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Johann Heinrich Füssli
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Museum Quality Art Prints
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Johann Heinrich Füssli

Switzerland · 1741–1825 · Romanticism, Classicism, fairy painting · 229 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Johann Heinrich Füssli
1741–1825
BornFebruary 6, 1741 (Zürich)
DiedApril 16, 1825 (Putney) at the age of 84
NationalitySwitzerland, United Kingdom of Great Britain and Northern Ireland
EpochsRomanticism, Classicism, fairy painting
Genreportrait, religious art, history painting
Professionpainter, poet, draftsperson, illustrator, graphic artist, architectural drafter, art historian
Family
Mother: Elisabeth Waser
Spouse: Sophia Fuseli
Sibling: Anna Füssli, Hans Rudolf Füssli, Johann Kaspar Füssli, Johann Rudolf Füssli
MembershipsRoyal Academy of Arts
Notable worksNachtmahr (1781), Der Kampf des Thor mit der Schlange des Midgard (1790), Die Vision der Katharina von Aragon (1781), Die Elfenkönigin Titania streichelt den eselsköpfigen Zettel (1790), Dido (1781)
MuseumsArt Institute of Chicago, Staatliche Museen zu Berlin, Nationalmuseum Schweden, Cleveland Museum of Art, Staedel Museum

Johann Heinrich Füssli

Henry Fuseli, born Johann Heinrich Füssli in Zurich in 1741, is one of the most remarkable painters of his time. Fuseli came from an educated milieu and received his first painting impulses from his father, who was himself a landscape and still life painter. Fuseli's sisters were also painters. After studying theology, Henry Fuseli initially became a pastor, but then had to leave his native Zurich because of critical writings. At that time, the painting pastor had already studied ancient writings of Homer, Shakespeare and Dante.

In 1764, Fuseli settled in London after a brief stint in Berlin, where he had made a name for himself as a translator. The portrait painter Sir Joshua Reynolds supported him in concentrating on painting in the future. Between 1770 and 1778, Fuseli lived in Rome, intensively studying the works of Michelangelo and engaging with the art of antiquity. Back in London, Fuseli was accepted into the Royal Academy: His reputation was already legendary at the time. With the oil painting "Thor's Fight with the Midgard Serpent", Fuseli became a full member of the Academy. A few years later he also received a professorship.

What distinguishes the painting of the Swiss-English artist? Fuseli's art is considered suggestive, demonic, intensely sensual. The visionary, even gruesome is the subject of his painting. Fuseli realizes this, as in "Titania and Bottom," in sensuous colors and strong contrasts of light and dark. At the same time, the painter was a lover of theater and literature. In an emotionally charged manner, he illustrated Shakespeare's dramas, for example "Hamlet", in drastic black and white. The painting "The Three Witches Appear Macbeth and Banquo" is magnificent in its somber coloring and palpable drama.

Artworks by Johann Heinrich Füssli

229 artworks found
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Johann Heinrich Füssli
The Nightmare, 1781
1781 | Oil on canvas

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Johann Heinrich Füssli
The Nightmare, c.1781
1791 | oil on canvas

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Johann Heinrich Füssli
 
1790 | oil on canvas

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Johann Heinrich Füssli
 
1781 | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
The Nightmare, c1790
1790 | oil/oil

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Johann Heinrich Füssli
The Witch and the Mandrake, 18th...
Undated | pencil and chalk on paper

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Johann Heinrich Füssli
 
1790 | oil on canvas

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Johann Heinrich Füssli
Sapphic Love,
Undated | pencil and pen and brown ink

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
1814 | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
Head of a Damned Soul from Dante...
1778 | oil on canvas

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Johann Heinrich Füssli
 
18th century | Pen and brown ink (recto and verso) on cream laid paper

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Johann Heinrich Füssli
Achilles Searching for the Shade...
1803 | oil on canvas

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Johann Heinrich Füssli
 
1819 | Graphite and brush and black wash, with touches of charcoal (recto), and graphite (verso), on cream wove paper

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Johann Heinrich Füssli
Ulysses Escaping from Polyphemus...
1808 | engraving

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Johann Heinrich Füssli
 
1781 | Charcoal and black chalk, with stumping, heightened with white chalk and touches of red-orange pastel, on grayish-tan laid paper

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Johann Heinrich Füssli
 
1760 | Pen and brown ink, and brush and brown and gray wash, over graphite (recto), and graphite (verso), on tan laid paper

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Johann Heinrich Füssli
""Theodore rencontre le spectre ...
1783 |

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Johann Heinrich Füssli
The body of Sarpedon brought hom...
Undated |

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Johann Heinrich Füssli
Celadon und Amelia
1801 |

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Johann Heinrich Füssli
 
Undated |

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Johann Heinrich Füssli
Satan touched by Ithuriel's swor...
Undated |

