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Feel the passion of Edward Lear in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Edward Lear
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Edward Lear

Edward Lear

    May 12, 1812   -   January 29, 1888
Classicism   •   Wikipedia: Edward Lear

The British artist Edward Lear (1812 - 1888) was a landscape painter, draughtsman and writer best known for his works of nonsense literature of the Victorian period. Lear earned his money as a draughtsman at the age of 15, after the family had become impoverished following misguided speculations by his father. Your first illustrations of parrots were published in 1830 and in the following years, Lear's reputation as an ornithological painter enabled him to complete several commissions for Lord Stanley, President of the Zoological Society London. In 1835 Lear decided that he wanted to become a landscape painter. Although Lear suffered from epilepsy and depression throughout his life, from 1836 he travelled throughout Europe, producing many more drawings, which he later turned into watercolours or oil paintings. A total of three large volumes of drawings of birds and animals, which were created during his travels, as well as seven books about his travels were published.

His 1859 painting "Petra" had been accompanied by both drawings and watercolors. His landscapes were mostly pure landscapes, as in "Masada on the dead sea" from 1858, whereas in "Nuneham" (1860) a flock of sheep enlivens the lush green landscape. The situation is different in "The Pyramids Road, Gizah" (1860), where the landscape with the pyramids in the background stands back, while in the center is the avenue full of people and their numerous animals.

Edward Lear

    May 12, 1812   -   January 29, 1888
Classicism   •   Wikipedia: Edward Lear Edward Lear

The British artist Edward Lear (1812 - 1888) was a landscape painter, draughtsman and writer best known for his works of nonsense literature of the Victorian period. Lear earned his money as a draughtsman at the age of 15, after the family had become impoverished following misguided speculations by his father. Your first illustrations of parrots were published in 1830 and in the following years, Lear's reputation as an ornithological painter enabled him to complete several commissions for Lord Stanley, President of the Zoological Society London. In 1835 Lear decided that he wanted to become a landscape painter. Although Lear suffered from epilepsy and depression throughout his life, from 1836 he travelled throughout Europe, producing many more drawings, which he later turned into watercolours or oil paintings. A total of three large volumes of drawings of birds and animals, which were created during his travels, as well as seven books about his travels were published.

His 1859 painting "Petra" had been accompanied by both drawings and watercolors. His landscapes were mostly pure landscapes, as in "Masada on the dead sea" from 1858, whereas in "Nuneham" (1860) a flock of sheep enlivens the lush green landscape. The situation is different in "The Pyramids Road, Gizah" (1860), where the landscape with the pyramids in the background stands back, while in the center is the avenue full of people and their numerous animals.

Artworks by Edward Lear

Artworks by Edward Lear

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Edward Lear
The Purple Bird, from "Sixteen D...
1880 | Pen, ink and watercolor on paper

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Edward Lear
The Light Green Bird, from 'Sixt...
Undated | pen & ink and watercolour on paper

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Edward Lear
The Orange Colour Bird, from 'Si...
Undated | pen & ink and watercolour on paper

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Edward Lear
 
1848 | Graphite on paper

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Edward Lear
The Pink Bird, from 'Sixteen Dra...
Undated | pen & ink and watercolour on paper

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Edward Lear
The Dark Blue Bird, from Sixteen...
1880 | pen, ink and watercolour on paper

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Edward Lear
Testudo angulata
1832 | drawing

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Edward Lear
The Cedars of Lebanon, 1861
1861 | oil on canvas

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Edward Lear
 
Undated | oil on canvas

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Edward Lear
The Yellow Bird, from "Sixteen D...
1880 | Pen, ink and watercolor on paper

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Edward Lear
Corfu, 19th century
Undated |

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Edward Lear
The Light Blue Bird, from "Sixte...
1880 | Pen, ink and watercolor on paper

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Edward Lear
The Lilac Bird, from Sixteen Dra...
1880 | pen, ink and watercolour on paper

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Edward Lear
Zante, 1848
1848 | watercolour on paper

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Edward Lear
Landscape with Goatherd, c.1842
Undated | oil on canvas

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Edward Lear
 
1832 | hand-coloured lithograph

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Edward Lear
 
1867 | Watercolor on paper

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Edward Lear
Jerusalem, 1865
1865 | oil on canvas

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Edward Lear
There was an Old Man of Blackhea...
Undated | lithograph

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Edward Lear
Sheik Abedah on the Nile, 1869
1869 | oil on canvas

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Edward Lear
S. Pietro Degli Agostiniani. Leo...
1844 | Watercolor on paper

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Edward Lear
The Gray Bird, from 'Sixteen Dra...
Undated | pen & ink and watercolour on paper

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Edward Lear
The Crimson Bird, from Sixteen D...
1880 | pen, ink and watercolour on paper

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Edward Lear
There was a Young Lady of Dorkin...
Undated | colour lithograph

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Edward Lear
The Black and White Bird, from S...
1880 | pen, ink and watercolour on paper

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Edward Lear
The Dark Green Bird, from Sixtee...
1880 | pen, ink and watercolour on paper

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Edward Lear
The Red Bird, from Sixteen Drawi...
1880 | pen, ink and watercolour on paper

