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Feel the passion of Maria Sibylla Merian in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
Maria Sibylla Merian
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Museum Quality Art Prints
Individual Customization Options

Maria Sibylla Merian

    April 2, 1647   -   January 13, 1717
Nonclassified artists   •   Wikipedia: Maria Sibylla Merian

Who still remembers the woman on the 500 Mark bill, and if they do, who is even familiar with this outstanding "female person" of the 17th century? Maria Sibylla Merian. She was the daughter of Matthäus Merian, Germany's most famous topographer and etcher to this day, whose art she learned about only in a roundabout way, since he died when she was 3 years old. Born in 1747, she belonged to the post-traumatic society of the Thirty Years' War. Her family environment was distinctly European. Her father was from Basel, her stepsiblings' mother from Flanders, her own mother from Wallonia, and her stepfather, the flower painter Jacob Marrel, from the Netherlands. She was highly talented, but she had no interest in the work of her stepbrothers, who continued to publish cityscapes and battle scenes in Frankfurt. She obviously loved nature, especially flowers, and her painterly sketches and especially her etchings, still today, as with her father mistakenly called copper engravings, found and still find great interest.

But this would probably not have been enough to classify her as an exceptional person. During her artistic activity, which showed an early maturity, she developed into an early representative of biological research and at the same time lived a life, even for today's understanding, open and almost novelistic. Where exactly her interest in nature came from can only be guessed. In any case, her most important teacher was Jacob Marrel, a student of Georg Flegel, who is considered today to be the real founder of still-life painting. She married Johann Andreas Graff, a pupil of her stepfather, and moved with him to Nuremberg. There she came to the attention of Joachim Sandrart, the German Vasari. However, the marriage with Graff showed modern traits, which finally ended after a war of roses. Whether this already happened under the influence of the early Pietestist sectarians of the Labadists remains open. A woman as an independent art entrepreneur. In any case, in 1686 she moved to Nieuwerd Castle in the Netherlands into a Purisite community that today would be called a religious commune. However, the climate of the community became so radicalized that she moved to "unholy" Amsterdam in 1791. Her book editions were well respected, but due to the high cost and low circulation, she was forced to engage in sideline activities, such as teaching painting to women. Women and art remained a taboo subject until the end of the 19th century, which even Maria Sibylla could not change.

She was able to stabilize her economic situation to such an extent that she was able to start an expedition for science and art, her journey to Dutch Surinam, an adventure even for men at that time. After selling almost all her possessions, the already over 50-year-old embarked with her younger daughter to Suriname against all well-meaning recommendations. Her two years of research were followed by the publication of her magnum opus, the "Metamorphosis insectorum Surinamensium", the fundamental book on the evolution of butterflies. With this early scientific natural research, she became the founder of butterfly science (lepidopterology). The natural scientists of the 19th century reviled her scientific image, but the founder of modern nomenclature in biology, Carl von Linné, appreciated her work. Unaffected by scientific debates, however, is one insight. Her depictions of plants, butterflies, and flowers remain unmatched.

Maria Sibylla Merian

    April 2, 1647   -   January 13, 1717
Nonclassified artists   •   Wikipedia: Maria Sibylla Merian

Who still remembers the woman on the 500 Mark bill, and if they do, who is even familiar with this outstanding "female person" of the 17th century? Maria Sibylla Merian. She was the daughter of Matthäus Merian, Germany's most famous topographer and etcher to this day, whose art she learned about only in a roundabout way, since he died when she was 3 years old. Born in 1747, she belonged to the post-traumatic society of the Thirty Years' War. Her family environment was distinctly European. Her father was from Basel, her stepsiblings' mother from Flanders, her own mother from Wallonia, and her stepfather, the flower painter Jacob Marrel, from the Netherlands. She was highly talented, but she had no interest in the work of her stepbrothers, who continued to publish cityscapes and battle scenes in Frankfurt. She obviously loved nature, especially flowers, and her painterly sketches and especially her etchings, still today, as with her father mistakenly called copper engravings, found and still find great interest.