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Johann Heinrich Füssli
Scene of Witches from 'The Masqu...
Undated | oil on canvas

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Johann Heinrich Füssli
Edgar, Feigning Madness Approach...
1772 | pen, ink and sepia wash over traces of pencil on paper

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Johann Heinrich Füssli
 
undatiert | Watercolor on paper

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Johann Heinrich Füssli
Scene from Act IV, Scene I of A ...
Undated | lithograph

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Johann Heinrich Füssli
Leonora Discovers Alonzo’s Dagger
1790 |

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Johann Heinrich Füssli
Tekemessa and Eurysakes, c.1800-10
Undated | oil on canvas

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Johann Heinrich Füssli
Drawing for the frontispiece of ...
Undated | graphite on paper

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Johann Heinrich Füssli
A Woman Sitting by the Window (“...
1803 | Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper

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Johann Heinrich Füssli
 
Undated | Pen and brown ink, graphite and gray wash on medium, slightly textured, cream wove paper

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Johann Heinrich Füssli
The Nightmare Leaving Two Sleepi...
1810 | graphite and watercolour on paper

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Johann Heinrich Füssli
The Apotheosis of Penelope Booth...
1792 | oil on canvas

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Johann Heinrich Füssli
Satan Starts from the Touch of I...
Undated |

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Johann Heinrich Füssli
Dänenkönig wird im Schlaf von se...
1771 |

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Johann Heinrich Füssli
Titania, Bottom and the Fairies,...
1803 | engraving

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Johann Heinrich Füssli
Dana? and Perseus on Seriphos(?)
Undated | oil on canvas

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Johann Heinrich Füssli
 
1786 |

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Johann Heinrich Füssli
Portrait of Mrs Fuseli, c.1798 (...
Undated | watercolour over pencil on paper

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Johann Heinrich Füssli
Vision of the Deluge, from 'Para...
Undated | oil on canvas

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Johann Heinrich Füssli
Hamlet, Act I, Scene IV, by Will...
Undated | lithograph

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Johann Heinrich Füssli
Head of a Damned Soul from Dante...
Undated |

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Johann Heinrich Füssli
'Here I and Sorrow Sit', Act II ...
1783 | oil on canvas

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Johann Heinrich Füssli
Titania finds the magic ring on ...
Undated | oil on canvas

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Johann Heinrich Füssli
The Shepherds Dream, from Paradi...
1793 | oil painting

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Johann Heinrich Füssli
Sketch for Oath on the Rütli, Fe...
Undated |

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Johann Heinrich Füssli
Johann Jakob Bodmer (Greifensee
Undated |

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Johann Heinrich Füssli
 
1799 | oil on canvas

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Johann Heinrich Füssli
 
1779 | oil on canvas

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Johann Heinrich Füssli
The Confederates Arriving at the...
Undated | pen and wash on paper

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Johann Heinrich Füssli
Europa and the Bull (pen and ink...
Undated |

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Johann Heinrich Füssli
 
undatiert | oil on canvas

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Johann Heinrich Füssli
The Creation of Eve, 1791-93
Undated | oil on canvas

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Johann Heinrich Füssli
 
1781 | oil on canvas

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Johann Heinrich Füssli
 
1812 | oil painting

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Johann Heinrich Füssli
 
1810 | Watercolor on paper

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Johann Heinrich Füssli
 
1776 | pen and brown ink and brush and gray wash

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Johann Heinrich Füssli
The Nightmare, 1781 (chalk on pa...
1781 | chalk on paper

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
Portrait of Ulrich Braker (Nabis...
Undated |

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Johann Heinrich Füssli
Titania's Awakening, c.1785-90
1790 |

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Johann Heinrich Füssli
Die Vision der Katharina von Ara...
Undated | oil on canvas

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
Macbeth and the Three Witches Sh...
18th century | watercolour

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Johann Heinrich Füssli
 
Undated | Indian ink on paper

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Johann Heinrich Füssli
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Johann Heinrich Füssli
The Fire King appears to Count A...
Undated | oil on canvas

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Johann Heinrich Füssli
Lady Macbeth Sleepwalking, 1783
1783 | oil on canvas

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Johann Heinrich Füssli
Mad Kate, 1806-07
Undated | oil on canvas

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Johann Heinrich Füssli
 
1815 | Graphite on paper

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Johann Heinrich Füssli
Portrait of a Lady
Undated | oil on canvas

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Johann Heinrich Füssli
 
18th century | Pen and brown ink (recto and verso) on ivory laid paper

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Johann Heinrich Füssli
 
1818 | Etching and aquatint on ivory wove paper

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Johann Heinrich Füssli
The Vision of the Deluge,
Undated | oil on canvas

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Johann Heinrich Füssli
Percival Delivering Belisane...,...
1783 | oil painting

