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Feel the passion of Ford Madox Brown in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
Ford Madox Brown
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Museum Quality Art Prints
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Museum Quality Art Prints
Individual Customization Options
Ford Madox Brown

Ford Madox Brown

    April 16, 1821   -   October 11, 1893
Pre Raphaelites   •   Wikipedia: Ford Madox Brown

Disgruntled, with almost poutingly contorted lips, the British painter Ford Madox Brown looks at us from one of his most famous paintings. For "The Last of England"(1852-55) not only he himself was a model, but also his second wife Emma and his little daughter Catherine Emily. While the blonde girl mischievously peeps out behind a woman's back and bites into an apple, the wife looks wistfully into the distance. The boat she is sitting in is rocking on the waves, it is raining and it is cold. The white rocks of Dover slowly disappear in the distance.

To be able to show exactly this facial expression, Madox Brown let his family sit outside in bad weather. This way he was able to reproduce the painful face of his wife very realistically. And even the painter himself seems to have lost sight of the cheerfulness in English rainy weather. This striving for an almost extremely lifelike and realistic representation was something the painter had in common with the pre-Raphaelite artists who caused a furore in England in the middle of the 19th century. This group of artists, whose driving force was the painter and poet Dante Gabriel Rossetti, also wanted to remain faithful to nature in their works, to paint it in all its details. Ford Madox Ford showed this interest for a realistic and lifelike representation early on. Already in the 1840s he studied corpses at University College London in order to get to know the human body and finally to be able to paint it as it really was. Because of his realistic painting style, he is therefore compared with the German painter Adolph Menzel, who is regarded as the formative artist of realism in the 19th century. Ford Madox Brown created paintings with historical subjects, but also immortalized themes of his time on canvas. As he himself was very socially committed, some of his works also deal with contemporary social problems and concerns.

Ford Madox Brown and Dante Gabriel Rossetti were close friends for many years. His eldest daughter Emma Lucy, from his first marriage, even lived with the Rossetti family for a while and eventually married Dante's brother. Artistically, however, Ford Madox Brown and Dante Gabriel Rossetti were not always in agreement. In 1848 Rossetti was Ford Madox Brown's pupil for a short time and took painting lessons from him. In the end, however, the free-spirited Rossetti could not make friends with the old academic teaching methods that Madox Brown advocated. As head of the Pre-Raphaelites, Rossetti rejected precisely this academic painting. This was perhaps one reason for Ford Madox Brown not to join this group of artists. He wanted to remain independent, not be tied to a manifesto, and paint what he wanted and how he wanted. But Madox Brown took over the use of vibrant, bright colors from the Pre-Raphaelites.

Ford Madox Brown

    April 16, 1821   -   October 11, 1893
Pre Raphaelites   •   Wikipedia: Ford Madox Brown Ford Madox Brown

Disgruntled, with almost poutingly contorted lips, the British painter Ford Madox Brown looks at us from one of his most famous paintings. For "The Last of England"(1852-55) not only he himself was a model, but also his second wife Emma and his little daughter Catherine Emily. While the blonde girl mischievously peeps out behind a woman's back and bites into an apple, the wife looks wistfully into the distance. The boat she is sitting in is rocking on the waves, it is raining and it is cold. The white rocks of Dover slowly disappear in the distance.

To be able to show exactly this facial expression, Madox Brown let his family sit outside in bad weather. This way he was able to reproduce the painful face of his wife very realistically. And even the painter himself seems to have lost sight of the cheerfulness in English rainy weather. This striving for an almost extremely lifelike and realistic representation was something the painter had in common with the pre-Raphaelite artists who caused a furore in England in the middle of the 19th century. This group of artists, whose driving force was the painter and poet Dante Gabriel Rossetti, also wanted to remain faithful to nature in their works, to paint it in all its details. Ford Madox Ford showed this interest for a realistic and lifelike representation early on. Already in the 1840s he studied corpses at University College London in order to get to know the human body and finally to be able to paint it as it really was. Because of his realistic painting style, he is therefore compared with the German painter Adolph Menzel, who is regarded as the formative artist of realism in the 19th century. Ford Madox Brown created paintings with historical subjects, but also immortalized themes of his time on canvas. As he himself was very socially committed, some of his works also deal with contemporary social problems and concerns.

