The Assumption of the Virgin by Alonso López de Herrera

The Assumption of the Virgin

(Die Himmelfahrt der Jungfrau)


Alonso López de Herrera

1625   ·  Öl auf Holz  ·  Picture ID: 667

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The Assumption of the Virgin by Alonso López de Herrera
women · touching · green · halo · blue · happy · group · floating · reaching
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

(inkl. 20% MwSt)

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Produktionszeit: 2-4 Werktage
Bildschärfe: PERFEKT
Other art prints by Alonso López de Herrera
The Assumption of the Virgin The Resurrection of Christ
Other art prints by Alonso López de Herrera
The Assumption of the Virgin The Resurrection of Christ
Excerpt from our top sellers
The Great Red Dragon and the Woman Clothed with the Sun The Quarrel of Oberon and Titania Church in Cassone The Grande Odalisque Rain Steam and Speed, The Great Western Railway The Garden of the Artist in Wannsee, 1918 Map of the Southern Hemisphere, from The Celestial Atlas, or The Harmony of the Universe (Atlas coelestis seu harmonia macrocosmica) pub. by Joannes Janssonius, Amsterdam, 1660-61 (hand coloured eng Allegorical Frontispiece of Rome and its history, from Le Antichita Romane de G.B. Piranesi (1756), published in Paris, 1835 Intersecting Lines, 1923 Suprematist Composition: White on White, 1918 Skagen&39;s Hunters Hylas and the nymphs Terrace of the cafe at the Place du Forum in Arles in the evening Wheatfield with Crows The Grenouillère, 1869
Excerpt from our top sellers
The Great Red Dragon and the Woman Clothed with the Sun The Quarrel of Oberon and Titania Church in Cassone The Grande Odalisque Rain Steam and Speed, The Great Western Railway The Garden of the Artist in Wannsee, 1918 Map of the Southern Hemisphere, from The Celestial Atlas, or The Harmony of the Universe (Atlas coelestis seu harmonia macrocosmica) pub. by Joannes Janssonius, Amsterdam, 1660-61 (hand coloured eng Allegorical Frontispiece of Rome and its history, from Le Antichita Romane de G.B. Piranesi (1756), published in Paris, 1835 Intersecting Lines, 1923 Suprematist Composition: White on White, 1918 Skagen&39;s Hunters Hylas and the nymphs Terrace of the cafe at the Place du Forum in Arles in the evening Wheatfield with Crows The Grenouillère, 1869

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