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Feel the passion of Curt Herrmann in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
Curt Herrmann
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Museum Quality Art Prints
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Ă–sterreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Curt Herrmann

Curt Herrmann

    February 1, 1854   -   September 13, 1929
Impressionism   •   Wikipedia: Curt Herrmann

Curt Herrmann's upper middle-class background enabled him to make a materially independent decision in favor of his artistic inclinations. As the son of an insurance director, Herrmann experienced German unity and the beginning of the Wilhelmine era directly in Berlin as a youth. Against his father's will, Herrmann left school without a regular degree and tried to gain a foothold in the dynamic artist scene of the German capital. At the age of 19, he enrolled as a student in an artist's studio, which was run by Carl Steffeck. At this time his interest was primarily in people as subjects and especially in portrait painting. The spirit of the times in the new German Empire, its militaristic orientation, the imperial claim to power and the struggle for colonies, left clear traces in the art scene in the 1870s and 1880s. History painting and its inherent pathos celebrated triumphs. Herrmann did not escape this fascination at first, and enrolled as a student of the history painter Lindenschmit at the Munich Academy.

In addition to portrait painting, a passion for depicting and artistic work in nature emerged early on. Herrmann was fascinated by natural colours and light effects. His landscape paintings became the model for a young generation of artists. He himself discovered Neo-Impressionism as a form of expression. With the founding of a drawing school for women of Berlin society, Herrmann established himself in the art scene of Berlin and with his business idea served the artistic educational ideal of the upper middle-class and noble lady of the time. His professional success and his marriage to Sophie Herz, one of his students, put Herrmann in a position to pursue his artistic ambitions with material independence.

With his return to Berlin, Herrmann became an important part of German painting in the Empire, not only as an artist, but above all as a patron and art theorist. As co-founder and member of the board, he contributed to the establishment of modern art in Germany in the Berlin Secession and the Deutscher KĂĽnstlerbund. His efforts to achieve a reception of French Neo-Impressionism in Germany led to a collaboration with the gallery owner Paul Cassirer. In 1906 Herrmann organized an exhibition of French artists at the Berlin Secession on his own initiative. In addition, Herrmann was also active as a patron of the artists' association "Die BrĂĽcke". He organized exhibitions, established relationships and distinguished himself as an art collector. In the 1920s he not only turned his back on Berlin, but also changed his own painting style significantly. At his mother-in-law's castle, his late passion was devoted to still lifes with flowers, which he partly developed into an almost abstract formal language. During the National Socialists' Night of Pogroms, some of his paintings were destroyed at Pretzfeld Castle. At the centre of the Nazi attacks was a central work from Herrmann's early years. Because of a boy's act they accused the artist of immoral and homoerotic tendencies.

Curt Herrmann

    February 1, 1854   -   September 13, 1929
Impressionism   •   Wikipedia: Curt Herrmann Curt Herrmann

Curt Herrmann's upper middle-class background enabled him to make a materially independent decision in favor of his artistic inclinations. As the son of an insurance director, Herrmann experienced German unity and the beginning of the Wilhelmine era directly in Berlin as a youth. Against his father's will, Herrmann left school without a regular degree and tried to gain a foothold in the dynamic artist scene of the German capital. At the age of 19, he enrolled as a student in an artist's studio, which was run by Carl Steffeck. At this time his interest was primarily in people as subjects and especially in portrait painting. The spirit of the times in the new German Empire, its militaristic orientation, the imperial claim to power and the struggle for colonies, left clear traces in the art scene in the 1870s and 1880s. History painting and its inherent pathos celebrated triumphs. Herrmann did not escape this fascination at first, and enrolled as a student of the history painter Lindenschmit at the Munich Academy.

In addition to portrait painting, a passion for depicting and artistic work in nature emerged early on. Herrmann was fascinated by natural colours and light effects. His landscape paintings became the model for a young generation of artists. He himself discovered Neo-Impressionism as a form of expression. With the founding of a drawing school for women of Berlin society, Herrmann established himself in the art scene of Berlin and with his business idea served the artistic educational ideal of the upper middle-class and noble lady of the time. His professional success and his marriage to Sophie Herz, one of his students, put Herrmann in a position to pursue his artistic ambitions with material independence.