But this would probably not have been enough to classify her as an exceptional person. During her artistic activity, which showed an early maturity, she developed into an early representative of biological research and at the same time lived a life, even for today's understanding, open and almost novelistic. Where exactly her interest in nature came from can only be guessed. In any case, her most important teacher was Jacob Marrel, a student of Georg Flegel, who is considered today to be the real founder of still-life painting. She married Johann Andreas Graff, a pupil of her stepfather, and moved with him to Nuremberg. There she came to the attention of Joachim Sandrart, the German Vasari. However, the marriage with Graff showed modern traits, which finally ended after a war of roses. Whether this already happened under the influence of the early Pietestist sectarians of the Labadists remains open. A woman as an independent art entrepreneur. In any case, in 1686 she moved to Nieuwerd Castle in the Netherlands into a Purisite community that today would be called a religious commune. However, the climate of the community became so radicalized that she moved to "unholy" Amsterdam in 1791. Her book editions were well respected, but due to the high cost and low circulation, she was forced to engage in sideline activities, such as teaching painting to women. Women and art remained a taboo subject until the end of the 19th century, which even Maria Sibylla could not change.

She was able to stabilize her economic situation to such an extent that she was able to start an expedition for science and art, her journey to Dutch Surinam, an adventure even for men at that time. After selling almost all her possessions, the already over 50-year-old embarked with her younger daughter to Suriname against all well-meaning recommendations. Her two years of research were followed by the publication of her magnum opus, the "Metamorphosis insectorum Surinamensium", the fundamental book on the evolution of butterflies. With this early scientific natural research, she became the founder of butterfly science (lepidopterology). The natural scientists of the 19th century reviled her scientific image, but the founder of modern nomenclature in biology, Carl von Linné, appreciated her work. Unaffected by scientific debates, however, is one insight. Her depictions of plants, butterflies, and flowers remain unmatched.

Artworks by Maria Sibylla Merian

Artworks by Maria Sibylla Merian

699 artworks found
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699 artworks found

Maria Sibylla Merian
Iris à feuille large - in “Histo...
Undated | engraving

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Maria Sibylla Merian
Blue Butterflies and Pomegranate...
1705 | hand-coloured etching and engraving

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Maria Sibylla Merian
Tulip, two Branches of Myrtle an...
17th century | brush on parchment

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Hans Simon Holtzbecker
Helleborus niger (almindelig jul...
Undated | gouache on parchment

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Maria Sibylla Merian
Lemon. From the Book Metamorphos...
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Maria Sibylla Merian
Cacao. From the Book Metamorphos...
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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Maria Sibylla Merian
From the Book Metamorphosis inse...
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Hans Simon Holtzbecker
Rosa ×centifolia (centifolie-ros...
Undated | gouache on parchment

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Maria Sibylla Merian
No.3055c Thorn apple (Datura Wri...
Undated | watercolour on vellum

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Maria Sibylla Merian
Althea. From the Book Metamorpho...
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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Maria Sibylla Merian
A Parrot Tulip, Auriculas, Red C...
Undated | black chalk, bodycolour, watercolour and ink on paper

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Maria Sibylla Merian
 
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Maria Sibylla Merian
Ananas mur. From the Book Metamo...
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Maria Sibylla Merian
Grenadier. From the Book Metamor...
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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Maria Sibylla Merian
No.1146c Hypericum Baxiforum wit...
1695 | watercolour on vellum

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Maria Sibylla Merian
Rosier. From the Book Metamorpho...
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Maria Sibylla Merian
Metamorphosis of a Frog and Blue...
Undated | watercolour on paper

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Maria Sibylla Merian
Vigne blanche d'Amerique. From t...
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Maria Sibylla Merian
Figuier d'Amerique. From the Boo...
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Maria Sibylla Merian
Tabrouba. From the Book Metamorp...
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Maria Sibylla Merian
Tiefseefisch, Krabben und Meeres...
1717 | Unknown

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Maria Sibylla Merian
Alligator and Snake, 1730
1730 | coloured engraving

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Maria Sibylla Merian
Unbekanntes Bild
Undated | engraving

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Maria Sibylla Merian
Poivre d'jnde. From the Book Met...
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Maria Sibylla Merian
Cassave. From the Book Metamorph...
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Maria Sibylla Merian
Eichhornia crassipes. From the B...
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Maria Sibylla Merian
Iris Susiana (wc on vellum)
Undated | watercolour on vellum

