support@meisterdrucke.com  ·  0043 4257 29415

Deutsch English Italiano Español Français Nederlands Português Svenska Polski Dansk
Search by artist, work title or style – e.g. Monet, Starry Night, Impressionism, Hokusai wave, nude. Describe the scene – e.g. green meadow, abstract with lots of red, dark oil painting, standing nude next to a tree.
Jan van der Straet

The Flemish artist Jan van der Straet painted the Medici Palace and sent some four hundred drawings across the Alps to the engravers in Antwerp.


Discover artworks now!
Österreichische Kunstmanufaktur Erfahrungen & Bewertungen zu Meisterdrucke auf ProvenExpert.com
Jan van der Straet
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Jan van der Straet

The Flemish artist Jan van der Straet painted the Medici Palace and sent some four hundred drawings across the Alps to the engravers in Antwerp. more about the artist
Belgium · 1523–1605 · Mannerism · 381 artworks found
Jan van der Straet
1523–1605
Born 1523 (Brügge)
Died 1605 (Florenz)
Nationality Belgium
Epochs Mannerism
Profession Maler, Zeichner, Druckgrafiker
Student Antonio Tempesta
Memberships
Antwerpener Sankt Lukas Gilde
Accademia delle Arti del Disegno
Notable works America (1575), Eitelkeit, Mäßigung und Tod (1569), Kreuzigung (1569), Erweiterung von Florenz (1563), Untitled (Falconry)
Museums Statens Museum for Kunst, Art Institute of Chicago, Musea Brugge, National Gallery of Art, Rijksmuseum

Jan van der Straet

    1523   -   1605

Around 1590, drawings were regularly sent out of the city of Florence - pen-and-ink drawings, shaded in brown and blue - destined for the engraving workshops in Antwerp. Jan van der Straet sent some four hundred such designs across the Alps; in return came printed editions that were distributed across Europe and as far as the Far East. Van der Straet had first travelled this route himself, but in the opposite direction - a painter and designer of prints, born in Bruges around 1523.

His training began with his father in Bruges and led to Pieter Aertsen’s workshop in Antwerp; in 1545, the Guild of Saint Luke admitted him as a master. Shortly afterwards, he moved south, via Lyon and Venice according to his biographer Raffaello Borghini; in Venice, around 1550, a Flemish weaver from the Medici tapestry workshop lured him on to Florence. In Italy, Jan van der Straet became Giovanni Stradano, Latinised as Johannes Stradanus.

From 1557, he was Giorgio Vasari’s closest collaborator on the decoration of the Palazzo Vecchio; his self-portrait appears right next to Vasari’s in a section of the ceiling of the Salone dei Cinquecento. In 1570, he signed a panel for the studiolo of the Medici prince Francesco I - his laboratory and cabinet of curiosities - with ‘Ioannes Stratensis Flandrus’, meaning ‘Jan van der Straet, the Fleming’ - his origins spelt out in full right in the heart of the Medici Palace. Such self-assurance came at a price: in Vasari’s circle, people mocked the overly Flemish character of his paintings, and Vasari even tried to take an altarpiece commission for Santa Maria Novella away from him - but Stradanus kept it.

In 1576, he entered the service of Don Juan de Austria, the victor of the Battle of Lepanto, in Naples; he followed him to the Netherlands later that same year - his first return home in twenty years - and, for his first major series of engravings commissioned by Philips Galle, delivered forty portraits of horses from the general’s stables. From 1583 onwards, he settled permanently in Florence once more and devoted himself primarily to creating engravings; the prints were produced in Antwerp by the Galle and Collaert families of engravers and by the Wierix brothers. His hunting tapestries for the Medici villa at Poggio a Caiano thus developed, by 1596, into an encyclopaedia of hunting comprising 104 plates: the *Venationes* series. One of these is: ‘Men in heavy armour attack bears by stabbing them in the vital organs, Plate 26 from *Venationes Ferarum, Avium, Piscium*, engraved by Jan Collaert’. In the plate, the bears rear up like wrestlers against hunters in gleaming full-body armour; a slain animal lies in the grass in the foreground.

In the late 1580s, he designed the *Nova Reperta*, twenty plates on the innovations of the time - the compass, gunpowder, spectacles, the iron clock - first published in Antwerp in 1591; the series had been inspired by the humanist Luigi Alamanni, whose notes appear on the reverse sides of the sketches. A plate entitled *Impressio Librorum* depicts, of all things, the trade that brought Stradanus’s own images to the world: a printing workshop at work. On the left, the typesetters sit at their type cases, whilst a boy lays out freshly printed sheets; on the right, the printer strains against the press; the Latin caption celebrates the process with a comparison: just as a single voice reaches many ears, a single written text fills a thousand pages.

