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James Gillray
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

James Gillray

United Kingdom of Great Britain and Northern Ireland · 1756–1815 · Caricatures, Comics · 1348 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
James Gillray
1756–1815
Born August 13, 1756 (Chelsea)
Died June 1, 1815 (London) at the age of 58
Nationality United Kingdom of Great Britain and Northern Ireland
Epochs Caricatures, Comics
Profession caricaturist, graphic artist, draftsperson, illustrator, cartoonist, cartographer
Notable works The Death of the Great Wolf (1795), The American Rattle Snake (1782), British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billy's Old Boat, and the Little Corsican tottering on the Clouds of Ambition (1807), Uncorking Old Sherry (1805), The Reflection: Grotesque Fat man Looking in a Hand Mirror
Museums Art Institute of Chicago, Yale Center for British Art, Paris Musées, Yale University Art Gallery, Princeton University Art Museum
James Gillray

James Gillray

    August 3, 1757   -   June 1, 1815

James Gillray was born in London in the Chelsey district. His father was Scottish and a war veteran. The young Gillray learned the profession of letter engraver and was later accepted as a student at the Royal Academy, working as an engraver time and again to finance his studies and livelihood. From a very young age he was interested in caricature, he especially loved William Hogarth, a very famous caricaturist of the 18th century who was his great idol. Very soon Gillray also began to publish caricatures himself, albeit at first under a fictitious name. Only little by little did drawings with his name appear. For many contemporaries and even today James Gillrey is considered "the father of political and social caricature". Of course, he also lived in a time of great political and social upheavals and also in a time when caricature as an important means of expression for depicting events and their interpretation became fashionable and suitable for the masses. Gillrey's intellect, his wit, his sometimes pitch-black humour and his gift for observation, but also his great talent for drawing made his works unique.

In his private life he was not so successful and happy. He suffered from arthritis or gout in his hands at a younger age, which caused him great pain, and his vision was also increasingly poor. Disabled in his work, he became melancholy and increasingly addicted to alcohol. James Gillray did not start a family either, but he probably lived with his publisher Hannah Humphrey for many years and thought about marrying her from time to time. At least contemporaries ascribe a relationship to the two and it is a fact that Hannah Humphrey took care of Gillray after he wanted to take his own life by jumping out of a window in 1811. He survived, but was repeatedly confronted with severe depressions and psychoses. In 1815 the artist died at the age of only 58 years. Among collectors the caricatures of James Gillray are still very popular. Key prints such as "Fashionable Contrasts" and "Light Expelling Darkness" have already fetched prices of 10,000 to 20,000 US dollars at auctions.

Artworks by James Gillray

1348 artworks found
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1.348 artworks found

James Gillray
The Plum Pudding in danger or St...
1805 | hand coloured engraving

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James Gillray
A Voluptuary Under the Horrors o...
Undated | etching

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James Gillray
Nelson's Victory, or Good News o...
1798 |

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James Gillray
Destruction of the French Coloss...
Undated |

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James Gillray
The Grand Coronation Procession ...
Undated |

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James Gillray
Fashionable Contrasts, or The Du...
1792 | etching with watercolour

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James Gillray
Dido in Despair, published by Ha...
1801 | hand-coloured etching

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James Gillray
National conveniences, 1769
Undated |

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James Gillray
Fighting for the Dunghill or Jac...
1798 | hand coloured engraving

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James Gillray
Germans Eating Sour-Krout
1803 | Hand-colored etching on paper

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James Gillray
John Bull Taking a Luncheon, or ...
1798 | hand-coloured etching

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James Gillray
New Morality, or The promis'd In...
1798 |

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James Gillray
Le Baiser a la Wirtembourg, publ...
1797 | hand-coloured etching

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James Gillray
Tales of Wonder, pub. H. Humphre...
1802 | hand-coloured etching

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James Gillray
A Bravura Air, Mandane, publishe...
1801 | hand-coloured etching

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James Gillray
The Kiss at Würtemberg
Undated |

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James Gillray
Scientific Researches! New Disco...
Undated | coloured etching

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James Gillray
Very Slippy-Weather, pub. 1808 (...
1808 | hand coloured engraving

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James Gillray
Maecenas, in pursuit of the Fine...
1808 |

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James Gillray
The Coalition, published by G. H...
1783 | hand-coloured etching

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James Gillray
Sir Richard Worse-than-Sly, Expo...
1782 | hand coloured engraving

