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Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre: Paul and Virginie. Birds come to land without fear near the young couple of lovers in the forest by Emile Antoine Bayard

Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre: Paul and Virginie. Birds come to land without fear near the young couple of lovers in the forest

(Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing b)


Emile Antoine Bayard

€ 117.68
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Undated  ·  drawing  ·  Image ID: 943430

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Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre: Paul and Virginie. Birds come to land without fear near the young couple of lovers in the forest by Emile Antoine Bayard. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 117.68
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Illustration of Cosette and Her Fiancé Marius - in “Les Misérables” by Victor Hugo, illustrated by Brion, published by Hetzel and Lacroix As You Like It. Act 4. Scene 3. Forest of Arden - Rosalind, Celia & Oliver The Surprise, late 18th century Illustration from La cueillette des cherries - Illustration for Illustration from Rousseau and Madame d The Two Kings Decameron - Fourth Day, Story 7 - The Sage Leaf Heloise and Astrolabius, illustration from Le elle est Jolie Chanson de Beranger in Illustrations for “Becker Illustration for “Becker Title Page for "Monthly Review for Ladies from Leipzig for 1794" The Forest, Act II, Scene VII, from Illustration with Couple on a Bench in a Garden The Leaf and the Oath The Sleepwalker Somnambulist Making Discoveries Illustration of Paul and Virginia. Novel by Henri Bernardin de Saint Pierre, French writer (1737-1814) Decameron - First Day, Story 4 - The Shared Sin Act V Scene I from The Tempest A Shepherdess Visiting the tomb of Heloise and Abelard, illustration from La fiancee du roi de Garbe - in “Tales et nouvelles en vers” by Jean La Fontaine. 1776. Illustration by P.P. Choffard Love and Madness - from Decameron - Fifth Day, Story 4 - The Nightingale The Leaf and the Oath Canto I, Verse 29
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Engraving by Émile Bayard for Jules Verne Crusade against the Albigeois - The Last Defenders of Montségur, Cathars, Burned at the Stake in 1244 - Engraving by Émile Bayard after G. Burgun Sultan Hassan I of Morocco, born Moulay El Hassan Cosette. Illustration from Les Misérables by Victor Hugo, 1862 Cosette, illustration from "Les Misérables" by Victor Hugo, 1862 Victor Hugo: Les Misérables. Gavroche, kid from Paris. Illustration by Émile Bayard. The Count of Almaviva, character from The Barber of Seville by Beaumarchais (1732-1799), created in 1773. Illustration by Émile Bayard. The Champmathieu case: Monsieur Madeleine reveals his true identity in the trial of a poor man, Champmathieu, his look-alike, to avoid him being condemned in his place: “I am Jean Valjean” - Illustration by Emile Bayard (1837-1891) for “Les Misérables” Victor Hugo, Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Rosine in “The Barber of Seville” Meeting between Sir Henry Morton Stanley (1841-1904) and David Livingstone (1813-1873), in “Le Tour du Monde” Cosette, illustration from “Les Misérables” by Victor Hugo Saint Blandine is a Christian of Levantine origin or, more probably, of Asia Minor origin from the first Christian community of Lugdunum. She was martyred during the month of July 177 under Marcus Aurelius. Liturgical feast on June 2 (synaxarion of all Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard, to illustrate Marc Monnier Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Jean Beast in Jean Beast at the Fair
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More art prints by Emile Antoine Bayard

Engraving by Émile Bayard for Jules Verne Crusade against the Albigeois - The Last Defenders of Montségur, Cathars, Burned at the Stake in 1244 - Engraving by Émile Bayard after G. Burgun Sultan Hassan I of Morocco, born Moulay El Hassan Cosette. Illustration from Les Misérables by Victor Hugo, 1862 Cosette, illustration from "Les Misérables" by Victor Hugo, 1862 Victor Hugo: Les Misérables. Gavroche, kid from Paris. Illustration by Émile Bayard. The Count of Almaviva, character from The Barber of Seville by Beaumarchais (1732-1799), created in 1773. Illustration by Émile Bayard. The Champmathieu case: Monsieur Madeleine reveals his true identity in the trial of a poor man, Champmathieu, his look-alike, to avoid him being condemned in his place: “I am Jean Valjean” - Illustration by Emile Bayard (1837-1891) for “Les Misérables” Victor Hugo, Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Rosine in “The Barber of Seville” Meeting between Sir Henry Morton Stanley (1841-1904) and David Livingstone (1813-1873), in “Le Tour du Monde” Cosette, illustration from “Les Misérables” by Victor Hugo Saint Blandine is a Christian of Levantine origin or, more probably, of Asia Minor origin from the first Christian community of Lugdunum. She was martyred during the month of July 177 under Marcus Aurelius. Liturgical feast on June 2 (synaxarion of all Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard, to illustrate Marc Monnier Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Jean Beast in Jean Beast at the Fair
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Whirl of Love, c. 1917. Song of the Angels, 1881 The Garden of Earthly Delights, 1490-1500 In the Grey, 1919 Pear Blossom, 1882 The Great Day of His Wrath, engraved by Charles Mottram (1807-76), published by Thomas McLean, London in 1857 Japanese Vase with Roses and Anemones, 1890 Seated Nude from the Back Reclining Semi-Nude (Masturbating), 1912-13 The Stages of Life Isle of the Dead. Fifth version. 1886 Wall painting of a bird in a garden, Pompeii, 1st century AD Angelus Novus, 1920 Wintry Full Moon Landscape Irises
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A selection of our top sellers

Whirl of Love, c. 1917. Song of the Angels, 1881 The Garden of Earthly Delights, 1490-1500 In the Grey, 1919 Pear Blossom, 1882 The Great Day of His Wrath, engraved by Charles Mottram (1807-76), published by Thomas McLean, London in 1857 Japanese Vase with Roses and Anemones, 1890 Seated Nude from the Back Reclining Semi-Nude (Masturbating), 1912-13 The Stages of Life Isle of the Dead. Fifth version. 1886 Wall painting of a bird in a garden, Pompeii, 1st century AD Angelus Novus, 1920 Wintry Full Moon Landscape Irises
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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