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Inferno, Canto 31: Ephialtes (Ephialte) in manacles among the giants, illustration from The Divine Comedy by Dante Alighieri, 1885 by Gustave after Dore

Inferno, Canto 31: Ephialtes (Ephialte) in manacles among the giants, illustration from The Divine Comedy by Dante Alighieri, 1885

(Inferno, Canto 31 : Ephialtes (Ephialte) in manacles among the giants, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving))


Gustave after Dore

€ 120.17
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1885  ·  digitally coloured engraving  ·  Image ID: 647955

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Inferno, Canto 31: Ephialtes (Ephialte) in manacles among the giants, illustration from The Divine Comedy by Dante Alighieri, 1885 by Gustave after Dore. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
14th 14th xivth century · mythology · medieval · enfer · moyen age · 14th 14th xiv xivo century · italy · medieval period · hell · greece greek · italie italien italiens italiennes · mythological figure · poetry · poetry · 13 13th xiii xiiith century · moyen-age · gravure · grëce grec grecque grecs grecques · middle age · engraving · literature · giant · thirteenth century · virgil · greece · littérature · 13th 13th century xiii · engraving · literature · géant · poetry · mythologies · hell · fourteenth century · three hundred · middle ages · mythology · italy · homme · two hundred · 1265-1321 · mythological character · personnage mythologique · Private Collection / Bridgeman Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 120.17
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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This Proud One Would of His Strength Against Almighty Jove Make Trial, c1890 Inferno, Canto 18: Paramours and flatterers in the eighth circle, illustration from "The Divine Comedy" by Dante Alighieri, 1885 Inferno, Canto 31: The Giant Antaeus Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 Purgatorio, Canto 11: The souls of the prideful, bearing heavy stones, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 29: Virgil reproves Dante Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from Inferno, Canto 28: Mutilated sowers of discord in the ninth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 32: Ugolino (Ugolino della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 30: Myrrha, condemned for incest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) Inferno, Canto 7: Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) Now Mark How I Do Rip Me! Lo! How is Mahomet Mangled!, c1890 By the hair it bore the severed member, lantern-wise pendant in hand, c. 1890 Why Greedily Thus Bendest More on Me, c. 1890 Inferno, Canto 21: Devils torment the barrators, illustration from Dante Alighieri Inferno, Canto 6: Virgil feeds Cerberus in the third circle, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 5: The soul of Francesca da Rimini speaks to Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 Wherefore doth fasten yet thy sight below amongst the maimed and miserable shades, c1890 The Burden of Pride, from Purgatorio, Canto 19: The Souls of the Avaricious: Adrian V (Pope Adrian V) Speaks to Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 18: Virgil shows Dante the shade of Thaïs - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedy) illustrated by Gustave Dore. French edition of 1861. "E in su la punta della rotta lacca/L Inferno, Canto 12: The Minotaur on the shattered cliff, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 15: Brunetto Latini accosts Dante, illustration from "The Divine Comedy" by Dante Alighieri, 1885 And there at point of the disparted ridge lay stretched the infamy of Crete Inferno, Canto 23: The poets escape the demons of the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 That is the ancient soul of wretched Myrrha The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 28: The severed head of Bertrand de Born speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883)
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This Proud One Would of His Strength Against Almighty Jove Make Trial, c1890 Inferno, Canto 18: Paramours and flatterers in the eighth circle, illustration from "The Divine Comedy" by Dante Alighieri, 1885 Inferno, Canto 31: The Giant Antaeus Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 Purgatorio, Canto 11: The souls of the prideful, bearing heavy stones, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 29: Virgil reproves Dante Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from Inferno, Canto 28: Mutilated sowers of discord in the ninth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 32: Ugolino (Ugolino della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 30: Myrrha, condemned for incest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) Inferno, Canto 7: Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) Now Mark How I Do Rip Me! Lo! How is Mahomet Mangled!, c1890 By the hair it bore the severed member, lantern-wise pendant in hand, c. 1890 Why Greedily Thus Bendest More on Me, c. 1890 Inferno, Canto 21: Devils torment the barrators, illustration from Dante Alighieri Inferno, Canto 6: Virgil feeds Cerberus in the third circle, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 5: The soul of Francesca da Rimini speaks to Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 Wherefore doth fasten yet thy sight below amongst the maimed and miserable shades, c1890 The Burden of Pride, from Purgatorio, Canto 19: The Souls of the Avaricious: Adrian V (Pope Adrian V) Speaks to Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 18: Virgil shows Dante the shade of Thaïs - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedy) illustrated by Gustave Dore. French edition of 1861. "E in su la punta della rotta lacca/L Inferno, Canto 12: The Minotaur on the shattered cliff, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 15: Brunetto Latini accosts Dante, illustration from "The Divine Comedy" by Dante Alighieri, 1885 And there at point of the disparted ridge lay stretched the infamy of Crete Inferno, Canto 23: The poets escape the demons of the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 That is the ancient soul of wretched Myrrha The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 28: The severed head of Bertrand de Born speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883)
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Inferno, Canto 5: Minos judges the transgressions and dispatches the souls, illustration from The Divine Comedy by Dante Alighieri, 1885 Purgatorio, Canto 2: The celestial pilot lands the boat, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 4: The Innocent Souls in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 13: The suicides in the forest, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 22: Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 7: Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 Purgatorio, Canto 11: The souls of the prideful, bearing heavy stones, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 3: Virgil and Dante at the Gates of Hell, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 26: The Flaming Spirits of Ulysses and Diomedes, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 8: Phlegyas (Phlegias) ferries Dante and Virgil across the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 23: The hypocrites address Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) Inferno, Canto 8: The soul of the Florentine Filippo Argenti accosts the poets on the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885, digitally coloured engraving Inferno, Canto 29: The falsifiers and forgers tormented with itching, illustration from The Divine Comedy by Dante Alighieri, 1885, after Gustave Doré, digitally coloured engraving Inferno, Canto 2: Beatrice and Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 6: Virgil feeds Cerberus in the third circle, illustration from The Divine Comedy by Dante Alighieri, 1885
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More art prints by Gustave after Dore

Inferno, Canto 5: Minos judges the transgressions and dispatches the souls, illustration from The Divine Comedy by Dante Alighieri, 1885 Purgatorio, Canto 2: The celestial pilot lands the boat, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 4: The Innocent Souls in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 13: The suicides in the forest, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 22: Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 7: Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 Purgatorio, Canto 11: The souls of the prideful, bearing heavy stones, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 3: Virgil and Dante at the Gates of Hell, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 26: The Flaming Spirits of Ulysses and Diomedes, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 8: Phlegyas (Phlegias) ferries Dante and Virgil across the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 23: The hypocrites address Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) Inferno, Canto 8: The soul of the Florentine Filippo Argenti accosts the poets on the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885, digitally coloured engraving Inferno, Canto 29: The falsifiers and forgers tormented with itching, illustration from The Divine Comedy by Dante Alighieri, 1885, after Gustave Doré, digitally coloured engraving Inferno, Canto 2: Beatrice and Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 6: Virgil feeds Cerberus in the third circle, illustration from The Divine Comedy by Dante Alighieri, 1885
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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