Picnic in May (Pál Szinyei Merse)

Sorting

Filter settings

Display settings

Thomas Cole

Thomas Cole

• American art • Wikipedia: Thomas Cole
209 Discovered works of art • ID: #1070

Thomas Cole is considered the founder of the Hudson River School. His detailed landscape paintings make him at the same time one of the most important representatives of the artist grouping. The artist, who was born in England, gained his first artistic experience with the production of wooden printing blocks. The Cole family emigrated to America, where Thomas worked in the family owned wallpaper factory.

Cole learned to paint with oil paints, but his first attempts at popular portraiture were unsuccessful. Instead, Thomas Cole focused on depicting landscapes. Satisfied with the result, the painter spent his free time in nature and studied the landscapes of his surroundings. But the naturalistic picture was not enough for the artist. Deeply religious, he saw the connection between nature and religion, which he expressed in his works as well as historical events. He enjoyed the original nature and undertook study trips along the Hudson River. "Our society seeks only to accomplish something instead of enjoying something ..." he stated critically. He proclaimed the important influence of the imagination and the artistic freedom to complete works with symbolism and own impressions.

Cole created the cycle The Voyage of Life with its interpretation of childhood, youth, manhood and old age. The biblical garden blossoms in the pair of pictures The garden of Eden and The Expulsion from the Garden of Eden. © Meisterdrucke

Romantic Landscape, c.1826 (oil on wood panel) by Thomas Cole

Romantic Landscape, c.1826 (oil on wood panel)

1826 | oil on wood panel

Choose picture

Romantic Landscape, c.1826 (oil on wood panel) by Thomas Cole

Romantic Landscape, c.1826 (oil on wood panel)

1826 | oil on wood panel

Choose picture

Destruction from The Course of Empire by Thomas Cole

Destruction from The Course of Empire

1836 | painting

Choose picture

Destruction from The Course of Empire by Thomas Cole

Destruction from The Course of Empire

1836 | painting

Choose picture

The Voyage of Life: Youth, 1842 by Thomas Cole

The Voyage of Life: Youth, 1842

1842 | Oil on canvas

Choose picture

The Voyage of Life: Youth, 1842 by Thomas Cole

The Voyage of Life: Youth, 1842

1842 | Oil on canvas

Choose picture

The Departure, 1837 by Thomas Cole

The Departure, 1837

1837 | Oil on canvas

Choose picture

The Departure, 1837 by Thomas Cole

The Departure, 1837

1837 | Oil on canvas

Choose picture

The Course of Empire: The Arcadian or Pastoral State by Thomas Cole

The Course of Empire: The Arcadian or Pastoral State

1834 | Oil on canvas

Choose picture

The Course of Empire: The Arcadian or Pastoral State by Thomas Cole

The Course of Empire: The Arcadian or Pastoral State

1834 | Oil on canvas

Choose picture

The Voyage of Life: Childhood, 1842 by Thomas Cole

The Voyage of Life: Childhood, 1842

1842 | oil on canvas

Choose picture

The Voyage of Life: Childhood, 1842 by Thomas Cole

The Voyage of Life: Childhood, 1842

1842 | oil on canvas

Choose picture

Architects Dream by Thomas Cole

Architects Dream

1840 | Oil on canvas

Choose picture

Architects Dream by Thomas Cole

Architects Dream

1840 | Oil on canvas

Choose picture

Mount Etna, 1842 by Thomas Cole

Mount Etna, 1842

1842 | Oil on canvas

Choose picture

Mount Etna, 1842 by Thomas Cole

Mount Etna, 1842

1842 | Oil on canvas

Choose picture

Summer Twilight, A Recollection of a Scene in New England, 1834 (oil on wood panel) by Thomas Cole

Summer Twilight, A Recollection of a Scene in New England, 183...

1834 | oil on wood panel

Choose picture

Summer Twilight, A Recollection of a Scene in New England, 1834 (oil on wood panel) by Thomas Cole

Summer Twilight, A Recollection of a Scene in New England, 183...

1834 | oil on wood panel

Choose picture

The Course of Empire. Desolation by Thomas Cole

The Course of Empire. Desolation

1836 | painting

Choose picture

The Course of Empire. Desolation by Thomas Cole

The Course of Empire. Desolation

1836 | painting

Choose picture

The Course of Empire. The Consummation of Empire , 1836. by Thomas Cole

The Course of Empire. The Consummation of Empire , 1836.

Undated |

Choose picture

The Course of Empire. The Consummation of Empire , 1836. by Thomas Cole

The Course of Empire. The Consummation of Empire , 1836.

0 |

Choose picture

A View of the Two Lakes and Mountain House, Catskill Mountains, Morning (1844) by Thomas Cole

A View of the Two Lakes and Mountain House, Catskill Mountains...

1844 | Oil on canvas

Choose picture

A View of the Two Lakes and Mountain House, Catskill Mountains, Morning (1844) by Thomas Cole

A View of the Two Lakes and Mountain House, Catskill Mountains...

