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Stefano della Bella
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Stefano della Bella

Stefano della Bella

    18 May 1610   -   July 16, 1664
Nonclassified artists   •   Wikipedia: Stefano della Bella

The Florentine Stefano della Bella was an important draughtsman and etcher of the 17th century. His works have influenced many European artists. As a child he learned to draw and the art of engraving from a goldsmith in Florence. In the following years he copied works by Jacques Callot, among others. The artist came from Nancy in Lorraine. Callot was known for his drawings and etchings which he made for the court of the Medici family. Remigio Cantagallina, Jacques Callot's teacher, taught Stefano della Bella and supported his education. della Bella's work was strongly influenced by Callots masterly figurative representations. Stefano della Bella expanded his artistic skills in various studios in Florence. Besides drawing, he also devoted himself to painting. Callots teacher put him in contact with Cesare Dandini, who gave Stefano della Bella additional training in the art of painting. In 1632 della Bella created the figure of Copernicus for the edition Dialogo sopra i due massimi sistemi by Galileo Galilei. Today's art historians suspect that the artist did not create an individual portrait, but an archetype. He drew Copernicus in the posture of a scholar typical of the time.

Stefano della Bella was given the opportunity to work in Rome by the de Medici family, where he also distinguished himself through his exceptional skills. He deepened his knowledge of painting and made numerous etchings. Masterly views of Rome, Tivoli and the Roman Campagna were created. Della Bella captured Roman ruins and interesting street scenes in his drawings. He also created sea views and his first topographical works. Finally, the artist took the special opportunity to join a legation travelling to the French court. The legation sent official congratulations on the birth of the future Sun King Louis XIV. Della Bella was commissioned by Cardinal Richelieu to paint a representation of the besieged city of Arras. This was the prelude to further architectural views of the artist. della Bella also made drawings and etchings for the theatre. For example, he designed the title page for the opera La Finta Pazza and drew ballets of animals that appeared between the scenes.

Della Bella created more than a thousand drawings and etchings during his life. His motifs were war battles, military depictions and hunting scenes. He also produced maps, sea charts and realistic depictions of animals. His drawing of an elephant dying in Florence is still known today. della Bella's work also includes entertaining capriccios. The playful drawings were first introduced to the art of etching by Jacques Callot. The highlight of della Bella's creative power was his honorary admission to the Accademia degli Apasti, an important literary circle in Florence. Stefano della Bella spent the last years of his life in Florence, where he gave drawing lessons to the son of the Grand Duke of Tuscany. The artist died in 1664 in his home town.

Stefano della Bella

    18 May 1610   -   July 16, 1664
Nonclassified artists   •   Wikipedia: Stefano della Bella Stefano della Bella

The Florentine Stefano della Bella was an important draughtsman and etcher of the 17th century. His works have influenced many European artists. As a child he learned to draw and the art of engraving from a goldsmith in Florence. In the following years he copied works by Jacques Callot, among others. The artist came from Nancy in Lorraine. Callot was known for his drawings and etchings which he made for the court of the Medici family. Remigio Cantagallina, Jacques Callot's teacher, taught Stefano della Bella and supported his education. della Bella's work was strongly influenced by Callots masterly figurative representations. Stefano della Bella expanded his artistic skills in various studios in Florence. Besides drawing, he also devoted himself to painting. Callots teacher put him in contact with Cesare Dandini, who gave Stefano della Bella additional training in the art of painting. In 1632 della Bella created the figure of Copernicus for the edition Dialogo sopra i due massimi sistemi by Galileo Galilei. Today's art historians suspect that the artist did not create an individual portrait, but an archetype. He drew Copernicus in the posture of a scholar typical of the time.

