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Biedermeier: Idyllic Scenes and Domestic Comfort

Between 1815 and 1848 the Biedermeier placed middle-class life at the centre: interiors, landscapes and still lifes on an intimate scale, far from the grand gesture.


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Österreichische Kunstmanufaktur Erfahrungen & Bewertungen zu Meisterdrucke auf ProvenExpert.com

Biedermeier: Idyllic Scenes and Domestic Comfort

Between 1815 and 1848 the Biedermeier placed middle-class life at the centre: interiors, landscapes and still lifes on an intimate scale, far from the grand gesture.

Discover Biedermeier now!
Biedermeier
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options




Biedermeier

Between the Congress of Vienna of 1815 and the revolution of 1848 the middle classes of Central Europe lived under a watchful censorship, and art withdrew to where nobody read along: into the parlour, the garden, the family circle. Pictures of these decades are mostly small, carefully painted and destined for private walls. The room picture, which shows nothing but an inhabited interior, became a genre of its own; Georg Friedrich Kersting had found the tone for it early on.

Vienna set the tone. Ferdinand Georg Waldmüller insisted, against the academy, on study before nature and painted light like scarcely a second painter of his time; Peter Fendi recorded family life in delicate watercolours. And Josef Nikolaus Kriehuber portrayed half of Vienna in lithographs, from court official to musician, while Franz Schrotzberg served the nobility with smoothly polished likenesses. Even the writer Adalbert Stifter took up the brush, his small landscapes are sought-after rarities today.

Outside Vienna this art found other notes. Carl Spitzweg made the eccentrics of the small towns his theme in Munich, painting his most famous picture, the Poor Poet under his attic window, in 1839. Ludwig Richter filled books and prints with domestic idylls, and the Norwegian Adolph Tidemand depicted the folk life of his homeland from Düsseldorf. In 1848 the quiet time was over, yet its pictures of ordered life kept their public.

Biedermeier

Between the Congress of Vienna of 1815 and the revolution of 1848 the middle classes of Central Europe lived under a watchful censorship, and art withdrew to where nobody read along: into the parlour, the garden, the family circle. Pictures of these decades are mostly small, carefully painted and destined for private walls. The room picture, which shows nothing but an inhabited interior, became a genre of its own; Georg Friedrich Kersting had found the tone for it early on.

Vienna set the tone. Ferdinand Georg Waldmüller insisted, against the academy, on study before nature and painted light like scarcely a second painter of his time; Peter Fendi recorded family life in delicate watercolours. And Josef Nikolaus Kriehuber portrayed half of Vienna in lithographs, from court official to musician, while Franz Schrotzberg served the nobility with smoothly polished likenesses. Even the writer Adalbert Stifter took up the brush, his small landscapes are sought-after rarities today.

Outside Vienna this art found other notes. Carl Spitzweg made the eccentrics of the small towns his theme in Munich, painting his most famous picture, the Poor Poet under his attic window, in 1839. Ludwig Richter filled books and prints with domestic idylls, and the Norwegian Adolph Tidemand depicted the folk life of his homeland from Düsseldorf. In 1848 the quiet time was over, yet its pictures of ordered life kept their public.


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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Erfahrungen & Bewertungen zu Meisterdrucke
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Kaiser Franz Joseph

Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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