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Edwin Austin Abbey
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Ă–sterreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Edwin Austin Abbey

United States of America · 1852–1911 · Illustration · 1482 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Edwin Austin Abbey
1852–1911
Born April 1, 1852 (Philadelphia)
Died August 1, 1911 (London) at the age of 59
Nationality United States of America
Epochs Illustration
Genre portrait
Profession painter, illustrator, architect
Family
Spouse: Mary Gertrude Mead
Teacher Christian Schussele
Memberships American Academy of Arts and Letters, Royal Academy of Arts, Royal Watercolour Society
Notable works The Apotheosis of Pennsylvania. (1911), The Coronation of King Edward VII (1841-1910) (1904), It Is My Instrument You Want? (1880), Coming Suddenly upon the Priest, She Was Evidently Quite Terrified (1879), My Phyllida (1882)
Museums Princeton University Art Museum, Metropolitan Museum of Art, Smithsonian American Art Museum, National Gallery of Art, Smithsonian Institution
Edwin Austin Abbey

Edwin Austin Abbey

   

Edwin Austin Abbey, born in Philadelphia on April 1, 1852, was an artist whose career unfolds before us like a colorful painting. His artistic development began with simple illustrations for magazines such as Harper's Weekly and Scribner's Magazine. His creative line was influenced by European black and white art, and his skills grew visibly as he illustrated the works of Charles Dickens, Robert Herrick, and Oliver Goldsmith. With these works, Abbey proved that he was as skilled with a pen as other artists were with a brush.

In 1878, at the request of his employers, Abbey moved to England to illustrate the poetry of Robert Herrick. His illustrations were so successful that he eventually settled in England. In 1883, he was elected to the prestigious Royal Institute of Painters in Water-Colors. It was around this time that Abbey began to become known for his paintings as well. His watercolor "The Evil Eye" and other works such as "The Rose in October," "An Old Song," "The Visitors," and "The Jongleur" have lost none of their original magic to this day. Abbey also created wonderful pastels such as "Beatrice," "Phyllis," and "Two Noble Kinsmen," which demonstrate his extraordinary ability to master the gentle tones of this technique. Abbey first showcased his skills with oils in 1890 with his painting "A May Day Morn." His participation in the Royal Academy in London marked an important milestone in his career. Equally notable was his commission of the painting for the coronation of King Edward VII in 1901, which earned him well-deserved recognition.

The 1890s took Abbey to the Boston Public Library, where he created an impressive series of murals. The series, depicting "The Quest and Attainment of the Holy Grail," was a massive undertaking that took Abbey eleven years to complete in his English studio. It was a true masterpiece that continues to impress visitors to the library today with its ingenuity and perfect craftsmanship. An art print of one of his works from this series would certainly enhance any home or office. Another project Abbey undertook was the creation of a series of murals and artwork for the Pennsylvania State Capitol in Harrisburg, Pennsylvania. This ambitious project, begun in 1908, presented the ultimate challenge to his artistic abilities. Unfortunately, his health deteriorated at this time and he was unable to complete all of the works himself. Edwin Austin Abbey left an impressive artistic legacy. His works are exhibited in many prestigious museums, including the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. Although Abbey is no longer with us, his presence remains in the masterpieces he left behind. He is proof that true art can transcend time and space, touching the hearts and souls of people long after the artist's death.