At the same time, Florence was reflecting on Dante’s afterlife. In 1587/88, Stradanus, again for Alamanni, drew a series on the Divine Comedy, focusing on the Inferno; in 1588, the young Galileo Galilei gave lectures at the Accademia Fiorentina, the city’s scholarly society, on the shape, location and size of Dante’s Hell. It is against this backdrop that the ‘Map of Hell, illustration from Dante’s Inferno, 1587’ belongs: The funnel of Hell opens out as a terraced abyss, ring upon ring, each circle labelled, with tiny figures crowding the ledges, and towards the bottom everything narrows to a single dark shaft. The planned series of engravings remained unfinished; only a single plate was ever published, depicting Dante and Virgil before Lucifer.

He worked right up until shortly before his death; he died in Florence in 1605 and was buried in the Chapel of the Foreigners at the Santissima Annunziata. The bust at his grave, modelled on a portrait by his son Scipione, emphasises his Bruges origins, and in the *Schilder-Boeck* of 1604, Karel van Mander’s collection of artists’ biographies, it is stated, in German translation, that Flanders may take comfort in having had such a remarkable citizen of Bruges, who made the beautiful city of Florence even more beautiful with his work.

His collection thrives on this long-distance trade in prints: engravings and hand-coloured engravings make up the bulk of it, and the most delicate aspect of them is precisely what was added in Antwerp - the line of the graver, which Stradanus himself never held in his hand; it was created by Galle, Collaert and Wierix. At Meisterdrucke, we therefore produce these prints using the giclée process without a screen, resulting in no visible dot pattern; every single line of engraving from the Antwerp workshops is rendered individually on fine natural white paper, every hatching, every cross-hatching.

Artworks by Jan van der Straet

381 artworks found
Filters / Sorting
Sort by

Filter settings

Display settings
381 artworks found

Jan van der Straet
Map of Hell, illustration from D...
1587 | colour lithograph

Choose picture

Jan van der Straet
Men in Heavy Armour Attack Bears...
Undated | hand coloured engraving

Choose picture

Jan van der Straet
Horologia Ferrea, plate 5 from '...
Undated | engraving

Choose picture

Jan van der Straet
Conspicilla, plate 15 from 'Nova...
Undated | engraving

Choose picture

Jan van der Straet
Oleum Olivarum, plate 12 from 'N...
Undated | engraving

Choose picture

Jan van der Straet
Crucifixion, 1581
1581 | oil on wood

Choose picture

Jan van der Straet
Ulysses, Mercury and Circe. With...
Undated | painting

Choose picture

Jan van der Straet
Two Monks Present Silkworms Smug...
Undated | engraving

Choose picture

Jan van der Straet
Ponte a Santa Trinita, Florence,...
1555 | Fresh

Choose picture

Jan van der Straet
Vanity, Modesty and Death, 1569
1569 | Oil on panel

Choose picture

Jan van der Straet
The siege of Florence
1556 | painting

Choose picture

Jan van der Straet
Ferdinandes Magalanes Lusitanus,...
1580 | engraving

Choose picture

Hendrick Goltzius
Een hinderlaag tegen Giovanni de...
Undated | paper

Choose picture

Karel van Mallery
Haspelen van de zijde Introduct...
Undated | paper

Choose picture

Hendrick Goltzius
Paulus door een adder in de hand...
Undated | paper

Choose picture

Jan van der Straet
Amerigo Vespucci (1454-1512) lan...
Undated | engraving

Choose picture

Hendrick Goltzius
De gezegenden worden ontvangen i...
Undated | paper

Choose picture

Jan van der Straet
Distillatio.: In igne succus omn...
1599 | engraving

Choose picture

Philips Galle (attributed to workshop of)
Productie van kopergravures Scv...
Undated | paper

Choose picture
Philips Galle (attributed to workshop of)
Choose picture


Karel van Mallery
Vis vangen met behulp van pelika...
Undated | paper

Choose picture

Jan van der Straet
Semi-Naked Savages of India Usin...
Undated | engraving

Choose picture

Philips Galle (attributed to workshop of)
Distillatie Distillatio (title ...
Undated | paper

