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Thomas Shotter Boys
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Museum Quality Art Prints
Individual Customization Options

Thomas Shotter Boys

United Kingdom of Great Britain and Northern Ireland · 1803–1874 · Art of the 19th century · 361 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Thomas Shotter Boys
1803–1874
Born January 2, 1803 (Pentonville)
Died 1874 (London)
Nationality United Kingdom of Great Britain and Northern Ireland
Epochs Art of the 19th century
Profession lithographer, painter, illustrator, draftsperson, graphic artist
Teacher George Cooke
Notable works Hotel de Sens, Paris (1830), La rue des Prouvaires et l'église saint Eustache, Paris (1833), Corner of the Palais de Justice, Paris (1833), Chateau des Comtes de Flandre, Ghent (1833), Quayside, Notre Dame in Distance
Museums Cleveland Museum of Art, Art Institute of Chicago, Yale Center for British Art, Paris Musées, National Gallery of Art

Thomas Shotter Boys

    1803   -   1874

Thomas Shotter Boys was born in 1803 in Pentonville, a northern suburb of London. And that's where it all began, in terms of information about his early life. Almost nothing is known about his childhood. So be it. There's an old proverb that says, "By their works you shall know them." And in this respect, the English watercolorist and lithographer has not been complacent. With his landscape watercolour paintings he conquered his place in the history of art, and he is also considered an innovative force in the use of the lithographic process.

At the age of fourteen, Thomas Shotter Boys was taken on as an apprentice by the successful engraver and copperplate engraver George Cooke, for whom he made around two hundred drawings - for example for an extensive catalogue of works by the botanist Conrad Loddiges. Thomas Shotter Boy's earliest surviving work is a graphic from 1819, and after the end of his apprenticeship he moved to Paris around 1825, where he wanted to work as an engraver. It should come differently. In the French capital he made the acquaintance of the English watercolour painter Richard Parkes Bonington, who accepted him into his artist circle, became a close friend and convinced him to turn to watercolour painting, at least in his second job. The claim that Thomas Shotter Boys was a student of Bonington is highly doubtful, however. Boys' colleague and good friend William Callow, with whom he shared a studio in Paris, categorically denies this statement.

The success as a painter failed to materialize at first because Thomas Shotter Boys was unfairly dismissed as a "Bonington imitator". He did not let himself be discouraged, however, and succeeded quite quickly in developing and establishing his own unmistakable style. After Richard Parkes Bonington's early death in 1828 he completed some unfinished works of his friend and learned the technique of lithography. He also went on extensive travels. Some stations of these travelling years were Brussels, Austria, Bohemia, Germany and Italy. Finally, he returned to England, where he first dealt with the lithographic printing process, which was still quite new at the time. In this field he produced several revolutionary works that were unparalleled. It is no exaggeration to say that the world had never seen anything like it before. But for all his successes as a lithographer, he remained true to watercolour painting during this time. And also in this profession he made a breakthrough.

He was now a celebrity in the art metropolises of London and Paris; in gratitude for his work, the French King Louis Philippe even gave him a precious ring - engraved with the initials "L.P." and decorated with a crown of diamonds of France. Thomas Shotter Boys received another great honour when he was appointed a full member of the New Society of Painters in Water-colours in 1841. But then his artistic-creative career went steeply downhill. Interest in him and his works waned and he was forced to return to his old profession as an engraver. It is pointless to speculate about the most famous or memorable work of Thomas Shotter Boys. Rather, one can make a statement about his favourite motif. This is about the Old Town Hall in St. Omer, which he painted seven times. He was good at this, because this way the building has been preserved, at least figuratively. In 1831 it was largely destroyed by demolition, only a remnant could still be placed under monumental protection.

Artworks by Thomas Shotter Boys

361 artworks found
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361 artworks found

Thomas Shotter Boys
Westminster Abbey and Hospital, ...
1842 | lithograph

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Thomas Shotter Boys
Mansion House and Cheapside, fro...
1842 | colour lithograph

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Thomas Shotter Boys
Château des Comtes de Flandre, G...
1833 |

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Thomas Shotter Boys
L'Abbaye St. Amand, Rouen
Undated | lithograph

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Thomas Shotter Boys
Piccadilly from the corner of Ol...
1842 | colour lithograph

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Thomas Shotter Boys
London As It Is: Temple Bar, fr...
1842 | lithograph

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Thomas Shotter Boys
Temple Bar from the Strand, 1842
1842 | colour lithograph

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Thomas Shotter Boys
View of Regent Street looking to...
1842 | lithograph

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Thomas Shotter Boys
The Bank of England looking towa...
1842 | colour lithograph

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Thomas Shotter Boys
View of the Board of Trade, Whit...
1842 | lithograph

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Thomas Shotter Boys
Cheapside and Mansion House, 1842
1842 | colour lithograph

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Thomas Shotter Boys
St. Dunstan's, Fleet Street, fro...
1842 | colour lithograph

