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Inferno, Canto 14: The violent, tormented in the rain of fire, illustration from

Inferno, Canto 14: The violent, tormented in the rain of fire, illustration from 'The Divine Comedy' by Dante Alighieri

(Inferno, Canto 14 : The violent, tormented in the rain of fire, illustration from 'The Divine Comedy' by Dante Alighieri)


Gustave Dore

€ 120.59
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1885  ·  digitally coloured engraving  ·  Image ID: 1651284

Romanticism

Inferno, Canto 14: The violent, tormented in the rain of fire, illustration from 'The Divine Comedy' by Dante Alighieri by Gustave Dore. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
13th century · 14th century · 19th century · four elements · hell · france · europe · trecento · doré gustave (1832-1883) · painter · artist · 14 14th xiv xivth century · medioevale · enfer · moyen age · 14 14o xiv xivo secolo · punition · medieval period · body · hell · italie italien italienne italiens italiennes · poesia · corps · chastisement · poetry · 13 13th xiii xiiith century · fire · moyen-age · gravure · middle age · punishment · engraving · literature · nakedness · virgilio · littérature · incisione · letteratura · nudité · poésie · castigo · inferno · punizione · fuoco · corpo · medioevo · italia · nudo · quattro elementi · 1265-1321 · mzengraving · dore gustave · Private Collection / Bridgeman Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 120.59
(inkl. 20% MwSt)
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Unceasing was the play of wretched hands, c1890 The crust came drawn from underneath in flakes, c1890 Engraving by Gustave Dore for Inferno by Dante Alighieri Canto XV lines 28 and 29 Sir! Brunetto! And are ye here, c1890 Dante Alighieri Inferno, first part of his Divine Comedy 1863. Canto XIV: Third compartment of the seventh circle where three kinds of violence punished: against God, against Nature and against Art. Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from Purgatorio, Canto 13: Sapia cleanses his guilty life (illustration from The Divine Comedy) Thy City Heaped with Envy to the Brim, c1890 Virgil (70-19 BC) and Dante Looking at the Spider Woman, illustration from There stood I like the friar, that doth shrive a wretch for murder doom Not more furiously on Menalippus temples Tydeus gnawed The Divine Comedy, Purgatorio, Canto 19: The souls of the avaricious: Adrian V speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Divine Comedy, Inferno, Canto 5: The Soul of Francesca Speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) ...all-searching Justice, dooms to punishment the forgers Then my guide, his palms expanding on the ground, c. 1890 The Burden of Pride, from The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - Illustration by Gustave Dore Inferno, Canto 5: Francesca Da Rimini describes her death (illustration from The Divine Comedy) Dante and Virgil in Hell, illustration from Wherefore doth fasten yet thy sight below amongst the maimed and miserable shades, c1890 Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 Now Seest Thou, Son! The Souls of Those, Whom Anger Overcame, c1890 The Divine Comedy, Purgatorio, Canto 3: The company of souls upon the cliff - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Purgatorio, Canto 3: The company of souls upon the cliff (illustration from The Divine Comedy) Why Greedily Thus Bendest More on Me, c. 1890 The Punishment of the Simonists, from Purgatorio, Canto 25: Virgil and Dante ascend to the seventh circle through flames (illustration from The Divine Comedy) Amid this dread exuberance of woe ran naked spirits winged with horrid fear Call thou to mind Piero of Medicina, if again returning
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Unceasing was the play of wretched hands, c1890 The crust came drawn from underneath in flakes, c1890 Engraving by Gustave Dore for Inferno by Dante Alighieri Canto XV lines 28 and 29 Sir! Brunetto! And are ye here, c1890 Dante Alighieri Inferno, first part of his Divine Comedy 1863. Canto XIV: Third compartment of the seventh circle where three kinds of violence punished: against God, against Nature and against Art. Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from Purgatorio, Canto 13: Sapia cleanses his guilty life (illustration from The Divine Comedy) Thy City Heaped with Envy to the Brim, c1890 Virgil (70-19 BC) and Dante Looking at the Spider Woman, illustration from There stood I like the friar, that doth shrive a wretch for murder doom Not more furiously on Menalippus temples Tydeus gnawed The Divine Comedy, Purgatorio, Canto 19: The souls of the avaricious: Adrian V speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Divine Comedy, Inferno, Canto 5: The Soul of Francesca Speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) ...all-searching Justice, dooms to punishment the forgers Then my guide, his palms expanding on the ground, c. 1890 The Burden of Pride, from The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - Illustration by Gustave Dore Inferno, Canto 5: Francesca Da Rimini describes her death (illustration from The Divine Comedy) Dante and Virgil in Hell, illustration from Wherefore doth fasten yet thy sight below amongst the maimed and miserable shades, c1890 Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 Now Seest Thou, Son! The Souls of Those, Whom Anger Overcame, c1890 The Divine Comedy, Purgatorio, Canto 3: The company of souls upon the cliff - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Purgatorio, Canto 3: The company of souls upon the cliff (illustration from The Divine Comedy) Why Greedily Thus Bendest More on Me, c. 1890 The Punishment of the Simonists, from Purgatorio, Canto 25: Virgil and Dante ascend to the seventh circle through flames (illustration from The Divine Comedy) Amid this dread exuberance of woe ran naked spirits winged with horrid fear Call thou to mind Piero of Medicina, if again returning
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Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration from Edgar Allan Poe The Oceanids The Valley of Tears, 1883 The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The Fall of the Rebel Angels, from Book I of “Paradise Lost” by John Milton (1608-74), c. 1868 Charon, the Ferryman of Hell, from Dante Alighieri
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More art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration from Edgar Allan Poe The Oceanids The Valley of Tears, 1883 The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The Fall of the Rebel Angels, from Book I of “Paradise Lost” by John Milton (1608-74), c. 1868 Charon, the Ferryman of Hell, from Dante Alighieri
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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Post.at DHL Express Quehenberger Cargoboard


               

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