Matthias Grünewald is one of the artists whose life and career is largely unknown. Only after his death he attained corresponding fame. He was probably born in Würzburg around the year 1480. Albrecht Dürer and Hans Fyoll, whose journeyman he is even said to have been, are regarded as his teachers and inspiration. Grünewald's first surviving works date back to 1504, and it seems that he exclusively captured biblical and Christian motifs on canvas. Like many of his contemporaries, he was commissioned by various employers, for example the archbishops of Mainz, Jakob von Liebenstein and Ulrich von Gemmingen. He was also not only employed as a painter. It is handed down that Matthias Grünewald was also a talented and sought-after well builder.
He became known to posterity above all for his triptych, the Isenheim Altar. Finished in 1516, it leaves the viewer amazed to this day by the realistic and above all apocryphal depiction of the various stages of the Passion of Jesus Christ and thus offers a wide range of interpretations. Grünewald's haptic balancing of light and dark contrasts is particularly noteworthy. Above all, this ensures that the precision of detail in this work shows a depth that was almost unattainable for the time.
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Only about a dozen of his paintings and a few drawings have been preserved. Grünewald also left no theoretical treatises or other records. But even this fragmentary work shows that he was one of the great masters of his guild, who during his lifetime hardly ever gained the fame that his famous contemporaries Albrecht Dürer and Lucas Cranach dem Älteren enjoyed. Towards the end of his life, Grünewald even seemed to have taken leave of painting altogether. It is assumed that he finally devoted himself to soap making. On August 31, 1528 he finally died in Halle an der Saale. © Meisterdrucke
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Matthias Grünewald is one of the artists whose life and career is largely unknown. Only after his death he attained corresponding fame. He was probably born in Würzburg around the year 1480. Albrecht Dürer and Hans Fyoll, whose journeyman he is even said to have been, are regarded as his teachers and inspiration. Grünewald's first surviving works date back to 1504, and it seems that he exclusively captured biblical and Christian motifs on canvas. Like many of his contemporaries, he was commissioned by various employers, for example the archbishops of Mainz, Jakob von Liebenstein and Ulrich von Gemmingen. He was also not only employed as a painter. It is handed down that Matthias Grünewald was also a talented and sought-after well builder.
He became known to posterity above all for his triptych, the Isenheim Altar. Finished in 1516, it leaves the viewer amazed to this day by the realistic and above all apocryphal depiction of the various stages of the Passion of Jesus Christ and thus offers a wide range of interpretations. Grünewald's haptic balancing of light and dark contrasts is particularly noteworthy. Above all, this ensures that the precision of detail in this work shows a depth that was almost unattainable for the time.
Br/>
Only about a dozen of his paintings and a few drawings have been preserved. Grünewald also left no theoretical treatises or other records. But even this fragmentary work shows that he was one of the great masters of his guild, who during his lifetime hardly ever gained the fame that his famous contemporaries Albrecht Dürer and Lucas Cranach dem Älteren enjoyed. Towards the end of his life, Grünewald even seemed to have taken leave of painting altogether. It is assumed that he finally devoted himself to soap making. On August 31, 1528 he finally died in Halle an der Saale. © Meisterdrucke
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