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Thomas Moran

With the mastery of a light-weaver, he transforms sweeping vistas into luminous visions that hover between dream and reality, capturing the awe of untamed nature for all time.


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Thomas Moran
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Thomas Moran

United States of America · 1837–1926 · Post Impressionism, Hudson River School · 457 artworks found
With the mastery of a light-weaver, he transforms sweeping vistas into luminous visions that hover between dream and reality, capturing the awe of untamed nature for all time. more about the artist
Thomas Moran
1837–1926
Born January 12, 1837 (Bolton)
Died August 25, 1926 (Santa Barbara) at the age of 89
Nationality United States of America
Epochs Post Impressionism, Hudson River School
Genre landscape
Profession painter, lithographer, etcher, graphic artist
Family
Mother: Mary Elizabeth Higson Moran
Sibling: Edward Moran, Peter Moran, John Moran, Elizabeth Anastasia Moran
Student Deborah Griscom Passmore
Notable works The Grand Canyon of the Yellowstone, The Grand Canyon of the Yellowstone (1893), Colburn's Butte, South Utah (1873), Rainbow over the Grand Canyon of the Yellowstone (1900), Grand Canyon of the Colorado River (1892)
Museums Smithsonian Institution, Smithsonian American Art Museum, National Gallery of Art, Art Institute of Chicago, Indianapolis Museum of Art at Newfields
Thomas Moran

Thomas Moran

    February 12, 1837   -   August 25, 1926

In 1872, Yellowstone's unique landscape was deemed worthy of protection and the first national park was established. The impassable terrain was not the focus of the responsible politicians for a long time. In 1871, a survey team set out to explore the west of the USA. Among them the artist Thomas Moran. Born in England, Moran had emigrated with his parents across the ocean when industrial England came into economically difficult times. Thomas Moran drew his inspiration from the works of Turner. Dematerialized paintings, whose effect was based on the play of light and color, were executed with great skill by British artists. In America, the painters around the Hudson River School had redefined the standards of landscape painting. Thomas Cole was the founder of the association and lent a harmonious atmosphere to the development between nature and population.

Thomas Moran was the first painter to capture the enormous canyons and bubbling geysers of the dramatic landscape. It is thanks to his depictions that society's awareness of the protection of Yellowstone and the Grand Canyon has become firmly established. Moran achieved more than just depiction. His slightly idealized depictions led society to look at the landscape with a transfigured gaze as well. A talent with which few painters could convince. Moran takes up an aesthetic that is characteristic of the artists of the American East Coast. Like a gentle filter, he lays the artistic impression over the wild and rough landscape in the west of the country. The painting The Grand Canyon of Yellowstone appeals to the viewer through its special coloration. Moran had excellent topographical knowledge, which he takes away from reality through light and color. In his own words, the artist dared to approach the greatest, most beautiful or wonderful thing in nature and presented his works on large canvases. He lovingly called his depiction of the Grand Canyon "my big picture". The Grand Canyon forms a foundation of America's cultural identity. After its completion, Moran's painting found a place in the Capitol and ensured the painter artistic success.

Thomas Moran was at home on the east coast and absorbed the impulses that were influenced by the currents of European art. However, the artist found his motifs on journeys. Moran continued to take part in expeditions through Yellowstone and visited Mexico and Europe. In addition to his impressive landscape views, he tried his hand at depictions of urban life and industrial developments. He colored his sketches with watercolor and let the richness of color flow onto the canvas in his studio. Throughout his life, Moran emphasized how confidently he could bring together from his memory the features of the landscape and the combination of colors in his studio. The painter was productive beyond the age of eighty, leaving behind a body of work of unparalleled scope.

Artworks by Thomas Moran

457 artworks found
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457 artworks found

Thomas Moran
Moonlit Shipwreck at Sea, 1901
1901 | oil on canvas

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Thomas Moran
 
1901 | oil on canvas

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Thomas Moran
Moonlight in Venice,
1898 | oil on panel

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Thomas Moran
 
1878 | oil on canvas

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Thomas Moran
 
1897 | oil on canvas

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Thomas Moran
 
1872 | Brush and black wash, graphite on tan wove paper

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Thomas Moran
Fiercely the red sun descendingB...
1875 | oil on canvas

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Thomas Moran
Fingal’s Cave, Island of Staffa,...
1885 | oil on canvas

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Thomas Moran
 
1884 | oil on canvas

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Thomas Moran
 
1913 | oil on canvas

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Thomas Moran
A Long Island River, 1908
1908 | oil on canvas

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Thomas Moran
Castle in Scotland, 1910
1910 | Oil on cardboard

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Thomas Moran
 
1872 | gouache over graphite, on cream laid paper

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Thomas Moran
Children of the Mountain, 1867
1867 | oil on canvas

