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Feel the passion of William Crimea Simpson in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

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William Crimea Simpson
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Museum Quality Art Prints
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William Crimea Simpson

William Crimea Simpson

Art can change history by confronting the public with reality. One example is the work of William Simpson. Together with the Times correspondent William Howard Russel and Thomas Chenery, William Simpson's lithographs from the Crimean War (1853- 56) contributed to a re-evaluation of the modern war in the European public. As allies of the decaying Ottoman Empire, the British Empire and France tried to stop Russia's continental expansion and became embroiled in one of the bloodiest colonial wars of the 19th century. Since the victory over Napoleon, British troops were no longer involved in such a war and considerable weaknesses were evident in the organisation of supplies and the provision of troops with the help of modern logistical instruments. During the first battles the British expeditionary corps won victories against the tsarist army, but proved unable to treat the wounded in the material battles adequately. Many soldiers died during the transport to the central military hospital, sometimes lasting weeks.

William Simpson accompanied and documented the failure and mismanagement of the British military leadership and caused a turn in public opinion with the comments of the Times journalists. But Simpson's career was anything but predetermined. Born in Glasgow, he did not start school until the age of 11. With discipline and a sense of mission, he continued to work through evening studies and became an apprentice in a lithography company. The rise of this art form was closely linked to the development of the mass media. Newspapers, magazines and journals demanded images to illustrate the written word. In 1854 Simpson was commissioned to make lithographs of the Crimean War according to reports. He convinced his clients that only local reporting would have a mass impact. When he arrived in Crimea, he was overwhelmed by the scenes and the suffering of the ordinary soldiers, who were victims of violence, but above all of the failure and incompetence of their own commanders. The face of the war and the violence had not changed, but what made the difference were the technical possibilities of telegraphy and the mass press, which allowed the public to have a new experience of the war. The images of wounded left alone, of emergency transports, dirt, illness and death, complemented the reports of people like Florence Nightingale, who became an icon of humanity in the Crimean War.

With the reputation he earned as an illustrator of the Crimean War, Simpson received commissions from magazines to report on similar events and to create a portfolio after his return. The next target was again a colonial conflict in the British Empire. In India, British colonial troops crushed the so-called Sepoy uprising with the most brutal force. In 1868 he was part of the Ethiopia expedition, a punitive mission against African tribal chiefs who had killed English missionaries. After further work as a war correspondent in the Franco-Prussian War of 1866 and the second Afghan War, Simpson retired from public life.

William Crimea Simpson

    Nonclassified artists   •   Wikipedia: William Crimea Simpson William Crimea Simpson

Art can change history by confronting the public with reality. One example is the work of William Simpson. Together with the Times correspondent William Howard Russel and Thomas Chenery, William Simpson's lithographs from the Crimean War (1853- 56) contributed to a re-evaluation of the modern war in the European public. As allies of the decaying Ottoman Empire, the British Empire and France tried to stop Russia's continental expansion and became embroiled in one of the bloodiest colonial wars of the 19th century. Since the victory over Napoleon, British troops were no longer involved in such a war and considerable weaknesses were evident in the organisation of supplies and the provision of troops with the help of modern logistical instruments. During the first battles the British expeditionary corps won victories against the tsarist army, but proved unable to treat the wounded in the material battles adequately. Many soldiers died during the transport to the central military hospital, sometimes lasting weeks.

William Simpson accompanied and documented the failure and mismanagement of the British military leadership and caused a turn in public opinion with the comments of the Times journalists. But Simpson's career was anything but predetermined. Born in Glasgow, he did not start school until the age of 11. With discipline and a sense of mission, he continued to work through evening studies and became an apprentice in a lithography company. The rise of this art form was closely linked to the development of the mass media. Newspapers, magazines and journals demanded images to illustrate the written word. In 1854 Simpson was commissioned to make lithographs of the Crimean War according to reports. He convinced his clients that only local reporting would have a mass impact. When he arrived in Crimea, he was overwhelmed by the scenes and the suffering of the ordinary soldiers, who were victims of violence, but above all of the failure and incompetence of their own commanders. The face of the war and the violence had not changed, but what made the difference were the technical possibilities of telegraphy and the mass press, which allowed the public to have a new experience of the war. The images of wounded left alone, of emergency transports, dirt, illness and death, complemented the reports of people like Florence Nightingale, who became an icon of humanity in the Crimean War.

With the reputation he earned as an illustrator of the Crimean War, Simpson received commissions from magazines to report on similar events and to create a portfolio after his return. The next target was again a colonial conflict in the British Empire. In India, British colonial troops crushed the so-called Sepoy uprising with the most brutal force. In 1868 he was part of the Ethiopia expedition, a punitive mission against African tribal chiefs who had killed English missionaries. After further work as a war correspondent in the Franco-Prussian War of 1866 and the second Afghan War, Simpson retired from public life.