Choose picture

Jan van der Straet
Birdcatchers Using Traps Baited ...
Undated | engraving

Choose picture

Jan van der Straet
The Invention of Gunpowder and t...
Undated | engraving

Choose picture

Philips Galle
Jacht op wilde katten Jachttafe...
Undated | paper

Choose picture

Jan van der Straet
Indian method of catching geese ...
Undated | engraving

Choose picture

Jan van der Straet
 
1590 | Ink on paper

Choose picture

Karel van Mallery
Jacht op waterslangen in India ...
Undated | paper

Choose picture

Jan van der Straet
Giovanni de' Medici defeated in ...
Undated | engraving

Choose picture

Jan van der Straet
Sea Monster Attacking a Boat Dur...
Undated | engraving

Choose picture

Jan van der Straet
Bear hunting with dogs and spear...
Undated | engraving

Choose picture

Jan van der Straet
Recto Title- Page of a sketchboo...
1590 | Ink on paper

Choose picture

Jan van der Straet
Hyacum et lues venerea, plate 6 ...
Undated | engraving

Choose picture

Karel van Mallery
Verzamelen van Moerbeiboomblader...
Undated | paper

Choose picture

Jan Collaert (II)
Vrouwen verjagen een sater Jach...
Undated | paper

Choose picture

Theodoor Galle
Cornelia, de deugdzame moeder va...
Undated | paper

Choose picture

Jan Collaert (II)
Jacht op kraaien en spreeuwen J...
Undated | paper

Choose picture

Jan Collaert (II)
Krokodillenvangst Jachttaferele...
Undated | paper

Choose picture

Hieronymus Wierix
Paard uit Griekenland (Achivus) ...
Undated | paper

Choose picture

Philips Galle (attributed to workshop of)
Boekdrukkunst Nieuwe uitvinding...
Undated | paper

Choose picture
Philips Galle (attributed to workshop of)
Choose picture


Jan van der Straet
The Production of Olive Oil, pla...
Undated | engraving

Choose picture

Raphaël Sadeler (I)
Diana als patrones van de jacht ...
Undated | paper

Choose picture

Jan van der Straet
A bear hunt showing a hairy bear...
Undated | engraving

Choose picture

Jan van der Straet
A Herd of Elephants Instinctivel...
Undated | hand coloured engraving

Choose picture

Jan van der Straet
Hunting Sea Creatures, plate 84 ...
Undated | hand coloured engraving

Choose picture

Philips Galle
Apenjacht Jachttaferelen (serie...
Undated | paper

Choose picture

Jan Collaert (II)
Venus en Mars Venvs et Mavors (...
Undated | paper

Choose picture

Philips Galle (possibly)
Konijnenjacht Jachttaferelen (s...
Undated | paper

Choose picture
Philips Galle (possibly)
Choose picture


Jan van der Straet
Indians shoot lions with arrows,...
Undated | engraving

Choose picture

Jan van der Straet
Printing office, c1600 - Holland...
16th century | engraving

Choose picture

Jan Collaert (II)
Venus Venvs (title on object) ...
Undated | paper

Choose picture
Jan Collaert (II)
Choose picture


Jan van der Straet
The Great King of the Parthians ...
Undated | engraving

Choose picture

Johann Sadeler (I)
Kroning van Maria met engelensch...
Undated | paper

Choose picture

Philips Galle (possibly)
Onthoofding van Jakobus de Meerd...
Undated | paper

Choose picture

Jan van der Straet
Giovanni de' Medici Surrounded a...
Undated | engraving

Choose picture

Jan van der Straet
Fowlers catching Crows, illustra...
Undated | engraving

Choose picture

Philips Galle
The descent of the Holy Ghost
1582 | Copper engraving

Choose picture

Philips Galle (attributed to workshop of)
Klokkenmakers Nieuwe uitvinding...
Undated | paper

Choose picture
Philips Galle (attributed to workshop of)
Choose picture


Jan van der Straet
Sketchbook page- Pearl Fishing; ...
1590 | Ink on paper

Choose picture

Hendrick Goltzius
De vervloekten gaan de hel binne...
Undated | paper

Choose picture

Jan van der Straet
Discovery of America with portra...
Undated | engraving

Choose picture

Philips Galle (attributed to workshop of)
Artilleriewerkplaats Nieuwe uit...
Undated | paper

