Return of the Prodigal Son, 1773 by Pompeo Girolamo Batoni

Return of the Prodigal Son, 1773

(Rückkehr des verlorenen Sohnes, 1773)


Pompeo Girolamo Batoni

Undated   ·    ·  Picture ID: 709887

Portrait painting

Return of the Prodigal Son, 1773 by Pompeo Girolamo Batoni
italy · father · painting · symbol · christianity · poverty · goodness · forgiveness · sick · needy · bible · assistance · charity · reunion · compassion · grateful · destitution · mercy · allegory · new testament · rococo · parable · prodigal son · return of the prodigal son · luke · oil on canvas · bible · kindheartedness · caritas · gratidude · roman school · batoni · pompeo girolamo 1708-1787 · Fine Art Images/Heritage Images
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29.11.2020
marie-laurence p.
Art Print on Canvas Satin, 58cm x 80cm. With painting frame and glass (No Glas).


08.04.2021
Trudy D.
Art Print on Acrylic glass, 53cm x 74cm.
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Gemälde
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Keilrahmen
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(inkl. 20% MwSt)

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Produktionszeit: 2-4 Werktage
Bildschärfe: PERFEKT
Other art prints by Pompeo Girolamo Batoni
Return of the Prodigal Son, 1773 Mary Magdalene The Triumph of Venice, 1737 The Death of Marc Anthony, 1763 Venus and Cupid, 1785 Emperor Joseph II with Grand Duke Pietro Leopoldo of Tuscany Peace and War, 1776 Time orders Old Age to destroy Beauty, 1746 Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley Thomas William Coke, (1752-1842) later 1st Earl of Leicester (of the Second Creation) 1774  (for 1st Earl of 1st Creation see 147993) Portrait of Sir John Armytage (1732-58) 2nd Bart of Kirklees, 1758 Academic Nude Academic Nude 1457 Pope Benedict XIV presenting the Encyclical Ex Omnibus to the Comte de Stainville, later Duc de Choiseul, 1757 Portrait of Horace Walpole, (1717-97)
Other art prints by Pompeo Girolamo Batoni
Return of the Prodigal Son, 1773 Mary Magdalene The Triumph of Venice, 1737 The Death of Marc Anthony, 1763 Venus and Cupid, 1785 Emperor Joseph II with Grand Duke Pietro Leopoldo of Tuscany Peace and War, 1776 Time orders Old Age to destroy Beauty, 1746 Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley Thomas William Coke, (1752-1842) later 1st Earl of Leicester (of the Second Creation) 1774  (for 1st Earl of 1st Creation see 147993) Portrait of Sir John Armytage (1732-58) 2nd Bart of Kirklees, 1758 Academic Nude Academic Nude 1457 Pope Benedict XIV presenting the Encyclical Ex Omnibus to the Comte de Stainville, later Duc de Choiseul, 1757 Portrait of Horace Walpole, (1717-97)
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In the Skerries Reclining nude Sitting woman with raised knee Fish Magic Judith beheading Holofernes The Origin of the World Calumny of Apelles, 1497-98 The Palace of the Queen of the Night, set design for The Magic Flute by Wolfgang Amadeus Mozart (1756-91) for a production in Berlin, 1816 Wheatfield with Cypresses Cafe Terrace, Forum Square, Arles, 1888 Olive Trees with yellow sky and sun Intersecting Lines, 1923 Terrace of the cafe at the Place du Forum in Arles in the evening View of Kairuan The Souls of Acheron, 1898
Excerpt from our top sellers
In the Skerries Reclining nude Sitting woman with raised knee Fish Magic Judith beheading Holofernes The Origin of the World Calumny of Apelles, 1497-98 The Palace of the Queen of the Night, set design for The Magic Flute by Wolfgang Amadeus Mozart (1756-91) for a production in Berlin, 1816 Wheatfield with Cypresses Cafe Terrace, Forum Square, Arles, 1888 Olive Trees with yellow sky and sun Intersecting Lines, 1923 Terrace of the cafe at the Place du Forum in Arles in the evening View of Kairuan The Souls of Acheron, 1898

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