With his return to Berlin, Herrmann became an important part of German painting in the Empire, not only as an artist, but above all as a patron and art theorist. As co-founder and member of the board, he contributed to the establishment of modern art in Germany in the Berlin Secession and the Deutscher KĂĽnstlerbund. His efforts to achieve a reception of French Neo-Impressionism in Germany led to a collaboration with the gallery owner Paul Cassirer. In 1906 Herrmann organized an exhibition of French artists at the Berlin Secession on his own initiative. In addition, Herrmann was also active as a patron of the artists' association "Die BrĂĽcke". He organized exhibitions, established relationships and distinguished himself as an art collector. In the 1920s he not only turned his back on Berlin, but also changed his own painting style significantly. At his mother-in-law's castle, his late passion was devoted to still lifes with flowers, which he partly developed into an almost abstract formal language. During the National Socialists' Night of Pogroms, some of his paintings were destroyed at Pretzfeld Castle. At the centre of the Nazi attacks was a central work from Herrmann's early years. Because of a boy's act they accused the artist of immoral and homoerotic tendencies.

Artworks by Curt Herrmann

Artworks by Curt Herrmann

91 artworks found
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91 artworks found

Curt Herrmann
Schloss Belvedere bei Weimar
1912 | Unknown

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Curt Herrmann
Blumenstillleben - Komposition
1915 | painting

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Curt Herrmann
Schloss Pretzfeld mit alter Holz...
1910 | painting

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Curt Herrmann
St. Moritz im Winter
1913 | painting

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Curt Herrmann
Landschaft mit Bäumen bei Pretzfeld
1919 | watercolor

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Curt Herrmann
Stillleben mit Anemonen, Glasvas...
1898 | painting

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Curt Herrmann
Bluhender Apfelbaum
Undated |

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Curt Herrmann
Landschaft mit Bäumen bei Pretzfeld
1919 | watercolor

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Curt Herrmann
St. Moritz im Winter
Undated |

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Curt Herrmann
Selbstporträt, en face, mit Kneifer
1872 | painting

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Curt Herrmann
In the Garden of Pretzfeld Castl...
Undated | oil on card

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Curt Herrmann
Im Garten von Henry van de Velde...
1909 | painting

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Curt Herrmann
Die "Alte Esche" im Schlosspark ...
1922 | painting

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Curt Herrmann
Park von Schlo Belvedere bei Weimar
1909 |

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Curt Herrmann
Dorfstrae in Pretzfeld
Undated |

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Curt Herrmann
Schloss Pretzfeld mit Bäumen
1921 | watercolor

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Curt Herrmann
Landschaft mit Bäumen bei Pretzfeld
1918 | watercolor

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Curt Herrmann
Sitzender weiblicher Akt
1915 | graphic

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Curt Herrmann
Fruhlingsblumen im Garten
Undated |

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Curt Herrmann
Flulandschaft bei Pretzfeld
Undated |

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Curt Herrmann
 
Undated | oil on canvas

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Curt Herrmann
Frau in rotem Kleid vor Landschaft
1889 | painting

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Curt Herrmann
Stehender weiblicher Akt
1915 | graphic

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Curt Herrmann
The Wife of the Painter at the W...
Undated | oil on canvas

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Curt Herrmann
Herbstlicher Parkweg in Pretzfeld
Undated |

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Curt Herrmann
Lesende Dame auf rotem Sofa
Undated |

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Curt Herrmann
Blick aus dem Atelier auf versch...
1908 | painting

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Curt Herrmann
Stilleben mit Anemonen und dunke...
1897 |

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Curt Herrmann
Beim Tennisspielen in Surbiton a...
1904 | painting

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Curt Herrmann
Interieur mit Blumen auf einem E...
19th century | painting

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Curt Herrmann
GroĂźes Stillleben mit toten exot...
1917 | painting

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Curt Herrmann
Stilleben mit japanischem Goldfasan
Undated |

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Curt Herrmann
BlĂĽhender Apfelbaum vor Landscha...
Undated | watercolor

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Curt Herrmann
Stilleben mit Apfelsinen
Undated |

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Curt Herrmann
Blutenkomposition
Undated |

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Curt Herrmann
Schlo Pretzfeld hinter Baumen
1916 |

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Curt Herrmann
Berlin in Winter, 1912-14
Undated | oil on canvas

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Curt Herrmann
Im Wiesental bei Pretzfeld
1896 | painting

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Curt Herrmann
Madchen im Kahn
1897 |

