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James McNeill Whistler | Page 2

James McNeill Whistler | Page 2

1777 artworks found
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1.777 artworks found

James McNeill Whistler
 
1863 | Etching and drypoint with foul biting and plate tone in black on cream laid paper

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James McNeill Whistler
Chancellerie, Loches
1888 | Etching with foul biting in black ink on cream laid paper

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James McNeill Whistler
 
1889 |

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James McNeill Whistler
 
1891 | Transfer lithograph in black on ivory laid paper

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James McNeill Whistler
 
1887 | Etching with foul biting in black ink on off-white laid paper

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James McNeill Whistler
 
1873 | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1894 | Transfer lithograph in black on cream laid Japanese vellum

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James McNeill Whistler
 
1894 | Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper

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James McNeill Whistler
 
1895 | Lithograph, in black ink, with scraping, on cream wove Japanese vellum

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James McNeill Whistler
 
1896 | Transfer lithograph in black on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1859 | Etching with foul biting in black ink on off-white wove paper

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James McNeill Whistler
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James McNeill Whistler
 
1894 | Transfer lithograph in black with scraping, on ivory laid paper

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James McNeill Whistler
 
1891 | Transfer lithograph in black on cream wove proofing paper

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James McNeill Whistler
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James McNeill Whistler
 
1859 | Etching and drypoint with foul biting in black ink on cream laid paper

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James McNeill Whistler
 
1858 | Etching in black ink with foul biting on off-white China paper laid down on ivory wove paper (chine collé)

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James McNeill Whistler
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James McNeill Whistler
 
1878 | Lithograph in black ink with scraping and roulette work on ivory plate paper

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James McNeill Whistler
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James McNeill Whistler
 
1888 | Transfer lithograph in black on tan laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1887 | Etching with foul biting in black ink on cream laid paper

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James McNeill Whistler
 
1879 | Etching in black ink on ivory Asian laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1878 |

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James McNeill Whistler
Portrait of a man
1860 | Drypoint in black ink on ivory Japanese paper

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James McNeill Whistler
The Little Lagoon, from the "Twe...
1880 | etching on paper

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James McNeill Whistler
 
1861 | Etching and drypoint with foul biting in black ink on ivory Japanese paper

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James McNeill Whistler
 
1888 | Etching with foul biting in dark brown ink on ivory laid paper

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James McNeill Whistler
 
1889 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1896 | Transfer lithograph in black with stumping, on ivory laid paper

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James McNeill Whistler
 
1889 | Transfer lithograph in black on cream laid paper

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James McNeill Whistler
 
1879 | Cancelled copper plate

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James McNeill Whistler
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James McNeill Whistler
Mother and Daughter [La Mère Mal...
1897 | Transfer lithograph in black with stumping, on greenish ivory laid paper

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James McNeill Whistler
 
1895 |

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James McNeill Whistler
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James McNeill Whistler
 
1891 | Transfer lithograph in black on tan laid paper

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James McNeill Whistler
 
1875 | Etching and drypoint with foul biting, with scraped and drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1887 | Etching with foul biting in black ink on off-white laid paper

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James McNeill Whistler
Mother and Child, No. 4
1891 | Transfer lithograph in black on cream Japanese paper

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James McNeill Whistler
 
1859 |

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James McNeill Whistler
 
1894 | Transfer lithograph in black on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1887 | Etching with foul biting in black ink on ivory laid paper

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James McNeill Whistler
 
1893 | Transfer lithograph in black ink on cream laid paper

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James McNeill Whistler
 
1879 | Etching, drypoint and roulette with foul biting in warm black, with selective wiping of plate tone, on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Cancelled copper plate

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James McNeill Whistler
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James McNeill Whistler
 
1875 | Drypoint in black ink on off-white laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Etching, drypoint and open bite in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1889 | Transfer lithograph in black on tan laid paper

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James McNeill Whistler
 
1887 | Etching with foul biting in black ink on cream laid paper

Choose picture

James McNeill Whistler
 
1878 |

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James McNeill Whistler
 
1879 | Transfer lithograph in black ink with scraping, on ivory laid paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1873 | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1878 | Lithotint, in brown ink, with scraping, on tan laid paper

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James McNeill Whistler
 
1888 | Etching and drypoint with foul biting in dark brown ink on cream laid paper

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James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on cream Japanese paper

Choose picture

James McNeill Whistler
 
1878 | Etching and drypoint in black ink on cream Japanese paper

Choose picture

James McNeill Whistler
 
1880 | Etching and drypoint with foul biting in dark brown ink on cream laid paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1859 |