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Thomas Moran
The Grand Canyon of the Yellowst...
Undated | oil painting

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Thomas Moran
Entrance to the Grand Canal, Ven...
1905 | oil on canvas

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Thomas Moran
Valley of Cuernavaca, 1903.
Undated | oil painting

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Thomas Moran
Rock Towers of the Rio Virgin, 1...
1908 | oil on canvas

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Thomas Moran
Mist in Kanab Canyon, Utah, 1892.
Undated | oil painting

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Thomas Moran
Under the Red Wall, Grand Canyon...
1917 | oil on canvas

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Thomas Moran
Colburn"s Butte, South Utah, 1873
1873 | Watercolor, gouache and graphite on paper

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Thomas Moran
 
1864 | oil on canvas

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Thomas Moran
A Summer Morning Coast (oil)
Undated | oil

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Thomas Moran
 
1899 | oil on canvas

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Thomas Moran
 
1878 | oil on canvas

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Thomas Moran
Sunset at Sea, 1906
1906 | oil on canvas

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Thomas Moran
Drawing, Near San Francisco, Mex...
undatiert |

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Thomas Moran
Woods by a River, 1886
1886 | oil on canvas

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Thomas Moran
Mountain Scene, c.1865 (oil on c...
1865 | oil on canvas

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Thomas Moran
Interior of a California Forest ...
1888 | etching on chine collé

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Thomas Moran
Grand Canal, Venice, 1901
1901 | oil on canvas

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Thomas Moran
 
1901 | oil on canvas

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Thomas Moran
 
1892 | Brush and watercolor, white gouache, graphite on wove blue-green wove paper

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Thomas Moran
 
1889 | oil on canvas

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Thomas Moran
An Indian Pueblo, 1905
1905 | oil on canvas

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Thomas Moran
The Juniata, Evening, 1864
1864 | oil on canvas

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Thomas Moran
 
1879 | Brush and watercolor, white gouache, graphite on tan wove paper

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Thomas Moran
 
1892 | Brush and watercolor, white gouache, graphite on gray wove paper

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Thomas Moran
 
1902 |

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Thomas Moran
 
Undated | oil on canvas

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Thomas Moran
 
1892 | Recto: Graphite on paper. Verso: Graphite on paper.

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Thomas Moran
 
Undated | etching in brown on laid paper

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Thomas Moran
 
1888 | watercolor and gouache on laid paper

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Thomas Moran
Three Mile Harbor, 1884
1884 | oil on panel

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Thomas Moran
Below the Towers of Tower Falls,...
1909 | oil on canvas

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Thomas Moran
 
1897 | oil on panel

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Thomas Moran
 
1874 | Graphite on blue-gray wove paper

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Thomas Moran
A Mountain Stream, 1869
1869 | oil on canvas

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Thomas Moran
 
1883 | Brush and watercolor, white gouache, graphite on tan paper

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Thomas Moran
Excelsior Geyser, Yellowstone Pa...
Undated | watercolour

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Thomas Moran
A Passing Shower in the Yellowst...
1903 | oil on canvas

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Thomas Moran
Easthampton, Long Island, 1897
1897 | oil on canvas

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Thomas Moran
 
1880 | watercolour on paper

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Thomas Moran
 
1873 | Brush and watercolor, white gouache, graphite on blue-gray wove paper

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Thomas Moran
Under the Red Wall Grand Canyon...
Undated |

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Thomas Moran
 
1875 |

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Thomas Moran
 
1892 | oil on canvas

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Thomas Moran
On the Berry Trail - Grand Canyo...
1903 | oil on canvas

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Thomas Moran
Rainbow over the Grand Canyon of...
Undated | oil painting

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Thomas Moran
Cliffs of the Upper Colorado Riv...
Undated | oil painting

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Thomas Moran
Green River Cliffs, Wyoming, 1881.
Undated |

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Thomas Moran
Drawing, Hot Spring on Gardener'...
1871 |

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Thomas Moran
Grand Canyon of the Colorado'
1908 |

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Thomas Moran
The Bathing Hole, Cuernavaca, Me...
1913 | oil on canvas

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Thomas Moran
 
1892 | Brush and watercolor, white gouache, graphite on gray wove paper

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Thomas Moran
 
1889 | Etching, drypoint, and roulette on paper

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Thomas Moran
 
1875 | Recto: Brush and watercolor, white gouache, pen and ink on tan wove paper. Verso: Graphite on tan wove paper.

