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Andrea del Sarto
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Museum Quality Art Prints
Individual Customization Options

Andrea del Sarto

Italy · 1486–1530 · Renaissance, Hochrenaissance · 287 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Andrea del Sarto
1486–1530
Born 1486 (Florenz)
Died 1530 (Florenz)
Nationality Italy
Epochs Renaissance, Hochrenaissance
Profession painter, draftsperson
Family
Spouse: Lucrezia del Fede
Teacher Piero di Cosimo, Raffaellino del Garbo
Student Jacopo da Pontormo
Notable works Harpyienmadonna (1517), Marie Verkündigung (1510), Disput über die Dreifaltigkeit (1517), Passerini Assumption (1526), Abrahams Opfer (1527)
Museums Art Institute of Chicago, National Gallery of Art, Staatliche Museen zu Berlin, Cleveland Museum of Art, J. Paul Getty Museum
Andrea del Sarto

Andrea del Sarto

    July 16, 1486   -   September 29, 1530

Andrea del Sartos real name was Andrea d'Angelo di Francesco. His nickname derives from his father's profession, who was a tailor. Del Sarto was of remarkably small height, which is why his friends liked to call him Andreino. Originally, Del Sarto began training with a goldsmith, but his drawing skills caught the attention of a local painter, who first taught him himself and later referred him to Piero di Cosimo. In his work, however, del Sarto oriented himself less to his master and more to Raphael, Leonardo da Vinci and Fra Bartolommeo, whose different styles he knew how to combine in an inimitable way. During his lifetime he achieved high esteem and even received the nickname Andrea sensa errori, which means flawless Andrea. After his death, however, he was marginalized, mainly because other great masters of his time, such as da Vinci, Raphael and Michelangelo, surpassed him artistically.

Del Sarto married Lucrezia del Fede at the age of about 31, who sat as a model for him several times and often served as the model for his Madonna paintings. Lucrezia was the wealthy widow of a hatter. The marriage therefore brought del Sarto some financial comforts. It is therefore not surprising that del Sarto showed only moderate enthusiasm for work. He painted when it suited him and also the payment was rather secondary for him. His student and later biographer Vasari, who was introduced to him by Michelangelo, complained about this fact. Vasari acknowledged that del Sarto had a high degree of talent, but his teacher lacked the fiery ambition and divine inspiration that would make a great artist. His opinion of del Sarto's wife was even lower. He described her as jealous, disloyal and quarrelsome.

Apart from two short periods, del Sarto spent his entire life in Florence. Around 1518 the French court became aware of del Sarto's talent and King Francois I invited the painter to Fontainbleau. Del Sarto accepted the invitation and went to Paris without his wife, but with one of his students Andrea Squarzzella. However, the stay was only of short duration. Some assume that Del Sarto did not see himself as a court artist and felt mentally underchallenged. For in his short time at court, he did not produce a single work. According to Vasari, however, Lucrezia is said to have ordered her husband back to Florence. Del Sarto was allowed to return with the king's permission, but should return to court as soon as possible. The king also gave del Sarto money to buy some paintings in Italy for his art collection. But del Sarto never returned and instead bought a house in Florence with the king's money. Between 1520 and his death in 1530, he worked only there until he was finally infected with the bubonic plague and died.

Artworks by Andrea del Sarto

287 artworks found
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287 artworks found

Andrea del Sarto
The Virgin and Child with a Sain...
Undated | oil

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Andrea del Sarto
 
Undated | oil on canvas

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Andrea del Sarto
Madonna of the Harpies Madonna d...
Undated |

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Andrea del Sarto
""Jeune homme et tete de vieilla...
1521 |

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Andrea del Sarto
Pope Leo X with Two Cardinals, a...
Undated | tempera on panel

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Andrea del Sarto
Lament of Christ, c.1519-20 (panel)
1519 | Oil on panel

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Andrea del Sarto
Madonna and Child with Saint John 
Undated | Oil on panel

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Andrea del Sarto
 
Undated | Black and red chalk on tan laid paper, laid down on ivory laid paper, laid down on cream wove card

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Andrea del Sarto
Portrait of a Woman, c. 1518.
Undated |

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Andrea del Sarto
The Birth of the Virgin, 1514 (...
1514 | Fresh

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Andrea del Sarto
Study of a hand for the Madonna ...
Undated | black chalk on paper

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Andrea del Sarto
Head of a young woman, drawing b...
Undated |

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Andrea del Sarto
Madonna in Glory with Four Saint...
Undated | oil on wood

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Andrea del Sarto
Charity, before 1530 (oil on panel)
1530 |

