Mondaufgang am Meer by Caspar David Friedrich

Mondaufgang am Meer

(Moonrise at the sea)

Caspar David Friedrich

Romantic  ·  Sunrise sunset
women · melancholy · coast · sunset · beach · shore · ocean · loss · boat · nature
Mondaufgang am Meer by Caspar David Friedrich
1822   ·  Öl auf Leinwand  ·  Picture ID: 23585
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In creating this painting, Caspar David Friedrich focused on the moonrise. This is the only source of light in "Moonrise at the Sea" and thus makes all other aspects of the picture shine in its splendor. Thus, in spite of the relative darkness, a variety of colors that extend over the entire screen are apparent.

Only in the foreground is the light of the moon barely arrived. The viewer gets a glimpse of the coarse rock outlines on the shores of the sea. Large and small brownish stones are visible here. Right in the middle of the picture is the biggest rock. On this rock sit three people whose countenance shines in the moonlight. There is a man with a hat next to two women. Separated, these three people are through a small gap between the man and the woman sitting right. The moonlight illuminates their bodies so strongly that at least the reddish color of the women's skirts and the blue tops are perceptible. All three persons seem to look longingly out to the sea. It is not entirely clear whether they are surveying the moonrise and the resulting colors or the two sailing ships that are approaching the coast. These two ships are clearly visible on the left side of the picture. Due to the lack of lighting, however, they are dark and free of any color.

The light of the moon extends at least in the rear area over the wide sea surface on which the ships are located. On the horizon, this hits the sea particularly hard and makes it shine in an orange tone. Above the sea, the moon itself is still partially hidden behind a violet cloud cover to be able to illuminate the sky in orange and pink tones further up. Caspar David Friedrich placed the moon exactly between the sailing ships and the gaze of the people, as if they were sitting directly next to the moon and yet so far away. The longing seems to be great. © Meisterdrucke
Mondaufgang am Meer by Caspar David Friedrich

Mondaufgang am Meer

(Moonrise at the sea)

Caspar David Friedrich

Romantic  ·  Sunrise sunset
women · melancholy · coast · sunset · beach · shore · ocean · loss · boat · nature
Mondaufgang am Meer by Caspar David Friedrich
1822   ·  Öl auf Leinwand  ·  Picture ID: 23585
   Add to favorites
0 Reviews
In creating this painting, Caspar David Friedrich focused on the moonrise. This is the only source of light in "Moonrise at the Sea" and thus makes all other aspects of the picture shine in its splendor. Thus, in spite of the relative darkness, a variety of colors that extend over the entire screen are apparent.

Only in the foreground is the light of the moon barely arrived. The viewer gets a glimpse of the coarse rock outlines on the shores of the sea. Large and small brownish stones are visible here. Right in the middle of the picture is the biggest rock. On this rock sit three people whose countenance shines in the moonlight. There is a man with a hat next to two women. Separated, these three people are through a small gap between the man and the woman sitting right. The moonlight illuminates their bodies so strongly that at least the reddish color of the women's skirts and the blue tops are perceptible. All three persons seem to look longingly out to the sea. It is not entirely clear whether they are surveying the moonrise and the resulting colors or the two sailing ships that are approaching the coast. These two ships are clearly visible on the left side of the picture. Due to the lack of lighting, however, they are dark and free of any color.