1844 | Oil on canvas

Choose picture

Indian Pass by Thomas Cole

Indian Pass

1847 | Oil on canvas

Choose picture

Indian Pass by Thomas Cole

Indian Pass

1847 | Oil on canvas

Choose picture

Landscape (Moonlight), c.1833-34 by Thomas Cole

Landscape (Moonlight), c.1833-34

Undated | Oil on canvas

Choose picture

Landscape (Moonlight), c.1833-34 by Thomas Cole

Landscape (Moonlight), c.1833-34

0 | Oil on canvas

Choose picture

Double Waterfall - Kaaterskill Falls, 1826 (charcoal, black and white crayon and graphite pencil on paper) by Thomas Cole

Double Waterfall - Kaaterskill Falls, 1826 (charcoal, black an...

Double Waterfall - Kaaterskill F...

1826 | charcoal, black and white crayon and graphite pencil on paper

Choose picture

Double Waterfall - Kaaterskill Falls, 1826 (charcoal, black and white crayon and graphite pencil on paper) by Thomas Cole

Double Waterfall - Kaaterskill Falls, 1826 (charcoal, black an...

Double Waterfall - Kaaterskill F...

1826 | charcoal, black and white crayon and graphite pencil on paper

Choose picture

The Savage State from The Course of Empire by Thomas Cole

The Savage State from The Course of Empire

1834 | Oil on canvas

Choose picture

The Savage State from The Course of Empire by Thomas Cole

The Savage State from The Course of Empire

1834 | Oil on canvas

Choose picture

The Return, 1837 by Thomas Cole

The Return, 1837

1837 | Oil on canvas

Choose picture

The Return, 1837 by Thomas Cole

The Return, 1837

1837 | Oil on canvas

Choose picture

A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch) by Thomas Cole

A View of the Mountain Pass Called the Notch of the White Moun...

1839 | Oil on canvas

Choose picture

A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch) by Thomas Cole

A View of the Mountain Pass Called the Notch of the White Moun...

1839 | Oil on canvas

Choose picture

The Voyage of Life: Old Age, 1842 by Thomas Cole

The Voyage of Life: Old Age, 1842

1842 | Oil on canvas

Choose picture

The Voyage of Life: Old Age, 1842 by Thomas Cole

The Voyage of Life: Old Age, 1842

1842 | Oil on canvas

Choose picture

Expulsion from the Garden of Eden by Thomas Cole

Expulsion from the Garden of Eden

1828 | Oil on canvas

Choose picture

Expulsion from the Garden of Eden by Thomas Cole

Expulsion from the Garden of Eden

1828 | Oil on canvas

Choose picture

Autumn Twilight, View of Corway Peak, 1834 by Thomas Cole

Autumn Twilight, View of Corway Peak, 1834

1834 | oil on wood

Choose picture

Autumn Twilight, View of Corway Peak, 1834 by Thomas Cole

Autumn Twilight, View of Corway Peak, 1834

1834 | oil on wood

Choose picture

The Vale and Temple of Segestae, Sicily, 1844 by Thomas Cole

The Vale and Temple of Segestae, Sicily, 1844

1844 | Oil on canvas

Choose picture

The Vale and Temple of Segestae, Sicily, 1844 by Thomas Cole

The Vale and Temple of Segestae, Sicily, 1844

1844 | Oil on canvas

Choose picture

The Titans Goblet, 1833 by Thomas Cole

The Titans Goblet, 1833

1833 | Oil on canvas

Choose picture

The Titans Goblet, 1833 by Thomas Cole

The Titans Goblet, 1833

1833 | Oil on canvas

Choose picture

Large Gnarled Tree with Bearded Man Seated Below (pen and ink over pencil on paper) by Thomas Cole

Large Gnarled Tree with Bearded Man Seated Below (pen and ink ...

Large Gnarled Tree with Bearded ...

Undated | pen and ink over pencil on paper

Choose picture

Large Gnarled Tree with Bearded Man Seated Below (pen and ink over pencil on paper) by Thomas Cole

Large Gnarled Tree with Bearded Man Seated Below (pen and ink ...

Large Gnarled Tree with Bearded ...

0 | pen and ink over pencil on paper

Choose picture

Dream of Arcadia by Thomas Cole

Dream of Arcadia

1838 | Oil on canvas

Choose picture

Dream of Arcadia by Thomas Cole

Dream of Arcadia

1838 | Oil on canvas

Choose picture

Lake with Dead Trees (Catskill) by Thomas Cole

Lake with Dead Trees (Catskill)

1825 | Oil on canvas

Choose picture

Lake with Dead Trees (Catskill) by Thomas Cole

Lake with Dead Trees (Catskill)

1825 | Oil on canvas

Choose picture

View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836 by Thomas Cole

View from Mount Holyoke, Northampton, Massachusetts, after a T...