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James McNeill Whistler
 
1880 | Etching and drypoint with foul biting in black ink on ivory laid paper

Choose picture
James McNeill Whistler
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James McNeill Whistler
 
1879 | Lithograph, in black ink, with stumping, on cream chine, laid down on ivory plate paper

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James McNeill Whistler
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James McNeill Whistler
 
1858 | Etching with foul biting in black ink on buff China paper laid down on off-white wove paper (chine collé)

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1880 | Cancelled copper plate

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on ivory laid paper

Choose picture

James McNeill Whistler
 
1896 | Transfer lithograph in black on ivory Japanese paper

Choose picture

James McNeill Whistler
 
1891 | Transfer lithograph in black on ivory laid paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1891 | Transfer lithograph in dark gray on cream Japanese paper

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James McNeill Whistler
 
1896 | Transfer lithograph in black with stumping, on cream laid paper

Choose picture

James McNeill Whistler
 
1880 | Etching and drypoint with foul biting in black ink on ivory laid paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1875 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1894 | Transfer lithograph in black on cream laid paper

Choose picture

James McNeill Whistler
 
1878 | Lithotint, on a prepared half-tint ground, in black with scraping and incising, on cream chine, laid down on ivory plate paper

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James McNeill Whistler
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James McNeill Whistler
 
1889 | Etching with foul biting in dark brown ink on ivory Japanese paper

Choose picture

James McNeill Whistler
 
1888 | Lithograph, in black ink, with stumping, on cream wove paper

Choose picture

James McNeill Whistler
 
1879 | Lithograph, in black ink, with scraping, on ivory Japanese paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1895 | Lithograph, in black ink, with scraping, on grayish white chine, laid down on ivory plate paper

Choose picture

James McNeill Whistler
 
1896 | Transfer lithograph in black with scraping, on tan laid Japanese vellum

Choose picture

James McNeill Whistler
 
1859 | Drypoint with light plate tone on thin ivory Japanese paper

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James McNeill Whistler
 
1879 | Cancelled copper plate

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James McNeill Whistler
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James McNeill Whistler
 
1891 | Transfer lithograph in black on cream Japanese gampi paper hinged at top margin to cream laid Japanese paper

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James McNeill Whistler
 
1893 | Transfer lithograph with stumping in black ink on tan laid Japanese vellum

Choose picture

James McNeill Whistler
 
1894 |

Choose picture

James McNeill Whistler
 
1878 | Lithograph in black ink with scraping on tan wove paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on ivory laid paper

Choose picture

James McNeill Whistler
 
1898 |

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James McNeill Whistler
 
1893 | Lithograph, in black ink, on greenish ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
La Vieille aux Loques (The Old W...
1858 | Etching and drypoint with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé)

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James McNeill Whistler
Rose and Red: The Barber's Shop,...
1895 |

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James McNeill Whistler
La Vieille aux Loques (The Old W...
1858 | Etching and drypoint with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé)

Choose picture

James McNeill Whistler
 
1895 | Transfer lithograph in black on ivory Japanese paper

Choose picture

James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in black ink on cream Japanese paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1886 | Etching with drypoint in black ink on cream laid paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1859 | Etching and drypoint with foul biting in black ink on off-white laid paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1858 | Etching, with drypoint cancellation, in black ink on ivory laid paper

Choose picture

James McNeill Whistler
 
1878 | Lithotint with scraping and roulette in black ink on ivory wove proofing paper

Choose picture

James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in brown ink on ivory laid paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1861 | Drypoint in black ink on ivory laid paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1894 | Transfer lithograph in black ink on cream laid paper

Choose picture
James McNeill Whistler
Choose picture


James McNeill Whistler
 
1897 | Transfer lithograph in black on ivory plate paper

Choose picture

James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in black ink on cream paper

Choose picture

James McNeill Whistler
La Vieille aux Loques (The Old W...
1858 | Etching and drypoint with foul biting in black ink on light gray China paper

Choose picture

James McNeill Whistler
 
1859 |

Choose picture

James McNeill Whistler
 
1870 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

Choose picture

James McNeill Whistler
 
1896 | Transfer lithograph in black with scraping, on cream laid paper

Choose picture

James McNeill Whistler
 
1895 | Transfer lithograph in black on cream laid paper

Choose picture
James McNeill Whistler
Choose picture



Page 2 / 18



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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · support@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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