Artworks by William Crimea Simpson

Artworks by William Crimea Simpson

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410 artworks found

William Crimea Simpson
The Emperor of Austria Ascending...
1869 | watercolour

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William Crimea Simpson
The Golden Temple, Benares, 1862
1862 | pencil and watercolour, with touches of white and gum arabic

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William Crimea Simpson
 
1884 | watercolour

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William Crimea Simpson
Charge of the Heavy Brigade at t...
1854 | colour lithograph

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William Crimea Simpson
Battle of the Tchernaya, August ...
1856 | hand coloured lithograph

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William Crimea Simpson
Ditch of the Bastion du Mat, pla...
1856 | hand coloured lithograph

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William Crimea Simpson
North Side of the Harbour of Seb...
1856 | hand coloured lithograph

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William Crimea Simpson
One of the Wards of the Hospital...
1856 | colour lithograph

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William Crimea Simpson
Head of the Harbour, Sebastopol,...
1856 | hand coloured lithograph

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William Crimea Simpson
The Sacred Rock, Jerusalem, 1887
1887 | pencil and watercolour heightened with white on paper

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William Crimea Simpson
Funeral Cortege of Lord Raglan L...
1856 | hand coloured lithograph

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William Crimea Simpson
A Hot Day in the Batteries, plat...
1856 | hand coloured lithograph

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William Crimea Simpson
Second Charge of the Guards when...
1855 | colour lithograph

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William Crimea Simpson
Scindia's Fortress of Gwalior, C...
1885 | engraving

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William Crimea Simpson
The Railway at Balaklava, 1855-1856
1855 |

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William Crimea Simpson
Rock-cut tunnel, Pools of Solomo...
1872 | watercolour and pencil on paper

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William Crimea Simpson
Indian Woman Floating Lamps on t...
1867 | colour lithograph

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William Crimea Simpson
Fortress of Yenikale, plate from...
1856 | hand coloured lithograph

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William Crimea Simpson
Native Shop in a Calcutta Bazaar...
1867 | colour lithograph

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William Crimea Simpson
The Plague in India, a Hindu Bur...
1897 | engraving

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William Crimea Simpson
Kertch from the North, plate fro...
1856 | hand coloured lithograph

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William Crimea Simpson
Buddhist Praying-Wheels, driven ...
Undated | lithograph

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William Crimea Simpson
Gallery under Golden Gateway, Je...
1871 | watercolour and pencil on paper

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William Crimea Simpson
The Graves on Cathcart's Hill, p...
1856 | hand coloured lithograph

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William Crimea Simpson
Built up doorway in East Wall of...
1872 | watercolour and pencil on paper

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William Crimea Simpson
The Cavalry Affair of the Height...
1856 | hand coloured lithograph

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William Crimea Simpson
The Charge of the Light Brigade ...
1855 | lithograph/watercolour

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William Crimea Simpson
Tientsin, at the Mouth of the Pe...
Undated | engraving

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William Crimea Simpson
The new works at the siege of Se...
Undated | colour lithograph

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William Crimea Simpson
 
Undated | colour lithograph

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William Crimea Simpson
The Rock-Cut Statues of Bamian, ...
1886 | engraving

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William Crimea Simpson
Sentinel of the Zouaves, plate f...
1856 | hand coloured lithograph

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William Crimea Simpson
Hospital and Cemetery, Scutari, ...
1856 | hand coloured lithograph

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William Crimea Simpson
The Afghan Boundary, the Nialshe...
1885 | engraving

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William Crimea Simpson
An Afghan Mill at Gundamuck
Undated | engraving

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William Crimea Simpson
Second Charge of the Guards at I...
1856 | hand coloured lithograph

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William Crimea Simpson
Peshawar Market Scene, from 'Ind...
1867 | colour lithograph

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William Crimea Simpson
A Quiet Night in the Batteries, ...
1856 | hand coloured lithograph

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William Crimea Simpson
Graves of the Officers in the Fo...
1854 | watercolour and bodycolour over graphite on paper

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William Crimea Simpson
The Embarkation of the Sick at B...
1856 | colour lithograph

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William Crimea Simpson
The Petroleum Oil Wells at Baku,...
1886 | engraving

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William Crimea Simpson
The fall of Sevastopol and the r...
Undated | black and white lithograph

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William Crimea Simpson
Interior of the Mamelon Vert, pl...
1856 | hand coloured lithograph

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William Crimea Simpson
Quarantine Cemetery and Church, ...
1856 | hand coloured lithograph

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William Crimea Simpson
Second charge of the Guards, whe...
Undated | black and white lithograph

