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Search by artist, work title or style – e.g. Monet, Starry Night, Impressionism, Hokusai wave, nude. Describe the scene – e.g. green meadow, abstract with lots of red, dark oil painting, standing nude next to a tree.

James McNeill Whistler | Page 2

James McNeill Whistler | Page 2

1787 artworks found
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James McNeill Whistler
 
1886 | Etching with drypoint in black ink on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
En plein soleil
1858 |

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James McNeill Whistler
La Mère Gérard
1858 |

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James McNeill Whistler
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James McNeill Whistler
Twelve Etchings from Nature: La...
1858 |

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James McNeill Whistler
La Rétameuse
1858 |

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James McNeill Whistler
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James McNeill Whistler
 
1894 | Transfer lithograph in black on grayish ivory China paper

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James McNeill Whistler
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James McNeill Whistler
 
1893 | Etching with foul biting in dark brown ink on buff laid paper

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James McNeill Whistler
Arrangement en gris et noir n°1,...
1871 | oil on canvas

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James McNeill Whistler
La Marchande de moutarde
1858 |

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James McNeill Whistler
 
1889 | Etching with foul biting in black ink on ivory laid paper

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James McNeill Whistler
 
1889 | Transfer lithograph in black on cream laid paper

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James McNeill Whistler
 
1889 | Etching with foul biting in black ink on ivory laid paper

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James McNeill Whistler
 
1896 | Transfer lithograph in black with stumping, on cream laid paper

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James McNeill Whistler
The Riva, No. 1 (The Riva)
1879 |

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Etching and drypoint in brownish black, with selective wiping of plate tone, on ivory laid paper

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James McNeill Whistler
 
1887 | Etching with foul biting in black ink on cream laid paper

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James McNeill Whistler
 
1893 | Lithograph, in black ink, on ivory laid paper

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James McNeill Whistler
 
1879 |

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James McNeill Whistler
Isle de la Cité, Paris
1859 |

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James McNeill Whistler
The "Adam and Ev"', Old Chelsea
1878 |

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James McNeill Whistler
 
1890 |

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James McNeill Whistler
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James McNeill Whistler
 
1884 |

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James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in brown black ink on cream laid paper

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James McNeill Whistler
 
1887 |

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James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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James McNeill Whistler
Isle de la Cite, Paris
1859 |

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James McNeill Whistler
Fish-Shop, Venice
1880 |

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James McNeill Whistler
 
1897 | Transfer lithograph in black on ivory plate paper

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James McNeill Whistler
 
1865 | oil on canvas

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James McNeill Whistler
 
1892 |

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James McNeill Whistler
 
1879 |

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James McNeill Whistler
Nude Woman Standing, hand on hip
1873 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
 
1858 |

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James McNeill Whistler
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James McNeill Whistler
La Vielle aux loques
1858 |

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James McNeill Whistler
 
1863 | Etching and drypoint with foul biting and plate tone in black on cream laid paper

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James McNeill Whistler
 
1859 | Etching and drypoint with foul biting in black ink on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Etching and drypoint in brown on cream laid paper

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James McNeill Whistler
 
1859 |

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James McNeill Whistler
 
1878 | Lithograph in black ink with scraping on tan wove paper

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James McNeill Whistler
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James McNeill Whistler
La Robe Rouge
1894 | Transfer lithograph in black on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1891 | Transfer lithograph in black on ivory wove paper

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James McNeill Whistler
 
1896 |

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James McNeill Whistler
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James McNeill Whistler
 
1894 | Transfer lithograph in black on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1894 | Transfer lithograph in black with scraping, on ivory laid paper

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James McNeill Whistler
 
1870 | Etching and drypoint with foul biting in black ink on off-white laid paper

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James McNeill Whistler
 
1878 | Lithotint, in brown ink, with scraping, on tan wove paper

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James McNeill Whistler
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James McNeill Whistler
 
1893 | Transfer lithograph in black, with stumping, on ivory laid paper

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James McNeill Whistler
 
1896 | Transfer lithograph in black on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1895 | Transfer lithograph in black on ivory wove proofing paper

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James McNeill Whistler
 
1887 | Etching in black ink on ivory laid paper

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James McNeill Whistler
 
1891 | Transfer lithograph in black on tan laid paper

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James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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James McNeill Whistler
 
1863 | Etching and drypoint with foul biting in black ink on ivory laid paper

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James McNeill Whistler
 
1859 |

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper

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James McNeill Whistler
 
1859 |

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James McNeill Whistler
 
1891 | Transfer lithograph in black on grayish ivory China paper

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James McNeill Whistler
 
1891 | Transfer lithograph in black on ivory Japanese paper

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James McNeill Whistler
 
1894 | Transfer lithograph in black with stumping, on ivory wove proofing paper laid down on a heavy backing sheet

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James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to buff

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James McNeill Whistler
 
1894 | Transfer lithograph in black with stumping, on cream laid Japanese vellum

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James McNeill Whistler
 
1879 |

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James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in brownish black, with selective wiping of plate tone, on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1891 | Transfer lithograph in black on ivory wove paper

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James McNeill Whistler
 
1859 |

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James McNeill Whistler
 
1895 |

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James McNeill Whistler
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James McNeill Whistler
 
1888 | Etching and drypoint with foul biting in dark brown ink on cream laid paper

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James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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James McNeill Whistler
 
1887 | Etching and drypoint in black on cream laid paper (discolored to tan)

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James McNeill Whistler
 
1891 | Transfer lithograph in brownish-gray (keystone), green, blue-green, rose, orange-red, ochre, pale ochre, dark brown, pale gray-brown, and brown-red inks, on cream Japanese gampi paper, laid down on cream wove paper

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James McNeill Whistler
 
1859 |

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James McNeill Whistler
 
1858 |

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James McNeill Whistler
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James McNeill Whistler
 
1880 | Etching and drypoint with foul biting in black ink on ivory laid paper

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James McNeill Whistler
Mother and Daughter [La Mère Mal...
1897 | Counterproof of transfer lithograph with stumping, in black, on off-white wove paper

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James McNeill Whistler
 
1894 | Transfer lithograph in black on ivory laid paper

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James McNeill Whistler
 
1860 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James McNeill Whistler
 
1891 | Transfer lithograph, with scraping and stumping, in black on cream laid paper

Choose picture

James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on cream laid paper

Choose picture

James McNeill Whistler
 
1896 | Transfer lithograph in black with scraping, on cream laid paper

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James McNeill Whistler
 
1885 |

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James McNeill Whistler
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James McNeill Whistler
 
1895 | Transfer lithograph in black on cream wove proofing paper

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James McNeill Whistler
Z. Astruc, Editor of _L'Artiste_
1859 |

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James McNeill Whistler
 
1893 | Transfer ithograph in black on tan laid Japanese paper

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James McNeill Whistler
 
1879 | Etching with drypoint in black ink on off-white laid paper

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James McNeill Whistler
 
1891 | Transfer lithograph in black on ivory laid paper

Choose picture

James McNeill Whistler
 
1879 |

Choose picture

James McNeill Whistler
 
1876 | Etching and drypoint with foul biting in black ink on off-white laid paper

Choose picture

James McNeill Whistler
 
1893 | Transfer lithograph in black with stumping, on ivory laid paper

Choose picture

James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on cream laid paper

Choose picture

James McNeill Whistler
 
1879 | Etching and drypoint in black on ivory laid paper

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James McNeill Whistler
Blue and Coral: The Little Blue...
1898 |

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James McNeill Whistler
 
1858 |

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Page 2 / 18



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · support@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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