Ivan Konstantinovich Aivazovsky was one of the most prominent Russian artists of the 19th century. As an official painter of the Russian Navy, he maintained close relations with the highest military leaders of the Russian Tsarist Empire. Aivazovsky took part in numerous maneuvers of the Russian Navy and documented the naval power of Russia artistically. The naval painting enjoyed a high popularity in the 19th century, as the navy in the imperial pursuit of the colonial powers took a central role as a national prestige project. Aivazovsky received a correspondingly high recognition also in other European countries. Aivazovsky completed a classical education at the St.Petersburg Academy of Fine Arts, where he specialized in landscape painting and battle paintings. As an outstanding graduate of the Academy, he became popular with commissioned works for the Russian Admiralty.
The genre of marine painting determined throughout life the complete works of Aivazovsky, born in the Crimea, who left behind a comprehensive body of work with more than 6000 paintings. A deep impression on the artist left behind two historical events that directly affected him through his homeland and his descent. The Crimean War intensified its nationalist perspective, which makes it one of the best-known visual artists in Russia to this day. The genocide of the Armenians in the 1890s found its way into the late work of the Armenian-born painter.
Aivazovsky began his career under the strong influence of romantic landscape painting. In the center of his early seascapes was accordingly the power of the elements and the struggle of man against the superior power of the natural forces of the sea. A four-year trip to Europe, during which he discovered especially the Italian Renaissance art for himself and an encounter with the British painter William Turner, influenced his artistic development sustainable. But while Turner, deeply impressed by the works of Aivazovsky, was moving toward a dematerialisation of the subject, Aivazovsky increasingly resorted to realistic portrayals in his maritime pieces.
© Meisterdrucke