of Great Britain and Northern Ireland
Genrelandscape
Professionpainter, graphic artist
Family
Spouse: Anne Morland
Notable worksBefore a Thunderstorm (1791), Gypsy Encampment (1793), Outside the Bull's Head, The Power of Justice (1788), Gypsies Around a Campfire in a Clearing
MuseumsYale Center for British Art, Art Institute of Chicago, National Gallery of Art, Metropolitan Museum of Art, Yale University Art Gallery

George Morland was the son of portraitist Henry Robert Morland and the grandson of genre painter George Henry Morland. His education began at a very young age. Morland painted already at the age of 3 years. He was allowed to exhibit his first drawings at the Royal Academy at the age of 10. His father Henry Robert is said to have been very strict and forbade the boy everything that could have somehow hindered his creative development. When he was not on long drawing excursions or painting at home, he was only allowed to read or practice the violin. The father's strict upbringing was not supposed to have been altruistic. Morland had to make countless copies of various painters for his father. He stayed with his father until 1784. Then he obviously had enough of being patronized, because Morland broke with his father and moved in with an art dealer. But even here the desired independence failed to materialize, for his patron exploited him at least as much as his father. About a year later, Morland was finally able to free himself from the awkward situation. He moved to another city to work as a portraitist.

After a short stay in France Morland returned to London. There he lived near his friend and colleague William Ward. The closeness to Ward and his family brought stability to Morland's life, which his difficult childhood had driven to alcohol and other debauchery. He married Ward's sister Anne. One month later Ward married Morland's sister Maria. The two couples lived together in a house after the wedding. But after only 3 months there were already disputes between the two women, so that the common household had to be dissolved. For some years the married life could prevent Morland's escapades. The nights he spent in pubs and in dubious company seemed to belong to the past. But the long illness of his wife after the stillbirth of their first and only child threw Morland off course again. He began to drink, which put an increasing strain on the marriage. The couple finally separated.

At first, however, the alcohol addiction seemed to have little effect on his work. Morland is said to have done 1 or 2 paintings a day. In the course of his career he created more than 4000 works. But at some point the income was no longer sufficient to finance his decadent lifestyle and he became a hunted man with creditors breathing down his neck. He hid out with various friends and in taverns until he was finally arrested in 1799. Morland was initially able to negotiate a kind of open prison sentence. But this did not improve his situation, because he drank as much as he worked. In the end he was hardly able to keep his colour palette due to paralysis. When he ran up debts again, he was sent to prison, where he died at the age of 41.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        support@meisterdrucke.com
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