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Thomas Moran
Drawing, Green River, Wyoming Te...
1879 |

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Thomas Moran
 
1880 | Graphite, brush and watercolor, white gouache on gray wove paper

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Thomas Moran
 
1879 | Brush and watercolor, white gouache, graphite on thin gray paper

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Thomas Moran
 
1892 | watercolor and gouache

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Thomas Moran
The Grand Canal, 1887
1887 | oil on canvas

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Thomas Moran
 
1892 | oil on canvas

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Thomas Moran
Threshing Wheat, New Mexico, c.1...
Undated | oil on wood

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Thomas Moran
Drawing, View from Powell's Plat...
1873 |

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Thomas Moran
 
1873 | Brush and black wash, white gouache on gray paper

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Thomas Moran
Tower at Tower Falls, Yellowston...
1872 | watercolour and gouache over graphite on blue paper

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Thomas Moran
Basin of San Marco, 1897.
Undated |

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Thomas Moran
 
1879 | Brush and watercolor, white goauche, graphite on gray laid paper

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Thomas Moran
 
Undated | watercolour and ink on paper

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Thomas Moran
Shin-Au-Av-Tu-Weap God Land, Cañ...
Undated | watercolour

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Thomas Moran
A Scene on the Tohickon Creek: A...
1868 | oil on canvas

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Thomas Moran
 
1881 | Brush and black, brown and blue ink washes, white gouache, graphite on buff wove paper Verso: Graphite with touches of brush and white gouache on tan wove paper

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Thomas Moran
The Woodland Pool, 1909
1909 | oil on canvas

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Thomas Moran
Mammoth Hot Springs, Yellowstone...
Undated | watercolour

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Thomas Moran
 
Undated | etching and mezzotint

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Thomas Moran
The Teton Range, 1897
1897 | oil on canvas

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Thomas Moran
 
1871 | Graphite, brush and black wash on tracing paper

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About the artist

Thomas Moran
Thomas Moran
1837–1926
BornJanuary 12, 1837 (Bolton)
DiedAugust 25, 1926 (Santa Barbara) at the age of 89
NationalityUnited States of America
EpochsPost Impressionism, Hudson River School
Genrelandscape
Professionpainter, lithographer, etcher, graphic artist
Family
Mother: Mary Elizabeth Higson Moran
Sibling: Edward Moran, Peter Moran, John Moran, Elizabeth Anastasia Moran
StudentDeborah Griscom Passmore
Notable worksThe Grand Canyon of the Yellowstone, The Grand Canyon of the Yellowstone (1893), Colburn's Butte, South Utah (1873), Rainbow over the Grand Canyon of the Yellowstone (1900), Grand Canyon of the Colorado River (1892)
MuseumsSmithsonian Institution, Smithsonian American Art Museum, National Gallery of Art, Art Institute of Chicago, Indianapolis Museum of Art at Newfields

In 1872, Yellowstone's unique landscape was deemed worthy of protection and the first national park was established. The impassable terrain was not the focus of the responsible politicians for a long time. In 1871, a survey team set out to explore the west of the USA. Among them the artist Thomas Moran. Born in England, Moran had emigrated with his parents across the ocean when industrial England came into economically difficult times. Thomas Moran drew his inspiration from the works of Turner. Dematerialized paintings, whose effect was based on the play of light and color, were executed with great skill by British artists. In America, the painters around the Hudson River School had redefined the standards of landscape painting. Thomas Cole was the founder of the association and lent a harmonious atmosphere to the development between nature and population.

Thomas Moran was the first painter to capture the enormous canyons and bubbling geysers of the dramatic landscape. It is thanks to his depictions that society's awareness of the protection of Yellowstone and the Grand Canyon has become firmly established. Moran achieved more than just depiction. His slightly idealized depictions led society to look at the landscape with a transfigured gaze as well. A talent with which few painters could convince. Moran takes up an aesthetic that is characteristic of the artists of the American East Coast. Like a gentle filter, he lays the artistic impression over the wild and rough landscape in the west of the country. The painting The Grand Canyon of Yellowstone appeals to the viewer through its special coloration. Moran had excellent topographical knowledge, which he takes away from reality through light and color. In his own words, the artist dared to approach the greatest, most beautiful or wonderful thing in nature and presented his works on large canvases. He lovingly called his depiction of the Grand Canyon "my big picture". The Grand Canyon forms a foundation of America's cultural identity. After its completion, Moran's painting found a place in the Capitol and ensured the painter artistic success.

Thomas Moran was at home on the east coast and absorbed the impulses that were influenced by the currents of European art. However, the artist found his motifs on journeys. Moran continued to take part in expeditions through Yellowstone and visited Mexico and Europe. In addition to his impressive landscape views, he tried his hand at depictions of urban life and industrial developments. He colored his sketches with watercolor and let the richness of color flow onto the canvas in his studio. Throughout his life, Moran emphasized how confidently he could bring together from his memory the features of the landscape and the combination of colors in his studio. The painter was productive beyond the age of eighty, leaving behind a body of work of unparalleled scope.



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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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