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Captive Story. First Encounter of the Captive with Zoraide in the Garden of the Father, Who Brings Her Back After His Malaise Feint - from "Don Quixote de la Mancha" by Miguel Cervantes by Gustave Dore

Captive Story. First Encounter of the Captive with Zoraide in the Garden of the Father, Who Brings Her Back After His Malaise Feint - from "Don Quixote de la Mancha" by Miguel Cervantes

(Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes)


Gustave Dore

€ 119.3
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Undated  ·  Image ID: 889016

Romanticism

Captive Story. First Encounter of the Captive with Zoraide in the Garden of the Father, Who Brings Her Back After His Malaise Feint - from "Don Quixote de la Mancha" by Miguel Cervantes by Gustave Dore. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
spain · engraving · literature · spanish · spanish · cervantes · bianchetticor · miguel de (1547-1616) · Private Collection / Bridgeman Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 119.3
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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View in the Hall of the Two Sisters, 19th Century, 1907 Gate of the Hall of Justice Entrance to the Hall of the Barque..., 19th century, 1907 Captive Story. First Encounter of the Captive with Zoraide in the Garden of Her Father - from Detail of the Arcade of the Alcazar in Seville - by Doré, in “Tour du Monde”, 2nd sem. 1866. New Universal Geography New Universal Geography Arnaut Guardhouse in Cairo Door of the Hall of Ambassadors, from Colonnade of the Mosque of Djamaa-El-Kebir, Algiers Don Quixote and Sancho Panza, invited by Don Diego de Miranda at home, are welcomed by the gentleman View of the large patio of the Alcazar in Seville - by Doré, in “Tour du Monde”, 2nd sem. 1866. Entrance to the Hall of the Two Sisters (Sala de las dos Hermanas), from Interior View, Taken from the Hall of the Two Sisters Interior of a Church with a Monk An Ornamented Doorway in the Castle, at Newcastle, Northumberland, 1814 The Fountain of the Lions, from the Hall of the Abencerrajes, from The Fox and the Grapes - from Luscinde Sends a Ticket to Cardenio Koranic school in the cobblers Part of the Interior of the Castle at Newcastle, Northumberland, 1814 Egypt and Nubia, Volume III: Modern Mansion, showing the Arabesque Architecture of Cairo House Called the White Queen, Rue St. Hippolyte Egypt and Nubia, Volume III: Modern Mansion, showing the Arabesque Architecture of Cairo Theatrical representation: Garin by Paul Delair with Henri Maubant, Adeline Dudlay, and Jean Sully Mounet Moroccan Family, 1862 In Liguria Dudley Castle - Gatehouse and North Gateway: etching, nd [?19th cent] Court of the Fish-Pond
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More art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from The Valley of Tears, 1883 Illustration from Edgar Allan Poe The Oceanids The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Fall of the Rebel Angels, from Book I of “Paradise Lost” by John Milton (1608-74), c. 1868
Show more works by Gustave Dore

More art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from The Valley of Tears, 1883 Illustration from Edgar Allan Poe The Oceanids The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Fall of the Rebel Angels, from Book I of “Paradise Lost” by John Milton (1608-74), c. 1868
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The Ambassadors Childhood Friends Portrait of a Woman, 1910 Suigin Grove and Masaki, on the Sumida River, from Tilla Durieux 1880-1971 as Circe, c.1913 Cosmic Cliffs in the Carina Nebula (NIRCam Image) The Isle of the Dead Trompe-l Krumau - Crescent of Houses (The Small City V) Portrait of a Woman, 1909 Nymphs and Satyr The Waterlily Pond, 1904 The Cannon Shot, c. 1680 After Bathing Polyphon Framed White
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The Ambassadors Childhood Friends Portrait of a Woman, 1910 Suigin Grove and Masaki, on the Sumida River, from Tilla Durieux 1880-1971 as Circe, c.1913 Cosmic Cliffs in the Carina Nebula (NIRCam Image) The Isle of the Dead Trompe-l Krumau - Crescent of Houses (The Small City V) Portrait of a Woman, 1909 Nymphs and Satyr The Waterlily Pond, 1904 The Cannon Shot, c. 1680 After Bathing Polyphon Framed White
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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