Der Grammont by Ferdinand Hodler

Der Grammont

(The Grammont)

Ferdinand Hodler

Symbolism  ·  landscapes  ·  Famous masterpieces
blue · scenic · mountains · island · ocean · cliffs · green · clouds · hills
Der Grammont by Ferdinand Hodler
1905   ·  Öl auf Leinwand  ·  14.44 Megapixel  ·  Picture ID: 28575
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28.02.2018
Michaela M.
Art print on Canvas glossy, 32cm x 20cm, stretched on stretcher.


02.09.2018
Melanie E.
Art Print on Color cardboard, 65cm x 40cm. With painting frame 'Rita'.
Having picked up a pen to make a picture, everyone has already discovered it for themselves. Even though this does not seem to develop any so-called "art", there remains a decisive commonality with established artists: the work reflects an inner mood, a connection with the painted. Ferdinand Hodler, a Swiss painter who lived from 1853 to 1918, created a relationship with nature. The view of the mountain Grammont fascinated him, and he immortalized him in a painting of a size of 70.3 cm by 75 cm. This oil-on-canvas picture, realized in 1906, amazes the beholder and the observer, as the color components accurately reproduce the structure of the mountain. In addition, the painting's appearance is such that the impression arises that the sun shines down onto the Grammont. This luminosity creates a positive mood, which translates to the art lover and the art lover. Some may not know this mountain and would like some information about it. The 2172 meter high Grammont is located in the Swiss canton of Valais and is one of the Savoy Alps. To the southeast of it is the Lac de Tanay, in the north it falls steeply to the border town of Saint Gingolph on Lake Geneva. In the year when the painting Hodler was created, a building permission for a rack railway (which one could not know at the time: the project was not realized.) Was applied for the Grammont. Whether this caused Hodler to perpetuate this mountain again in its originality, remains speculation. Anyway, he's been working intensively on the Grammont. Its structure can be recognized exactly. Hodler plays with shadow and light. Different blue tones represent the ravines or the shady sides, while yellows and browns outlines the places reached by the sun. The offshore lake has a deeper blue color than the sky. This could lead to the conclusion that the waters as well as the Grammont itself have resistance. The changeability of the sky only changes them seemingly. The weather is changing, but the mountains and the lake remain, as in this magnificent landscape painting by Ferdinand Hodler. © Meisterdrucke
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Other art prints by Ferdinand Hodler
Lake Thun with symmetrical reflection Lake Thun with Stockhornkette The Jungfrau above the mists Eiger, Mönch and Jungfrau over the Nebelmeer The Grammont The Black Lütschine The chestnut trees The Buchenwald Girl at the window Wetterhorn Seated Female Nude with arms raised Spring Woman walking to the left Undressing soldiers The Dream of the Shepherd, 1896
Other motives from the category landscapes
Scottish Landscape Field of Yellow Irises at Giverny, 1887 Vesuvius in Eruption Landscape with Peasants Returning with Their Herds, c.1637 Lake Thun with Stockhornkette Italian Landscape, 1648 Landscape Iris Field in the Evening Light, 1993 The Butterfly Catchers, 1900-8 Susquehanna River, 1876 Landscape in Brittany The Grammont Calais Sands at Low Water, Poissards Gathering Bait, 1830 Moonrise at the sea The Cornfield (near Argenteuil)
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Couple Having Sex (wc on silk) A Shunga (erotic print), from Manpoku Wago-Jin: lovers and a wine jar, 1821, (colour woodblock) A Shunga (erotic) print: All Passion Spent - The Satisfied Woman, c.1855, (colour woodblock) Telemachus and the Nymphs of Calypso, 1782 Couple Making Love in the Moonlight (wc on silk) Mother and Child Madonna and Child Enthroned with Angels and St Francis of Assisi Mending the Sail, 1896 Paradise Lost: Fall of the rebel angels, Self Portrait, 1908 Almond Blossom The Artists Garden at Vetheuil, 1880 Sheep in the Snow The Dead Island Symphony in White, No. 1: The White Girl, 1862

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