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James Gillray
Pizarro contemplating over the p...
1799 | coloured engraving

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James Gillray
The Rights of Man, or Tommy Pain...
1791 | hand-coloured etching

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James Gillray
The Balance of Power or The Post...
1791 | hand coloured engraving

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James Gillray
The Feast of Reason, & the Flow ...
1797 |

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James Gillray
The Republican Attack, published...
1795 | hand-coloured etching

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James Gillray
John Bull taking a Luncheon: or ...
1798 |

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James Gillray
L'Infanterie Francaise en Egypte...
1799 | hand coloured etching

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James Gillray
Horrors of the Irish Union: Both...
1798 | hand-coloured etching

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James Gillray
Wierd Sisters; Minister's of Dar...
1791 |

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James Gillray
A peep at Christies; - or - tall...
1796 | hand coloured engraving

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James Gillray
The Grand Coronation Procession ...
1804 | etching, engraving and aquatint

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James Gillray
The Giant Factotum amusing hinse...
1797 | hand coloured engraving

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James Gillray
The Cow Pock or the Wonderful Ef...
1809 | coloured engraving

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James Gillray
Titianus Redivivus or the Seven ...
1797 | hand coloured engraving

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James Gillray
Harmony before Matrimony, publis...
1805 | hand-coloured etching

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James Gillray
Charon's Boat, or The Ghost's of...
1807 | hand-coloured etching with some aquatint

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James Gillray
A Peep into Lady W!!!!!ys Seragl...
1782 | hand coloured engraving

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James Gillray
The Plum Pudding in Danger, 1805...
Undated | colour engraving

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James Gillray
Improvement in Weights and Measu...
1798 |

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James Gillray
Taking Physick; - or - The News...
1792 |

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James Gillray
The Balance of Power, or The Pos...
1791 | hand-coloured etching

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James Gillray
The York Reverence; - or - City ...
1791 |

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James Gillray
Venus a la Coquelle; or the Swan...
1809 | hand coloured engraving

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James Gillray
The Tree of Liberty with the Dev...
1798 | coloured etching

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James Gillray
Characters in High Life, publish...
1795 | hand-coloured etching

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James Gillray
Advantages of Wearing Muslin Dre...
Undated | coloured engraving

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James Gillray
The Gordon-Knot, or The Bonny Du...
1797 | hand-coloured etching

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James Gillray
A Pig in a Poke, published by S....
1788 | hand-coloured etching

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James Gillray
Boney and Talley, The Corsican C...
1803 | coloured engraving

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James Gillray
The Three Mr Wiggins's, publishe...
1803 | hand-coloured etching

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James Gillray
The Spanish Bull Fight, or The C...
1808 | hand-coloured etching

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James Gillray
The Fashionable Mamma, or The Co...
1796 | hand-coloured engraving

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James Gillray
Irish Gratitude, published by Ha...
1782 | hand-coloured etching

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James Gillray
A Peep at Christies, or Tally-ho...
1796 | etching, engraving, aquatint and watercolour on paper

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James Gillray
The French Consular Triumvirate,...
18th century | engraving

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James Gillray
Election Troops bringing in thei...
1788 | coloured engraving

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James Gillray
 
1801 |

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James Gillray
Windy Weather, published by Hann...
1808 | hand-coloured etching

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James Gillray
Tiddy-Doll the great French Ging...
1806 | coloured engraving

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James Gillray
 
1805 | colour etching on paper

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James Gillray
Wha Wants Me published by Hannah...
1792 | hand-coloured etching

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James Gillray
Sansculotten voeden Europa met h...
Undated | paper

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James Gillray
Matins at D-wn-ng College, Cambr...
1810 | hand coloured engraving

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James Gillray
The Reception of the Diplomatiqu...
1792 | coloured engraving

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James Gillray
Cartoon depicting Colonel Justly...
1797 | hand-coloured etching

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James Gillray
Paille d'Avoine - Paille d'Avoine
1786 |

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James Gillray
The high flying Candidate (i.e L...
1806 | hand-coloured etching

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James Gillray
Nelson's Victory: - or - Good - ...
1798 |

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James Gillray
Metallic Tractors, 1801
1801 | coloured engraving

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James Gillray
Progress of the Toilet - The Wig...
Undated | hand-coloured engraving

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James Gillray
Sad Sloppy Weather, published by...
1808 | hand-coloured etching

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James Gillray
Fashionable - Jockeyship
1796 |

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James Gillray
Monstrous Craws at a New Coaliti...
1787 | etching with aquatint

