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Henri Matisse

Henri Matisse made color a vehicle for light, warmth and a freedom that opens even quiet interiors wide.


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Henri Matisse
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Henri Matisse

Henri Matisse made color a vehicle for light, warmth and a freedom that opens even quiet interiors wide. more about the artist
France · 1869–1954 · Impressionism, Fauvism, Post Impressionism, Divisionismus, Neoimpressionismus · 1443 artworks found
Henri Matisse
1869–1954
Born1869 (Le Cateau-Cambrésis)
Died1954 (Nizza)
NationalityFrance
EpochsImpressionism, Fauvism, Post Impressionism, Divisionismus, Neoimpressionismus
Genrelandscape, figure painting, still life, portrait
Professionpainter, sculptor, graphic artist, lithographer, draftsperson, ceramicist, designer, glass painter, art theorist
Family
Spouse: Amélie Parayre
Child: Marguerite Duthuit Faure, Jean Gérard Matisse, Pierre Matisse
TeacherGustave Moreau
StudentPatrick Henry Bruce, Ludvik Peter Karsten, Arvid Fougstedt, Marcel Gromaire, Axel Revold, Jane Gumpert, Carl Palme, Sigfrid Ullman, Filip Wahlström, Ingegerd Beskow, Milly Slöör, Nina Jakowlewna Jefimowa, Hadar Jönzén, Brita Lagerström-Hald, Sigrun Stéenhoff-Hjertén, Maj Bring, Annelies Nelck, Mykola Buratschek, Per Krohg
Notable worksFrau mit Hut (1905), The Joy of Life (1906), The Dessert: Harmony in Red (The Red Room) (1907), Green Stripe (1905), Music (1910)
MuseumsINHA Bibliotheque numerique (Cariatide), Statens Museum for Kunst, Barnes Foundation, Art Institute of Chicago, Finnish National Gallery (Kansallisgalleria)

Henri Matisse

A small flowerpot stands on the sill, while behind it the sea glows in pink, turquoise and pale blue. Henri Matisse (1869-1954) was a French painter, printmaker and draughtsman. In Open Window, Collioure, this everyday object was enough to make the immediacy of a summer's day palpable. For him, the window did not separate indoors from outdoors, but allowed the colors to flow into one another. Yet his path to this point began with files, office work and a legal career. When the consequences of an appendectomy confined him to bed for a long time in 1890, he began to paint. For a year, the familiar world had shrunk to a sickroom, but another opened up on paper. Eventually, he abandoned the law. Perhaps this experience helps explain the determination with which he later approached windows, gardens and interiors: for him, color was not an embellishment added later, but a way of making life expansive again. Even an early Parisian garden painting, The Luxembourg Gardens, Paris, ca. 1902, as well as Bois de Boulogne and Goldfish, retain in their titles the specific places or things that Matisse transformed into vivid, colorful presences.

In the summer of 1905, Matisse worked alongside André Derain in Collioure. It was there that he created Open Window, Collioure, whose pink shutters refuse to remain still and instead seem like a warm echo of the harbor. When the paintings were shown that autumn at the Salon d'Automne in Paris, the public reacted with outrage, and the critic Louis Vauxcelles coined the name Medieval Art, or wild beasts, for the group. The term was intended as a barb, yet it soon came to describe the freedom with which color was released from the obligation merely to imitate nature. In The Joy of Life, nude bodies recline in a landscape that seems less observed than sustained by yellow, green and blue. Matisse allowed areas of color to breathe, simplified lines and, in doing so, preserved a sensual warmth that gave even large formats an air of effortlessness. His friendship with Picasso was shaped by rivalry, respect and creative vigilance. Later, Nice became the center of his life, initially in a hotel room by the sea. Interior in Nice shows a seated figure in an open doorway, yet the strong turquoise tones and patterned room keep the calm from feeling cool. After major intestinal surgery in 1941, Matisse had to adapt his working methods to his physical limitations. Painted and cut papers became large cut-and-paste compositions in which blue, red, yellow and green met with even greater immediacy. Blue Nude III belongs to that late pictorial world, in which a body became present through a few powerful forms. What might have seemed like a limitation was transformed by Matisse into a lighthearted final chapter.

Whenever a reproduction of one of his paintings is prepared at Meisterdrucke, the sensitivity of the balance between luminosity and calm becomes apparent time and again. Every image file is therefore inspected by experts before the fine art print is slowly produced using lightfast pigment inks. A slightly glossy canvas is often recommended for the luminous areas of color, while a matte canvas with a fine texture has a more understated effect; each customer can select the medium, size and frame. In this way, Open Window, Collioure remains what it promised at first glance: a door flung wide open into Matisse's color.