1836 | Oil on canvas

Choose picture

View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836 by Thomas Cole

View from Mount Holyoke, Northampton, Massachusetts, after a T...

1836 | Oil on canvas

Choose picture

by Thomas Cole

-

Undated |

Choose picture

by Thomas Cole

-

0 |

Choose picture

From the Gate of Girgenti, Sicily, 1842 by Thomas Cole

From the Gate of Girgenti, Sicily, 1842

1842 | pencil on paper

Choose picture

From the Gate of Girgenti, Sicily, 1842 by Thomas Cole

From the Gate of Girgenti, Sicily, 1842

1842 | pencil on paper

Choose picture

The Voyage of Life: Manhood, 1842 by Thomas Cole

The Voyage of Life: Manhood, 1842

1842 | Oil on canvas

Choose picture

The Voyage of Life: Manhood, 1842 by Thomas Cole

The Voyage of Life: Manhood, 1842

1842 | Oil on canvas

Choose picture

The Pic-Nic (1846) by Thomas Cole

The Pic-Nic (1846)

1846 | Oil on canvas

Choose picture

The Pic-Nic (1846) by Thomas Cole

The Pic-Nic (1846)

1846 | Oil on canvas

Choose picture

Arch of Nero by Thomas Cole

Arch of Nero

1846 | Oil on canvas

Choose picture

Arch of Nero by Thomas Cole

Arch of Nero

1846 | Oil on canvas

Choose picture

The Rocca Nuova (or Torre Maschio, Volterra) c.1831 by Thomas Cole

The Rocca Nuova (or Torre Maschio, Volterra) c.1831

The Rocca Nuova (or Torre Maschi...

1831 | pencil on paper

Choose picture

The Rocca Nuova (or Torre Maschio, Volterra) c.1831 by Thomas Cole

The Rocca Nuova (or Torre Maschio, Volterra) c.1831

The Rocca Nuova (or Torre Maschi...

1831 | pencil on paper

Choose picture

Landscape by Thomas Cole

Landscape

1825 | Oil on canvas

Choose picture

Landscape by Thomas Cole

Landscape

1825 | Oil on canvas

Choose picture

Kaaterskill Falls, 1826 by Thomas Cole

Kaaterskill Falls, 1826

1826 | Oil on canvas

Choose picture

Kaaterskill Falls, 1826 by Thomas Cole

Kaaterskill Falls, 1826

1826 | Oil on canvas

Choose picture

Elevation of the State House, Columbus, Ohio, c.1838 (graphite pencil on beige wove paper) by Thomas Cole

Elevation of the State House, Columbus, Ohio, c.1838 (graphite...

Undated | graphite pencil on beige wove paper

Choose picture

Elevation of the State House, Columbus, Ohio, c.1838 (graphite pencil on beige wove paper) by Thomas Cole

Elevation of the State House, Columbus, Ohio, c.1838 (graphite...

0 | graphite pencil on beige wove paper

Choose picture

Fonadaco, where we lunched by Thomas Cole

Fonadaco, where we lunched

1842 | pencil with white chalk on paper

Choose picture

Fonadaco, where we lunched by Thomas Cole

Fonadaco, where we lunched

1842 | pencil with white chalk on paper

Choose picture

View on the Arno, 1838 by Thomas Cole

View on the Arno, 1838

1838 | Oil on canvas

Choose picture

View on the Arno, 1838 by Thomas Cole

View on the Arno, 1838

1838 | Oil on canvas

Choose picture

Scene from The Last of the Mohicans, by James Fenimore Cooper (1789-1851), published 1826 by Thomas Cole

Scene from The Last of the Mohicans, by James Fenimore Cooper ...

Scene from 'The Last of the Mohi...

Undated | Oil on canvas

Choose picture

Scene from The Last of the Mohicans, by James Fenimore Cooper (1789-1851), published 1826 by Thomas Cole

Scene from The Last of the Mohicans, by James Fenimore Cooper ...

Scene from 'The Last of the Mohi...

0 | Oil on canvas

Choose picture

The Voyage of Life: Childhood (detail) 1842 by Thomas Cole

The Voyage of Life: Childhood (detail) 1842

1842 | oil on canvas

Choose picture

The Voyage of Life: Childhood (detail) 1842 by Thomas Cole

The Voyage of Life: Childhood (detail) 1842

1842 | oil on canvas

Choose picture

Mount Etna from Taormina, Sicily, 1842 (pencil heightened with white chalk on paper) by Thomas Cole

Mount Etna from Taormina, Sicily, 1842 (pencil heightened with...

1842 | pencil heightened with white chalk on paper

Choose picture

Mount Etna from Taormina, Sicily, 1842 (pencil heightened with white chalk on paper) by Thomas Cole

Mount Etna from Taormina, Sicily, 1842 (pencil heightened with...

