James Abbott McNeill Whistler | Page 38

James Abbott McNeill Whistler | Page 38

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James Abbott McNeill Whistler
The Forge
Undated | Drypoint in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Beggars, 18791880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Couple seated at a table, 1858 (...
1858 | Pencil on off-white wove paper

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James Abbott McNeill Whistler
Quiet Canal
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
San Biagio, 18791880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph, in black ink, with scraping and touches of brush and tusche, on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Free Trade Wharf, 1877.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1880 | etching on paper

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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1859 | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithotint in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on japan paper

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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Shoemaker.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Variations in Violet and GreyMar...
Undated |

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in gray ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithotint in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper

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James Abbott McNeill Whistler
 
Undated | etching in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Etching plate: Old Hungerford Br...
Undated | copper

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James Abbott McNeill Whistler
De mast The Mast Venice: Twelv...
Undated | paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Guitar Player (M.W. Ridley)
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Upright Venice, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, scraping, and incising, on cream laid paper

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James Abbott McNeill Whistler
 
Undated | Lithograph, in black ink, with scraping and touches of brush and tusche, on grayish ivory China paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne: Black and RedBack Cana...
Undated | watercolour

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James Abbott McNeill Whistler
Standing Figure [verso]
Undated | chalk on brown wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in brown-black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Canal in Venice Tobacco Warehous...
Undated | charcoal/pastel

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Reading by Lamplight, 1858.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Mme Pelletier, Blanchisserie, Pa...
Undated | etching; ink on paper

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with scraping, on cream wove Japanese vellum

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Mr. Mann, 1860 (drypoint on paper)
1860 | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
De kleine Putney brug The Littl...
Undated | paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Clock-Tower, Amboise, 1888.
Undated | etching

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James Abbott McNeill Whistler
Potrait of a man
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Piazzetta, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
 
Undated | etching and drypoint in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Eagle Wharf Tyzac Whiteley and C...
Undated | etching

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James Abbott McNeill Whistler
St. Giles-in-the-Fields, 1896.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | watercolor on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A Fire at Pomfret, 1849.
Undated | watercolour

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A Venetian Canal, c1880
18th century | pastel

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Regent's Quadrant, 1880-1881.
Undated | etching

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James Abbott McNeill Whistler
 
1859 | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on chine collé

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
[76] Impressions from cancelled ...
Undated | Etchings and drypoints; bound, small folio, half calf, paper: van Gelder

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Forge, 1875.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Arrangement in Black- Portrait o...
1870 | oil on canvas

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James Abbott McNeill Whistler
Baden-Baden, 1858 (pencil on off...
1858 | Pencil on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Young man smoking a pipe, c.1855...
Undated | pencil on buff paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Sketching, No. 1, 1861.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Cylindrical vase with thick neck
Undated | Pencil, ink, and wash on cream wove paper

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James Abbott McNeill Whistler
 
Undated | lithograph on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Walter Sickert (1860-1942) Sketc...
1885 | pen and ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Thames Warehouses, 1859, 1904
1859 | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on buff China paper laid down on off-white wove paper (chine collé)

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Steel-faced copper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Heads of two men, c.1855-59 (pen...
Undated | Pencil on off-white wove paper

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James Abbott McNeill Whistler
La Vielle aux Loques, 1858.
Undated | etching

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
Hurlingham.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
St. Ives
Undated | Watercolor on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Black crayon with touches of white chalk on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in brownish black, with selective wiping of plate tone, on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Grey and Silver–Liverpool
Undated | watercolor on paper

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James Abbott McNeill Whistler
 
Undated | etching and drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Velvet Dress, 1873.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Invitation to Mr. Whistler"s Ten...
1885 | engraving in black with additions in pen and black ink and watercolor on tan card, with metal grommet

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Page 38 / 47



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               


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