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1777 artworks found

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1.777 artworks found

The Draped Figure, Back View

James McNeill Whistler

1893 | Lithograph, in black ink, on ivory laid paper

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The Draped Figure, Back View

James McNeill Whistler

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The Village Sweet Shop

James McNeill Whistler

The Village Sweet Shop

1886 | Etching with foul biting in dark brown ink on ivory laid paper

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The Village Sweet Shop

James McNeill Whistler

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Thames Police

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Thames Police

James McNeill Whistler

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Amsterdam, from the Tolhuis

James McNeill Whistler

1863 | Etching in black ink on cream Japanese paper

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Amsterdam, from the Tolhuis

James McNeill Whistler

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Firelight: Joseph Pennell, No. 2

James McNeill Whistler

1896 | Transfer lithograph in black on cream laid paper

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Firelight: Joseph Pennell, No. 2

James McNeill Whistler

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Count Robert de Montesquiou, No. 2

James McNeill Whistler

1894 | Transfer lithograph in black with scraping, on grayish ivory China paper

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Count Robert de Montesquiou, No. 2

James McNeill Whistler

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Greenwich Park

James McNeill Whistler

1859 | Etching with foul biting in black ink on cream laid paper

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Greenwich Park

James McNeill Whistler

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Thames Warehouses

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on cream laid paper

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Thames Warehouses

James McNeill Whistler

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Fleur-de-lys Passage

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Fleur-de-lys Passage

James McNeill Whistler

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Old Battersea Bridge, No. 2

James McNeill Whistler

1878 | Transfer lithograph in black on off-white plate paper

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Old Battersea Bridge, No. 2

James McNeill Whistler

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Portrait Study: Miss Charlotte R. Williams

James McNeill Whistler

1892 | Transfer lithograph in black on cream laid paper

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Portrait Study: Miss Charlotte R. Williams

James McNeill Whistler

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A Lady Seated

James McNeill Whistler

1893 | Lithograph, in black ink, with scraping and touches of brush and tusche, on grayish ivory China paper

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A Lady Seated

James McNeill Whistler

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Longshore Men

James McNeill Whistler

1859 | Etching and drypoint in black ink on buff wove paper

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Longshore Men

James McNeill Whistler

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Lobster Pots - Selsea Bill

James McNeill Whistler

1880 | Cancelled copper plate

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Lobster Pots - Selsea Bill

James McNeill Whistler

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Soldier with Lance

James McNeill Whistler

1854 | graphite on cream wove paper

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Soldier with Lance

James McNeill Whistler

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Entrance Gate

James McNeill Whistler

1887 | Transfer lithograph in black on cream laid paper

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Entrance Gate

James McNeill Whistler

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The Long Gallery, Louvre

James McNeill Whistler

1894 | Transfer lithograph in black with stumping, on cream laid Japanese vellum

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The Long Gallery, Louvre

James McNeill Whistler

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Troopships

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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Troopships

James McNeill Whistler

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Cottage Door

James McNeill Whistler

1886 | Etching and drypoint in black ink on ivory laid paper

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Cottage Door

James McNeill Whistler

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Afternoon Tea

James McNeill Whistler

1897 | Transfer lithograph in various black inks, on tan laid Japanese vellum

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Afternoon Tea

James McNeill Whistler

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Elinor Leyland

James McNeill Whistler

1874 | Drypoint in black ink on ivory laid paper

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Elinor Leyland

James McNeill Whistler

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Fish Shop, Chelsea

James McNeill Whistler

1886 |

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Fish Shop, Chelsea

James McNeill Whistler

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The Embroidered Curtain

James McNeill Whistler

1889 | Etching in dark brown ink on ivory Japanese paper

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The Embroidered Curtain

James McNeill Whistler

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Mrs Leyland, Sr.

James McNeill Whistler

1874 | Drypoint with foul biting, with scraped and drypoint cancellation, in black ink on ivory laid paper

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Mrs Leyland, Sr.