1842 | pencil heightened with white chalk on paper

Choose picture

Temple of Vespasian, Called the Temple of Jupiter Tonans, Roman, Forum, c. 1831 (pen & ink over pencil on paper) by Thomas Cole

Temple of Vespasian, Called the Temple of Jupiter Tonans, Roma...

1831 | pen and ink over pencil on paper

Choose picture

Temple of Vespasian, Called the Temple of Jupiter Tonans, Roman, Forum, c. 1831 (pen & ink over pencil on paper) by Thomas Cole

Temple of Vespasian, Called the Temple of Jupiter Tonans, Roma...

1831 | pen and ink over pencil on paper

Choose picture

Panorama of Florence, c.1831 by Thomas Cole

Panorama of Florence, c.1831

1831 | pencil on paper

Choose picture

Panorama of Florence, c.1831 by Thomas Cole

Panorama of Florence, c.1831

1831 | pencil on paper

Choose picture

The Head of Windermere, Lake District, England, 1829 (pen & ink over pencil on paper) by Thomas Cole

The Head of Windermere, Lake District, England, 1829 (pen & in...

1829 | pen and ink over pencil on paper

Choose picture

The Head of Windermere, Lake District, England, 1829 (pen & ink over pencil on paper) by Thomas Cole

The Head of Windermere, Lake District, England, 1829 (pen & in...

1829 | pen and ink over pencil on paper

Choose picture

Sketch of hilltop, riverbank and figures, 1831 by Thomas Cole

Sketch of hilltop, riverbank and figures, 1831

1831 | pencil on paper

Choose picture

Sketch of hilltop, riverbank and figures, 1831 by Thomas Cole

Sketch of hilltop, riverbank and figures, 1831

1831 | pencil on paper

Choose picture

Castle of Spiez, 1841 (pencil and gouache on gray-green paper) by Thomas Cole

Castle of Spiez, 1841 (pencil and gouache on gray-green paper)

1841 | pencil and gouache

Choose picture

Castle of Spiez, 1841 (pencil and gouache on gray-green paper) by Thomas Cole

Castle of Spiez, 1841 (pencil and gouache on gray-green paper)

1841 | pencil and gouache

Choose picture

Landscape Sketch by Thomas Cole

Landscape Sketch

Undated | Oil on canvas

Choose picture

Landscape Sketch by Thomas Cole

Landscape Sketch

undatiert | Oil on canvas

Choose picture

Study for Catskill Creek by Thomas Cole

Study for Catskill Creek

1844 | Oil on panel

Choose picture

Study for Catskill Creek by Thomas Cole

Study for Catskill Creek

1844 | Oil on panel

Choose picture

Prosperine Gathering Flowers in the Vale of Enna, c.184647 (pen & ink over pencil on paper) by Thomas Cole

Prosperine Gathering Flowers in the Vale of Enna, c.184647 (pe...

Undated | pen and ink over pencil on paper

Choose picture

Prosperine Gathering Flowers in the Vale of Enna, c.184647 (pen & ink over pencil on paper) by Thomas Cole

Prosperine Gathering Flowers in the Vale of Enna, c.184647 (pe...

0 | pen and ink over pencil on paper

Choose picture

Untitled (study of a river scene with boats) 1831 (pen & ink over pencil on paper) by Thomas Cole

Untitled (study of a river scene with boats) 1831 (pen & ink o...

1831 | pen and brown and black ink over pencil on paper

Choose picture

Untitled (study of a river scene with boats) 1831 (pen & ink over pencil on paper) by Thomas Cole

Untitled (study of a river scene with boats) 1831 (pen & ink o...

1831 | pen and brown and black ink over pencil on paper

Choose picture

Study for Dream of Arcadia, 1838 by Thomas Cole

Study for Dream of Arcadia, 1838

1838 | oil on wood

Choose picture

Study for Dream of Arcadia, 1838 by Thomas Cole

Study for Dream of Arcadia, 1838

1838 | oil on wood

Choose picture

Nude Seated Male Figure, c.1832 by Thomas Cole

Nude Seated Male Figure, c.1832

1832 | pencil on paper

Choose picture

Nude Seated Male Figure, c.1832 by Thomas Cole

Nude Seated Male Figure, c.1832

1832 | pencil on paper

Choose picture

Study for the Cross and the World, c.1846 by Thomas Cole

Study for the Cross and the World, c.1846

Undated | oil on wood

Choose picture

Study for the Cross and the World, c.1846 by Thomas Cole

Study for the Cross and the World, c.1846

0 | oil on wood

Choose picture

The Penseroso, 1845 by Thomas Cole

The Penseroso, 1845

Il Penseroso, 1845

1845 | Oil on canvas

Choose picture

The Penseroso, 1845 by Thomas Cole

The Penseroso, 1845

Il Penseroso, 1845

1845 | Oil on canvas

Choose picture

Lake of Dead Trees, Catskill, 1825 (graphite pencil on off-white paper) by Thomas Cole

Lake of Dead Trees, Catskill, 1825 (graphite pencil on off-whi...

