Thomas Alphonso Hayley, Half-Length Drawing by William Blake

Thomas Alphonso Hayley, Half-Length Drawing

(Thomas Alphonso Hayley, halbe Länge Zeichnung)

William Blake

Victorian art
pondering · pencil work · thoughts · book · robe · statue · clouds · finger point · chin · stright
Thomas Alphonso Hayley, Half-Length Drawing by William Blake
18th century   ·  Graphit auf Papier  ·  Picture ID: 2235
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Thomas Alphonso Hayley, Half-Length Drawing by William Blake

Thomas Alphonso Hayley, Half-Length Drawing

(Thomas Alphonso Hayley, halbe Länge Zeichnung)

William Blake

Victorian art
pondering · pencil work · thoughts · book · robe · statue · clouds · finger point · chin · stright
Thomas Alphonso Hayley, Half-Length Drawing by William Blake
18th century   ·  Graphit auf Papier  ·  Picture ID: 2235
   Add to favorites
0 Reviews
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(inkl. 20% MwSt)

Produktionszeit: 2-4 Werktage
Bildschärfe: PERFEKT
Other art prints by William Blake
Behemoth and Leviathan The Sun at His Eastern Gate The Ancient of Days The Argument, illustration and text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and wc) Satan, Sin and Death, 1807 The Great Red Dragon and the Woman Clothed with the Sun Help! Help!, plate 10 from For the Sexes, The Gates of Paradise, pub. 1793 (line engraving) The Ghost of a Flea The circle of the lustful or The lovers whirlwind, Francesca da Rimini and Paolo Malatesta, from Dantes Inferno, Canto V, 1824-27 The Little Black Boy, from Songs of Innocence Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from The First Book of Urizen, 1794 (relief etching with wc) P.124-1950.pt38 The Chimney Sweeper: plate 38 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and wc) The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the Divine Comedy by Dante Alighieri, c.1827-38 The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the Divine Comedy by Dante Alighieri, 1954 The Number of the Beast is 666
Other art prints by William Blake
Behemoth and Leviathan The Sun at His Eastern Gate The Ancient of Days The Argument, illustration and text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and wc) Satan, Sin and Death, 1807 The Great Red Dragon and the Woman Clothed with the Sun Help! Help!, plate 10 from For the Sexes, The Gates of Paradise, pub. 1793 (line engraving) The Ghost of a Flea The circle of the lustful or The lovers whirlwind, Francesca da Rimini and Paolo Malatesta, from Dantes Inferno, Canto V, 1824-27 The Little Black Boy, from Songs of Innocence Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from The First Book of Urizen, 1794 (relief etching with wc) P.124-1950.pt38 The Chimney Sweeper: plate 38 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and wc) The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the Divine Comedy by Dante Alighieri, c.1827-38 The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the Divine Comedy by Dante Alighieri, 1954 The Number of the Beast is 666
Excerpt from our top sellers
Kumoi-Zakura (Kumoi Cherry Trees) Girl, hair braiding Remembrance of Mortefontaine, 1864 Hanging Gardens of Babylon Composition VIII Painting by Vassily Kandinsky (or Wassily Kandinski or Kandinskij, 1866-1944). 1915 Sun. 201x140 cm New York, Guggenheim Museum An Evening Walk to Sacre Coeur The Climax, illustration from Salome by Oscar Wilde, 1893 (line block print) Self Portrait with a Beret, 1886 The Acropolis in Athens in Ancient Greece, 1914 No.39 Okazaki, 1847-1852 Saint Sebastian, c.1615 Intersecting Lines, 1923 Roman Ruins, 1759 A Camel-Sowar of the 10th Bengal Lancers, c1880 1905. Bacchus, 1638-1640.
Excerpt from our top sellers
Kumoi-Zakura (Kumoi Cherry Trees) Girl, hair braiding Remembrance of Mortefontaine, 1864 Hanging Gardens of Babylon Composition VIII Painting by Vassily Kandinsky (or Wassily Kandinski or Kandinskij, 1866-1944). 1915 Sun. 201x140 cm New York, Guggenheim Museum An Evening Walk to Sacre Coeur The Climax, illustration from Salome by Oscar Wilde, 1893 (line block print) Self Portrait with a Beret, 1886 The Acropolis in Athens in Ancient Greece, 1914 No.39 Okazaki, 1847-1852 Saint Sebastian, c.1615 Intersecting Lines, 1923 Roman Ruins, 1759 A Camel-Sowar of the 10th Bengal Lancers, c1880 1905. Bacchus, 1638-1640.

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Thomas Alphonso Hayley, halbe Länge Zeichnung (AT) Thomas Alphonso Hayley, halbe Länge Zeichnung (DE) Thomas Alphonso Hayley, halbe Länge Zeichnung (CH) Thomas Alphonso Hayley, Half-Length Drawing (GB)
Thomas Alphonso Hayley, disegno a mezzo busto (IT) Thomas Alphonso Hayley, dessin demi-longueur (FR) Thomas Alphonso Hayley, tekening halverwege de lengte (NL) Thomas Alphonso Hayley, dibujo de media longitud (ES) Томас Альфонсо Хейли, Половина рисунка (RU)
थॉमस अल्फोंसो हेले, हाफ-लेंथ ड्रॉइंग (HI) 托马斯阿方索海莉,半身画 (ZH) Thomas Alphonso Hayley, desenho de meio-comprimento (PT) トーマス・アルフォンソ・ヘイリー、半身画 (JP) توماس ألفونسو هايلي ، رسم نصف طول (AE)

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Thomas Alphonso Hayley, halbe Länge Zeichnung (AT) Thomas Alphonso Hayley, halbe Länge Zeichnung (DE) Thomas Alphonso Hayley, halbe Länge Zeichnung (CH) Thomas Alphonso Hayley, Half-Length Drawing (GB) Thomas Alphonso Hayley, disegno a mezzo busto (IT) Thomas Alphonso Hayley, dessin demi-longueur (FR) Thomas Alphonso Hayley, tekening halverwege de lengte (NL) Thomas Alphonso Hayley, dibujo de media longitud (ES) Томас Альфонсо Хейли, Половина рисунка (RU) थॉमस अल्फोंसो हेले, हाफ-लेंथ ड्रॉइंग (HI) 托马斯阿方索海莉,半身画 (ZH) Thomas Alphonso Hayley, desenho de meio-comprimento (PT) トーマス・アルフォンソ・ヘイリー、半身画 (JP) توماس ألفونسو هايلي ، رسم نصف طول (AE)


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