Artworks by Edwin Austin Abbey

1482 artworks found
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1.482 artworks found

Edwin Austin Abbey
Sketch of a tree
Undated | Black chalk, watercolor, White wove

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Edwin Austin Abbey
Who Is Sylvia What Is She, That ...
1896 | oil on canvas

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Edwin Austin Abbey
 
Undated | Oil with applied gold leaf on wood panel

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Edwin Austin Abbey
Four boys playing marbles (recto...
Undated | Graphite and ink wash (recto); ink wash (verso)

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Edwin Austin Abbey
Civil War battle scene (recto); ...
Undated | Graphite and ink wash

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Edwin Austin Abbey
 
Undated | Graphite, on brown wove paper

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Edwin Austin Abbey
Figure study for The Spirit of V...
Undated | Black and white chalks, squared in black chalk, Blue laid

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Edwin Austin Abbey
Marriage Morning of Theseus and ...
Undated | Pen and ink, Composition board

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Edwin Austin Abbey
Nude male figure study, life class
Undated | Graphite, Wove

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Edwin Austin Abbey
 
Undated | Graphite (recto); pen and ink (verso)

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Edwin Austin Abbey
Figure study for The Departure, ...
Undated | Black and white chalks, Blue laid

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Edwin Austin Abbey
Sketch of three feet (recto); Sk...
Undated | Black and white chalks, on green laid paper

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Edwin Austin Abbey
Figure study for the Infant Gala...
Undated | Black and white chalks on green-brown wove paper

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Edwin Austin Abbey
 
Undated | Gouache, graphite, White wove

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Edwin Austin Abbey
Two sketches: sketch of two hand...
Undated | Graphite, cream wove

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Edwin Austin Abbey
Figure study for
Undated | Colored chalks, Dark green wove

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Edwin Austin Abbey
Portrait of an older woman (unid...
Undated | Oil, Brown wove

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Edwin Austin Abbey
Standing Figure of a Friar, stud...
Undated | Charcoal and white chalk on brown paper

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Edwin Austin Abbey
Study of female figure (verso: m...
Undated | Black chalk (recto and verso)

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Edwin Austin Abbey
Landscape with trees and broken ...
Undated | Watercolor, graphite, Cream laid

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Edwin Austin Abbey
 
Undated | Pen and ink, graphite, Wove

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Edwin Austin Abbey
Joseph of Arimathea, Figure stud...
Undated | Charcoal on blue paper

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Edwin Austin Abbey
 
Undated | Black chalk and graphite

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Edwin Austin Abbey
Head of man, Coronation of Edwar...
Undated | Pastel on brown paper

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Edwin Austin Abbey
 
Undated | Graphite on brown wove paper

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Edwin Austin Abbey
 
Undated | Black and white chalks on gray paper

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Edwin Austin Abbey
Scene from Much Ado about Nothin...
1890 | pen

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Edwin Austin Abbey
Figure study for Castle of the G...
Undated | Black and white chalks, Blue laid

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Edwin Austin Abbey
Figure study for the Seven Deadl...
Undated | Black chalk, squared in graphite, Green wove

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Edwin Austin Abbey
Composition study for
Undated | Pen and ink, graphite, cream wove

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Edwin Austin Abbey
 
Undated | oil and graphite on canvas

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Edwin Austin Abbey
Ophelia by the brook - Act IV, S...
Undated | Watercolor, gouache, pen and ink, Composition board

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Edwin Austin Abbey
Man and woman under a tree - (un...
Undated | Graphite, black chalk, Blue wove

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Edwin Austin Abbey
Two figures praying: study for
Undated | Graphite, black chalk; graphite (verso)

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Edwin Austin Abbey
 
Undated | Charcoal, red and white chalk on grey paper

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Edwin Austin Abbey
Study for
Undated | Red and white chalk and charcoal

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Edwin Austin Abbey
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Edwin Austin Abbey
Figure study for
Undated | Black and white chalks, Red wove

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Edwin Austin Abbey
 
Undated | oil on canvas

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Edwin Austin Abbey
Study. Three figures
Undated | Gouache on grey paper

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Edwin Austin Abbey
Orlando and Adam, illustration f...
Undated | Pen and ink on composition board

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Edwin Austin Abbey
 
Undated | Black chalk, Tracing paper

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Edwin Austin Abbey
Figure study for King Arthur
Undated | Black and white chalks, Green laid