1825 | graphite pencil on off-white wove paper

Choose picture

Lake of Dead Trees, Catskill, 1825 (graphite pencil on off-white paper) by Thomas Cole

Lake of Dead Trees, Catskill, 1825 (graphite pencil on off-whi...

1825 | graphite pencil on off-white wove paper

Choose picture

Stormy Landscape, c.1832 (oil on paper) by Thomas Cole

Stormy Landscape, c.1832 (oil on paper)

Undated | oil on paper

Choose picture

Stormy Landscape, c.1832 (oil on paper) by Thomas Cole

Stormy Landscape, c.1832 (oil on paper)

0 | oil on paper

Choose picture

Sketch for Destruction, from the Course of Empire series, c.1836 by Thomas Cole

Sketch for Destruction, from the Course of Empire series, c.1836

1836 | pen and ink on paper

Choose picture

Sketch for Destruction, from the Course of Empire series, c.1836 by Thomas Cole

Sketch for Destruction, from the Course of Empire series, c.1836

1836 | pen and ink on paper

Choose picture

Evening in Arcady by Thomas Cole

Evening in Arcady

1843 | painting

Choose picture

Evening in Arcady by Thomas Cole

Evening in Arcady

1843 | painting

Choose picture

Views Across Frenchmans Bay from Mt. Desert Island, After a Squall by Thomas Cole

Views Across Frenchmans Bay from Mt. Desert Island, After a Sq...

1845 | painting

Choose picture

Views Across Frenchmans Bay from Mt. Desert Island, After a Squall by Thomas Cole

Views Across Frenchmans Bay from Mt. Desert Island, After a Sq...

1845 | painting

Choose picture

The Ilissus, from the Parthenon West Pediment, 1829 or 1830 (black chalk heightened with white chalk on grayish blue wove paper) by Thomas Cole

The Ilissus, from the Parthenon West Pediment, 1829 or 1830 (b...

1829 | black chalk heightened with white chalk on grayish blue wove paper

Choose picture

The Ilissus, from the Parthenon West Pediment, 1829 or 1830 (black chalk heightened with white chalk on grayish blue wove paper) by Thomas Cole

The Ilissus, from the Parthenon West Pediment, 1829 or 1830 (b...

1829 | black chalk heightened with white chalk on grayish blue wove paper

Choose picture

Ulysses and his Companions Arriving in the Bay neat Polyphemus Cave, c.1842 by Thomas Cole

Ulysses and his Companions Arriving in the Bay neat Polyphemus...

1842 | pencil on paper

Choose picture

Ulysses and his Companions Arriving in the Bay neat Polyphemus Cave, c.1842 by Thomas Cole

Ulysses and his Companions Arriving in the Bay neat Polyphemus...

1842 | pencil on paper

Choose picture

Untitled, 1841 by Thomas Cole

Untitled, 1841

1841 | pencil on paper

Choose picture

Untitled, 1841 by Thomas Cole

Untitled, 1841

1841 | pencil on paper

Choose picture

View of Calatafimi from Segesta, Sicily, 1842 by Thomas Cole

View of Calatafimi from Segesta, Sicily, 1842

1842 | pencil on paper

Choose picture

View of Calatafimi from Segesta, Sicily, 1842 by Thomas Cole

View of Calatafimi from Segesta, Sicily, 1842

1842 | pencil on paper

Choose picture

Syracuse and the Tomb of Timoleon, Sicily, 1842 by Thomas Cole

Syracuse and the Tomb of Timoleon, Sicily, 1842

1842 | pencil on paper

Choose picture

Syracuse and the Tomb of Timoleon, Sicily, 1842 by Thomas Cole

Syracuse and the Tomb of Timoleon, Sicily, 1842

1842 | pencil on paper

Choose picture

Straits of Messina from San Gregorio, Messina, Sicily, 1842 by Thomas Cole

Straits of Messina from San Gregorio, Messina, Sicily, 1842

1842 | pencil on paper

Choose picture

Straits of Messina from San Gregorio, Messina, Sicily, 1842 by Thomas Cole

Straits of Messina from San Gregorio, Messina, Sicily, 1842

1842 | pencil on paper

Choose picture

Catskill Creek, New York, 1845 by Thomas Cole

Catskill Creek, New York, 1845

1845 | Oil on canvas

Choose picture

Catskill Creek, New York, 1845 by Thomas Cole

Catskill Creek, New York, 1845

1845 | Oil on canvas

Choose picture

The Subsiding of the Waters of the Deluge by Thomas Cole

The Subsiding of the Waters of the Deluge

1829 | Oil on canvas

Choose picture

The Subsiding of the Waters of the Deluge by Thomas Cole

The Subsiding of the Waters of the Deluge

1829 | Oil on canvas

Choose picture

View on the Catskill—Early Autumn, 1836-37 by Thomas Cole

View on the Catskill—Early Autumn, 1836-37

1836 | Oil on canvas

Choose picture

View on the Catskill—Early Autumn, 1836-37 by Thomas Cole

View on the Catskill—Early Autumn, 1836-37

1836 | Oil on canvas

Choose picture

Panorama of the Bay of Naples, c.1832 (pen and brown ink over graphite pencil on off-white wove paper) by Thomas Cole

Panorama of the Bay of Naples, c.1832 (pen and brown ink over ...