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William Crimea Simpson
Well of the Steps, Jerusalem, 18...
1871 | watercolour and pencil on paper

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William Crimea Simpson
The Fire Temple at Baku, on the ...
1885 | engraving

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William Crimea Simpson
The Indian Frontier Trouble
1897 | lithograph

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William Crimea Simpson
The Railway at Balaklava looking...
1855 | colour lithograph

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William Crimea Simpson
Salt Lake - Thibet, from 'India ...
1867 | colour lithograph

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William Crimea Simpson
The Embarkation of the Sick at B...
1856 | hand coloured lithograph

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William Crimea Simpson
The Admiralty, Sebastopol, plate...
1856 | hand coloured lithograph

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William Crimea Simpson
The Bastion du Mat, Sevastopol, ...
Undated |

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William Crimea Simpson
Highland Brigade Camp, plate fro...
1856 | hand coloured lithograph

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William Crimea Simpson
The Railway at Balaklava, plate ...
1856 | hand coloured lithograph

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William Crimea Simpson
The Emperor and Empress of Germa...
1888 | engraving

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William Crimea Simpson
Ditch of the Malakoff, plate fro...
1856 | hand coloured lithograph

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William Crimea Simpson
A christmas dinner on the hights...
1845 |

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William Crimea Simpson
Charge of the Light Cavalry Brig...
1855 | lithograph

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William Crimea Simpson
The Lighthouse at Cape Chersones...
1856 | hand coloured lithograph

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William Crimea Simpson
Queen Victoria as an artist: Her...
Undated | lithograph

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William Crimea Simpson
Sikh Priest Reading the Grunth, ...
1867 | colour lithograph

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William Crimea Simpson
The Rock-Cut Statues of Bamian, ...
1886 | engraving

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William Crimea Simpson
 
Undated | colour lithograph

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William Crimea Simpson
Sebastopol from the Sea, engrave...
1855 | colour lithograph

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William Crimea Simpson
The Afghan Boundary Commission, ...
1884 | engraving

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William Crimea Simpson
Exhibition of the Queen's Jubile...
1887 | engraving

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William Crimea Simpson
The Attack on the Malakoff, 8th ...
19th century |

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William Crimea Simpson
Govan, on the Clyde, with the Mo...
1888 | engraving

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William Crimea Simpson
Tunnel under the Via Dolorosa, J...
1869 | watercolour and pencil on paper

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William Crimea Simpson
Unveiling the Bombay Statue of t...
Undated | engraving

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William Crimea Simpson
Elephant Battery, 1864 (wc over ...
1864 | watercolour over graphite with bodycolour on paper

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William Crimea Simpson
Russian Military Positions in As...
1885 | engraving

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William Crimea Simpson
Attack on the Malakoff, engraved...
1855 | colour lithograph

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William Crimea Simpson
The Village Welll, from 'India A...
1867 | colour lithograph

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William Crimea Simpson
Lintel of Barclay's Doorway, Nea...
1870 | watercolour and pencil on paper

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William Crimea Simpson
Charge of the Light Cavalry Brig...
1856 | colour litho

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William Crimea Simpson
Town Batteries, or Interior Fort...
1856 | hand coloured lithograph

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William Crimea Simpson
The monastery of St George and C...
Undated | colour lithograph

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William Crimea Simpson
Lord Raglan's Head Quarters at K...
Undated | colour lithograph

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William Crimea Simpson
The New Works on the Right Attac...
1856 | hand coloured lithograph

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William Crimea Simpson
Passage under the Aksa, 1871 (wc...
1871 | watercolour and pencil on paper

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William Crimea Simpson
Crypt of the Church of St. Anne,...
1872 | watercolour and pencil on paper

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William Crimea Simpson
Sebastopol from the Rear of Fort...
19th century |

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William Crimea Simpson
Consecration of the Restored Sch...
1892 | engraving

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William Crimea Simpson
 
1856 | lithograph

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William Crimea Simpson
A Christmas dinner on the height...
Undated | colour lithograph

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William Crimea Simpson
Interior of the Redan, plate fro...
1856 | hand coloured lithograph

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William Crimea Simpson
A Christmas Dinner on the Height...
1855 | colour lithograph

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William Crimea Simpson
Redan and Advanced Trenches of B...
1856 | lithograph

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William Crimea Simpson
Sentinal of the Zouaves before S...
Undated | black and white lithograph

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William Crimea Simpson
Camp of the Naval Brigade before...
1855 | lithograph

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William Crimea Simpson
The Afghan War, Sketches at a Re...
Undated | engraving

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William Crimea Simpson
Charge of the heavy cavalry brig...
Undated | colour lithograph

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William Crimea Simpson
Akalis at the Holy Tank, Umritsa...
1867 | colour lithograph

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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