Ford Madox Brown and Dante Gabriel Rossetti were close friends for many years. His eldest daughter Emma Lucy, from his first marriage, even lived with the Rossetti family for a while and eventually married Dante's brother. Artistically, however, Ford Madox Brown and Dante Gabriel Rossetti were not always in agreement. In 1848 Rossetti was Ford Madox Brown's pupil for a short time and took painting lessons from him. In the end, however, the free-spirited Rossetti could not make friends with the old academic teaching methods that Madox Brown advocated. As head of the Pre-Raphaelites, Rossetti rejected precisely this academic painting. This was perhaps one reason for Ford Madox Brown not to join this group of artists. He wanted to remain independent, not be tied to a manifesto, and paint what he wanted and how he wanted. But Madox Brown took over the use of vibrant, bright colors from the Pre-Raphaelites.

Artworks by Ford Madox Brown

Artworks by Ford Madox Brown

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243 artworks found

Ford Madox Brown
 
1863 | oil on canvas

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Ford Madox Brown
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Ford Madox Brown
 
1852 | Oil on panel

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
Waiting: An English Fireside of ...
1855 | oil painting

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Ford Madox Brown
Tell"s Son: A Portrait of the Ar...
Undated | oil on canvas

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Ford Madox Brown
 
Undated | gray-black and brown-black charcoal, and graphite on light- to medium-weight Japanese paper

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Ford Madox Brown
'King Rene's Honeymoon: Architec...
1864 | oil painting

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Ford Madox Brown
Dalton collecting Marsh Gas, ill...
Undated | lithograph

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Ford Madox Brown
Tell's Son, 1880
1880 | oil on canvas

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Ford Madox Brown
The Death of Sir Tristan, from '...
Undated | stained glass

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Ford Madox Brown
 
1872 | coloured chalks on paper

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Ford Madox Brown
King Lear, c.1860 (oil on board ...
Undated | oil on board adhered to canvas

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Ford Madox Brown
Portrait of William Michael Ross...
1856 | Oil on panel

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Ford Madox Brown
The Finding of Don Juan by Haide...
1878 | oil on canvas

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Ford Madox Brown
King Lear, c. 1860.
Undated |

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Ford Madox Brown
Infant"s Repast - Study of a Mot...
1848 | black chalk on paper

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Ford Madox Brown
Study for `The Spirit of Justice...
Undated | pencil, watercolour and bodycolour on paper

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Ford Madox Brown
Romeo und Julia
1869 |

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Ford Madox Brown
Chaucer at the Court of Edward I...
Undated | colour lithograph

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Ford Madox Brown
 
1852 | Oil on panel

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Ford Madox Brown
Poets of the Nineteenth Century ...
Undated |

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Ford Madox Brown
The opening of the Bridgewater C...
Undated | lithograph

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Ford Madox Brown
Elijah and the Widow"s Son, 1864
1864 | oil on canvas

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Ford Madox Brown
The Nosegay, 19th century
Undated | watercolour on paper

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Ford Madox Brown
The Pretty Baa-Lambs, 1859.
1859 | oil painting

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Ford Madox Brown
Cordelia led away from Goneril a...
1850 | etching

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
The Nativity, 1861 (stained glass)
1861 | stained glass

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Ford Madox Brown
 
1846 |

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Ford Madox Brown
'View from Shorn Ridgway, Kent',...
1849 | oil painting

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Ford Madox Brown
Family Group (The Bromley Family...
Undated | oil on canvas

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Ford Madox Brown
Ascension (oil)
Undated | oil

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Ford Madox Brown
Wycliffe Reading his Translation...
1848 |

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Ford Madox Brown
`Take your Son, Sir
undatiert | oil on canvas

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Ford Madox Brown
Cartoon for a Stained Glass Wind...
1862 | black chalk with pen and brush and wash

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Ford Madox Brown
Male Nude - Academic Study, thre...
1847 |

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Ford Madox Brown
 
1851 | Oil on panel

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Ford Madox Brown
 
Undated | oil on panel

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Ford Madox Brown
Geoffrey Chaucer at the court of...
Undated | colour lithograph

