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Feel the passion of Elizabeth Adela Stanhope Forbes in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
Elizabeth Adela Stanhope Forbes
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Ă–sterreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Elizabeth Adela Stanhope Forbes

While the artists of French Impressionism are familiar to anyone interested in art, the question of an English Impressionist named Elizabeth Adela Forbes elicits a rather cautious frown. English Impressionists? Was there such a thing at all and then also a woman?

Born in Canada as Elizabeth Adela Armstrong, Forbes completed and expanded her artistic training and education in London. This was done in close proximity to the Pre-Raphaelite painter William Michael Rosetti. An influence or contact cannot be directly proven, but also cannot be ruled out, however, in later years she produced fairy tale scenes in the style of the Pre-Raphaelites, with which she illustrated her book "King Arthur's Wood". She continued her artistic studies in New York, where she became enthusiastic about European open-air painting, while a subsequent attempt to further her education in Munich came to an abrupt end, presumably due to resentment towards her as a female artist. She felt better off in France and later in Holland, where she created one of her strongest works, the painting "Zandfoort Fischermädchen." Back in London, her wanderlust was unbroken, so that she chose as her next destination an artists' colony in Cornwall, which was to become known as the "Newlyn School". Here she met her later Irish-born husband Stanhope Forbes, who was also a painter of the Impressionist school. Together with him, she became influential in this English school of late Impressionist painting, which lasted from the 1880s until Forbes' death. She managed to exhibit more paintings than her husband and produced light and pointed paintings, which she executed in an impasto watercolor technique, in pastels or in oils. The Newlyn members looked to the French Barbizon School, which propagated and popularized open-air painting in France, as a model. In Newlyn, too, the motifs were sought outdoors. Here all subjects around the harbor, fishing, boats and the poor but idyllic villages offered themselves. The whole range of a carefree simple life and the equally ubiquitous dangers of the same, which was so completely designed for the sea and its rhythm. At the height of the colony, 120 male and female artists worked their way through the landscape, putting their details on paper and canvas.

Forbes also picked up on the themes of the coast. Invariably, her subjects were people moving about in nature, allowing glimpses of the domestic environment, or showing how they went about their work. Children stood out particularly often. This was possibly due to the fact that Forbes herself was granted only one son, whose early death she fortunately did not have to witness, as she died at the age of 52.

Elizabeth Adela Stanhope Forbes

Nonclassified artists

While the artists of French Impressionism are familiar to anyone interested in art, the question of an English Impressionist named Elizabeth Adela Forbes elicits a rather cautious frown. English Impressionists? Was there such a thing at all and then also a woman?

Born in Canada as Elizabeth Adela Armstrong, Forbes completed and expanded her artistic training and education in London. This was done in close proximity to the Pre-Raphaelite painter William Michael Rosetti. An influence or contact cannot be directly proven, but also cannot be ruled out, however, in later years she produced fairy tale scenes in the style of the Pre-Raphaelites, with which she illustrated her book "King Arthur's Wood". She continued her artistic studies in New York, where she became enthusiastic about European open-air painting, while a subsequent attempt to further her education in Munich came to an abrupt end, presumably due to resentment towards her as a female artist. She felt better off in France and later in Holland, where she created one of her strongest works, the painting "Zandfoort Fischermädchen." Back in London, her wanderlust was unbroken, so that she chose as her next destination an artists' colony in Cornwall, which was to become known as the "Newlyn School". Here she met her later Irish-born husband Stanhope Forbes, who was also a painter of the Impressionist school. Together with him, she became influential in this English school of late Impressionist painting, which lasted from the 1880s until Forbes' death. She managed to exhibit more paintings than her husband and produced light and pointed paintings, which she executed in an impasto watercolor technique, in pastels or in oils. The Newlyn members looked to the French Barbizon School, which propagated and popularized open-air painting in France, as a model. In Newlyn, too, the motifs were sought outdoors. Here all subjects around the harbor, fishing, boats and the poor but idyllic villages offered themselves. The whole range of a carefree simple life and the equally ubiquitous dangers of the same, which was so completely designed for the sea and its rhythm. At the height of the colony, 120 male and female artists worked their way through the landscape, putting their details on paper and canvas.

Forbes also picked up on the themes of the coast. Invariably, her subjects were people moving about in nature, allowing glimpses of the domestic environment, or showing how they went about their work. Children stood out particularly often. This was possibly due to the fact that Forbes herself was granted only one son, whose early death she fortunately did not have to witness, as she died at the age of 52.

Artworks by Elizabeth Adela Stanhope Forbes

Artworks by Elizabeth Adela Stanhope Forbes

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43 artworks found

Elizabeth Adela Stanhope Forbes
The Leaf
Undated | watercolour on paper

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
A Zandvoort Fishergirl, 1884
1884 | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
Medieval woodland scene, 1880s (...
1880 | pastel and gouache on paper

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Elizabeth Adela Stanhope Forbes
 
1889 | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
 
Undated |

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
Nomads, 1903.
1903 |

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
A Knight in Armour travels throu...
Undated |

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Elizabeth Adela Stanhope Forbes
The Great Fire of London in 1666...
1920 |

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Elizabeth Adela Stanhope Forbes
 
1915 |

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
Betje, a Dutch Girl (oil on panel)
Undated | oil on panel

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
 
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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
School is Out, 1889 (detail of 7...
1889 | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
 
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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
The Pied Piper, an Allegory of S...
Undated | oil on canvas

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Elizabeth Adela Stanhope Forbes
Louise, a Breton Girl (watercolo...
Undated | watercolour on paper

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
The Bride (Lady Forbes), c.1889
Undated | oil on canvas

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Elizabeth Adela Stanhope Forbes
 
1892 | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
Sisters
Undated | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
Forging the Anchor, 20th century.
19th century | engraving

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Elizabeth Adela Stanhope Forbes
Children in a Garden
Undated | Gouache on paper

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
Feeding the Chickens (Pastel and...
Undated |

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
Jean, Jeanne and Jeannette, exh....
Undated | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
The Edge of the Woods, exh.1894
1894 | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
February Sunshine, 1909.
1909 |

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
A Newlyn Maid
Undated | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
Idle Moments,
Undated | watercolour

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
 
Undated |

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
 
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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
The Half Holiday, 1909
1909 | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
 
1912 | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
The Permanent Way, Relaying
Undated | colour lithograph

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
The Pied Piper of Hamelin (mixed...
Undated | mixed media on paper

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
Louise, a Breton Girl
Undated | watercolour on paper

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
Alec in Whites (watercolor on pa...
Undated | watercolour on paper

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
School is Out, 1889 (detail of 7...
1889 | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
The edge of the woods
Undated | colour lithograph

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
 
Undated | black crayon, watercolour and bodycolour on paper

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
 
Undated | watercolour, bodycolour and charcoal on paper

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
 
Undated | oil on canvas

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
The Lighthouse Newlyn, Cornwall,...
1930 |

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Elizabeth Adela Stanhope Forbes
 
Undated | pastel on paper

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
Goodnight, c.1890
Undated | charcoal, watercolour and bodycolour on paper

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Elizabeth Adela Stanhope Forbes
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Elizabeth Adela Stanhope Forbes
 
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Elizabeth Adela Stanhope Forbes
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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