Artworks by Henri Matisse

1443 artworks found
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Henri Matisse
 
1905 |

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Henri Matisse
The Luxembourg Gardens, Paris, c...
1902 |

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Henri Matisse
 
1952 |

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Henri Matisse
Cowslips on blue and pink cloth
1911 |

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Henri Matisse
 
1902 |

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Henri Matisse
Interieur in Nizza
1919 |

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Henri Matisse
Henri Matisse, "Goldfish" / Oil ...
1911 |

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Henri Matisse
Woman beside the Water (La Japon...
1905 |

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Henri Matisse
Konvolut von acht Farblithografien
Undated |

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Henri Matisse
Frau mit Hut
1905 |

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Henri Matisse
 
1905 |

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Henri Matisse
Tree of Life' Stained Glass behi...
1951 |

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Henri Matisse
 
1918 |

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Henri Matisse
 
1935 |

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Henri Matisse
Blue Still Life (Nature morte bl...
1907 |

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Henri Matisse
Pink nude or Young girl with a v...
1920 |

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Henri Matisse
 
1906 |

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Henri Matisse
Three Sisters and "The Rose Marb...
1917 |

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Henri Matisse
interieur aux eggplants 1911 (gl...
1911 |

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Henri Matisse
 
1916 |

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Henri Matisse
White and pink head, autumn 1914...
Undated |

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Henri Matisse
L'Atélier rouge (The red panel)
1911 |

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Henri Matisse
 
19th century |

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Henri Matisse
Woman Reading at a Table ((in gr...
1921 |

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Henri Matisse
 
1912 |

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Henri Matisse
Fenetre ouverte a Collioure 1905...
1905 |

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Henri Matisse
Plusieurs Sonnets: Le Tombeau d'...
1932 |

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Henri Matisse
 
1944 |

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Henri Matisse
Red interior, still-life on blue...
1947 |

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Henri Matisse
 
1952 |

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Henri Matisse
Still Life with Oranges 1912 (oi...
1912 |

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Henri Matisse
Portrait of Greta Prozor 1916 (o...
1916 |

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Henri Matisse
Le moulin, Corsica
1898 |

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Henri Matisse
Nu gris au bracelet
1914 |

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Henri Matisse
Paysage avec cyprès et oliviers ...
1918 |

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Henri Matisse
Coucher de soleil en Corse
1898 |

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Henri Matisse
La Danse
1910 |

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Henri Matisse
Interieur au violon
1917 |

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Henri Matisse
Nadia au cheveux lisse
1948 |

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Henri Matisse
nu bleu III 1952 (Drawing, paper...
1952 |

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Henri Matisse
Geranium in a pot (oil on canvas)
Undated |

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Henri Matisse
Standing Female Nude seen from t...
19th century |

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Henri Matisse
Les abeilles (the bees)
1948 |

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Henri Matisse
 
1918 |

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Henri Matisse
Anemones in an earthenware vase
1924 |

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Henri Matisse
Le Lagon II / Jazz
1947 |

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Henri Matisse
Studie zu goldschwarzer Akt
1908 |

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Henri Matisse
Orientale, tatouage en croix sur...
1929 |

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Henri Matisse
Nu accroupi, profil à la chevelu...
1906 |

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Henri Matisse
The Dance (Dance Movement), conc...
1911 |

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Henri Matisse
L'Ecorche, after Puget, conceive...
1903 |

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Henri Matisse
Head with Blackened Eyes (Lorett...
1917 |

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Henri Matisse
Bust of Fillette (Marguerite), c...
1906 |

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Henri Matisse
Le Bonheur de vivre, also called...
1905 |

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Henri Matisse
Fillette, bras sur la tête
1925 |

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Henri Matisse
Tulips and oysters on a black ba...
1943 |

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Henri Matisse
Feuillets d'Album, Rondels, plat...
1932 |

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Henri Matisse
Polynesia, the sky 1946 (drawing...
1946 |

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Henri Matisse
Moorish Woman (The Raised Knee) ...
1922 |

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Henri Matisse
Etude (Léda et le cygne) (black ...
Undated |

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Henri Matisse
 
1936 |

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Henri Matisse
Notre-Dame, c.1900 (oil on canvas)
19th century |

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Henri Matisse
Stilleben im Gegenlicht
19th century |

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Henri Matisse
Paysage marocain (Les acanthes)
1912 |

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Henri Matisse
Nature morte: Buffet et table
1899 |

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Henri Matisse
Luxury, calm and voluptuousness
1904 |

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Henri Matisse
Luxus, Stille und Wollust
1904 |

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Henri Matisse
La chapelle du rosaire dite chap...
1951 |

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Henri Matisse
Mädchen in Gelb und Blau mit Git...
1939 |

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Henri Matisse
nu rose 1909 (oil on canvas )
1909 |

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Henri Matisse
le gouter golfe de saint tropez ...
1904 |

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Henri Matisse
Front cover illustration of the ...
1937 |

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Henri Matisse
Yellow and blue interior 1946 (o...
1946 |