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Thomas Shotter Boys
London As It Is: St. Paul's, fr...
1842 | lithograph

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Thomas Shotter Boys
Regent Street Looking Towards th...
1842 | colour lithograph

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
 
1828 | Watercolor on paper

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Thomas Shotter Boys
Hyde Park Corner, looking down P...
1842 | colour lithograph

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Thomas Shotter Boys
London As It Is: The Strand
1842 | lithograph

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Thomas Shotter Boys
Le carrefour des rue Bailleul et...
1831 |

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
La Tour Alexandre en 1827, et la...
1827 |

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Thomas Shotter Boys
Picturesque Architecture in Pari...
1839 | lithograph

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Thomas Shotter Boys
A View of the Church of Our Lady...
1831 | Watercolor on paper

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
London As It Is: St. Dunstan's,...
1842 | lithograph

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
Figures on a beach in northern F...
1830 |

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Thomas Shotter Boys
The Board of Trade, Whitehall, f...
1842 | colour lithograph

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Thomas Shotter Boys
Regent Street, Looking Towards t...
1842 | colour lithograph

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Thomas Shotter Boys
 
1830 |

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Thomas Shotter Boys
 
1842 | Lithograph with tint on moderately thick, slightly textured, cream card

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Thomas Shotter Boys
Western side of John Nash's exte...
1842 | colour lithograph

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Thomas Shotter Boys
View of a Market Square, c.1832
Undated | pencil and watercolour heightened with bodycolour on paper

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Thomas Shotter Boys
The Church of St. Magnus the Mar...
Undated | watercolour on paper

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Thomas Shotter Boys
 
Undated | Watercolor with pen and brown ink over graphite on medium, slightly textured, blued white wove paper

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
 
1839 |

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Thomas Shotter Boys
Prouvaires street and the Saint-...
19th century | watercolour

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Thomas Shotter Boys
Hotel de Bellevue and Cafe d"Ami...
1830 | watercolour

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Thomas Shotter Boys
L'Abbaye St. Amand, Rouen
1839 | lithograph

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Thomas Shotter Boys
Unbekanntes Bild
Undated | watercolour

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Thomas Shotter Boys
 
1839 | color lithograph with hand coloring

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Thomas Shotter Boys
The Club Houses, Pall Mall, 1842
1842 | colour engraving

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Thomas Shotter Boys
Piccadilly, 1842
Undated |

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Thomas Shotter Boys
 
1839 | Color lithograph on paper

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Thomas Shotter Boys
London As It Is: Regent Street,...
1842 | lithograph

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Thomas Shotter Boys
London As It Is: Hyde Park Corner
1842 | lithograph

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Thomas Shotter Boys
Regent Street, looking towards t...
1842 | colour lithograph

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
Regent Street looking towards th...
1842 | lithograph

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Thomas Shotter Boys
View of the Tuilleries on the Se...
Undated | watercolour on paper

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Thomas Shotter Boys
Piccadilly, Looking Towards the ...
1842 | colour lithograph

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Thomas Shotter Boys
Crossroad of the Tison and Jean ...
1831 | watercolour

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Thomas Shotter Boys
The Pont des Arts, Paris
Undated | Watercolor on paper

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Thomas Shotter Boys
 
1839 | Color lithograph on paper

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Thomas Shotter Boys
La Chapelle de lInstitut, Paris,...
1839 | lithograph

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Thomas Shotter Boys
 
Undated | Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper

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Thomas Shotter Boys
Prague
Undated | Watercolor on paper

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Thomas Shotter Boys
Choose picture


Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
Picturesque Architecture in Pari...
Undated | lithograph/lithograph/lithograph

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
La Ste. Chapelle, Paris
1839 |

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Thomas Shotter Boys
 
1839 | lithograph

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Thomas Shotter Boys
Picturesque Architecture in Pari...
1839 | lithograph

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Thomas Shotter Boys
London As It Is: Board of Trade...
1842 | lithograph

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Thomas Shotter Boys
View near Arundel Castle (wc ove...
Undated | watercolour over graphite on paper

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Thomas Shotter Boys
 
1839 | Color lithograph on paper

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Thomas Shotter Boys
 
Undated | watercolour

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Thomas Shotter Boys
Westminster Abbey and Hospital, ...
1842 | colour lithograph

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Thomas Shotter Boys
 
Undated | lithograph

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Thomas Shotter Boys
Temple Bar, from the Strand, fro...
1842 | colour lithograph

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Thomas Shotter Boys
 
1839 | Color lithograph on paper

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Thomas Shotter Boys
The Custom House, from 'London a...
1842 | colour lithograph

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Thomas Shotter Boys
 
undatiert | Watercolor on paper

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Thomas Shotter Boys
 
1839 | Color lithograph on paper

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Thomas Shotter Boys
Picturesque Architecture in Pari...
1839 | lithograph

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Thomas Shotter Boys
L hotel de Ville, St Omer, 1867
1867 | pencil/ink/watercolour