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Edward Lear
The White Bird, from Sixteen Dra...
1880 | pen, ink and watercolour on paper

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Edward Lear
The letter P
Undated | engraving

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Edward Lear
Kom el Amhr, 1-00 pm, 4 January ...
1867 | Watercolor on paper

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Edward Lear
The Brown Bird, from Sixteen Dra...
1880 | pen, ink and watercolour on paper

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Edward Lear
The letter J
Undated | engraving

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Edward Lear
Corfu, Nimphes, 1856 (pen & ink ...
1856 | pen and ink and watercolour on paper

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Edward Lear
'The Pyramids at Gizeh', 19th ce...
1832 | oil painting

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Edward Lear
The Crimson Bird, from 'Sixteen ...
Undated | pen & ink and watercolour on paper

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Edward Lear
 
1854 | Watercolor on paper

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Edward Lear
 
1873 | Watercolor on paper

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Edward Lear
There was a Young Lady, whose No...
Undated | lithograph

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Edward Lear
View of Nice, 1848
1848 | pen and ink on paper

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Edward Lear
 
1838 | Graphite on paper

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Edward Lear
 
Undated | Graphite on grey wove paper

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Edward Lear
Lago di Garda
1867 | Watercolor on paper

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Edward Lear
Wadi Halfeh, 3rd Febuary 1867
1867 | watercolour

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Edward Lear
Sulphur-crested Cockatoo
undatiert | drawing

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Edward Lear
 
Undated | oil on canvas

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Edward Lear
There was a Young Lady whose nos...
Undated | colour lithograph

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Edward Lear
 
1867 | Watercolor on paper

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Edward Lear
Fruit trees, 3 April 1863
1863 |

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Edward Lear
 
1832 | hand-coloured lithograph

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Edward Lear
There was an Old Man of Madras, ...
Undated | colour lithograph

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Edward Lear
There was an Old Person of Wick,...
Undated | lithograph

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Edward Lear
Maharraka, 7:30 am, 14 February ...
1867 |

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Edward Lear
Monaco from Cap d"Ail, 1865
1865 | pencil and watercolour heightened with white

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Edward Lear
There was an Old Man of Kilkenny...
Undated | colour lithograph

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Edward Lear
There was an Old Person of Gretn...
Undated | colour lithograph

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Edward Lear
Salonica, from my Room Window, 1...
1848 | Watercolor on paper

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Edward Lear
Villa Torlania, formerly Villa C...
Undated |

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Edward Lear
There was an Old Man of the Cape...
Undated | colour lithograph

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Edward Lear
There was an Old Man who said, '...
Undated | colour lithograph

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Edward Lear
The Wadi, Es-Sioot, Egypt, 1854 ...
1854 | watercolour over pen and ink on paper

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Edward Lear
There was an Old Man in a Tree, ...
Undated | lithograph

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Edward Lear
Abu Simbel, 11-11:30 am, 8 Febru...
1867 |

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Edward Lear
North Stoke. Oct. 21.1834.
1834 |

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Edward Lear
There was an Old Person of Chest...
Undated | colour lithograph

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Edward Lear
There was an Old Person of Chead...
Undated | colour lithograph

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Edward Lear
Taormina (oil)
Undated | oil

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Edward Lear
Philae, 6:00-6:15 am, 31 January...
1867 |

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Edward Lear
Palermo, 1847 (pen, ink and goua...
Undated |

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Edward Lear
Philae, Egypt, 1854 (Pen and bla...
1854 | pen and black ink, graphite and watercolour on brown paper

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Edward Lear
El Hon, Egypt, 1884
1884 | watercolour

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Edward Lear
There was an Old Man of the Dee,...
Undated | colour lithograph

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Edward Lear
There was an Old Person of Pragu...
Undated | colour lithograph

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Edward Lear
Red and Yellow Macaw (Macrocercu...
Undated | colour engraving

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Edward Lear
There was an Old Man of Corfu, w...
Undated | colour lithograph

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Edward Lear
There was an Old Person of Bango...
Undated | colour lithograph

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Edward Lear
Camerino, 1849, 1849
1849 | pen and brown ink and watercolour over pencil on paper

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Edward Lear
Sapphos Leap (Leucatas) Lefkas (...
Undated | watercolour over pencil heightened with white on paper

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Edward Lear
 
1867 | Watercolor on paper

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Edward Lear
There was an Old Person whose ha...
Undated | colour lithograph

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Edward Lear
El Karnak, 1854 (pen, ink und wc)
1854 | pen, ink and watercolour

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Edward Lear
There was a Young Lady of Hull, ...
Undated | colour lithograph

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Edward Lear
There was an Old Man of Whitehav...
Undated | colour lithograph

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Edward Lear
There was a Young Lady whose chi...
Undated | colour lithograph

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Edward Lear
The Dong with a Luminous Nose (e...
Undated | engraving

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Edward Lear
Colósaneh, 5-45
1867 | Watercolor on paper

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Edward Lear
Pantalica, from 'Views of Sicily...
Undated | chalk and gouache on blue paper

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Edward Lear
Papagai
undatiert | drawing

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Edward Lear
 
1867 | Watercolor on paper

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        +43 4257 29415
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