Seven shillings a week by Harold Hume Piffard

Seven shillings a week

("Seven shillings a week" (b/w photo))


Harold Hume Piffard

€ 107.05
Enthält 0% MwSt.
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Undated  ·  black and white photograph  ·  Picture ID: 1013444

Nonclassified artists

Seven shillings a week by Harold Hume Piffard. Available as an art print on canvas, photo paper, watercolor board, uncoated paper or Japanese paper.
Private Collection / Bridgeman Images / Look and Learn
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 107.05
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

Should you desire adjustments to brightness and color, or a custom crop of the motif, we are happy to make these changes at no additional cost to you. Please do not hesitate to contact us.

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Getting in the Thin End of the Wedge, or, "Strike while the iron is hot" A Woman Plying Her Task in a Cell-like Shed, Silent, Absorbed, and Alone The Cobbler Evelyn Discovering Grinling Gibbons In the Smithy Forging a Blade, c1917 A sabotier at work in his workshop in Belgium George Stephenson and the Model of His First Engine Blacksmith Working at a Vice by the Window The Making of Gruyere Cheese (Engraving in La Science francaise) Engraving Depicting the Village Blacksmith Decoration of silverware: bronze chiseller. Engraving from 1885 in The saboteur of Terneuzen, has its established, enlarges and digs the wood by means of cramms. Engraving by X. Mellery, after nature, to illustrate the story Puddleur has his oven, in a factory in Jumet. Engraving by Constant Meunier, to illustrate the story Interior of a Bromsgrove Nailmaker Modern Application by a Shoemaker of the Pila Vitrea. Glass Globe Filled with Water to be Placed Between a Person and the Object They Contemplate to Enlarge it and Make it More Visible. Engraving from 1885 in A Stone Nobbler, 8d the Ton The Alchemist, painting by Hellmer An Eastern potter Locksmiths, from a series of 18 Crafts and Trades The art of lathe: faconing of a torso column. Engraving from 1885 in Illustration for The Assommoir, A Realistic Novel, by Emile Zola Making Armour for the Knights of Old The portrait of the Prima Donna, Plate 4 from Les Toquades A concentrated copyist working in his office. Illustration by Alfons Maria Mucha A Sifter Forging the Anchor, 20th century Ivory worker carving ivory with chisels, scrapers and gouges Engraving from A handy electric tool
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Other art prints by Harold Hume Piffard

Joan of Arc Her Work Lasted Twelve Hours a Day, and During the Whole of This Time She Had to Turn the Handle of a Wheel Which Actuated the Bellows of Four Forges Interior of a Bromsgrove Nailmaker It appeared that she had influential relations, who could spare a cupful of dripping now and again, and who sometimes passed on some Private J Boyd, of the Irish Guards, capturing a German machine-gun single-handed, World War I Drawing the Black Ash from a Revolving Furnace He had worked at the trade for seventy-seven years Not Twelve Shillings a Week All the Years I A Woman Plying Her Task in a Cell-like Shed, Silent, Absorbed, and Alone A Particular and Pitiful Sight Was That of a Sweet Little Lass, Such as Sir John Millais Would Have Liked to Paint, Dancing on a Pair of Bellows for Threepence a Day The Thin Red Line Illustration for The Mystery Of Edwin Drood by Charles Dickens Illustration for Vanity Fair by William Makepeace Thackeray Illustration for Vanity Fair by William Makepeace Thackeray These men literally carry their lives in their hands
Discover more works by Harold Hume Piffard

Other art prints by Harold Hume Piffard

Joan of Arc Her Work Lasted Twelve Hours a Day, and During the Whole of This Time She Had to Turn the Handle of a Wheel Which Actuated the Bellows of Four Forges Interior of a Bromsgrove Nailmaker It appeared that she had influential relations, who could spare a cupful of dripping now and again, and who sometimes passed on some Private J Boyd, of the Irish Guards, capturing a German machine-gun single-handed, World War I Drawing the Black Ash from a Revolving Furnace He had worked at the trade for seventy-seven years Not Twelve Shillings a Week All the Years I A Woman Plying Her Task in a Cell-like Shed, Silent, Absorbed, and Alone A Particular and Pitiful Sight Was That of a Sweet Little Lass, Such as Sir John Millais Would Have Liked to Paint, Dancing on a Pair of Bellows for Threepence a Day The Thin Red Line Illustration for The Mystery Of Edwin Drood by Charles Dickens Illustration for Vanity Fair by William Makepeace Thackeray Illustration for Vanity Fair by William Makepeace Thackeray These men literally carry their lives in their hands
Discover more works by Harold Hume Piffard

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Excerpt from our top sellers

Evening at the Iris Field Breakfast under the Big Birch Buddha Sailing Ship in the Fog Isle of the Dead The Waterlily Pond with the Japanese Bridge The Gare Saint-Lazare: Arrival of a Train Le Lavandou Sunflowers The Cliff, Étretat, Sunset Lensing Galaxy Cluster (Webb Avenue in Overveen Composition Z VIII Melancholia View of a Harbor
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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+43 4257 29415
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        Austria
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        support@meisterdrucke.com
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+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               


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