Choose picture

Theodoor Galle
Apollo vilt Marsyas
Undated | paper

Choose picture

Jan van der Straet
Page from a sketchbook showing S...
1590 | Ink on paper

Choose picture

Jan van der Straet
The Saracen Joust in Via Larga, ...
1555 | Fresh

Choose picture

Adriaen Collaert
David speelt op zijn harp voor K...
Undated | paper

Choose picture

Hieronymus Wierix
Paard uit Thessalië (Thessalus) ...
Undated | paper

Choose picture

Adriaen Collaert
Gods antwoord aan Job Musiceren...
Undated | paper

Choose picture

Jan van der Straet
Vespucci Discovering America, pl...
Undated | engraving

Choose picture

Jan van der Straet
Preparation and Use of Guayaco f...
1570 | coloured engraving

Choose picture

Philips Galle (workshop of)
Paulus wekt Eutychus terug tot l...
Undated | paper

Choose picture

Jan van der Straet
Calculating Longitude with the D...
Undated | engraving

Choose picture

Jan van der Straet
The French King stag hunting wit...
Undated | engraving

Choose picture

Jan van der Straet
Hunting monkeys in the countrysi...
Undated | engraving

Choose picture

Jan Collaert (II)
Vlucht naar Egypte
Undated | paper

Choose picture

Hieronymus Wierix
Paard uit Saksen Saxo (title on...
Undated | paper

Choose picture

Jan van der Straet
Titlepage of 'Venationes, Feraru...
Undated | engraving

Choose picture

Hendrick Goltzius
De gezegenden worden gescheiden ...
Undated | paper

Choose picture

Philips Galle (attributed to workshop of)
Medicine against Syphilis
Undated | paper

Choose picture
Philips Galle (attributed to workshop of)
Choose picture


Adriaen Collaert
The acts of the apostles
1582 | Copper engraving

Choose picture

Philips Galle (possibly)
Paulus verkondigt de leer van Ch...
Undated | paper

Choose picture

Philips Galle (attributed to workshop of)
Heilige Lucas schildert Maria me...
Undated | paper

Choose picture
Philips Galle (attributed to workshop of)
Choose picture


Hieronymus Wierix
Paard uit Rome en een draagmerri...
Undated | paper

Choose picture

Philips Galle
The descent of the Holy Ghost
1582 | Copper engraving

Choose picture

Jan van der Straet
Hunters using Falcons to hunt Ge...
Undated | engraving

Choose picture

Philips Galle
Album met voorstellingen over de...
Undated | band: leather paper

Choose picture

Jan van der Straet
Unicorns on the banks of the Ind...
Undated | engraving

Choose picture

Jan van der Straet
The Development of Printing, pla...
Undated | engraving

Choose picture

Jan van der Straet
Amerigo Vespucci (1454-1512)
Undated | engraving

Choose picture

Jan van der Straet
The Battle of Labadia si Sena an...
Undated | engraving

Choose picture

Philips Galle
Hertenjacht met behulp van camou...
Undated | paper

Choose picture

Jan van der Straet
Oyster fishing. 17th century. En...
17th century | engraving

Choose picture

Jan van der Straet
The Invention of Copper Engravin...
Undated | engraving

Choose picture

Jan van der Straet
Hannibal makes defeated Romans f...
Undated | engraving

Choose picture

Philips Galle (attributed to workshop of)
Medicijn tegen syfilis Nieuwe u...
Undated | paper

Choose picture
Philips Galle (attributed to workshop of)
Choose picture


Philips Galle
Paulus drijft de boze geesten ui...
Undated | paper

Choose picture

Jan van der Straet
Fishing with Tridents, plate 90,...
Undated | engraving

Choose picture


Page 1 / 4

About the artist

Jan van der Straet
1523–1605
Born1523 (Brügge)
Died1605 (Florenz)
NationalityBelgium
EpochsMannerism
ProfessionMaler, Zeichner, Druckgrafiker
StudentAntonio Tempesta
Memberships
Antwerpener Sankt Lukas Gilde
Accademia delle Arti del Disegno
Notable worksAmerica (1575), Eitelkeit, Mäßigung und Tod (1569), Kreuzigung (1569), Erweiterung von Florenz (1563), Untitled (Falconry)
MuseumsStatens Museum for Kunst, Art Institute of Chicago, Musea Brugge, National Gallery of Art, Rijksmuseum

Around 1590, drawings were regularly sent out of the city of Florence - pen-and-ink drawings, shaded in brown and blue - destined for the engraving workshops in Antwerp. Jan van der Straet sent some four hundred such designs across the Alps; in return came printed editions that were distributed across Europe and as far as the Far East. Van der Straet had first travelled this route himself, but in the opposite direction - a painter and designer of prints, born in Bruges around 1523.

