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Feel the passion of Eugene Burnand in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
Eugene Burnand
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Eugene Burnand

Eugene Burnand

    August 30, 1850   -   4th February 1921
Nonclassified artists   •   Wikipedia: Eugene Burnand

Eugène Burnand was born in Switzerland in 1850, the son of the arms manufacturer Edouard Burnand. The family was wealthy and politically influential, supplying both the Swiss and Italian armies with weapons. After studying architecture at the ETH in Zurich, Burnand trained as a painter in Geneva and Paris from 1872 onwards, with studies of contemporary printmaking techniques being added. He was awarded gold medals at the Exposition Universelle in Paris in 1889 and 1900. Burnand worked as an illustrator, made etchings and copperplate engravings and became a knight of the Legion of Honour after the death of his father.

After 1895 religious motifs determined his painting. The artist's most famous work, "The disciples John and Peter, walking to the tomb the morning after the resurrection", dates from this phase of his career and was painted in 1898. 104 pastel and pencil portraits, created between 1917 and 1920, show Eugène Burnand paying tribute to victims of all 45 nationalities represented in the First World War. He continued the project from Marseilles when he returned to Paris from Switzerland in 1918 after the end of the war. At that time he already called France his "second home".

Several of his children were born in France. Family members had fought for France in the First World War. Burnand was impressed by the large number of nations involved in the conflict, traced racist prejudices and theories in his depictions and explicitly wanted to capture personalities of military "type" in his portraits. At meetings in Paris, Montpellier and Marseilles, Burnard drew the sitters with Wolff pens decorated with hard hard-muth pastels. Each portrait measures approximately 46 x 53 cm. All those portrayed described themselves as deeply affected by their experiences. They had experienced the sessions " like in a confessional". Burnand had captured their moods with consummate skill.

Robert Hamilton, portrayed in pastel 62, described his experience in his diary as follows: "A little-known French-Swiss artist asked me through the YMCA to pose for Monsieur Burnand. I thought I was a typical Australian, so more out of curiosity and to break the monotony of the visits, I went there. (...) The work was good and he sent me a reproduction of it to Australia. I took a photo of it. It gave me an insight into his French home. You know, no matter how good a friend you are to a Frenchman, you will never easily gain access to his home." Like many of his countrymen, Burnand's work sought to understand the unprecedented and unexpected horrors of World War I. Nevertheless, he tried to gain something positive from the events by actively engaging in close contact with all parties involved.

80 of his portraits were exhibited in May 1919 in the Luxembourg Museum in Paris and in June 1920 in the Brunner Gallery with a further 20 portraits, which received great public recognition. The portrait drawings remained the last works of the artist, who died in 1921.

Eugene Burnand

    August 30, 1850   -   4th February 1921
Nonclassified artists   •   Wikipedia: Eugene Burnand Eugene Burnand

Eugène Burnand was born in Switzerland in 1850, the son of the arms manufacturer Edouard Burnand. The family was wealthy and politically influential, supplying both the Swiss and Italian armies with weapons. After studying architecture at the ETH in Zurich, Burnand trained as a painter in Geneva and Paris from 1872 onwards, with studies of contemporary printmaking techniques being added. He was awarded gold medals at the Exposition Universelle in Paris in 1889 and 1900. Burnand worked as an illustrator, made etchings and copperplate engravings and became a knight of the Legion of Honour after the death of his father.

After 1895 religious motifs determined his painting. The artist's most famous work, "The disciples John and Peter, walking to the tomb the morning after the resurrection", dates from this phase of his career and was painted in 1898. 104 pastel and pencil portraits, created between 1917 and 1920, show Eugène Burnand paying tribute to victims of all 45 nationalities represented in the First World War. He continued the project from Marseilles when he returned to Paris from Switzerland in 1918 after the end of the war. At that time he already called France his "second home".

Several of his children were born in France. Family members had fought for France in the First World War. Burnand was impressed by the large number of nations involved in the conflict, traced racist prejudices and theories in his depictions and explicitly wanted to capture personalities of military "type" in his portraits. At meetings in Paris, Montpellier and Marseilles, Burnard drew the sitters with Wolff pens decorated with hard hard-muth pastels. Each portrait measures approximately 46 x 53 cm. All those portrayed described themselves as deeply affected by their experiences. They had experienced the sessions " like in a confessional". Burnand had captured their moods with consummate skill.

Robert Hamilton, portrayed in pastel 62, described his experience in his diary as follows: "A little-known French-Swiss artist asked me through the YMCA to pose for Monsieur Burnand. I thought I was a typical Australian, so more out of curiosity and to break the monotony of the visits, I went there. (...) The work was good and he sent me a reproduction of it to Australia. I took a photo of it. It gave me an insight into his French home. You know, no matter how good a friend you are to a Frenchman, you will never easily gain access to his home." Like many of his countrymen, Burnand's work sought to understand the unprecedented and unexpected horrors of World War I. Nevertheless, he tried to gain something positive from the events by actively engaging in close contact with all parties involved.

