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The Hell of Dante Alighieri (The Divine Comedy) Illustrated by Gustave Dore. French Edition of 1861. “Then He Started, and I Followed Him” by Gustave Dore

The Hell of Dante Alighieri (The Divine Comedy) Illustrated by Gustave Dore. French Edition of 1861. “Then He Started, and I Followed Him”

(The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136.)


Gustave Dore

€ 123.19
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Undated  ·  Engraving  ·  Image ID: 1505687

Romanticism

The Hell of Dante Alighieri (The Divine Comedy) Illustrated by Gustave Dore. French Edition of 1861. “Then He Started, and I Followed Him” by Gustave Dore. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
19th century · dante alighieri (1265-1321) (work) · france · europe · engraving · italy · doré gustave (1832-1883) · painter · artist · mzengraving · landscape · engraving · french · literature · french · 1265-1321 · / Bridgeman Images
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Gemälde
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Keilrahmen
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€ 123.19
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He, Soon as He Saw That I Was Weeping The Divine Comedy, Purgatorio, Canto 1: The poets behold the beauty of Venus in the morning sky - Illustration by Gustave Dore By that hidden way my guide and I did enter, to return to the fair world, c1890. Grotto The Divine Comedy, Inferno, Canto 1: The she-wolf appears - Illustration by Gustave Dore A Lion Came, Against Me as It Appeared L Don Quixote and Sancho Panza Sink into Sierra Morena Holy Family with Deer Scarcely Had His Feet Reached to the Lowest of the Bed Beneath Forthwith That Image Vile of Fraud Appeared The guide, who marked how attentively I gazed, thus began, c. 1890. Holy Family with Deer, 1871 ...all-searching Justice, dooms to punishment the forgers Allegory of the Path of True Love Allegory of the Path of True Love Don Quixote and Sancho Panza in the Heart of the Sierra Morena (engraving) The Divine Comedy, Purgatorio, Canto 4: Virgil leads Dante up the rugged mountainside (Illustration by Gustave Dore) The Judge Referee, the Hospitaller and the Solitaire - from The Divine Comedy, Purgatorio, Canto 5: The late repenters singing the Miserere - by Dante Alighieri - Illustration by Gustave Doré Dorothee and the Barber Come to Pick Up Don Quixote in Penitence - from Rest on the Flight into Egypt with a Saddled Donkey, 1871 The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - Illustration by Gustave Dore Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from And straight the trunk exclaimed, Why pluckst thou me The Divine Comedy, Purgatorio, Canto 24: The Gluttonous Souls Crying Out Beneath the Tree - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) First Frontispiece for Fables and Fairy-Tales by Thierry-Faletans
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Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration from Edgar Allan Poe The Valley of Tears, 1883 The Oceanids The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Fall of the Rebel Angels, from Book I of “Paradise Lost” by John Milton (1608-74), c. 1868
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View of L Limits of Reason, 1927. The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, 1730s. Portrait of a young woman, 1896-97 The Yellow Books, 1887 The Seasons: Autumn, 1896 The Grand Canal Composition VIII. Painting by Wassily Kandinsky (or Wassily Kandinski or Kandinskij, 1866-1944). 1915 Sun. 201x140 cm New York, Guggenheim Museum Moa, 1911 Poster advertising Night: A Port in the Moonlight, 1748 Poster advertising the Baron Hotel in Aleppo, c. 1920 The Starry Night, June 1889 Garden in St. Germain, near the European quarter of Tunis. 1914 The Incredulity of St. Thomas, 1602-03
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View of L Limits of Reason, 1927. The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, 1730s. Portrait of a young woman, 1896-97 The Yellow Books, 1887 The Seasons: Autumn, 1896 The Grand Canal Composition VIII. Painting by Wassily Kandinsky (or Wassily Kandinski or Kandinskij, 1866-1944). 1915 Sun. 201x140 cm New York, Guggenheim Museum Moa, 1911 Poster advertising Night: A Port in the Moonlight, 1748 Poster advertising the Baron Hotel in Aleppo, c. 1920 The Starry Night, June 1889 Garden in St. Germain, near the European quarter of Tunis. 1914 The Incredulity of St. Thomas, 1602-03
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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