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The Way in which the ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullfighting by Francisco Jose de Goya y Lucientes

The Way in which the ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullfighting


Francisco Jose de Goya y Lucientes

€ 117.29
Enthält 0% MwSt.
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1814  ·  Etching, burnished aquatint and drypoint on ivory laid paper  ·  Image ID: 1300451

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The Way in which the ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullfighting by Francisco Jose de Goya y Lucientes. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 117.29
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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The Way the Old Spaniards on Horseback Hunted Bulls on the Plain The Way in Which the Ancient Spaniards Hunted Bulls on Horseback, Plate 1 from The Tauromaquia, 1816 The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, Plate 1 from La Tauromaquia Bullfights: The Spirited Moor Gazul Is the First to Fight According to the Rules Bullfights: The Spirited Moor Gazul Is the First to Fight According to the Rules, 1876 Bull hunting on horseback, The spirited Moor Gazul was the first to spear bulls according to the rules, Bullfighting (series title) Another Way of Hunting on Foot The Moors who settled in Spain and abandoned the superstition of the Koran adopted this art of hunting and spearing a bull on the plain Another Way of Hunting on Foot, plate two from The Art of Bullfighting The spirited Moor Gazul is the first to spear bulls according to the rules Another Way of Hunting on Foot Bullfight on Horseback (series title: La Tauromaquia) Faust and Mephistopheles Galloping through the Sabbath Night, 1828 Another Way of Hunting on Foot, Plate 2 from La Tauromaquia The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules, Plate 5 from The Art of Bullfighting Another Way of Hunting on Foot, Plate 2 from La Tauromaquia The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 from The Art of Bullfighting The Spirited Moor Gazul Is the First to Spear Bulls According to Rules The Spirited Moor Gazul is the First to Spear Bulls According to Rules, plate five from The Art of Bullfighting The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules, Plate 5 from The Art of Bullfighting The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been fitted with balls Four men hunt a bull; The Moors settled in Spain, abandoning the superstitions of their Koran, adopted this hunt and art, and spear a bull in the field; Bullfighting (series title); La Tauromaquia (series title)
Show more similar artworks

Similar artworks selected for you

The Way the Old Spaniards on Horseback Hunted Bulls on the Plain The Way in Which the Ancient Spaniards Hunted Bulls on Horseback, Plate 1 from The Tauromaquia, 1816 The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, Plate 1 from La Tauromaquia Bullfights: The Spirited Moor Gazul Is the First to Fight According to the Rules Bullfights: The Spirited Moor Gazul Is the First to Fight According to the Rules, 1876 Bull hunting on horseback, The spirited Moor Gazul was the first to spear bulls according to the rules, Bullfighting (series title) Another Way of Hunting on Foot The Moors who settled in Spain and abandoned the superstition of the Koran adopted this art of hunting and spearing a bull on the plain Another Way of Hunting on Foot, plate two from The Art of Bullfighting The spirited Moor Gazul is the first to spear bulls according to the rules Another Way of Hunting on Foot Bullfight on Horseback (series title: La Tauromaquia) Faust and Mephistopheles Galloping through the Sabbath Night, 1828 Another Way of Hunting on Foot, Plate 2 from La Tauromaquia The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules, Plate 5 from The Art of Bullfighting Another Way of Hunting on Foot, Plate 2 from La Tauromaquia The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 from The Art of Bullfighting The Spirited Moor Gazul Is the First to Spear Bulls According to Rules The Spirited Moor Gazul is the First to Spear Bulls According to Rules, plate five from The Art of Bullfighting The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules, Plate 5 from The Art of Bullfighting The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been fitted with balls Four men hunt a bull; The Moors settled in Spain, abandoning the superstitions of their Koran, adopted this hunt and art, and spear a bull in the field; Bullfighting (series title); La Tauromaquia (series title)
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More art prints by Francisco Jose de Goya y Lucientes

Yard with Lunatics The Third of May: The Execution of Spanish Insurgents by Napoleonic Troops Under General Murat Saturn Devouring His Son Dog, Half Submerged Pedro Romero Killing the Halted Bull. 1816. (25.1 x 35.9 cm). Pedro Romero (1754-1839). Spanish bullfighter. Plate 30 of "The Art of Bullfighting". Spain. Madrid (Autonomous Community). Madrid. National Library The Rope Breaks (Desastres de la Guerra 77) The Daring of Martincho (probably Antonio Ebassum) in the Ring at Saragossa. 1816. (24.9 x 35.7 cm). Plate 18 of "The Art of Bullfighting". Spain. Madrid (Autonomous Community). Madrid. National Library They Escape Through the Flames. 1810-1812. (16.1 x 23.3 cm). Plate 47 of "The Disasters of War". Spain. Madrid (Autonomous Community). Madrid. National Library Known Folly, also: Additional Proverb: What a Warrior! A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting The Nude Maja, c. 1800 Dreadful Events in the Front Rows of the Ring at Madrid and the Death of the Mayor of Torrejón in 1801. 1816. Plate 21 of "The Art of Bullfighting". Spain. Madrid (Autonomous Community). Madrid. National Library Saturn Devouring His Son It Is Time. 1797-1799. (21 x 14.5 cm). Plate 80 of "Los Caprichos". Romanticism. Spain. Madrid (Autonomous Community). Madrid. National Library A Woman
Show more works by Francisco Jose de Goya y Lucientes

More art prints by Francisco Jose de Goya y Lucientes

Yard with Lunatics The Third of May: The Execution of Spanish Insurgents by Napoleonic Troops Under General Murat Saturn Devouring His Son Dog, Half Submerged Pedro Romero Killing the Halted Bull. 1816. (25.1 x 35.9 cm). Pedro Romero (1754-1839). Spanish bullfighter. Plate 30 of "The Art of Bullfighting". Spain. Madrid (Autonomous Community). Madrid. National Library The Rope Breaks (Desastres de la Guerra 77) The Daring of Martincho (probably Antonio Ebassum) in the Ring at Saragossa. 1816. (24.9 x 35.7 cm). Plate 18 of "The Art of Bullfighting". Spain. Madrid (Autonomous Community). Madrid. National Library They Escape Through the Flames. 1810-1812. (16.1 x 23.3 cm). Plate 47 of "The Disasters of War". Spain. Madrid (Autonomous Community). Madrid. National Library Known Folly, also: Additional Proverb: What a Warrior! A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting The Nude Maja, c. 1800 Dreadful Events in the Front Rows of the Ring at Madrid and the Death of the Mayor of Torrejón in 1801. 1816. Plate 21 of "The Art of Bullfighting". Spain. Madrid (Autonomous Community). Madrid. National Library Saturn Devouring His Son It Is Time. 1797-1799. (21 x 14.5 cm). Plate 80 of "Los Caprichos". Romanticism. Spain. Madrid (Autonomous Community). Madrid. National Library A Woman
Show more works by Francisco Jose de Goya y Lucientes

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A selection of our top sellers

Ponte Fabricio Engagement Between the Bonhomme Richard and the Serapis off Flamborough Head, 1779 The Great Wave off Kanagawa Ploughing in Nivernais, 1849 Starry Night Over the Rhône The Death of Socrates World map Universalis Cosmographia, 1507 Vertumnus, 1591 View of Constantinople and the Bosphorus Haboku Landscape The Great Wave off the Coast of Kanagawa, c. 1829-c. 1831 The Waterlily Pond with the Japanese Bridge Summer evening on the beach at Skagen. The painter and his wife. In the Shadow of an Italian Pergola, A Warm Afternoon in Anacapri The Birth of Venus (edited)
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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