1832 | pen and brown ink over graphite pencil on off-white wove paper

Choose picture

Panorama of the Bay of Naples, c.1832 (pen and brown ink over graphite pencil on off-white wove paper) by Thomas Cole

Panorama of the Bay of Naples, c.1832 (pen and brown ink over ...

1832 | pen and brown ink over graphite pencil on off-white wove paper

Choose picture

Landscape Sketch, 1841 (pen & black ink on cream wove paper) by Thomas Cole

Landscape Sketch, 1841 (pen & black ink on cream wove paper)

1841 | pen and black ink on cream wove paper

Choose picture

Landscape Sketch, 1841 (pen & black ink on cream wove paper) by Thomas Cole

Landscape Sketch, 1841 (pen & black ink on cream wove paper)

1841 | pen and black ink on cream wove paper

Choose picture

Lake Yverdon or Neuchatel from the Hill Chaumont, Switzerland, 1841 (pencil heightened with gouache on paper) by Thomas Cole

Lake Yverdon or Neuchatel from the Hill Chaumont, Switzerland,...

1841 | pencil heightened with gouache on green paper

Choose picture

Lake Yverdon or Neuchatel from the Hill Chaumont, Switzerland, 1841 (pencil heightened with gouache on paper) by Thomas Cole

Lake Yverdon or Neuchatel from the Hill Chaumont, Switzerland,...

1841 | pencil heightened with gouache on green paper

Choose picture

Castle of Salemi, 1842 by Thomas Cole

Castle of Salemi, 1842

1842 | pencil on paper

Choose picture

Castle of Salemi, 1842 by Thomas Cole

Castle of Salemi, 1842

1842 | pencil on paper

Choose picture

Temple of Zeus and Papyrus on the Anapo River, near Syracuse, Sicily, 1842 (pencil heightened with white chalk on paper) by Thomas Cole

Temple of Zeus and Papyrus on the Anapo River, near Syracuse, ...

1842 | pencil heightened with white chalk on paper

Choose picture

Temple of Zeus and Papyrus on the Anapo River, near Syracuse, Sicily, 1842 (pencil heightened with white chalk on paper) by Thomas Cole

Temple of Zeus and Papyrus on the Anapo River, near Syracuse, ...

1842 | pencil heightened with white chalk on paper

Choose picture

Nude Male with Bow and Arrow (chalks on paper) by Thomas Cole

Nude Male with Bow and Arrow (chalks on paper)

Undated | black and white chalks on paper

Choose picture

Nude Male with Bow and Arrow (chalks on paper) by Thomas Cole

Nude Male with Bow and Arrow (chalks on paper)

0 | black and white chalks on paper

Choose picture

Antique Port of Arona, Lago Maggiore, 1842 (graphite pencil on wove paper) by Thomas Cole

Antique Port of Arona, Lago Maggiore, 1842 (graphite pencil on...

1842 | graphite pencil on wove paper

Choose picture

Antique Port of Arona, Lago Maggiore, 1842 (graphite pencil on wove paper) by Thomas Cole

Antique Port of Arona, Lago Maggiore, 1842 (graphite pencil on...

1842 | graphite pencil on wove paper

Choose picture

Schroon Mountain, Adirondacks, c.1837 (black and white chalk on grey wove paper) by Thomas Cole

Schroon Mountain, Adirondacks, c.1837 (black and white chalk o...

Schroon Mountain, Adirondacks, c...

Undated | black and white chalk on grey wove paper

Choose picture

Schroon Mountain, Adirondacks, c.1837 (black and white chalk on grey wove paper) by Thomas Cole

Schroon Mountain, Adirondacks, c.1837 (black and white chalk o...

Schroon Mountain, Adirondacks, c...

0 | black and white chalk on grey wove paper

Choose picture

Taormina, Sicily, 1842 by Thomas Cole

Taormina, Sicily, 1842

Taormina, Sicily, 1842

1842 | pencil on paper

Choose picture

Taormina, Sicily, 1842 by Thomas Cole

Taormina, Sicily, 1842

Taormina, Sicily, 1842

1842 | pencil on paper

Choose picture

Panorama of Florence, c.1831 by Thomas Cole

Panorama of Florence, c.1831

1831 | pencil on paper

Choose picture

Panorama of Florence, c.1831 by Thomas Cole

Panorama of Florence, c.1831

1831 | pencil on paper

Choose picture

Sand Beach, Mount Desert, 1844 (pencil with white chalk on paper) by Thomas Cole

Sand Beach, Mount Desert, 1844 (pencil with white chalk on paper)