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Edwin Austin Abbey
 
Undated | Black chalk, Blue laid

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Edwin Austin Abbey
Sketch of an exterior: buildings...
Undated | Pen and ink (recto); graphite (verso), Wove

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Edwin Austin Abbey
Compositional Study, possibly fo...
Undated | oil on canvas

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Edwin Austin Abbey
Figure study for the Knighting o...
Undated | Black chalk, Light brown laid

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Edwin Austin Abbey
Sketches for
Undated | a) Oil and graphite on paper; b) Oil on tissue

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Edwin Austin Abbey
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Edwin Austin Abbey
 
Undated | Black and white chalks, gouache, Green wove

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Edwin Austin Abbey
Preliminary sketch of Helena and...
Undated | Pen and ink, Brown wove

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Edwin Austin Abbey
 
Undated | graphite on wove paper

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Edwin Austin Abbey
Sketch of a male nude (studio dr...
Undated | Graphite, black chalk, black ink and wash

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Edwin Austin Abbey
Figure study for the Knighting o...
Undated | Black and white chalks; squared in graphite, Green-brown laid

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Edwin Austin Abbey
Sketch for a greeting card: All ...
Undated | Pen and ink, Cardstock

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Edwin Austin Abbey
 
Undated | Black chalk, Light brown laid

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Edwin Austin Abbey
Study of an allegorical female f...
Undated | Black chalk, Cream wove

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Edwin Austin Abbey
Study for the figure of Captain ...
Undated | Pastel on grey paper

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Edwin Austin Abbey
Figure study for The Hours (3 pm...
Undated | black chalk

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Edwin Austin Abbey
Claudio (reads from a scroll):
Undated | Pen and ink on composition board

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Edwin Austin Abbey
Study of halberdier, from King R...
Undated | Black chalk and graphite

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Edwin Austin Abbey
Figure study for
Undated | Black and white chalks, Dark green wove

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Edwin Austin Abbey
Preliminary sketch for Act II, S...
Undated | Pen and ink, Brown wove

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Edwin Austin Abbey
Sketch of a plein-air painter ta...
Undated | Graphite, pen and ink and wash, Wove

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Edwin Austin Abbey
Cartoon of figure walking at sun...
Undated | Pen and ink, Wove

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Edwin Austin Abbey
 
Undated | Watercolor, gouache, Laid

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Edwin Austin Abbey
 
Undated | Charcoal and chalk on red paper

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Edwin Austin Abbey
Study of Peer for
Undated | Charcoal and chalk on grey paper

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Edwin Austin Abbey
Study for the captive virtues, f...
Undated | charcoal and chalk

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Edwin Austin Abbey
 
Undated | Watercolor, graphite, White wove

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Edwin Austin Abbey
 
Undated | Graphite and ink wash (recto); graphite (verso)

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Edwin Austin Abbey
Sketch of two arms in combat
Undated | Graphite, cream wove

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Edwin Austin Abbey
Miscellaneous study, costume ske...
Undated | Charcoal, pastel, with fabric, Blue wove

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Edwin Austin Abbey
 
Undated | Colored chalks, Dark green wove

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Edwin Austin Abbey
Figure study for The Spirit of V...
Undated | Black and white chalks, Light gray laid

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Edwin Austin Abbey
 
Undated | Pen and ink, White wove

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Edwin Austin Abbey
Study for Measure for Measure: W...
Undated | crayon

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Edwin Austin Abbey
Study of a man seated, sketching
Undated | Graphite, Wove

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Edwin Austin Abbey
Don Pedro:
Undated | Pen and ink on composition board

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Edwin Austin Abbey
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Edwin Austin Abbey
Unidentified figure study for th...
Undated | Charcoal and chalk on grey paper

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Edwin Austin Abbey
Men at an Anvil, study for The S...
1904 | oil on canvas

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Edwin Austin Abbey
Sketch for a greeting card: ALL ...
Undated | Pen and ink, graphite, Cardstock

