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Portrait of la Voisin by Antoine Coypel

Portrait of la Voisin

(Portrait of la Voisin,.n.d. )


Antoine Coypel

€ 132.44
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Undated  ·  etching  ·  Image ID: 1204793

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Portrait of la Voisin by Antoine Coypel. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
animal · female · women · woman · people · male · arts · country · french · france · reptile · reptiles · snake · snakes · crime · museum · death · dragon · location · century · torch · skeleton · criminal · literature · mythology · fortune telling · fortune teller · fortune-telling · 17th century · sorcery · the met · metropolitan museum of art · the metropolitan museum of art · fortune-teller · mythical creature · poem · poetry · black white · black and white · 18th century · allegorical figure · eighteenth century · scythe · seventeenth century · mythical beast · sorceress · etching · portrait · flaming torch · antoine coypel · anthony coypel · poisoner · coypel · antoine · catherine deshayes monvoisin · monvoisin · catherine deshayes · la voisin · catherine monvoisin · catherine montvoisin · madame deshaye · mythical creatures · heritage art · mythical beasts · mythological creature · Heritage Art/Heritage Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 132.44
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Portrait of Catherine Deshayes Catherine Monvoisin with the Three Fates on the Right and Death on the Left Dance of Death: The Abbot The Woman Clothed with the Sun, from the Apocalypse Triton and Nymph Terra, from The Apocalypse: St. Michael and the Dragon, 1546-1556 A vulture eating the innards of Titius, Cupid above two women to the left, set within a frame, 1531-76 Dance of Death: The Abbot Allegory of goodness represented by a noble and abundant beauty looking at the sky with love. Pelican symbolizes charity, dog fidelity and lamb, sweetness. Engraving in Scene of Hell, illustration from Book 1 Part 3 Chapter 10 of Catherine Deshayes (Monvoisin, known as The Apocalypse: St. Michael and the Dragon Pietro Soderini The Apocalypse: The Apocalyptic Woman Allegory of malice. She looks happy with an aspic and a dagger. Its attributes are the snake with a human face that desires fraud, the monkey that is the emblem of malice, and the spider that alludes to traps. Engraving in “Iconologie oder Ideen aus dem Presentation of Humility Against Avarice The Apocalypse: The Apocalyptic Woman Patience Dialectics The Apocalyptic Woman Intemperance, 1528 Intemperance Presentation of Humility Against Avarice Immaculate Conception Saint Michael Saint Michael Melancholia
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More art prints by Antoine Coypel

The Alliance of Bacchus and Cupid, c. 1702 The Sorrowful Heraclitus, 1746 The enchanting Armida, who wants to stab Renaud, yields to Love, also called “The Sleep of Renaud”. Illustration of a scene from “Jerusalem Delivered” (La gerusalemme liberata) by Torquato Tasso, known as the Mug. Painting by Charles Antoine Coypel Athaliah chased from the Temple. Athaliah, wife of Joram, king of Judah, remains a widow and governs the kingdom by abandoning the Jewish religion. Painting by Antoine Coypel (1661-1722) Portrait of François de Jullienne Standing beside His Seated Wife, c. 1743 Louis XIV receiving the Persian Ambassador in the Galerie des Glaces at Versailles, 19 February 17 Portrait of Democritus (460-370 BC), Greek philosopher. Painting by Antoine Coypel (1661-1722) Don Quixote, driven by madness, leaves his house to become a wandering knight. «The Ingenious Gentleman Don Quixote of La Mancha» by Miguel de Cervantes Saavedra (1547-1616), 1716 King Louis XIV (1638-1715) receives the Ambassador Extraordinary of Persia, Mehemet Reza Bey (Raza-Bey), in the Hall of Mirrors at Versailles on 19/02/1715. Painting attributed to Antoine Coypel (1661-1722). Dimensions 0.7 x 1.5 m Study of Two Hands Hand Pointing and Forearm The Cheerful Democritus, 18th century Don Quixote demolishes the puppets he thinks are Moors. “The Ingenious Gentleman Don Quixote of La Mancha” by Miguel de Cervantes Saavedra (1547-1616). Dido’s Death Catherine Deshayes (Monvoisin, known as
Show more works by Antoine Coypel

More art prints by Antoine Coypel

The Alliance of Bacchus and Cupid, c. 1702 The Sorrowful Heraclitus, 1746 The enchanting Armida, who wants to stab Renaud, yields to Love, also called “The Sleep of Renaud”. Illustration of a scene from “Jerusalem Delivered” (La gerusalemme liberata) by Torquato Tasso, known as the Mug. Painting by Charles Antoine Coypel Athaliah chased from the Temple. Athaliah, wife of Joram, king of Judah, remains a widow and governs the kingdom by abandoning the Jewish religion. Painting by Antoine Coypel (1661-1722) Portrait of François de Jullienne Standing beside His Seated Wife, c. 1743 Louis XIV receiving the Persian Ambassador in the Galerie des Glaces at Versailles, 19 February 17 Portrait of Democritus (460-370 BC), Greek philosopher. Painting by Antoine Coypel (1661-1722) Don Quixote, driven by madness, leaves his house to become a wandering knight. «The Ingenious Gentleman Don Quixote of La Mancha» by Miguel de Cervantes Saavedra (1547-1616), 1716 King Louis XIV (1638-1715) receives the Ambassador Extraordinary of Persia, Mehemet Reza Bey (Raza-Bey), in the Hall of Mirrors at Versailles on 19/02/1715. Painting attributed to Antoine Coypel (1661-1722). Dimensions 0.7 x 1.5 m Study of Two Hands Hand Pointing and Forearm The Cheerful Democritus, 18th century Don Quixote demolishes the puppets he thinks are Moors. “The Ingenious Gentleman Don Quixote of La Mancha” by Miguel de Cervantes Saavedra (1547-1616). Dido’s Death Catherine Deshayes (Monvoisin, known as
Show more works by Antoine Coypel

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Anatomy of the Heart; And She Had a Heart!; Autopsy Poppies at Argenteuil The Great Red Dragon and the Woman Clothed with the Sun The Wanderer above the Sea of Fog Sailing Ship in the Fog Watercolour No. 326 Waterlilies at Sunset Roman art: “Spring”, Flora picking flowers. Fresco from the Villa of Varano in Stabiae, near Pompeii. 15 BC-60 AD. National Archaeological Museum, Naples Standing half-nude with brown shirt The Battle of Trafalgar, 1805 The Oceanids Fish Magic Collage on a Black Background The Buddha Effect of Spring, Giverny, 1890
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A selection of our top sellers

Anatomy of the Heart; And She Had a Heart!; Autopsy Poppies at Argenteuil The Great Red Dragon and the Woman Clothed with the Sun The Wanderer above the Sea of Fog Sailing Ship in the Fog Watercolour No. 326 Waterlilies at Sunset Roman art: “Spring”, Flora picking flowers. Fresco from the Villa of Varano in Stabiae, near Pompeii. 15 BC-60 AD. National Archaeological Museum, Naples Standing half-nude with brown shirt The Battle of Trafalgar, 1805 The Oceanids Fish Magic Collage on a Black Background The Buddha Effect of Spring, Giverny, 1890
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+43 4257 29415
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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