The light of the moon extends at least in the rear area over the wide sea surface on which the ships are located. On the horizon, this hits the sea particularly hard and makes it shine in an orange tone. Above the sea, the moon itself is still partially hidden behind a violet cloud cover to be able to illuminate the sky in orange and pink tones further up. Caspar David Friedrich placed the moon exactly between the sailing ships and the gaze of the people, as if they were sitting directly next to the moon and yet so far away. The longing seems to be great. © Meisterdrucke
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Other art prints by Caspar David Friedrich
The Wanderer above the Sea of Fog Moonrise at the sea Monk by the Sea Waft of Mist, c. 1818-20 Spring (sepia ink and pencil on paper) Woman at a Window, 1822 The dreamer Moon rising Over the Sea Woman at dawn River landscape at night Two Men Contemplating the Moon Morning in the Mountains Woman before the Rising Sun, ca 1818 View from the artist&39;s studio (right window) The noon
Other art prints by Caspar David Friedrich
The Wanderer above the Sea of Fog Moonrise at the sea Monk by the Sea Waft of Mist, c. 1818-20 Spring (sepia ink and pencil on paper) Woman at a Window, 1822 The dreamer Moon rising Over the Sea Woman at dawn River landscape at night Two Men Contemplating the Moon Morning in the Mountains Woman before the Rising Sun, ca 1818 View from the artist&39;s studio (right window) The noon
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Vesuvius in Eruption Remembrance of Mortefontaine, 1864 Moonrise at the sea Sunset, Bas-Meudon (Hauts-de-Seine), 1869 The Grand Canyon of the Yellowstone, 1872 Highland Landscape with Figures Landscape in Brittany The noon Golding Constables Flower Garden, 1815 (pair of 991) Cotopaxi Northern Landscape, Spring Landscape in the Riesengebirge The Village of Eragny, 19th century The Mahrakah and view over the plain to Jezreel, 1872 (wc and pencil on paper) The Sunken Road, Hangard, 1918
Excerpt from our top sellers
Vesuvius in Eruption Remembrance of Mortefontaine, 1864 Moonrise at the sea Sunset, Bas-Meudon (Hauts-de-Seine), 1869 The Grand Canyon of the Yellowstone, 1872 Highland Landscape with Figures Landscape in Brittany The noon Golding Constables Flower Garden, 1815 (pair of 991) Cotopaxi Northern Landscape, Spring Landscape in the Riesengebirge The Village of Eragny, 19th century The Mahrakah and view over the plain to Jezreel, 1872 (wc and pencil on paper) The Sunken Road, Hangard, 1918
Excerpt from our top sellers
Breton Girls Dancing, Pont-Aven Willows at Sunset Moonlight landscape with ruin The Magpie Water Serpents I, 1904-07 Trees and Undergrowth, 1887 The Mountains of Ararat, or The Manner how the Whole Earth was Peopled by Noah and his Descendants after the Flood, engraved for the Universal Magazine, London, 1749 The Pink Peach Tree, 1888 Amalfi, 1870 Original design for the symbolic Great Seal on the parchment roll of the Second Order of the Golden Dawn, 1891 Still Life with a Pitcher, c.1901-03 Woman in White Stockings, c.1861 Café terrace at night Willows at sunset Pandemonium
Excerpt from our top sellers
Breton Girls Dancing, Pont-Aven Willows at Sunset Moonlight landscape with ruin The Magpie Water Serpents I, 1904-07 Trees and Undergrowth, 1887 The Mountains of Ararat, or The Manner how the Whole Earth was Peopled by Noah and his Descendants after the Flood, engraved for the Universal Magazine, London, 1749 The Pink Peach Tree, 1888 Amalfi, 1870 Original design for the symbolic Great Seal on the parchment roll of the Second Order of the Golden Dawn, 1891 Still Life with a Pitcher, c.1901-03 Woman in White Stockings, c.1861 Café terrace at night Willows at sunset Pandemonium

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Mondaufgang am Meer (AT) Mondaufgang am Meer (DE) Mondaufgang am Meer (CH) Moonrise at the sea (GB)
Moonrise by the Sea (IT) Moonrise par la mer (FR) Moonrise bij de zee (NL) Salida de la luna en el mar (ES) Восход луны на море (RU)
समुद्र पर चंद्रमा (HI) 月亮在海上 (ZH) Nascer da lua no mar (PT) 海の月の出 (JP) طلوع القمر عند البحر (AE)

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Mondaufgang am Meer (AT) Mondaufgang am Meer (DE) Mondaufgang am Meer (CH) Moonrise at the sea (GB) Moonrise by the Sea (IT) Moonrise par la mer (FR) Moonrise bij de zee (NL) Salida de la luna en el mar (ES) Восход луны на море (RU) समुद्र पर चंद्रमा (HI) 月亮在海上 (ZH) Nascer da lua no mar (PT) 海の月の出 (JP) طلوع القمر عند البحر (AE)


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