Stefano della Bella was given the opportunity to work in Rome by the de Medici family, where he also distinguished himself through his exceptional skills. He deepened his knowledge of painting and made numerous etchings. Masterly views of Rome, Tivoli and the Roman Campagna were created. Della Bella captured Roman ruins and interesting street scenes in his drawings. He also created sea views and his first topographical works. Finally, the artist took the special opportunity to join a legation travelling to the French court. The legation sent official congratulations on the birth of the future Sun King Louis XIV. Della Bella was commissioned by Cardinal Richelieu to paint a representation of the besieged city of Arras. This was the prelude to further architectural views of the artist. della Bella also made drawings and etchings for the theatre. For example, he designed the title page for the opera La Finta Pazza and drew ballets of animals that appeared between the scenes.

Della Bella created more than a thousand drawings and etchings during his life. His motifs were war battles, military depictions and hunting scenes. He also produced maps, sea charts and realistic depictions of animals. His drawing of an elephant dying in Florence is still known today. della Bella's work also includes entertaining capriccios. The playful drawings were first introduced to the art of etching by Jacques Callot. The highlight of della Bella's creative power was his honorary admission to the Accademia degli Apasti, an important literary circle in Florence. Stefano della Bella spent the last years of his life in Florence, where he gave drawing lessons to the son of the Grand Duke of Tuscany. The artist died in 1664 in his home town.

Artworks by Stefano della Bella

Artworks by Stefano della Bella

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Stefano della Bella
Plate 7: Five feet, from The Boo...
1649 | etching/etching

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Stefano della Bella
Plate 6, from "Desseins de Quele...
Undated | plaster

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Stefano della Bella
Jupiter and Ganymede, from Game ...
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Stefano della Bella
Polish horseman with a bow and a...
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Stefano della Bella
Polish man with a mustache weari...
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Stefano della Bella
Le Florentin à la chasse, ca. 16...
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Stefano della Bella
Plate 6: lion, from 'Various ani...
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Stefano della Bella
Frontispiece to 'Dialogo sopra i...
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Stefano della Bella
 
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Stefano della Bella
Louis le debonnaire... Charles l...
1644 | etching/etching

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Stefano della Bella
 
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Stefano della Bella
Jupiter and Danäe, from Game of ...
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Stefano della Bella
Views of the Villa of Pratolino:...
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Stefano della Bella
Caprices: Standing Beggar Woman ...
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Stefano della Bella
 
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Stefano della Bella
Plate 9: five heads, two young w...
1649 | etching/etching

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Stefano della Bella
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Stefano della Bella
Atalanta and Hippomenes, from Ga...
1644 | etching/etching

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Stefano della Bella
Plate 5 from 'Divers Embarquemen...
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Stefano della Bella
La Mort sur un champ du bataille
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Stefano della Bella
A female satyr breastfeeding an ...
1639 | etching/etching

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Stefano della Bella
A Turkish man with a beard and t...
1650 | etching

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Stefano della Bella
 
Undated | pen and brown ink on laid paper

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Stefano della Bella
The altar of the holy sacrament,...
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Stefano della Bella
St. John the Baptist Drawing Wat...
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Stefano della Bella
 
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Stefano della Bella
Entrance of the Prince of Tuscan...
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Stefano della Bella
Polish Hussar.
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Stefano della Bella
A child and a satyr child playin...
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Stefano della Bella
A Lady Greeted by a Dwarf.
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Stefano della Bella
Two Goats Lying Down, 1642.
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Stefano della Bella
Seated Ecclesiastic, ca. 1662.
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Stefano della Bella
 
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Stefano della Bella
Galileo and personifications of ...
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Stefano della Bella
Jupiter and Danaë, from 'Game of...
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Stefano della Bella
Egypte, 1644.
1644 | etching

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Stefano della Bella
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Stefano della Bella
Ornamenti di fregi e fogliami
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Stefano della Bella
Dido Killing Herself, ca. 1660.
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Stefano della Bella
Camel viewed from behind, pub. 1...
1640 | engraving

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Stefano della Bella
Apollon et Marsyas, 1644.
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Stefano della Bella
 
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Stefano della Bella
Plate 14: head of a woman, in pr...
1649 | etching/etching