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Henri Matisse
 
1947 |

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Henri Matisse
Reclining Female Nude (black & w...
Undated |

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Henri Matisse
Vase, Bottle and Fruit, c.1906 (...
1906 |

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Henri Matisse
Bateau camouflé au port de Marse...
1917 |

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Henri Matisse
Portrait of Marguerite, c. 1906-...
1907 |

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Henri Matisse
femmes au canape ou le divan 192...
1921 |

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Henri Matisse
 
1906 |

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Henri Matisse
 
1939 |

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Henri Matisse
Small Interior in blue
1947 |

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Page 1 / 15

About the artist

Henri Matisse
1869–1954
Born1869 (Le Cateau-Cambrésis)
Died1954 (Nizza)
NationalityFrance
EpochsImpressionism, Fauvism, Post Impressionism, Divisionismus, Neoimpressionismus
Genrelandscape, figure painting, still life, portrait
Professionpainter, sculptor, graphic artist, lithographer, draftsperson, ceramicist, designer, glass painter, art theorist
Family
Spouse: Amélie Parayre
Child: Marguerite Duthuit Faure, Jean Gérard Matisse, Pierre Matisse
TeacherGustave Moreau
StudentPatrick Henry Bruce, Ludvik Peter Karsten, Arvid Fougstedt, Marcel Gromaire, Axel Revold, Jane Gumpert, Carl Palme, Sigfrid Ullman, Filip Wahlström, Ingegerd Beskow, Milly Slöör, Nina Jakowlewna Jefimowa, Hadar Jönzén, Brita Lagerström-Hald, Sigrun Stéenhoff-Hjertén, Maj Bring, Annelies Nelck, Mykola Buratschek, Per Krohg
Notable worksFrau mit Hut (1905), The Joy of Life (1906), The Dessert: Harmony in Red (The Red Room) (1907), Green Stripe (1905), Music (1910)
MuseumsINHA Bibliotheque numerique (Cariatide), Statens Museum for Kunst, Barnes Foundation, Art Institute of Chicago, Finnish National Gallery (Kansallisgalleria)

A small flowerpot stands on the sill, while behind it the sea glows in pink, turquoise and pale blue. Henri Matisse (1869-1954) was a French painter, printmaker and draughtsman. In Open Window, Collioure, this everyday object was enough to make the immediacy of a summer's day palpable. For him, the window did not separate indoors from outdoors, but allowed the colors to flow into one another. Yet his path to this point began with files, office work and a legal career. When the consequences of an appendectomy confined him to bed for a long time in 1890, he began to paint. For a year, the familiar world had shrunk to a sickroom, but another opened up on paper. Eventually, he abandoned the law. Perhaps this experience helps explain the determination with which he later approached windows, gardens and interiors: for him, color was not an embellishment added later, but a way of making life expansive again. Even an early Parisian garden painting, The Luxembourg Gardens, Paris, ca. 1902, as well as Bois de Boulogne and Goldfish, retain in their titles the specific places or things that Matisse transformed into vivid, colorful presences.

In the summer of 1905, Matisse worked alongside André Derain in Collioure. It was there that he created Open Window, Collioure, whose pink shutters refuse to remain still and instead seem like a warm echo of the harbor. When the paintings were shown that autumn at the Salon d'Automne in Paris, the public reacted with outrage, and the critic Louis Vauxcelles coined the name Medieval Art, or wild beasts, for the group. The term was intended as a barb, yet it soon came to describe the freedom with which color was released from the obligation merely to imitate nature. In The Joy of Life, nude bodies recline in a landscape that seems less observed than sustained by yellow, green and blue. Matisse allowed areas of color to breathe, simplified lines and, in doing so, preserved a sensual warmth that gave even large formats an air of effortlessness. His friendship with Picasso was shaped by rivalry, respect and creative vigilance. Later, Nice became the center of his life, initially in a hotel room by the sea. Interior in Nice shows a seated figure in an open doorway, yet the strong turquoise tones and patterned room keep the calm from feeling cool. After major intestinal surgery in 1941, Matisse had to adapt his working methods to his physical limitations. Painted and cut papers became large cut-and-paste compositions in which blue, red, yellow and green met with even greater immediacy. Blue Nude III belongs to that late pictorial world, in which a body became present through a few powerful forms. What might have seemed like a limitation was transformed by Matisse into a lighthearted final chapter.

Whenever a reproduction of one of his paintings is prepared at Meisterdrucke, the sensitivity of the balance between luminosity and calm becomes apparent time and again. Every image file is therefore inspected by experts before the fine art print is slowly produced using lightfast pigment inks. A slightly glossy canvas is often recommended for the luminous areas of color, while a matte canvas with a fine texture has a more understated effect; each customer can select the medium, size and frame. In this way, Open Window, Collioure remains what it promised at first glance: a door flung wide open into Matisse's color.



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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

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Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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