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
Duke of Wellington's bedroom
1852 | watercolour on paper

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Thomas Shotter Boys
Westminster Abbey, Hospital &c.
1842 | Lithograph with tint on thick, slightly textured, cream card

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Thomas Shotter Boys
 
1839 | Color lithograph on paper

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Thomas Shotter Boys
Picturesque Architecture in Pari...
1839 | lithograph

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Thomas Shotter Boys
 
1833 | lithograph

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Thomas Shotter Boys
A View of the Church of Our Lady...
1831 | Watercolor on paper

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Thomas Shotter Boys
Hotel de Ville de St Omer, Pas d...
Undated | watercolour on paper

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Thomas Shotter Boys
 
1839 | Color lithograph on paper

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Thomas Shotter Boys
Brussels from the Paris Road, 18...
1831 | watercolour over pencil with bodycolour on paper

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Thomas Shotter Boys
Dresden, 1843-1846
1843 | watercolour on paper

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Thomas Shotter Boys
Choose picture


Thomas Shotter Boys
London As It Is: Piccadilly, lo...
1842 | lithograph

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Thomas Shotter Boys
Picturesque Architecture in Pari...
1839 | lithograph

Choose picture

Thomas Shotter Boys
L"Institut and the Pont des Arts...
1828 | watercolour on paper

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Thomas Shotter Boys
 
1842 | Hand-colored lithograph on paper

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Thomas Shotter Boys
The Tower and Mint from Great To...
1842 | Hand-colored lithograph on paper

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About the artist

Thomas Shotter Boys
1803–1874
BornJanuary 2, 1803 (Pentonville)
Died1874 (London)
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsArt of the 19th century
Professionlithographer, painter, illustrator, draftsperson, graphic artist
TeacherGeorge Cooke
Notable worksHotel de Sens, Paris (1830), La rue des Prouvaires et l'église saint Eustache, Paris (1833), Corner of the Palais de Justice, Paris (1833), Chateau des Comtes de Flandre, Ghent (1833), Quayside, Notre Dame in Distance
MuseumsCleveland Museum of Art, Art Institute of Chicago, Yale Center for British Art, Paris Musées, National Gallery of Art

Thomas Shotter Boys was born in 1803 in Pentonville, a northern suburb of London. And that's where it all began, in terms of information about his early life. Almost nothing is known about his childhood. So be it. There's an old proverb that says, "By their works you shall know them." And in this respect, the English watercolorist and lithographer has not been complacent. With his landscape watercolour paintings he conquered his place in the history of art, and he is also considered an innovative force in the use of the lithographic process.

At the age of fourteen, Thomas Shotter Boys was taken on as an apprentice by the successful engraver and copperplate engraver George Cooke, for whom he made around two hundred drawings - for example for an extensive catalogue of works by the botanist Conrad Loddiges. Thomas Shotter Boy's earliest surviving work is a graphic from 1819, and after the end of his apprenticeship he moved to Paris around 1825, where he wanted to work as an engraver. It should come differently. In the French capital he made the acquaintance of the English watercolour painter Richard Parkes Bonington, who accepted him into his artist circle, became a close friend and convinced him to turn to watercolour painting, at least in his second job. The claim that Thomas Shotter Boys was a student of Bonington is highly doubtful, however. Boys' colleague and good friend William Callow, with whom he shared a studio in Paris, categorically denies this statement.

The success as a painter failed to materialize at first because Thomas Shotter Boys was unfairly dismissed as a "Bonington imitator". He did not let himself be discouraged, however, and succeeded quite quickly in developing and establishing his own unmistakable style. After Richard Parkes Bonington's early death in 1828 he completed some unfinished works of his friend and learned the technique of lithography. He also went on extensive travels. Some stations of these travelling years were Brussels, Austria, Bohemia, Germany and Italy. Finally, he returned to England, where he first dealt with the lithographic printing process, which was still quite new at the time. In this field he produced several revolutionary works that were unparalleled. It is no exaggeration to say that the world had never seen anything like it before. But for all his successes as a lithographer, he remained true to watercolour painting during this time. And also in this profession he made a breakthrough.

He was now a celebrity in the art metropolises of London and Paris; in gratitude for his work, the French King Louis Philippe even gave him a precious ring - engraved with the initials "L.P." and decorated with a crown of diamonds of France. Thomas Shotter Boys received another great honour when he was appointed a full member of the New Society of Painters in Water-colours in 1841. But then his artistic-creative career went steeply downhill. Interest in him and his works waned and he was forced to return to his old profession as an engraver. It is pointless to speculate about the most famous or memorable work of Thomas Shotter Boys. Rather, one can make a statement about his favourite motif. This is about the Old Town Hall in St. Omer, which he painted seven times. He was good at this, because this way the building has been preserved, at least figuratively. In 1831 it was largely destroyed by demolition, only a remnant could still be placed under monumental protection.



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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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