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James Gillray
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

James Gillray

United Kingdom of Great Britain and Northern Ireland · 1756–1815 · Caricatures, Comics · 1412 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
James Gillray
1756–1815
BornAugust 13, 1756 (Chelsea)
DiedJune 1, 1815 (London) at the age of 58
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsCaricatures, Comics
Professioncaricaturist, graphic artist, draftsperson, illustrator, cartoonist, cartographer
Notable worksThe Death of the Great Wolf (1795), The American Rattle Snake (1782), British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billy's Old Boat, and the Little Corsican tottering on the Clouds of Ambition (1807), Uncorking Old Sherry (1805), The Reflection: Grotesque Fat man Looking in a Hand Mirror
MuseumsYale Center for British Art, Art Institute of Chicago, Minneapolis Institute of Art, Yale University Art Gallery, Princeton University Art Museum
James Gillray

James Gillray

James Gillray was born in London in the Chelsey district. His father was Scottish and a war veteran. The young Gillray learned the profession of letter engraver and was later accepted as a student at the Royal Academy, working as an engraver time and again to finance his studies and livelihood. From a very young age he was interested in caricature, he especially loved William Hogarth, a very famous caricaturist of the 18th century who was his great idol. Very soon Gillray also began to publish caricatures himself, albeit at first under a fictitious name. Only little by little did drawings with his name appear. For many contemporaries and even today James Gillrey is considered "the father of political and social caricature". Of course, he also lived in a time of great political and social upheavals and also in a time when caricature as an important means of expression for depicting events and their interpretation became fashionable and suitable for the masses. Gillrey's intellect, his wit, his sometimes pitch-black humour and his gift for observation, but also his great talent for drawing made his works unique.

In his private life he was not so successful and happy. He suffered from arthritis or gout in his hands at a younger age, which caused him great pain, and his vision was also increasingly poor. Disabled in his work, he became melancholy and increasingly addicted to alcohol. James Gillray did not start a family either, but he probably lived with his publisher Hannah Humphrey for many years and thought about marrying her from time to time. At least contemporaries ascribe a relationship to the two and it is a fact that Hannah Humphrey took care of Gillray after he wanted to take his own life by jumping out of a window in 1811. He survived, but was repeatedly confronted with severe depressions and psychoses. In 1815 the artist died at the age of only 58 years. Among collectors the caricatures of James Gillray are still very popular. Key prints such as "Fashionable Contrasts" and "Light Expelling Darkness" have already fetched prices of 10,000 to 20,000 US dollars at auctions.

Artworks by James Gillray

1412 artworks found
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James Gillray
The Plum Pudding in danger or St...
1805 | hand coloured engraving

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James Gillray
Nelson's Victory, or Good News o...
1798 |

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James Gillray
A Voluptuary Under the Horrors o...
Undated | etching

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James Gillray
Le Baiser a la Wirtembourg, publ...
1797 | hand-coloured etching

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James Gillray
The Grand Coronation Procession ...
Undated |

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James Gillray
John Bull Taking a Luncheon, or ...
1798 | hand-coloured etching

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James Gillray
Dido in Despair, published by Ha...
1801 | hand-coloured etching

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James Gillray
Tales of Wonder, pub. H. Humphre...
1802 | hand-coloured etching

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James Gillray
Destruction of the French Coloss...
Undated |

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James Gillray
Fashionable Contrasts, or The Du...
1792 | etching with watercolour

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James Gillray
Fighting for the Dunghill or Jac...
1798 | hand coloured engraving

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James Gillray
New Morality, or The promis'd In...
1798 |

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James Gillray
Germans Eating Sour-Krout
1803 | Hand-colored etching on paper

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James Gillray
Margarets Ghost. What's the Matt...
1791 |

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James Gillray
The Spanish Bull Fight or the Co...
1805 | hand coloured engraving

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James Gillray
The Dagger Scene: - or - The Plo...
1792 |

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James Gillray
Nightly Visitors, at St. Ann's H...
1798 |

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James Gillray
Spotprent op Louis Marie de la R...
1799 |

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James Gillray
News from Calabria! Capture of B...
1806 | hand coloured engraving

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James Gillray
Fatal Effect of the French Defea...
1795 |

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James Gillray
Patriots Deciding a Point of Hon...
1807 | hand-coloured etching

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James Gillray
Pacific-Overtures, or A Flight f...
1806 | hand-coloured etching

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James Gillray
A Copper Countenance, Selling by...
1780 |

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James Gillray
The Caneing in Conduit Street - ...
1796 |

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James Gillray
The Table's Turn'd. Billy, in th...
1797 |

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James Gillray
Les Invisibles
1810 |

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James Gillray
John Bull at His Studies. Atten...
1799 |

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James Gillray
The First Kiss in Ten Years! or ...
1803 | hand-coloured etching with aquatint

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James Gillray
A Sphere, Projecting against a P...
1792 |

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James Gillray
The Wine Duty, or The Triumph of...
1796 | hand-coloured etching

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James Gillray
Disciples catching the Mantle: t...
1808 | hand-coloured etching

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James Gillray
The Doctor Indulged with his Fav...
1790 |

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James Gillray
Blindmans-Buff - or - Too Many f...
1795 |

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James Gillray
The Prophet of the Hebrews, - Th...
1795 |