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Johann Heinrich Füssli
The Night-Hag Visiting Lapland W...
Undated |

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Johann Heinrich Füssli
Titania's Dream, c.1809-13 (penc...
1809 | pencil with grey and pink wash on paper

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
1807 | Lithograph in black on buff wove paper

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Johann Heinrich Füssli
 
1769 | Pen and black ink, with brush and brown and gray wash and touches of red gouache, over graphite and touches of charcoal, on ivory laid paper

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Johann Heinrich Füssli
Study of a Woman"s Gloved Arms, ...
1798 | pencil

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Johann Heinrich Füssli
Death of Cardinal Beaufort, illu...
1772 | pen, ink and wash on paper

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
 
1805 | Ink on paper

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Johann Heinrich Füssli
A Mother with her Family in the ...
1807 | engraving

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Johann Heinrich Füssli
 
1811 | Watercolor on paper

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Johann Heinrich Füssli
 
1798 |

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Johann Heinrich Füssli
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Johann Heinrich Füssli
The Death of Oedipus, engraved b...
1785 | mezzotint

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Johann Heinrich Füssli
The Dispute between Hotspur, Wor...
1784 | oil on canvas

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Johann Heinrich Füssli
A Warrior Rescuing a Lady, 1780-...
Undated | pen, ink and wash on paper

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Johann Heinrich Füssli
 
Undated |

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Johann Heinrich Füssli
The Shepherd's Dream, c.1786 (pe...
1786 | pencil, red chalk and grey wash

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Johann Heinrich Füssli
Puck Basking Asleep Before the C...
Undated | engraving

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Johann Heinrich Füssli
Half Figure of a Courtesan with ...
Undated | pencil, watercolour and ink on paper

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Johann Heinrich Füssli
 
Undated | Watercolor, gray wash and graphite on thin, slightly textured, cream laid paper

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Johann Heinrich Füssli
Dispute between Hotspur, Glendow...
Undated |

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Johann Heinrich Füssli
A Lady Walking,
Undated | pencil, pen and brown ink and watercolour

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
Undated | Pen and brown ink, with traces of graphite on ivory laid paper

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About the artist

Johann Heinrich Füssli
1741–1825
BornFebruary 6, 1741 (Zürich)
DiedApril 16, 1825 (Putney) at the age of 84
NationalitySwitzerland, United Kingdom of Great Britain and Northern Ireland
EpochsRomanticism, Classicism, fairy painting
Genreportrait, religious art, history painting
Professionpainter, poet, draftsperson, illustrator, graphic artist, architectural drafter, art historian
Family
Mother: Elisabeth Waser
Spouse: Sophia Fuseli
Sibling: Anna Füssli, Hans Rudolf Füssli, Johann Kaspar Füssli, Johann Rudolf Füssli
MembershipsRoyal Academy of Arts
Notable worksNachtmahr (1781), Der Kampf des Thor mit der Schlange des Midgard (1790), Die Vision der Katharina von Aragon (1781), Die Elfenkönigin Titania streichelt den eselsköpfigen Zettel (1790), Dido (1781)
MuseumsArt Institute of Chicago, Staatliche Museen zu Berlin, Nationalmuseum Schweden, Cleveland Museum of Art, Staedel Museum

Henry Fuseli, born Johann Heinrich Füssli in Zurich in 1741, is one of the most remarkable painters of his time. Fuseli came from an educated milieu and received his first painting impulses from his father, who was himself a landscape and still life painter. Fuseli's sisters were also painters. After studying theology, Henry Fuseli initially became a pastor, but then had to leave his native Zurich because of critical writings. At that time, the painting pastor had already studied ancient writings of Homer, Shakespeare and Dante.

In 1764, Fuseli settled in London after a brief stint in Berlin, where he had made a name for himself as a translator. The portrait painter Sir Joshua Reynolds supported him in concentrating on painting in the future. Between 1770 and 1778, Fuseli lived in Rome, intensively studying the works of Michelangelo and engaging with the art of antiquity. Back in London, Fuseli was accepted into the Royal Academy: His reputation was already legendary at the time. With the oil painting "Thor's Fight with the Midgard Serpent", Fuseli became a full member of the Academy. A few years later he also received a professorship.

What distinguishes the painting of the Swiss-English artist? Fuseli's art is considered suggestive, demonic, intensely sensual. The visionary, even gruesome is the subject of his painting. Fuseli realizes this, as in "Titania and Bottom," in sensuous colors and strong contrasts of light and dark. At the same time, the painter was a lover of theater and literature. In an emotionally charged manner, he illustrated Shakespeare's dramas, for example "Hamlet", in drastic black and white. The painting "The Three Witches Appear Macbeth and Banquo" is magnificent in its somber coloring and palpable drama.



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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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