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Feel the passion of William Heath Robinson in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
William Heath Robinson
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
William Heath Robinson

William Heath Robinson

    May 31, 1872   -   September 13, 1944
Caricatures, Comics   •   Wikipedia: William Heath Robinson

William Heath Robinson was an English artist, illustrator and cartoonist. He was one of six children of Eliza and Thomas Robinson. His father was an illustrator and earned his income primarily from his created illustrations for the Penny Illustrated Paper. So it's no wonder that William Heath Robinson also became an illustrator. He studied at the Islington School of Art. After leaving school, he tried unsuccessfully to earn a living by painting landscapes. His first book illustrations were published in Don Quixote, Danish Fairy Tales and The Giant Crab and Other Tales from India. However, it was not until the publication of Uncle Lubin that he was able to improve his financial situation. William Heath Robinson worked in black and white for his first book illustrations. Well-known illustrated gift books by William Heath Robinson include Twelfth Night, A Song of the English, Bill the Minder, Fairy Tales, Old Time Stories, Midsummer Night's Dream, and The Tempest. In addition, he not only illustrated books, but also wrote them himself, such as "The Adventures of Uncle Lubin" and "Bill the Minder". The stories are charming, funny, simple, funny and absurd at the same time.

William Heath Robinson used both color plates and illustrations in black and white. The Hans Andersen was a success, which stood out with black and white illustrations and well-printed plates, as they were designed either with decorative charm and cheerfulness or absurdly humorous. Besides his books, William Heath Robinson started drawing cartoons and depicting them in a funny way. The first drawings first appeared in magazines, such as "London Magazine", "Pall Mall Magazine", "Bystander" and "Sketch". The artistic drawings of William Heath Robinson were illustrated in many different advertising brochures. He had a fascinating connection with industry and commerce, as he created different works for companies. The success of his cartoons was due to the style of the drawings, which he created in an absurd way. William Heath Robinson believed in his artistic abilities and considered them as a kind of joke. He also made many appearances on television and radio, designed sets for the theater and painted murals. The art in his paintings was the mixing of the serious with the comic, which he conveyed through his illustrations, cartoons and drawings. However, he became known especially as a creator of strange mechanical devices and machines. His name was used as a synonym for such devices. In his first drawings, he set out to ridicule the self-importance and fussiness of experts. William Heath Robinson found that the complicated machines stood as a metaphor for bureaucracy and various processes. Most of William Heath Robinson's humorous work focuses on the human condition, the weakness and self-importance of man than on the devices and apparatuses themselves.

William Heath Robinson

    May 31, 1872   -   September 13, 1944
Caricatures, Comics   •   Wikipedia: William Heath Robinson William Heath Robinson

William Heath Robinson was an English artist, illustrator and cartoonist. He was one of six children of Eliza and Thomas Robinson. His father was an illustrator and earned his income primarily from his created illustrations for the Penny Illustrated Paper. So it's no wonder that William Heath Robinson also became an illustrator. He studied at the Islington School of Art. After leaving school, he tried unsuccessfully to earn a living by painting landscapes. His first book illustrations were published in Don Quixote, Danish Fairy Tales and The Giant Crab and Other Tales from India. However, it was not until the publication of Uncle Lubin that he was able to improve his financial situation. William Heath Robinson worked in black and white for his first book illustrations. Well-known illustrated gift books by William Heath Robinson include Twelfth Night, A Song of the English, Bill the Minder, Fairy Tales, Old Time Stories, Midsummer Night's Dream, and The Tempest. In addition, he not only illustrated books, but also wrote them himself, such as "The Adventures of Uncle Lubin" and "Bill the Minder". The stories are charming, funny, simple, funny and absurd at the same time.

William Heath Robinson used both color plates and illustrations in black and white. The Hans Andersen was a success, which stood out with black and white illustrations and well-printed plates, as they were designed either with decorative charm and cheerfulness or absurdly humorous. Besides his books, William Heath Robinson started drawing cartoons and depicting them in a funny way. The first drawings first appeared in magazines, such as "London Magazine", "Pall Mall Magazine", "Bystander" and "Sketch". The artistic drawings of William Heath Robinson were illustrated in many different advertising brochures. He had a fascinating connection with industry and commerce, as he created different works for companies. The success of his cartoons was due to the style of the drawings, which he created in an absurd way. William Heath Robinson believed in his artistic abilities and considered them as a kind of joke. He also made many appearances on television and radio, designed sets for the theater and painted murals. The art in his paintings was the mixing of the serious with the comic, which he conveyed through his illustrations, cartoons and drawings. However, he became known especially as a creator of strange mechanical devices and machines. His name was used as a synonym for such devices. In his first drawings, he set out to ridicule the self-importance and fussiness of experts. William Heath Robinson found that the complicated machines stood as a metaphor for bureaucracy and various processes. Most of William Heath Robinson's humorous work focuses on the human condition, the weakness and self-importance of man than on the devices and apparatuses themselves.

