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Cleopatra taken to Rome in Triumph by Augustus, c. 1653 by Francois Perrier

Cleopatra taken to Rome in Triumph by Augustus, c. 1653

(Cleopatra taken to Rome in Triumph by Augustus, c.1653 )


Francois Perrier

€ 110.49
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Undated  ·  etching  ·  Image ID: 42519

Baroque  ·  Female Nude

Cleopatra taken to Rome in Triumph by Augustus, c. 1653 by Francois Perrier. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
female · reclined · reclining · breasts · nude · drapery · sandals · classical sculpture · roman statue · ptolemy · ptolemies · odalisque · portrait · Private Collection / Bridgeman Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 110.49
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Hermaphrodite in the Borghese Gardens Hysteria, Mental and Nervous Disorder, Arising from Intense Anxiety. 1887 Statue of Reclining Cleopatra Madonna and Child Accident Medicine - Effective Relief for Drowned People - Engraving in Zephyr and Psyche Death of Sister God Separates Light and Darkness Nightmare, illustration from Bordering hysteria. 1887 Chernomor and Lyudmila. Illustration to the poem Ruslan and Lyudmila by A. Pushkin Reclining Woman on Skull Postcard Advertising the Congress of Peace of the Seine, Paris Venus Italica, Galleria Palatina, Florence, Tuscany, Italy An angel leading a young boy and gesturing to the clouds Artist The Seven Vices: Avarice, c. 1510 Bishop [Jan de Bisschop], A Sleeping Beauty Studies of the Drapery of a Figure Seated to Right, c1480, 1945 Reclining Venus Sketch for Pieta The Seven Vices: Avarice St. Cecilia, after Maderno Monk at Prayer River Nile, c.1653 Bible of Royaumont, Old Testament: Jacob Study for the Death of Socrates St Francis supporting the crucified Christ Death of Isaac, from Wells Cathedral
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More art prints by Francois Perrier

Aeneas and his companions fighting the Harpies. Painting by François Perrier (1590-1650), 1646. Oil. 1.55 x 2.18 m Acis and Galatea. The nymph Galatea and Acis are observed by the Cyclops Polyphemus, jealous of their idyllic love. According to Ovid Cleopatra taken to Rome in Triumph by Augustus, c. 1653 A Nude Fighting Man, Side View, Turned to the Left [Plate 27] Polyphemus the Cyclops with a Pan flute, detail of “Acis and Galatea”. The nymph Galatea and Acis are observed by the Cyclops Polyphemus, jealous of their idyllic love. According to Ovid Veturia, Mother of Coriolanus, c. 1653 Roman Emperor Marcus Aurelius. Portrait. Acis and Galatea Hiding from the Giant Polyphemus The Medici Wrestlers, side view, turned to right [plate 35] Portrait of Simon Vouet Plundering of a Town. A Square between Large Buildings. In the foreground left lie dead people, among them are people carrying away treasures. On the right, a group of women with valuables in their hands. Below, an explanatory inscription Vestal Virgin The Borghese Gladiator, front view (plate 26) The Farnese Hercules, Seen from Behind (plate 4) Beheading of a Saint (St. Catherine?)
Show more works by Francois Perrier

More art prints by Francois Perrier

Aeneas and his companions fighting the Harpies. Painting by François Perrier (1590-1650), 1646. Oil. 1.55 x 2.18 m Acis and Galatea. The nymph Galatea and Acis are observed by the Cyclops Polyphemus, jealous of their idyllic love. According to Ovid Cleopatra taken to Rome in Triumph by Augustus, c. 1653 A Nude Fighting Man, Side View, Turned to the Left [Plate 27] Polyphemus the Cyclops with a Pan flute, detail of “Acis and Galatea”. The nymph Galatea and Acis are observed by the Cyclops Polyphemus, jealous of their idyllic love. According to Ovid Veturia, Mother of Coriolanus, c. 1653 Roman Emperor Marcus Aurelius. Portrait. Acis and Galatea Hiding from the Giant Polyphemus The Medici Wrestlers, side view, turned to right [plate 35] Portrait of Simon Vouet Plundering of a Town. A Square between Large Buildings. In the foreground left lie dead people, among them are people carrying away treasures. On the right, a group of women with valuables in their hands. Below, an explanatory inscription Vestal Virgin The Borghese Gladiator, front view (plate 26) The Farnese Hercules, Seen from Behind (plate 4) Beheading of a Saint (St. Catherine?)
Show more works by Francois Perrier

More motifs from the category Female Nude

Nude Nude with Tulips Female Nude, Apparition Female nude clasping right leg, 1917 Copy of Titian Annah the Javanese, 1893-94 Standing Female Nude Female Nude, study for Liberty Leading the People Seated Female Nude Nude woman reclining, early 19th century Naked Woman Styling her Hair; Femme nue se coiffant, c.1890-1895 Nude in the Mirror, 20th century Reclining Nude, c. 1912 Female Nude Drying Herself, c. 1909 Mademoiselle Rose Nude, Seen from the Back
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More motifs from the category Female Nude

Nude Nude with Tulips Female Nude, Apparition Female nude clasping right leg, 1917 Copy of Titian Annah the Javanese, 1893-94 Standing Female Nude Female Nude, study for Liberty Leading the People Seated Female Nude Nude woman reclining, early 19th century Naked Woman Styling her Hair; Femme nue se coiffant, c.1890-1895 Nude in the Mirror, 20th century Reclining Nude, c. 1912 Female Nude Drying Herself, c. 1909 Mademoiselle Rose Nude, Seen from the Back
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A selection of our top sellers

Group IX/SUW, No. 1, The Swan, No. 1, 1914-1915 Time for a Bath, Valencia Madonna and Child with Two Angels View of a Harbour Dance at Le Moulin de la Galette The Kiss, 1895 Witches Colored Leaves at Kaianji Temple, 1837-1844 Flowering Garden in Spring Landscape with Church and Path Sin The Buddha Rapallo, View of Portofino. c. 1906 Rome, From Mount Aventine Petra, March 7th 1839, plate 92 from Volume III of „The Holy Land“, engraved by Louis Haghe (1806-85), published 1849
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A selection of our top sellers

Group IX/SUW, No. 1, The Swan, No. 1, 1914-1915 Time for a Bath, Valencia Madonna and Child with Two Angels View of a Harbour Dance at Le Moulin de la Galette The Kiss, 1895 Witches Colored Leaves at Kaianji Temple, 1837-1844 Flowering Garden in Spring Landscape with Church and Path Sin The Buddha Rapallo, View of Portofino. c. 1906 Rome, From Mount Aventine Petra, March 7th 1839, plate 92 from Volume III of „The Holy Land“, engraved by Louis Haghe (1806-85), published 1849
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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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+43 4257 29415 · support@meisterdrucke.com
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