James McNeill Whistler

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Barges, Dordrecht

James McNeill Whistler

1886 | Etching in black ink on cream laid paper

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Barges, Dordrecht

James McNeill Whistler

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The Forge

James McNeill Whistler

1861 | Drypoint in black ink on cream Japanese paper

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The Forge

James McNeill Whistler

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The Market Place, Vitre

James McNeill Whistler

1893 |

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The Market Place, Vitre

James McNeill Whistler

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Mother and Child, No. 5

James McNeill Whistler

1895 | Transfer lithograph in black on ivory wove proofing paper

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Mother and Child, No. 5

James McNeill Whistler

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Railway-Station, Voves

James McNeill Whistler

1888 | Etching and drypoint with foul biting in black ink on cream laid paper

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Railway-Station, Voves

James McNeill Whistler

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Nursemaids: 'Les Bonnes du Luxembourg'

James McNeill Whistler

Nursemaids: "Les Bonnes du Luxem...

1894 | Transfer lithograph in black on cream laid paper

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Nursemaids: 'Les Bonnes du Luxembourg'

James McNeill Whistler

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Baby Pettigrew

James McNeill Whistler

1887 | Etching with foul biting in dark brown ink on cream laid paper

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Baby Pettigrew

James McNeill Whistler

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Count Robert de Montesquiou, No. 2

James McNeill Whistler

1894 | Transfer lithograph in black with scraping, on grayish ivory China paper

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Count Robert de Montesquiou, No. 2

James McNeill Whistler

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Red House, Paimpol

James McNeill Whistler

1893 | Transfer lithograph from three stones, in black (keystone), red, and gray inks, with scraping, on cream wove Japanese vellum

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Red House, Paimpol

James McNeill Whistler

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Turkeys

James McNeill Whistler

1880 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Turkeys

James McNeill Whistler

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The Pierrot

James McNeill Whistler

1889 | Etching and drypoint with foul biting in black ink on cream Japanese paper

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The Pierrot

James McNeill Whistler

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Greenwich Pensioner

James McNeill Whistler

1859 |

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Greenwich Pensioner

James McNeill Whistler

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Palaces, Brussels

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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Palaces, Brussels

James McNeill Whistler

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The Little Lagoon

James McNeill Whistler

1879 | Etching, with drypoint cancellation, in dark brown ink on ivory laid paper

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The Little Lagoon

James McNeill Whistler

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Maud, Standing

James McNeill Whistler

1876 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Maud, Standing

James McNeill Whistler

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San Giorgio

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on cream laid paper

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San Giorgio

James McNeill Whistler

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The Forge

James McNeill Whistler

1861 | Drypoint in black ink on cream Japanese paper

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The Forge

James McNeill Whistler

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The Barrow - Quartier des Marolles, Brussels

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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The Barrow - Quartier des Marolles, Brussels

James McNeill Whistler

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The Rialto

James McNeill Whistler

1879 | Etching with foul biting in black ink on ivory laid paper

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The Rialto

James McNeill Whistler

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Penny Passengers, Limehouse

James McNeill Whistler

1860 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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Penny Passengers, Limehouse

James McNeill Whistler

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The Slipper

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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The Slipper

James McNeill Whistler

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Study No. 2: Mr. Thomas Way

James McNeill Whistler

1896 | Transfer lithograph in black on cream laid paper

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Study No. 2: Mr. Thomas Way

James McNeill Whistler

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Study: Maud Seated

James McNeill Whistler

1878 | Lithotint in black ink with scraping and roulette on grayish ivory wove proofing paper

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Study: Maud Seated

James McNeill Whistler

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Nude Model, Reclining

James McNeill Whistler

1893 | Transfer lithograph in black ink with stumping, on ivory laid paper

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Nude Model, Reclining

James McNeill Whistler

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Bibi Valentin

James McNeill Whistler

1859 | Etching and drypoint in black ink with foul biting on ivory laid paper

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Bibi Valentin

James McNeill Whistler

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Chelsea Wharf

James McNeill Whistler

1863 | Etching and drypoint with foul biting in black on grayish ivory laid paper

