Painting Frames Cora

Painting Frames "Cora"

Elfenbein • Width: 39mm • Height: 39mm
The painting frame Cora is bright, friendly and with a touch of exoticism. The initially gray limed ledge made of real wood was painted ivory by Cora. This will let a wind of Africa blow through the rooms when Cora frames her own walls as a home accessory to the favorite art print. Here, safari pictures, landscapes from the southern climes, but also portraits of animals from the black continent are welcome to find their home. When a giraffe, lion or elephant is adorned by Cora, the ivory tone creates a unique optical connection. In terms of color, the tone was matched directly to the real ivory, the light beige is interspersed with different shades in light brown, very fine, but with an effect. Furthermore, a white was used, which looks like a reflection at different places on the frame. Other design accents can be found directly on the frame edges from Cora. The designers once again chose a clean white and a dark brown tone. Both are applied to the edges at irregular intervals, so that when combined they look like targeted color abrasion and make Cora appear a few years older. This gives the frame a shabby character, which one is happy to have moved into its premises.
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Painting Frames Cora

Painting Frames "Cora"

Elfenbein • Width: 39mm • Height: 39mm
The painting frame Cora is bright, friendly and with a touch of exoticism. The initially gray limed ledge made of real wood was painted ivory by Cora. This will let a wind of Africa blow through the rooms when Cora frames her own walls as a home accessory to the favorite art print. Here, safari pictures, landscapes from the southern climes, but also portraits of animals from the black continent are welcome to find their home. When a giraffe, lion or elephant is adorned by Cora, the ivory tone creates a unique optical connection. In terms of color, the tone was matched directly to the real ivory, the light beige is interspersed with different shades in light brown, very fine, but with an effect. Furthermore, a white was used, which looks like a reflection at different places on the frame. Other design accents can be found directly on the frame edges from Cora. The designers once again chose a clean white and a dark brown tone. Both are applied to the edges at irregular intervals, so that when combined they look like targeted color abrasion and make Cora appear a few years older. This gives the frame a shabby character, which one is happy to have moved into its premises.
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

(inkl. 20% MwSt)

Produktionszeit: 2-4 Werktage
Excerpt from our top sellers
Cotopaxi Starrucca Viaduct, Pennsylvania Dance at Le Moulin de la Galette The Harvesters Yellow Red Blue The Dream of the Fishermans Wife Soft Hard Young Hare The Embrace, 1917 Poster for the Salon des Cent, 1900 Davos in winter, 1923 Forest at Oele Winter Landscape, 1909.  Christ in the Storm on the Lake of Galilee, 1633 Circles in a Circle. 1923
Excerpt from our top sellers
Cotopaxi Starrucca Viaduct, Pennsylvania Dance at Le Moulin de la Galette The Harvesters Yellow Red Blue The Dream of the Fishermans Wife Soft Hard Young Hare The Embrace, 1917 Poster for the Salon des Cent, 1900 Davos in winter, 1923 Forest at Oele Winter Landscape, 1909.  Christ in the Storm on the Lake of Galilee, 1633 Circles in a Circle. 1923

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Cora (AT) Cora (DE) Cora (CH) Cora (GB) Cora (IT) Cora (FR) Cora (NL) Cora (ES) Cora (RU) Cora (HI) Cora (ZH) Cora (PT) Cora (JP) Cora (AE)


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