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Maria Sibylla Merian
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Maria Sibylla Merian
'Der Raupen wunderbare Verwandlu...
Undated | coloured engraving

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Hans Simon Holtzbecker
Primula veris (hybrid af hulkrav...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Ophrys apifera eller Ophrys sphe...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Primula vulgaris (hybrid af stor...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Euonymus latifolius (bredbladet ...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Ornithogalum umbellatum (kost-fu...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Fritillaria meleagris (almindeli...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Allium sphaerocephalon (middelha...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Narcissus pseudonarcissus minor;...
Undated | gouache on parchment

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Maria Sibylla Merian
Mature Pineapple with Butterflie...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Campanula persicifolia (smalblad...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Narcissus pseudonarcissus moscha...
Undated | gouache on parchment

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Maria Sibylla Merian
Blue Butterflies and Red Larva, ...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Lavandula multifida (aks-lavende...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Lupinus pilosus (blå lupin); Lup...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Aconitum lycoctonum (nordisk sto...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Syringa ×persica (persisk syren)...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Lathyrus sylvestris (skov-fladbæ...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Primula veris (hybrid af hulkrav...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Helianthus annuus (almindelig so...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Prunus dulcis (mandel); Prunus t...
Undated | gouache on parchment

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Maria Sibylla Merian
Great Blue Butterflies and Red F...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Mirabilis jalapa (vidunderblomst...
Undated | gouache on parchment

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Maria Sibylla Merian
Cardos Spinosus: Beetles and Cat...
1730 | coloured engraving

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Hans Simon Holtzbecker
Cyclamen purpurascens (ægte alpe...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Anemone coronaria (fransk anemon...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Gladiolus communis (almindelig g...
Undated | gouache on parchment

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Maria Sibylla Merian
Fight between a crocodile and a ...
Undated | engraving

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Hans Simon Holtzbecker
Narcissus tazetta (tazet); Narci...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Convallaria majalis (liljekonval...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Digitalis purpurea (almindelig f...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Colutea arborescens (almindelig ...
Undated | gouache on parchment

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Maria Sibylla Merian
Blue Butterflies and Foliage, 17...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Anemone coronaria (fransk anemone)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Alcea rosea (have-stokrose)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Aconitum variegatum (broget stor...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Muscari botryoides (almindelig p...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Anemone coronaria (fransk anemone)
Undated | gouache on parchment

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Maria Sibylla Merian
Black spiders on Guajave feeding...
Undated | impression

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Hans Simon Holtzbecker
Leucojum aestivum (sommer-hvidbl...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Hans Simon Holtzbecker
 
Undated | gouache on parchment

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Hans Simon Holtzbecker
Nuphar lutea (gul åkande); Nymph...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Iris latifolia (engelsk iris); I...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Lilium pyrenaicum (pyrenæisk lilje)
Undated | gouache on parchment

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Maria Sibylla Merian
Narcisse - in “” Histoire généra...
Undated | engraving

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Maria Sibylla Merian
Caterpillars, Butterflies and Fl...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Maria Sibylla Merian
Inflorescence of Banana, 1705 (h...
1705 | hand coloured etching and engraving

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Hans Simon Holtzbecker
Narcissus pseudonarcissus (påske...
Undated | gouache on parchment

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Maria Sibylla Merian
Sphinx Moth, Larva, Pupa, and Fl...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Muscari botryoides (almindelig p...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Centaurea cyanus (kornblomst)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Anemone coronaria (fransk anemon...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Iris graminea (græsbladet iris);...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Citrus sinensis (appelsin)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Anemone ×fulgens (skinnende anem...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Dracocephalum moldavica (moldavi...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Lilium pyrenaicum (pyrenæisk lil...
Undated | gouache on parchment

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Maria Sibylla Merian
Ananas. From the Book Metamorpho...
Undated |

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Lilium martagon (krans-lilje)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Adonis vernalis (vår-adonis); Cy...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Colchicum variegatum (plettet ti...
Undated | gouache on parchment

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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

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Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
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        +43 4257 29415
        support@meisterdrucke.com
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