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James Gillray
The Contrast or Things as they A...
1796 | hand coloured engraving

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James Gillray
Mamlouk et Hussard Republicain, ...
1799 | hand-coloured etching

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James Gillray
The Hustings. Vox Populi Well ha...
1796 | hand coloured engraving

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James Gillray
Britania's Assassination..or - T...
1782 |

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James Gillray
The Wine Duty, or The Triumph of...
1796 | hand-coloured etching

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James Gillray
Delicious Weather, published by ...
1808 | coloured engraving

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James Gillray
The accomodating spouse; Tyr-nn-...
1789 | hand coloured engraving

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James Gillray
A Kick at the Broad Bottoms, i.e...
Undated | hand coloured engraving

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James Gillray
British Tars Towing the Danish F...
1807 | etching

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James Gillray
Gloria Mundi,, or The Devil addr...
1782 | hand coloured engraving

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James Gillray
The Giant Factotum amusing himse...
1797 | hand-coloured etching

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James Gillray
The Man of Feeling in search of ...
18th century | hand coloured engraving

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James Gillray
The Pacific Entrance of Earl-Wol...
1792 |

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James Gillray
A Witch upon a Mounts Edge; vide...
1791 | hand coloured engraving

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James Gillray
Field Marshall Count Suwarrow-Ro...
1799 |

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James Gillray
 
Undated | etching, engraving, and aquatint with publishers hand-coloring, on laid paper

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James Gillray
Tentanda via est qua me quoque p...
1810 | etching, engraving, aquatint and watercolour on paper

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James Gillray
Malagrida and Conspirators, Cons...
1782 | etching on laid paper inlaid on wove paper

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James Gillray
The Graces in a High Wind, a Sce...
1810 | coloured etching

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James Gillray
The Introduction of the Pope to ...
1809 |

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James Gillray
Leaving off Powder, or A Frugal ...
1795 | hand-coloured etching

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James Gillray
Jack a Both Sides, published by ...
1783 | hand-coloured etching

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Page 1 / 14

About the artist

James Gillray
James Gillray
1756–1815
BornAugust 13, 1756 (Chelsea)
DiedJune 1, 1815 (London) at the age of 58
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsCaricatures, Comics
Professioncaricaturist, graphic artist, draftsperson, illustrator, cartoonist, cartographer
Notable worksThe Death of the Great Wolf (1795), The American Rattle Snake (1782), British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billy's Old Boat, and the Little Corsican tottering on the Clouds of Ambition (1807), Uncorking Old Sherry (1805), The Reflection: Grotesque Fat man Looking in a Hand Mirror
MuseumsArt Institute of Chicago, Yale Center for British Art, Paris Musées, Yale University Art Gallery, Princeton University Art Museum

James Gillray was born in London in the Chelsey district. His father was Scottish and a war veteran. The young Gillray learned the profession of letter engraver and was later accepted as a student at the Royal Academy, working as an engraver time and again to finance his studies and livelihood. From a very young age he was interested in caricature, he especially loved William Hogarth, a very famous caricaturist of the 18th century who was his great idol. Very soon Gillray also began to publish caricatures himself, albeit at first under a fictitious name. Only little by little did drawings with his name appear. For many contemporaries and even today James Gillrey is considered "the father of political and social caricature". Of course, he also lived in a time of great political and social upheavals and also in a time when caricature as an important means of expression for depicting events and their interpretation became fashionable and suitable for the masses. Gillrey's intellect, his wit, his sometimes pitch-black humour and his gift for observation, but also his great talent for drawing made his works unique.

In his private life he was not so successful and happy. He suffered from arthritis or gout in his hands at a younger age, which caused him great pain, and his vision was also increasingly poor. Disabled in his work, he became melancholy and increasingly addicted to alcohol. James Gillray did not start a family either, but he probably lived with his publisher Hannah Humphrey for many years and thought about marrying her from time to time. At least contemporaries ascribe a relationship to the two and it is a fact that Hannah Humphrey took care of Gillray after he wanted to take his own life by jumping out of a window in 1811. He survived, but was repeatedly confronted with severe depressions and psychoses. In 1815 the artist died at the age of only 58 years. Among collectors the caricatures of James Gillray are still very popular. Key prints such as "Fashionable Contrasts" and "Light Expelling Darkness" have already fetched prices of 10,000 to 20,000 US dollars at auctions.



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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        support@meisterdrucke.com
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