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Edwin Austin Abbey
Unidentified man in a red robe, ...
Undated | Watercolor, pastel, gouache, Brown wove

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Edwin Austin Abbey
Fat man in landscape
Undated | Watercolor, Heavy wove

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Edwin Austin Abbey
Mary, the Wife of Cleophas, stud...
Undated | Charcoal heightened with white and orange chalk on dark grey-green paper

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Edwin Austin Abbey
Study for the figure of Sir Walt...
Undated | Pencil, black chalk, and pastel on dark grey-green paper

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Edwin Austin Abbey
Study for King Henry IV (Part II),
Undated | Pen and ink, White wove

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Edwin Austin Abbey
Study for pastel (.2228): Portra...
Undated | Black chalk, Green wove

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About the artist

Edwin Austin Abbey
Edwin Austin Abbey
1852–1911
BornApril 1, 1852 (Philadelphia)
DiedAugust 1, 1911 (London) at the age of 59
NationalityUnited States of America
EpochsIllustration
Genreportrait
Professionpainter, illustrator, architect
Family
Spouse: Mary Gertrude Mead
TeacherChristian Schussele
MembershipsAmerican Academy of Arts and Letters, Royal Academy of Arts, Royal Watercolour Society
Notable worksThe Apotheosis of Pennsylvania. (1911), The Coronation of King Edward VII (1841-1910) (1904), It Is My Instrument You Want? (1880), Coming Suddenly upon the Priest, She Was Evidently Quite Terrified (1879), My Phyllida (1882)
MuseumsPrinceton University Art Museum, Metropolitan Museum of Art, Smithsonian American Art Museum, National Gallery of Art, Smithsonian Institution

Edwin Austin Abbey, born in Philadelphia on April 1, 1852, was an artist whose career unfolds before us like a colorful painting. His artistic development began with simple illustrations for magazines such as Harper's Weekly and Scribner's Magazine. His creative line was influenced by European black and white art, and his skills grew visibly as he illustrated the works of Charles Dickens, Robert Herrick, and Oliver Goldsmith. With these works, Abbey proved that he was as skilled with a pen as other artists were with a brush.

In 1878, at the request of his employers, Abbey moved to England to illustrate the poetry of Robert Herrick. His illustrations were so successful that he eventually settled in England. In 1883, he was elected to the prestigious Royal Institute of Painters in Water-Colors. It was around this time that Abbey began to become known for his paintings as well. His watercolor "The Evil Eye" and other works such as "The Rose in October," "An Old Song," "The Visitors," and "The Jongleur" have lost none of their original magic to this day. Abbey also created wonderful pastels such as "Beatrice," "Phyllis," and "Two Noble Kinsmen," which demonstrate his extraordinary ability to master the gentle tones of this technique. Abbey first showcased his skills with oils in 1890 with his painting "A May Day Morn." His participation in the Royal Academy in London marked an important milestone in his career. Equally notable was his commission of the painting for the coronation of King Edward VII in 1901, which earned him well-deserved recognition.

The 1890s took Abbey to the Boston Public Library, where he created an impressive series of murals. The series, depicting "The Quest and Attainment of the Holy Grail," was a massive undertaking that took Abbey eleven years to complete in his English studio. It was a true masterpiece that continues to impress visitors to the library today with its ingenuity and perfect craftsmanship. An art print of one of his works from this series would certainly enhance any home or office. Another project Abbey undertook was the creation of a series of murals and artwork for the Pennsylvania State Capitol in Harrisburg, Pennsylvania. This ambitious project, begun in 1908, presented the ultimate challenge to his artistic abilities. Unfortunately, his health deteriorated at this time and he was unable to complete all of the works himself. Edwin Austin Abbey left an impressive artistic legacy. His works are exhibited in many prestigious museums, including the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. Although Abbey is no longer with us, his presence remains in the masterpieces he left behind. He is proof that true art can transcend time and space, touching the hearts and souls of people long after the artist's death.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        Austria
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