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Stefano della Bella
Salmacis and Hermaphrodite, from...
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Stefano della Bella
Death carrying an infant, from T...
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Stefano della Bella
Ornament Design for a Thesis on ...
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Stefano della Bella
Frontispiece: a monument decorat...
1640 | etching/etching

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Stefano della Bella
Female Satyr Nursing a Child in ...
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Stefano della Bella
The Banquet of the Piacevoli, 16...
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Stefano della Bella
Mercury and Argos, from Game of ...
1644 | etching/etching

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Stefano della Bella
Plate 8: A the bow of a galley a...
1641 | etching

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Stefano della Bella
Cartouche Containing an Empty Sh...
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Stefano della Bella
A Nymph Holding a Large Dog by i...
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Stefano della Bella
A galley covered in sails to lef...
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Stefano della Bella
La Mort sur un champ de bataille...
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Stefano della Bella
Frightened Soldier and a Man in ...
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Stefano della Bella
Plate 6: two women, one nursing ...
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Stefano della Bella
Satyrs and Faun.
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Stefano della Bella
Tournament Executed in Florence ...
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Stefano della Bella
 
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Stefano della Bella
A Black Horseman.
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Stefano della Bella
Plate 8, from "Desseins de Quele...
Undated | Medium: wool embroidery on linen foundation Technique: embroidered on plain weave foundation Label: linen embroidered with wool

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Stefano della Bella
A naval battle, a rowboat full o...
1641 | etching/etching

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Stefano della Bella
Frontispiece for Dialogo di Gali...
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Stefano della Bella
The Temple of Vespasian and the ...
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Stefano della Bella
 
Undated | etching on laid paper [restrike]

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Stefano della Bella
Deucalion and Pyrrha, from Game ...
1644 | etching/etching

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Stefano della Bella
 
Undated | pen and brown ink on laid paper

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Stefano della Bella
Plate 4: five grotesque heads, f...
Undated | etching/etching

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Stefano della Bella
 
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Stefano della Bella
 
1656 | etching

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Stefano della Bella
Mythological Playing Cards, 1644.
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Stefano della Bella
Group of Ships, 1644.
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Stefano della Bella
Arms of the Medici with Della Ro...
Undated | etching/etching

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Stefano della Bella
Two Children Embracing [upper ha...
Undated | two etchings on one sheet of laid paper [restrikes]

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Stefano della Bella
Sultana wearing a turban, in pro...
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Stefano della Bella
The Cannon, c. 1641.
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Stefano della Bella
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Stefano della Bella
Plate 1: a pack horse, from 'Var...
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Stefano della Bella
Stag at bay, from Animal hunts C...
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Stefano della Bella
Death on the Battlefield, 1646-1...
Undated | etching/etching/etching

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Stefano della Bella
Loading a galley, from Views of ...
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Stefano della Bella
 
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Stefano della Bella
The Journey of Jacob in Egypt, c...
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Stefano della Bella
Plate 11: dogs, from Various ani...
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Stefano della Bella
Parade float in the form of a sh...
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Stefano della Bella
Views of the Villa of Pratolino:...
Undated | etching/etching/etching

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Stefano della Bella
Cow and Young Shepherd at a Foun...
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Stefano della Bella
 
Undated | etching on ivory laid paper

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Stefano della Bella
Phalaris Having Perillus Thrown ...
Undated | engraving/etching

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Stefano della Bella
Three men wearing hats standing ...
1639 | etching/etching

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Stefano della Bella
 
Undated | etching on laid paper [restrike]

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Stefano della Bella
Il cinghiale si dirige verso des...
1637 | engraving

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Stefano della Bella
Orpheus and Eurydice, from Game ...
1644 | etching/etching

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Stefano della Bella
 
Undated | etching on laid paper [restrike]

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Stefano della Bella
 
Undated | etching and engraving

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Stefano della Bella
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Stefano della Bella
Drie mannen pratend op de kade ...
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Stefano della Bella
Plate 2: eagle and eaglet, from ...
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+43 4257 29415 · office@meisterdrucke.com
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