1844 | pencil with white chalk on paper

Choose picture

Sand Beach, Mount Desert, 1844 (pencil with white chalk on paper) by Thomas Cole

Sand Beach, Mount Desert, 1844 (pencil with white chalk on paper)

1844 | pencil with white chalk on paper

Choose picture

Details of Capitals in the Church at Monreale, 1842 by Thomas Cole

Details of Capitals in the Church at Monreale, 1842

1842 | pencil with white chalk on paper

Choose picture

Details of Capitals in the Church at Monreale, 1842 by Thomas Cole

Details of Capitals in the Church at Monreale, 1842

1842 | pencil with white chalk on paper

Choose picture

Ear of Dionysus in the Latomia del Paradiso, Syracuse, Sicily, 1842 by Thomas Cole

Ear of Dionysus in the Latomia del Paradiso, Syracuse, Sicily,...

1842 | pencil on paper

Choose picture

Ear of Dionysus in the Latomia del Paradiso, Syracuse, Sicily, 1842 by Thomas Cole

Ear of Dionysus in the Latomia del Paradiso, Syracuse, Sicily,...

1842 | pencil on paper

Choose picture

Rock, Tower Ruins and Cavern near the Ear of Dionysus, Syracuse, Sicily, 1842 by Thomas Cole

Rock, Tower Ruins and Cavern near the Ear of Dionysus, Syracus...

1842 | pencil with white chalk on paper

Choose picture

Rock, Tower Ruins and Cavern near the Ear of Dionysus, Syracuse, Sicily, 1842 by Thomas Cole

Rock, Tower Ruins and Cavern near the Ear of Dionysus, Syracus...

1842 | pencil with white chalk on paper

Choose picture

Home in the Woods, 1847 by Thomas Cole

Home in the Woods, 1847

1847 | Oil on canvas

Choose picture

Home in the Woods, 1847 by Thomas Cole

Home in the Woods, 1847

1847 | Oil on canvas

Choose picture

LAllegro, 1845 by Thomas Cole

LAllegro, 1845

LAllegro, 1845

1845 | Oil on canvas

Choose picture

LAllegro, 1845 by Thomas Cole

LAllegro, 1845

LAllegro, 1845

1845 | Oil on canvas

Choose picture

Prometheus Bound by Thomas Cole

Prometheus Bound

1847 | painting

Choose picture

Prometheus Bound by Thomas Cole

Prometheus Bound

1847 | painting

Choose picture

Panorama of the Bay of Naples, c.1832 (pen and brown ink over graphite pencil on off-white wove paper) by Thomas Cole

Panorama of the Bay of Naples, c.1832 (pen and brown ink over ...

1832 | pen and brown ink over graphite pencil on off-white wove paper

Choose picture

Panorama of the Bay of Naples, c.1832 (pen and brown ink over graphite pencil on off-white wove paper) by Thomas Cole

Panorama of the Bay of Naples, c.1832 (pen and brown ink over ...

1832 | pen and brown ink over graphite pencil on off-white wove paper

Choose picture

Newstead Abbey, Nottinghamshire, England, c.1830 (pen and black ink over graphite pencil on off-white wove paper) by Thomas Cole

Newstead Abbey, Nottinghamshire, England, c.1830 (pen and blac...

1830 | pen and black ink over graphite pencil on off-white wove paper

Choose picture

Newstead Abbey, Nottinghamshire, England, c.1830 (pen and black ink over graphite pencil on off-white wove paper) by Thomas Cole

Newstead Abbey, Nottinghamshire, England, c.1830 (pen and blac...

1830 | pen and black ink over graphite pencil on off-white wove paper

Choose picture

Westminster Abbey from the North, St. James Park, c.1830 (graphite pencil on off-white wove paper) by Thomas Cole

Westminster Abbey from the North, St. James Park, c.1830 (grap...

1830 | graphite pencil on off-white wove paper

Choose picture

Westminster Abbey from the North, St. James Park, c.1830 (graphite pencil on off-white wove paper) by Thomas Cole

Westminster Abbey from the North, St. James Park, c.1830 (grap...

1830 | graphite pencil on off-white wove paper

Choose picture

Plants from the Coliseum 1832, 1832 (pen & ink with plant specimen on paper) by Thomas Cole

Plants from the Coliseum 1832, 1832 (pen & ink with plant spec...

1832 | pen and ink with plant specimen attached to paper

Choose picture

Plants from the Coliseum 1832, 1832 (pen & ink with plant specimen on paper) by Thomas Cole

Plants from the Coliseum 1832, 1832 (pen & ink with plant spec...

1832 | pen and ink with plant specimen attached to paper

Choose picture

Acanthus Leaf from the Coliseum, c.1832 (pen & ink with plant specimen on paper) by Thomas Cole

Acanthus Leaf from the Coliseum, c.1832 (pen & ink with plant ...