80 of his portraits were exhibited in May 1919 in the Luxembourg Museum in Paris and in June 1920 in the Brunner Gallery with a further 20 portraits, which received great public recognition. The portrait drawings remained the last works of the artist, who died in 1921.

Artworks by Eugene Burnand

Artworks by Eugene Burnand

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55 artworks found

Eugene Burnand
The Disciples Peter and John Run...
1898 | oil on canvas

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Eugene Burnand
Der Landmann
1894 | Unknown

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Eugene Burnand
Missionary Square in Meuong Ngan...
Undated | engraving

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Eugene Burnand
On the way into the forest, the ...
Undated | engraving

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Eugene Burnand
The labourers in the vineyard, B...
Undated | black and white lithograph

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Eugene Burnand
Friar Juniper cuts off the foot ...
1919 | colour lithograph

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Eugene Burnand
A young friar, 1919
1919 | colour lithograph

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Eugene Burnand
The Disciples Peter and John Run...
1898 | oil painting

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Eugene Burnand
St Francis makes Friar Masseo tu...
1919 | colour lithograph

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Eugene Burnand
Dr. Harmand and his Annamite hel...
Undated | engraving

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Eugene Burnand
Friar Giles and his companion fa...
1919 | colour lithograph

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Eugene Burnand
Column of bearers through the ri...
Undated | engraving

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Eugene Burnand
A Monkay house. Engraving by Eug...
Undated | engraving

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Eugene Burnand
St Francis sick in the Bishops P...
1919 | colour lithograph

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Eugene Burnand
The wolf of Gubbio after his con...
1919 | colour lithograph

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Eugene Burnand
The repast of St Francis and Fri...
1919 | colour lithograph

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Eugene Burnand
Dr. Harmand at the reception at ...
Undated | engraving

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Eugene Burnand
St Francis tames the wild Turtle...
1919 | colour lithograph

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Eugene Burnand
A friar meditating in solitude, ...
1919 | colour lithograph

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Eugene Burnand
A friar, 1919
1919 | colour lithograph

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Eugene Burnand
Friar Giles working in the viney...
1919 | colour lithograph

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Eugene Burnand
St Clare, 1919
1919 | colour lithograph

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Eugene Burnand
Conversion of Friar Bernard of Q...
1919 | colour lithograph

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Eugene Burnand
St Francis, 1919
1919 | colour lithograph

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Eugene Burnand
Conferences Pagoda, Monkay. Engr...
Undated | engraving

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Eugene Burnand
The Chapter of St Mary of the An...
1919 | colour lithograph

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Eugene Burnand
St Francis preaching at Bologna,...
1919 | colour lithograph

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Eugene Burnand
 
Undated |

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Eugene Burnand
Dr. Harmand procedes a anthropol...
Undated | engraving

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Eugene Burnand
Friar Bentivoglia tends a leper,...
1919 | colour lithograph

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Eugene Burnand
The passage of the Riviere Se To...
Undated | engraving

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Eugene Burnand
Portrait of Dr Harmand, engravin...
Undated | engraving

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Eugene Burnand
Friar Burnard of Quintavelle, 1919
1919 | colour lithograph

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Eugene Burnand
The Pearl of Great Price, c1916,...
1916 | pencil

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Eugene Burnand
St Francis on his deathbed, 1919
1919 | colour lithograph

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Eugene Burnand
Swiss Red Cross
Undated | colour lithograph

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Eugene Burnand
St Francis and the friars discou...
1919 | colour lithograph

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Eugene Burnand
Mount La Verna, 1919
1919 | colour lithograph

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Eugene Burnand
St Francis preaches to the birds...
1919 | colour lithograph

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Eugene Burnand
Die Ährenleserinnen
19th century | Unknown

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Eugene Burnand
Friar Angel and the three brigan...
1919 | colour lithograph

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Eugene Burnand
The Talents, Bibbys Annual, 1916...
1916 | black and white lithograph

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Eugene Burnand
Friar Masseo is appointed doorke...
1919 | colour lithograph

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Eugene Burnand
St Francis blesses the city of A...
1919 | colour lithograph

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Eugene Burnand
Assissi, 1919
1919 | colour lithograph

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Eugene Burnand
St Francis sets forthto Friar Le...
1919 | colour lithograph

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Eugene Burnand
The Apostles Peter and John on t...
1926 |

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Eugene Burnand
St Francis (colour litho)
Undated |

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Eugene Burnand
St Francis descending Mount La V...
1919 | colour lithograph

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Eugene Burnand
Friar Masseo, 1919
1919 | colour lithograph

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Eugene Burnand
The Round-up (oil on canvas)
Undated | oil on canvas

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Eugene Burnand
Friar Juniper, 1919
1919 | colour lithograph

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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