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Chelsea Wharf

James McNeill Whistler

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Lobster Pots - Selsea Bill

James McNeill Whistler

1880 | Etching with foul biting in black ink on ivory laid paper

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Lobster Pots - Selsea Bill

James McNeill Whistler

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Booth, Market Place, Loches

James McNeill Whistler

1888 | Etching with foul biting in black ink on ivory laid paper

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Booth, Market Place, Loches

James McNeill Whistler

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Saint George

James McNeill Whistler

San Giorgio

1879 | Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper

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Saint George

James McNeill Whistler

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Black Lion Wharf

James McNeill Whistler

1859 | Etching with foul biting in black ink on ivory laid paper

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Black Lion Wharf

James McNeill Whistler

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Trouville (Grey and Green, the Silver Sea)

James McNeill Whistler

1865 | oil on canvas

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Trouville (Grey and Green, the Silver Sea)

James McNeill Whistler

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The Riva

James McNeill Whistler

1879 | Etching, with drypoint cancellation, in dark brown ink on cream Japanese paper

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The Riva

James McNeill Whistler

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The Steamboat, Venice

James McNeill Whistler

1879 | Etching with drypoint in black ink on off-white laid paper

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The Steamboat, Venice

James McNeill Whistler

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The Little Venice

James McNeill Whistler

1880 | Etching, with drypoint cancellation, in dark brown ink on cream Japanese paper

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The Little Venice

James McNeill Whistler

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Nude Model, Reclining

James McNeill Whistler

1893 | Transfer lithograph in black, with stumping, on ivory laid paper

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Nude Model, Reclining

James McNeill Whistler

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Two Trial Sketches: A. Grand Rue, Dieppe; B. An Interior

James McNeill Whistler

1891 | Transfer lithograph in black on ivory wove paper

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Two Trial Sketches: A. Grand Rue, Dieppe; B. An Interior

James McNeill Whistler

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J. Becquet, Sculptor

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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J. Becquet, Sculptor

James McNeill Whistler

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Waterloo Bridge

James McNeill Whistler

1896 | Transfer lithograph in black on ivory laid paper

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Waterloo Bridge

James McNeill Whistler

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Liverdun

James McNeill Whistler

1858 | Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé)

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Liverdun

James McNeill Whistler

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Church, Brussels

James McNeill Whistler

1887 |

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Church, Brussels

James McNeill Whistler

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The Punt

James McNeill Whistler

1861 | Etching and drypoint with foul biting in black ink on ivory wove paper

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The Punt

James McNeill Whistler

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Fifth of November

James McNeill Whistler

1895 | Transfer lithograph in black on cream laid paper

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Fifth of November

James McNeill Whistler

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The Old Woman with Rags

James McNeill Whistler

La Vieille aux Loques (The Old W...

1858 | Etching and drypoint with foul biting in black ink on cream Japanese paper

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The Old Woman with Rags

James McNeill Whistler

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The Blacksmith

James McNeill Whistler

1895 | Transfer lithograph in black, with stumping, on cream laid paper

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The Blacksmith

James McNeill Whistler

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Thames Warehouses

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Thames Warehouses

James McNeill Whistler

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Justice Walk, Chelsea

James McNeill Whistler

1888 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Justice Walk, Chelsea

James McNeill Whistler

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Steamboat Fleet, Chelsea

James McNeill Whistler

1875 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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Steamboat Fleet, Chelsea

James McNeill Whistler

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The Medici Collar

James McNeill Whistler

1897 | Transfer lithograph in black on buff laid paper

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The Medici Collar

James McNeill Whistler

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Finette

James McNeill Whistler

1859 | Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper

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Finette

James McNeill Whistler

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The Beggars

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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The Beggars

James McNeill Whistler

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Tour Saint Antoine, Loches

James McNeill Whistler

1888 | Etching with foul biting in dark brown ink on cream laid paper

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Tour Saint Antoine, Loches

James McNeill Whistler

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Annie Haden

James McNeill Whistler

1860 | drypoint

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Annie Haden

James McNeill Whistler

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The Smith, Passage du Dragon

James McNeill Whistler

1894 | Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper

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The Smith, Passage du Dragon

James McNeill Whistler

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Conversation under the Statue, Luxembourg Gardens

James McNeill Whistler

1893 | Transfer lithograph in black with stumping, on ivory laid paper

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Conversation under the Statue, Luxembourg Gardens

James McNeill Whistler

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Petite Rue au Beurre, Brussels