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Curt Herrmann
Stilleben mit Blumenstrau am Fen...
Undated |

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Curt Herrmann
Dame Sophie Herrmann in den Dune...
1899 |

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Curt Herrmann
Landschaft bei Pretzfeld
Undated |

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Curt Herrmann
Landschaft mit Bäumen bei Pretzfeld
1918 | watercolor

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Curt Herrmann
Weie Pfingstrosen in Glasvase
1910 |

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Curt Herrmann
Zwei weibliche Akte
1915 | graphic

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Curt Herrmann
Siesta (oil on card)
Undated | oil on card

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Curt Herrmann
Clematis (oil on canvas)
Undated |

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Curt Herrmann
Weiblicher RĂĽckenakt
1915 | graphic

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Curt Herrmann
Blick aus dem Atelier auf versch...
1908 | painting

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Curt Herrmann
 
Undated |

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Curt Herrmann
Stillleben mit Erdbeeren in durc...
1904 | painting

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Curt Herrmann
Stilleben mit Porzellan-Perlhuhn...
1919 |

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Curt Herrmann
Stallungen am Schlo Pretzfeld
Undated |

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Curt Herrmann
Schloss Pretzfeld
1916 | watercolor

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Curt Herrmann
Stillleben mit chinesischer Keramik
1923 | painting

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Curt Herrmann
Im Garten von Schloss Pretzfeld
1918 | watercolor

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Curt Herrmann
Tulpen in bauchiger Vase vor Gar...
1916 | painting

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Curt Herrmann
Sommermorgen Alte Holzbrucke in ...
1901 |

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Curt Herrmann
Im Garten von Schloss Pretzfeld
1919 | watercolor

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Curt Herrmann
Garten in BlĂĽte
1919 | watercolor

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Curt Herrmann
Beim Schmucken
1898 |

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Curt Herrmann
Mohn in doppelbauchiger Glasflasche
1890 | painting

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Curt Herrmann
Alte Monumente im Schlosspark in...
1901 | graphic

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Curt Herrmann
Dame in rotem Kleid auf grĂĽnem S...
1893 | painting

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Curt Herrmann
Interieur mit Louis XV-Sessel
Undated |

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Curt Herrmann
Im Wiesental bei Pretzfeld
1896 | painting

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Curt Herrmann
Baum im Schlosspark in Pretzfeld
1916 | watercolor

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Curt Herrmann
The Meadow Valley near Pretzfeld...
Undated | oil on canvas

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Curt Herrmann
Portrait of the Painter Otto Mue...
Undated | oil on canvas

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Curt Herrmann
Sophie Herz im Wiesenttal bei Pr...
1896 |

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Curt Herrmann
Sophie Herrmann am Fenster in Wu...
1898 |

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Curt Herrmann
Sophie Herz in blauem Gewand am ...
1896 | painting

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Curt Herrmann
Gartenlaube beim Schloss Pretzfeld
1907 | painting

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Curt Herrmann
Wiesenlandschaft vor Bäumen und ...
1901 | graphic

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Curt Herrmann
Bauernhaus in Breitbrunn am Chie...
1887 |

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Curt Herrmann
 
1897 | painting

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Curt Herrmann
Landschaft mit Bäumen bei Pretzfeld
1918 | watercolor

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Curt Herrmann
Am Strand von Binz auf RĂĽgen
1899 | painting

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Curt Herrmann
Die KnesebeckstraĂźe im Winter
1912 | graphic

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Curt Herrmann
Alte Frau beim Betreten von Schl...
1901 | graphic

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Curt Herrmann
Gartenlaube beim Schloss Pretzfeld
1907 | painting

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Curt Herrmann
Pfingstrosen-Komposition
1923 | painting

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Curt Herrmann
Dame in rotem Kleid
1893 |

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Curt Herrmann
Schloss Pretzfeld mit Badenden a...
1910 | painting

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Curt Herrmann
Sommerlicher Parkweg mit Blick a...
Undated |

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Curt Herrmann
 
1914 | painting

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Curt Herrmann
Mohn vor grĂĽnem Vorhang
1890 | painting

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Curt Herrmann
Stillleben mit Clematis auf Roko...
1899 | painting

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Curt Herrmann
Goldfasan
1923 | painting

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Curt Herrmann
Villa im winterlichen Park
Undated |

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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+43 4257 29415 · office@meisterdrucke.com
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