1832 | pen and ink with plant specimen attached to paper

Choose picture

Acanthus Leaf from the Coliseum, c.1832 (pen & ink with plant specimen on paper) by Thomas Cole

Acanthus Leaf from the Coliseum, c.1832 (pen & ink with plant ...

1832 | pen and ink with plant specimen attached to paper

Choose picture

Untitled, Study for Titans Goblet, 1837 (pen & ink over pencil on paper) by Thomas Cole

Untitled, Study for Titans Goblet, 1837 (pen & ink over pencil...

1837 | pen and ink over pencil on paper

Choose picture

Untitled, Study for Titans Goblet, 1837 (pen & ink over pencil on paper) by Thomas Cole

Untitled, Study for Titans Goblet, 1837 (pen & ink over pencil...

1837 | pen and ink over pencil on paper

Choose picture

Hornby Lodge, 1839 by Thomas Cole

Hornby Lodge, 1839

1839 | pencil on paper

Choose picture

Hornby Lodge, 1839 by Thomas Cole

Hornby Lodge, 1839

1839 | pencil on paper

Choose picture

Untitled, landscape with notations, 1829 by Thomas Cole

Untitled, landscape with notations, 1829

1829 | pencil on paper

Choose picture

Untitled, landscape with notations, 1829 by Thomas Cole

Untitled, landscape with notations, 1829

1829 | pencil on paper

Choose picture

Florence with Views of the Duomo and Campagnale, 1831 by Thomas Cole

Florence with Views of the Duomo and Campagnale, 1831

1831 | pencil on paper

Choose picture

Florence with Views of the Duomo and Campagnale, 1831 by Thomas Cole

Florence with Views of the Duomo and Campagnale, 1831

1831 | pencil on paper

Choose picture

Sketch by Thomas Cole

Sketch

Undated | pencil on paper

Choose picture

Sketch by Thomas Cole

Sketch

0 | pencil on paper

Choose picture

Facade of a House by Thomas Cole

Facade of a House

Undated | pencil on paper

Choose picture

Facade of a House by Thomas Cole

Facade of a House

0 | pencil on paper

Choose picture

Castle of Trezza near Catania and Etna, as seen from Monte Rosso and also from one of the Craters of Monte Rosso, Sicily, 1842 by Thomas Cole

Castle of Trezza near Catania and Etna, as seen from Monte Ros...

1842 | pencil on paper

Choose picture

Castle of Trezza near Catania and Etna, as seen from Monte Rosso and also from one of the Craters of Monte Rosso, Sicily, 1842 by Thomas Cole

Castle of Trezza near Catania and Etna, as seen from Monte Ros...

1842 | pencil on paper

Choose picture

Untitled, 1841 by Thomas Cole

Untitled, 1841

1841 | pencil on paper

Choose picture

Untitled, 1841 by Thomas Cole

Untitled, 1841

1841 | pencil on paper

Choose picture

Chiaroscuro Notes after Turners Ulysses Deriding Polyphemus by Thomas Cole

Chiaroscuro Notes after Turners Ulysses Deriding Polyphemus

Undated | pencil on paper

Choose picture

Chiaroscuro Notes after Turners Ulysses Deriding Polyphemus by Thomas Cole

Chiaroscuro Notes after Turners Ulysses Deriding Polyphemus

0 | pencil on paper

Choose picture

The Elements by Thomas Cole

The Elements

Die Elemente

1828 | painting

Choose picture

The Elements by Thomas Cole

The Elements

Die Elemente

1828 | painting

Choose picture

1
2
3

Page 1 / 3

   Hausergasse 21
       9500 Villach, Austria
   +43 4242 25574
   office@meisterdrucke.com

Imprint & Contact
· Contact
· Imprint
· T&Cs
· Data protection
· Right of Cancellation
· Complaints

Additional Information
· Shipping costs
· Special Requests
· Quality
· Pricing
· Press
· About Us

Famous artists
· Vincent van Gogh
· Claude Monet
· Paul Gauguin
· Wassily Kandinsky
· Utagawa Hiroshige
· Gustave Dore

Social Media & Languages

Erfahrungen & Bewertungen zu Meisterdrucke

PCI Compilant

FSC Zertifizierte Keilrahmen

Datenschutzkodex

Kunsthistorisches Museum Wien

Albertina

(c) 2019 meisterdrucke.us

Hausergasse 21 · 9500 Villach, Austria
+43 4242 25574 · office@meisterdrucke.com

Imprint & Contact
· Contact
· Imprint
· T&Cs
· Data protection
· Right of Cancellation
· Complaints

Additional Information
· Shipping costs
· Special Requests
· Quality
· Pricing
· Press
· About Us

Erfahrungen & Bewertungen zu Meisterdrucke

PCI Compilant

FSC Zertifizierte Keilrahmen

Datenschutzkodex

Kunsthistorisches Museum Wien

Albertina

(c) 2019 meisterdrucke.us