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Andrea del Sarto
Madonna del Sacco, 1525
1525 | Fresh

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Andrea del Sarto
The Virgin with the Infant Chris...
16th century | oil on panel transferred onto canvas

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Andrea del Sarto
The Assumption of Mary (Maria Hi...
Undated |

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Andrea del Sarto
The Arrest of St John, c.1520 (f...
1520 | fresco

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Andrea del Sarto
Head of man Drawing a la sanguin...
16th century | drawing

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Andrea del Sarto
Study of a man nude suspended by...
Undated | red chalk

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Andrea del Sarto
Study of a man suspended by his ...
Undated | red chalk on paper

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Andrea del Sarto
 
1527 | oil on wood

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Andrea del Sarto
History of Joseph, son of Jacob:...
Undated | painting

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Andrea del Sarto
 
Undated | Oil on panel

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Andrea del Sarto
Madonna and Child with Saint Joh...
1528 | oil on panel

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Andrea del Sarto
Study of hands
Undated |

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Andrea del Sarto
 
1519 | oil on canvas

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Andrea del Sarto
Study of a child's head (chalk o...
Undated | red chalk on paper

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Andrea del Sarto
Study of the head of St. Catheri...
Undated | red chalk on paper

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Andrea del Sarto
Study of an Angel, drawing by An...
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Andrea del Sarto
The Archangel Raphael, Saint Leo...
Undated | painting

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Andrea del Sarto
Boys Head
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Andrea del Sarto
The nativity of Mary (Fresco
Undated | painting

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Andrea del Sarto
Painting of Santa Margherita, by...
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Andrea del Sarto
Ladies in Waiting, from the Birt...
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Andrea del Sarto
The Adoration of the Magi (chalk...
Undated | red chalk on paper

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Andrea del Sarto
 
1517 | oil painting

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Andrea del Sarto
Study of a nude figure and human...
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Andrea del Sarto
 
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Andrea del Sarto
History of Joseph, son of Jacob:...
Undated | painting

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Andrea del Sarto
Stories of St John by Andrea del...
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Andrea del Sarto
Saints Michael, John Gualbert, J...
Undated | painting

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Andrea del Sarto
San Giovanni Battista
1521 | oil on canvas

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Andrea del Sarto
 
1523 | greyness, monochrome fresco

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Andrea del Sarto
Mans head; drawing by Andrea del...
Undated |

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Andrea del Sarto
Madona z detetom, svetnikom in a...
1486 | oil on canvas

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Andrea del Sarto
Madonna with Child, painting by ...
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Andrea del Sarto
Madonna and Child (panel)
Undated | oil on wood

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Andrea del Sarto
St. John the Baptist, 1522 (temp...
1522 | tempera on board

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Andrea del Sarto
Portrait of a young man, possibl...
1510 | oil on panel

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Andrea del Sarto
 
Undated |

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Andrea del Sarto
Birth of the Virgin (Detail Fresco
Undated | painting

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Andrea del Sarto
A Head of a Man, (black chalk on...
Undated | black chalk on paper

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Andrea del Sarto
The disputation of the Holy Trin...
Undated | painting

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Andrea del Sarto
Disputation on the Trinity, c.1520
Undated | Oil on panel

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Andrea del Sarto
Study of a male figure; drawing ...
Undated |

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Andrea del Sarto
 
1517 | oil on panel

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Andrea del Sarto
Leda and the swan, engraving by ...
Undated |

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Andrea del Sarto
Madonna and Child, St. John and ...
Undated | oil on canvas

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Andrea del Sarto
The Sacrifice of Isaac, c.1527 (...
1527 | oil on wood

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Andrea del Sarto
Madonna of the Harpies 
1517 |

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Andrea del Sarto
Study for the head of St. John (...
Undated |

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Andrea del Sarto
Womans head
Undated |

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Andrea del Sarto
Saint Catherine of Alexandria, A...
Undated | painting

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Andrea del Sarto
 
16th century | Black chalk on cream laid paper, prepared with blue wash, laid down on ivory laid paper

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Andrea del Sarto
Stories of St John by Andrea del...
Undated |

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Andrea del Sarto
Portrait of a Young Man, ca 1518
Undated |

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Andrea del Sarto
Saint John the Baptist (Painting
Undated | painting

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Andrea del Sarto
St John the Baptist in the Desert
Undated | oil on wood

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Andrea del Sarto
A hand; drawing
Undated |

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Andrea del Sarto
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Andrea del Sarto
 
1516 |

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Andrea del Sarto
Bildnis einer jungen Frau
1520 |