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James Gillray
 
1799 |

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James Gillray
Pacific-Overtured, - or- a Fligh...
1806 | hand coloured engraving

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James Gillray
British Tars towing the Danish F...
1807 | hand coloured engraving

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James Gillray
A kick at the broad-bottoms!-i.e...
1807 | coloured engraving

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James Gillray
Delicious Dreams: Castles in the...
1808 | hand coloured engraving

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James Gillray
The Royal-Bull-Fight
1795 |

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James Gillray
A Warm Birth for the Old Adminis...
1783 |

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James Gillray
A New Administration, or - The S...
1783 |

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James Gillray
La Derniere Resource; - or - Van...
1791 |

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James Gillray
Political Candour, i.e. Coalitio...
1805 | hand-coloured etching

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James Gillray
Introduction of Citizen Volpone ...
Undated | engraving

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James Gillray
Integrity retiring from Office!,...
1801 | hand coloured engraving

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James Gillray
'L'Insurrection de l'Institut Am...
1799 | hand coloured etching

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James Gillray
Un Diplomatique, Settl'ing Affai...
1794 |

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James Gillray
The accomodating spouse; Tyr-nn-...
1789 | hand coloured engraving

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James Gillray
A new way to pay the National De...
1786 | hand coloured engraving

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James Gillray
The First Kiss this Ten Years! O...
1803 | hand coloured engraving

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James Gillray
Leaving off Powder, - or - a Fru...
1795 |

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James Gillray
Thirty Years have I lived in the...
1797 | hand coloured engraving

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James Gillray
German Luxury or Repos a LAllema...
18th century | hand coloured engraving

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James Gillray
Sampson overcome by a Philistain...
1782 | hand coloured engraving

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James Gillray
The Bridal-Night
1797 |

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James Gillray
Advantages of Wearing Muslin Dre...
1802 | hand-coloured etching

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James Gillray
Dr Sangrado curing John Bull of ...
1803 |

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James Gillray
Taming of the Shrew. Katharine a...
1791 |

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James Gillray
The Hopes of the Party, prior to...
1791 |

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James Gillray
A Cockney and his Wife going to ...
1805 | hand-coloured etching with aquatint

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James Gillray
Dido's despair, caricature makin...
1801 | engraving

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James Gillray
German Luxury, or Repos a l'Alle...
18th century | hand-coloured etching

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James Gillray
John Bull and the Sinking Fund o...
1807 | hand-coloured etching

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James Gillray
Westminster-Conscripts under the...
1806 | hand coloured engraving

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James Gillray
Overthrow of the Republican Babe...
1809 | hand-coloured etching

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James Gillray
News from Calabria! Capture of B...
1806 |

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James Gillray
Plate 1 from 'The Rake's Progres...
1806 | hand-coloured etching

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James Gillray
National Conveniences, published...
1796 | hand-coloured etching

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James Gillray
Patriotic Regeneration, -Viz.- P...
1795 | hand-coloured etching, engraving and aquatint

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Page 1 / 15

About the artist

James Gillray
James Gillray
1756–1815
BornAugust 13, 1756 (Chelsea)
DiedJune 1, 1815 (London) at the age of 58
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsCaricatures, Comics
Professioncaricaturist, graphic artist, draftsperson, illustrator, cartoonist, cartographer
Notable worksThe Death of the Great Wolf (1795), The American Rattle Snake (1782), British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billy's Old Boat, and the Little Corsican tottering on the Clouds of Ambition (1807), Uncorking Old Sherry (1805), The Reflection: Grotesque Fat man Looking in a Hand Mirror
MuseumsYale Center for British Art, Art Institute of Chicago, Minneapolis Institute of Art, Yale University Art Gallery, Princeton University Art Museum

James Gillray was born in London in the Chelsey district. His father was Scottish and a war veteran. The young Gillray learned the profession of letter engraver and was later accepted as a student at the Royal Academy, working as an engraver time and again to finance his studies and livelihood. From a very young age he was interested in caricature, he especially loved William Hogarth, a very famous caricaturist of the 18th century who was his great idol. Very soon Gillray also began to publish caricatures himself, albeit at first under a fictitious name. Only little by little did drawings with his name appear. For many contemporaries and even today James Gillrey is considered "the father of political and social caricature". Of course, he also lived in a time of great political and social upheavals and also in a time when caricature as an important means of expression for depicting events and their interpretation became fashionable and suitable for the masses. Gillrey's intellect, his wit, his sometimes pitch-black humour and his gift for observation, but also his great talent for drawing made his works unique.

In his private life he was not so successful and happy. He suffered from arthritis or gout in his hands at a younger age, which caused him great pain, and his vision was also increasingly poor. Disabled in his work, he became melancholy and increasingly addicted to alcohol. James Gillray did not start a family either, but he probably lived with his publisher Hannah Humphrey for many years and thought about marrying her from time to time. At least contemporaries ascribe a relationship to the two and it is a fact that Hannah Humphrey took care of Gillray after he wanted to take his own life by jumping out of a window in 1811. He survived, but was repeatedly confronted with severe depressions and psychoses. In 1815 the artist died at the age of only 58 years. Among collectors the caricatures of James Gillray are still very popular. Key prints such as "Fashionable Contrasts" and "Light Expelling Darkness" have already fetched prices of 10,000 to 20,000 US dollars at auctions.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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+43 4257 29415 · support@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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