James McNeill Whistler

1887 | Etching with foul biting in brown ink on ivory laid paper

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Petite Rue au Beurre, Brussels

James McNeill Whistler

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The Laundress: "La Blanchisseuse de la Place Dauphine"

James McNeill Whistler

1894 | Transfer lithograph in black on ivory laid paper

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The Laundress: "La Blanchisseuse de la Place Dauphine"

James McNeill Whistler

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The Garden

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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The Garden

James McNeill Whistler

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Return to Tilbury

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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Return to Tilbury

James McNeill Whistler

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Wych Street, London

James McNeill Whistler

1877 | Etching with foul biting in black ink on ivory laid paper

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Wych Street, London

James McNeill Whistler

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Speke Hall: The Avenue

James McNeill Whistler

1870 | Etching and drypoint with foul biting in black ink on off-white laid paper

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Speke Hall: The Avenue

James McNeill Whistler

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Little Putney Bridge

James McNeill Whistler

1879 | Etching and drypoint in black ink on ivory laid paper

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Little Putney Bridge

James McNeill Whistler

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The Smith, Passage du Dragon

James McNeill Whistler

1894 | Transfer lithograph in black with stumping, on ivory wove proofing paper laid down on a heavy backing sheet

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The Smith, Passage du Dragon

James McNeill Whistler

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Upright Venice, from the "Twenty-Six Etchings", also known as ...

James McNeill Whistler

1879 |

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Upright Venice, from the "Twenty-Six Etchings", also known as the "Second Venice Set"

James McNeill Whistler

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Quai de Montebello

James McNeill Whistler

1888 | Etching with foul biting in black ink on buff laid paper

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Quai de Montebello

James McNeill Whistler

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San Biagio

James McNeill Whistler

1880 | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to tan

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San Biagio

James McNeill Whistler

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The Fishing Boat

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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The Fishing Boat

James McNeill Whistler

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The Fleet: Monitors

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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The Fleet: Monitors

James McNeill Whistler

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Upright Venice

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to buff

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Upright Venice

James McNeill Whistler

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Study No. 1: Mr. Thomas Way

James McNeill Whistler

1896 | Transfer lithograph in black on ivory chine, laid down on off-white plate paper

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Study No. 1: Mr. Thomas Way

James McNeill Whistler

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Cutler Street, Houndsditch

James McNeill Whistler

Cutler Street, Hounsditch

1887 | Etching with foul biting in black ink on ivory laid paper

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Cutler Street, Houndsditch

James McNeill Whistler

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The Mustard Seller

James McNeill Whistler

La Marchande de Moutarde (The Mu...

1858 | Etching with foul biting in black ink on cream laid paper

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The Mustard Seller

James McNeill Whistler

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The Terrace, Luxembourg

James McNeill Whistler

1894 | Transfer lithograph in black with stumping, on cream laid Japanese vellum

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The Terrace, Luxembourg

James McNeill Whistler

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Lindsey Row, Chelsea

James McNeill Whistler

1888 | Transfer lithograph in black on ivory laid paper

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Lindsey Row, Chelsea

James McNeill Whistler

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Study

James McNeill Whistler

1878 | Lithograph in black ink with scraping on cream chine (Japanese paper) laid down on ivory plate paper

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Study

James McNeill Whistler

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Amsterdam, from the Tolhuis

James McNeill Whistler

1863 | Etching and drypoint in black ink on cream laid paper

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Amsterdam, from the Tolhuis

James McNeill Whistler

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Study

James McNeill Whistler

1878 | Lithograph, with scraping, in brown on cream wove paper

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Study

James McNeill Whistler

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Canvas

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Watercolor Board

Natural Line

Japanese Paper

Special Media

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James McNeill Whistler | Page 3

James McNeill Whistler | Page 3

What our customers think about us

Frequently Asked Questions about Meisterdrucke

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Canvas

Photo Paper

Watercolor Board

Natural Line

Japanese Paper

Special Media

More information

Info & Service

More information

Good to know

Legal information

James McNeill Whistler | Page 3

James McNeill Whistler | Page 3

What our customers think about us

Frequently Asked Questions about Meisterdrucke

How does personalization work?

How can I tell if the picture fits in my room?

How do I choose the right medium?

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