His training began with his father in Bruges and led to Pieter Aertsen’s workshop in Antwerp; in 1545, the Guild of Saint Luke admitted him as a master. Shortly afterwards, he moved south, via Lyon and Venice according to his biographer Raffaello Borghini; in Venice, around 1550, a Flemish weaver from the Medici tapestry workshop lured him on to Florence. In Italy, Jan van der Straet became Giovanni Stradano, Latinised as Johannes Stradanus.

From 1557, he was Giorgio Vasari’s closest collaborator on the decoration of the Palazzo Vecchio; his self-portrait appears right next to Vasari’s in a section of the ceiling of the Salone dei Cinquecento. In 1570, he signed a panel for the studiolo of the Medici prince Francesco I - his laboratory and cabinet of curiosities - with ‘Ioannes Stratensis Flandrus’, meaning ‘Jan van der Straet, the Fleming’ - his origins spelt out in full right in the heart of the Medici Palace. Such self-assurance came at a price: in Vasari’s circle, people mocked the overly Flemish character of his paintings, and Vasari even tried to take an altarpiece commission for Santa Maria Novella away from him - but Stradanus kept it.

In 1576, he entered the service of Don Juan de Austria, the victor of the Battle of Lepanto, in Naples; he followed him to the Netherlands later that same year - his first return home in twenty years - and, for his first major series of engravings commissioned by Philips Galle, delivered forty portraits of horses from the general’s stables. From 1583 onwards, he settled permanently in Florence once more and devoted himself primarily to creating engravings; the prints were produced in Antwerp by the Galle and Collaert families of engravers and by the Wierix brothers. His hunting tapestries for the Medici villa at Poggio a Caiano thus developed, by 1596, into an encyclopaedia of hunting comprising 104 plates: the *Venationes* series. One of these is: ‘Men in heavy armour attack bears by stabbing them in the vital organs, Plate 26 from *Venationes Ferarum, Avium, Piscium*, engraved by Jan Collaert’. In the plate, the bears rear up like wrestlers against hunters in gleaming full-body armour; a slain animal lies in the grass in the foreground.

In the late 1580s, he designed the *Nova Reperta*, twenty plates on the innovations of the time - the compass, gunpowder, spectacles, the iron clock - first published in Antwerp in 1591; the series had been inspired by the humanist Luigi Alamanni, whose notes appear on the reverse sides of the sketches. A plate entitled *Impressio Librorum* depicts, of all things, the trade that brought Stradanus’s own images to the world: a printing workshop at work. On the left, the typesetters sit at their type cases, whilst a boy lays out freshly printed sheets; on the right, the printer strains against the press; the Latin caption celebrates the process with a comparison: just as a single voice reaches many ears, a single written text fills a thousand pages.

At the same time, Florence was reflecting on Dante’s afterlife. In 1587/88, Stradanus, again for Alamanni, drew a series on the Divine Comedy, focusing on the Inferno; in 1588, the young Galileo Galilei gave lectures at the Accademia Fiorentina, the city’s scholarly society, on the shape, location and size of Dante’s Hell. It is against this backdrop that the ‘Map of Hell, illustration from Dante’s Inferno, 1587’ belongs: The funnel of Hell opens out as a terraced abyss, ring upon ring, each circle labelled, with tiny figures crowding the ledges, and towards the bottom everything narrows to a single dark shaft. The planned series of engravings remained unfinished; only a single plate was ever published, depicting Dante and Virgil before Lucifer.

He worked right up until shortly before his death; he died in Florence in 1605 and was buried in the Chapel of the Foreigners at the Santissima Annunziata. The bust at his grave, modelled on a portrait by his son Scipione, emphasises his Bruges origins, and in the *Schilder-Boeck* of 1604, Karel van Mander’s collection of artists’ biographies, it is stated, in German translation, that Flanders may take comfort in having had such a remarkable citizen of Bruges, who made the beautiful city of Florence even more beautiful with his work.

His collection thrives on this long-distance trade in prints: engravings and hand-coloured engravings make up the bulk of it, and the most delicate aspect of them is precisely what was added in Antwerp - the line of the graver, which Stradanus himself never held in his hand; it was created by Galle, Collaert and Wierix. At Meisterdrucke, we therefore produce these prints using the giclée process without a screen, resulting in no visible dot pattern; every single line of engraving from the Antwerp workshops is rendered individually on fine natural white paper, every hatching, every cross-hatching.



What our customers think about us



Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
Other languages

                   
Erfahrungen & Bewertungen zu Meisterdrucke
Post.at DHL Express Quehenberger Cargoboard
Kaiser Franz Joseph

Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

(c) 2026 meisterdrucke.us