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Andrea del Sarto
Study of a mans head; drawing
Undated |

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Andrea del Sarto
Virile head
Undated |

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Andrea del Sarto
Studie zu zwei Köpfen
1520 |

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Andrea del Sarto
 
1518 |

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Andrea del Sarto
Icarus
Undated | oil on canvas

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Andrea del Sarto
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Andrea del Sarto
Sheet of studies with a youth an...
1520 | Sanguine on paper

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Andrea del Sarto
 
Undated |

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Andrea del Sarto
The Madonna and Child with the I...
Undated | oil on wood

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Andrea del Sarto
The Last Supper (L'ultima Cena),...
1527 | fresco

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Andrea del Sarto
Charity …
Undated |

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Andrea del Sarto
Study of hands
Undated |

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Andrea del Sarto
 
1539 | Chalk

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Andrea del Sarto
The Holy Family. Saint Mary, Jes...
Undated |

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Andrea del Sarto
Portrait of a Young Man, c1517, ...
1517 | oil painting

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Andrea del Sarto
A youth and the head of an old m...
Undated |

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Andrea del Sarto
Study of a seated woman holding ...
Undated | red chalk on paper

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Andrea del Sarto
Madonna and Child with Saint Eli...
Undated | painting

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Andrea del Sarto
Head of the prophet Zachariah
Undated |

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Andrea del Sarto
Charity, 1518-19
Undated | oil on canvas

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Andrea del Sarto
The Holy Family with the young S...
1486 | Oil on panel

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Andrea del Sarto
The Birth of the Virgin Fresco b...
Undated | painting

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About the artist

Andrea del Sarto
Andrea del Sarto
1486–1530
Born1486 (Florenz)
Died1530 (Florenz)
NationalityItaly
EpochsRenaissance, Hochrenaissance
Professionpainter, draftsperson
Family
Spouse: Lucrezia del Fede
TeacherPiero di Cosimo, Raffaellino del Garbo
StudentJacopo da Pontormo
Notable worksHarpyienmadonna (1517), Marie Verkündigung (1510), Disput über die Dreifaltigkeit (1517), Passerini Assumption (1526), Abrahams Opfer (1527)
MuseumsArt Institute of Chicago, National Gallery of Art, Staatliche Museen zu Berlin, Cleveland Museum of Art, J. Paul Getty Museum

Andrea del Sartos real name was Andrea d'Angelo di Francesco. His nickname derives from his father's profession, who was a tailor. Del Sarto was of remarkably small height, which is why his friends liked to call him Andreino. Originally, Del Sarto began training with a goldsmith, but his drawing skills caught the attention of a local painter, who first taught him himself and later referred him to Piero di Cosimo. In his work, however, del Sarto oriented himself less to his master and more to Raphael, Leonardo da Vinci and Fra Bartolommeo, whose different styles he knew how to combine in an inimitable way. During his lifetime he achieved high esteem and even received the nickname Andrea sensa errori, which means flawless Andrea. After his death, however, he was marginalized, mainly because other great masters of his time, such as da Vinci, Raphael and Michelangelo, surpassed him artistically.

Del Sarto married Lucrezia del Fede at the age of about 31, who sat as a model for him several times and often served as the model for his Madonna paintings. Lucrezia was the wealthy widow of a hatter. The marriage therefore brought del Sarto some financial comforts. It is therefore not surprising that del Sarto showed only moderate enthusiasm for work. He painted when it suited him and also the payment was rather secondary for him. His student and later biographer Vasari, who was introduced to him by Michelangelo, complained about this fact. Vasari acknowledged that del Sarto had a high degree of talent, but his teacher lacked the fiery ambition and divine inspiration that would make a great artist. His opinion of del Sarto's wife was even lower. He described her as jealous, disloyal and quarrelsome.

Apart from two short periods, del Sarto spent his entire life in Florence. Around 1518 the French court became aware of del Sarto's talent and King Francois I invited the painter to Fontainbleau. Del Sarto accepted the invitation and went to Paris without his wife, but with one of his students Andrea Squarzzella. However, the stay was only of short duration. Some assume that Del Sarto did not see himself as a court artist and felt mentally underchallenged. For in his short time at court, he did not produce a single work. According to Vasari, however, Lucrezia is said to have ordered her husband back to Florence. Del Sarto was allowed to return with the king's permission, but should return to court as soon as possible. The king also gave del Sarto money to buy some paintings in Italy for his art collection. But del Sarto never returned and instead bought a house in Florence with the king's money. Between 1520 and his death in 1530, he worked only there until he was finally infected with the bubonic plague and died.



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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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