Artworks by William Heath Robinson

Artworks by William Heath Robinson

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William Heath Robinson
 
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William Heath Robinson
Swimming the channel, some simpl...
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William Heath Robinson
 
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William Heath Robinson
An interesting and elegant appar...
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William Heath Robinson
How Noah, by skilful management,...
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William Heath Robinson
Nothing new under the sun (litho)
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William Heath Robinson
Overcoming the difficulties of s...
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William Heath Robinson
Romantic Possibilities in Modern...
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William Heath Robinson
When you want a quiet read in th...
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William Heath Robinson
Tea and toast (litho)
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William Heath Robinson
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William Heath Robinson
Eurhythmics, An Exercise in Pois...
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William Heath Robinson
Fish Tennis, a thrilling new wat...
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William Heath Robinson
Flat life, how sport is possible...
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William Heath Robinson
May you fall into sulphur, fire ...
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William Heath Robinson
Thoughtfully Pruned Trees (litho)
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William Heath Robinson
A neat contraption for recoverin...
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William Heath Robinson
Illustration for Don Quixote (li...
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William Heath Robinson
The devil was well, and the devi...
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William Heath Robinson
A woman, a dog, and a walnut tre...
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William Heath Robinson
A well-balanced carriage is to b...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
And laid all level with the grou...
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William Heath Robinson
Spring and spring onions, an idy...
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William Heath Robinson
Eastern luxury in the Home, The ...
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William Heath Robinson
Can she darn a sock? (litho)
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William Heath Robinson
The eldest child was a daughter,...
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William Heath Robinson
Among the Branches Dwelt a Night...
1930 |

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William Heath Robinson
The Wimbledon Serving Tube, For ...
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William Heath Robinson
The indoor game of Shovaroon (li...
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William Heath Robinson
Slew him on the spot (engraving)
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
Ring, draw, reach, fill and mixe...
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William Heath Robinson
Illustration for Don Quixote (li...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
How 'st my top? (litho)
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William Heath Robinson
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William Heath Robinson
Came the whisper, came the vision
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William Heath Robinson
Submarine, from Some Frightful W...
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William Heath Robinson
The End (litho)
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William Heath Robinson
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William Heath Robinson
Inculcating polite habits in the...
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William Heath Robinson
Then Began The Nightingale To Si...
1930 |

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William Heath Robinson
A duet on the trombonium (litho)
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William Heath Robinson
The shadow of Death came down up...
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William Heath Robinson
The Bedside Gas Cooker, Breakfas...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
I Must Venture to the Churchyard...
1930 |

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William Heath Robinson
The Baby Grand in a Bungalow (li...
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William Heath Robinson
Pets' Corner, Boldersbury Court,...
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William Heath Robinson
A law-cat (litho)
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William Heath Robinson
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William Heath Robinson
She Put The Statue Back In Her G...
1930 |

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William Heath Robinson
Proving That There is Room to Sw...
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William Heath Robinson
Many are at this day Dukes on th...
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William Heath Robinson
The aquarium work-table (litho)
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William Heath Robinson
The Floating Bungalow, for Distr...
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William Heath Robinson
The Fresh Air Parlour (litho)
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William Heath Robinson
She calls us, still unfed
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William Heath Robinson
Flat life, how at last it is pos...
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William Heath Robinson
Little Red Riding Hood Went to t...
1921 | pen and ink on paper

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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
How to Rise with the Sun, illust...
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William Heath Robinson
God knows how he got to L'Isle B...
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William Heath Robinson
Stork! Stork! Long-Legged Stork!...
1930 |

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William Heath Robinson
Her scolding was but in vain (li...
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William Heath Robinson
Not a Boat Was To Be Seen, c1930
1930 |

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William Heath Robinson
Nothing Doing! (litho)
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William Heath Robinson
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William Heath Robinson
An error at the start of his mar...
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William Heath Robinson
Something on each way, a fish tr...
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William Heath Robinson
And ask'd him why he did so toil...
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William Heath Robinson
 
1930 |

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William Heath Robinson
Flat life, the spare bedroom litho
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William Heath Robinson
Safety first! New road regulatio...
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William Heath Robinson
Goody Penia (litho)
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William Heath Robinson
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William Heath Robinson
Overcoming the Difficulty of Cle...
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William Heath Robinson
Browsing (litho)
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William Heath Robinson
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William Heath Robinson
Illustration for Don Quixote (li...
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William Heath Robinson
Set out in hot haste for the cap...
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William Heath Robinson
Testing a New Fiance (litho)
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William Heath Robinson
Illustration for The Adventures ...
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William Heath Robinson
History repeats itself, an unrec...
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William Heath Robinson
Music cum comfort (litho)
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William Heath Robinson
The Toyshop, 1900 (print)
19th century |

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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
Toys for Christmas, c.1900
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William Heath Robinson
The devil was sick, the devil a ...
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William Heath Robinson
When the flannel bags have shrun...
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William Heath Robinson
Ho, ho, ho, ho, how glad I am? (...
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William Heath Robinson
Having discover'd an ambuscade o...
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William Heath Robinson
How To Be A Perfect Husband (litho)
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William Heath Robinson
Taking the goldfish for an airin...
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William Heath Robinson
 
1930 |

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William Heath Robinson
Astronomy for married folk (litho)
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William Heath Robinson
The new honeymoon car, fitted wi...
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William Heath Robinson
Lenore, from 'The Poems of Edgar...
19th century | engraving

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William Heath Robinson
He Came to a Wide Moor, c1930
1930 |

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William Heath Robinson
The Soundness of Newton's Laws, ...
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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