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Ford Madox Brown
Cordelia's Portion, 1867-75
Undated | oil on canvas

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Ford Madox Brown
 
Undated | Red chalk, white chalk, and black chalk on moderately thick, moderately textured, blue, wove paper

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Ford Madox Brown
 
Undated |

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Ford Madox Brown
Portrait of a Boy, 1835-45
1835 | oil on canvas

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Ford Madox Brown
 
Undated | Watercolor, gouache, graphite and pastel with scratching and hatching on medium, slightly textured cream wove paper mounted to thick, gray card

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Ford Madox Brown
Cordelia's Portion, c.1867-75
Undated | oil on canvas

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Ford Madox Brown
Academic nude Study, half-length...
Undated | black chalk on paper

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Ford Madox Brown
Portrait: Head Study of Daniel C...
1848 |

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Ford Madox Brown
The Proclamation Regarding Weigh...
Undated | lithograph

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Ford Madox Brown
Study for the painting 'Work', c...
Undated | watercolour on paper

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Ford Madox Brown
 
Undated | tempera on panel

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Ford Madox Brown
Sketch for 'Wycliffe Reading His...
1847 | Oil on cardboard

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Ford Madox Brown
The Artist's Wife, Emma, on her ...
Undated | coloured chalks on blue paper

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Ford Madox Brown
Wycliffe on His Trial, 1893.
Undated |

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Ford Madox Brown
Das Heufeld
1855 | painting

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Ford Madox Brown
Wycliffe reading is his translat...
1848 | woodcut

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Ford Madox Brown
Pretty Baa-Lambs, 1850s.
Undated |

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Ford Madox Brown
 
Undated | pen and oil on paper on panel

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Ford Madox Brown
 
1877 | oil on canvas

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Ford Madox Brown
 
Undated | watercolour on paper

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Ford Madox Brown
 
1847 |

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Ford Madox Brown
The First Translation of the Bib...
Undated | oil on canvas

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Ford Madox Brown
Manfred in the Chamois Hunters H...
1850 | oil on canvas

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Philip Webb
Cartoon for a Stained Glass Wind...
1862 | chalk/pen

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Ford Madox Brown
Elijah restoring the Widow's Son...
Undated |

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Ford Madox Brown
Study for the painting 'Work', c...
Undated | watercolour on paper

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Ford Madox Brown
 
1863 |

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Ford Madox Brown
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Ford Madox Brown
 
Undated | oil on canvas laid on board

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Ford Madox Brown
Chaucer, Samen und Früchte / Brown
1380 | painting

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Ford Madox Brown
Chetham's Life Dream (coloured c...
Undated |

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Ford Madox Brown
Self Portrait in a Brown Coat, c...
Undated | oil on board

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
 
1852 | etching on paper

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Ford Madox Brown
Waiting- an English fireside of ...
1851 | Oil on panel

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Ford Madox Brown
Male Nude - Academic nude Study,...
1846 |

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Ford Madox Brown
Study of a Greyhound, mid 19th c...
1840 | pencil

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Ford Madox Brown
Oure Ladye of Saturday Night - S...
1847 |

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Ford Madox Brown
Chaucer at the court of Edward III
1847 | oil on canvas

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Ford Madox Brown
 
Undated | pigment, varnish, wax and gum on panel

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
The Pretty Baa-Lambs, 1852
1852 | oil on wood

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Ford Madox Brown
The finding of Don Juan by Haidée
1869 | Oil on Leiwand

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Ford Madox Brown
The Last of England, 1860
1860 | oil on canvas

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Ford Madox Brown
The Crucifixion, 1861 (stained g...
1861 | stained glass

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Ford Madox Brown
The trial of Wyclif
Undated | engraving

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Ford Madox Brown
Elijah and the Widows Son, c1840...
1840 |

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Ford Madox Brown
Elijah and the Widow's Son, 1864.
Undated |

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Ford Madox Brown
Portrait of William Shakespeare ...
Undated |

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
Jacob and Joseph's Coat, 1871 (p...
1871 | oil on wood

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Ford Madox Brown
David and Goliath, Cartoon for S...
Undated |

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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