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Curt Herrmann's upper middle-class background enabled him to make a materially independent decision in favor of his artistic inclinations. As the son of an insurance director, Herrmann experienced German unity and the beginning of the Wilhelmine era directly in Berlin as a youth. Against his father's will, Herrmann left school without a regular degree and tried to gain a foothold in the dynamic artist scene of the German capital. At the age of 19, he enrolled as a student in an artist's studio, which was run by Carl Steffeck. At this time his interest was primarily in people as subjects and especially in portrait painting. The spirit of the times in the new German Empire, its militaristic orientation, the imperial claim to power and the struggle for colonies, left clear traces in the art scene in the 1870s and 1880s. History painting and its inherent pathos celebrated triumphs. Herrmann did not escape this fascination at first, and enrolled as a student of the history painter Lindenschmit at the Munich Academy.
In addition to portrait painting, a passion for depicting and artistic work in nature emerged early on. Herrmann was fascinated by natural colours and light effects. His landscape paintings became the model for a young generation of artists. He himself discovered Neo-Impressionism as a form of expression. With the founding of a drawing school for women of Berlin society, Herrmann established himself in the art scene of Berlin and with his business idea served the artistic educational ideal of the upper middle-class and noble lady of the time. His professional success and his marriage to Sophie Herz, one of his students, put Herrmann in a position to pursue his artistic ambitions with material independence.
With his return to Berlin, Herrmann became an important part of German painting in the Empire, not only as an artist, but above all as a patron and art theorist. As co-founder and member of the board, he contributed to the establishment of modern art in Germany in the Berlin Secession and the Deutscher Künstlerbund. His efforts to achieve a reception of French Neo-Impressionism in Germany led to a collaboration with the gallery owner Paul Cassirer. In 1906 Herrmann organized an exhibition of French artists at the Berlin Secession on his own initiative. In addition, Herrmann was also active as a patron of the artists' association "Die Brücke". He organized exhibitions, established relationships and distinguished himself as an art collector. In the 1920s he not only turned his back on Berlin, but also changed his own painting style significantly. At his mother-in-law's castle, his late passion was devoted to still lifes with flowers, which he partly developed into an almost abstract formal language. During the National Socialists' Night of Pogroms, some of his paintings were destroyed at Pretzfeld Castle. At the centre of the Nazi attacks was a central work from Herrmann's early years. Because of a boy's act they accused the artist of immoral and homoerotic tendencies.
Curt Herrmann's upper middle-class background enabled him to make a materially independent decision in favor of his artistic inclinations. As the son of an insurance director, Herrmann experienced German unity and the beginning of the Wilhelmine era directly in Berlin as a youth. Against his father's will, Herrmann left school without a regular degree and tried to gain a foothold in the dynamic artist scene of the German capital. At the age of 19, he enrolled as a student in an artist's studio, which was run by Carl Steffeck. At this time his interest was primarily in people as subjects and especially in portrait painting. The spirit of the times in the new German Empire, its militaristic orientation, the imperial claim to power and the struggle for colonies, left clear traces in the art scene in the 1870s and 1880s. History painting and its inherent pathos celebrated triumphs. Herrmann did not escape this fascination at first, and enrolled as a student of the history painter Lindenschmit at the Munich Academy.
In addition to portrait painting, a passion for depicting and artistic work in nature emerged early on. Herrmann was fascinated by natural colours and light effects. His landscape paintings became the model for a young generation of artists. He himself discovered Neo-Impressionism as a form of expression. With the founding of a drawing school for women of Berlin society, Herrmann established himself in the art scene of Berlin and with his business idea served the artistic educational ideal of the upper middle-class and noble lady of the time. His professional success and his marriage to Sophie Herz, one of his students, put Herrmann in a position to pursue his artistic ambitions with material independence.
With his return to Berlin, Herrmann became an important part of German painting in the Empire, not only as an artist, but above all as a patron and art theorist. As co-founder and member of the board, he contributed to the establishment of modern art in Germany in the Berlin Secession and the Deutscher Künstlerbund. His efforts to achieve a reception of French Neo-Impressionism in Germany led to a collaboration with the gallery owner Paul Cassirer. In 1906 Herrmann organized an exhibition of French artists at the Berlin Secession on his own initiative. In addition, Herrmann was also active as a patron of the artists' association "Die Brücke". He organized exhibitions, established relationships and distinguished himself as an art collector. In the 1920s he not only turned his back on Berlin, but also changed his own painting style significantly. At his mother-in-law's castle, his late passion was devoted to still lifes with flowers, which he partly developed into an almost abstract formal language. During the National Socialists' Night of Pogroms, some of his paintings were destroyed at Pretzfeld Castle. At the centre of the Nazi attacks was a central work from Herrmann's early years. Because of a boy's act they accused the artist of immoral and homoerotic tendencies.
.jpg "Belvedere Castle near Weimar by Curt Herrmann")
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.jpg "Flower Still Life - Composition by Curt Herrmann")
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.jpg "Landscape with Trees near Pretzfeld by Curt Herrmann")
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.jpg "Blooming Apple Tree by Curt Herrmann")
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.jpg "St. Moritz in Winter by Curt Herrmann")
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.jpg "Landscape with Trees near Pretzfeld by Curt Herrmann")
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.jpg "Pretzfeld Castle with Old Wooden Bridge by Curt Herrmann")
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.jpg "Two Female Nudes by Curt Herrmann")
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.jpg "Girl in a Boat by Curt Herrmann")
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.jpg "Standing Female Nude by Curt Herrmann")
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.jpg "Villa in a Winter Park by Curt Herrmann")
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.jpg "Henry van de Velde by Curt Herrmann")
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.jpg "Summer Morning Old Wooden Bridge in Pretzfeld by Curt Herrmann")
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_-_(MeisterDrucke-590577).jpg "Siesta by Curt Herrmann")
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.jpg "Dame Sophie Herrmann in the Dunes of Binz on Rugen by Curt Herrmann")
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.jpg "Seated Female Nude by Curt Herrmann")
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.jpg "Sophie Herz in Wiesenttal near Pretzfeld by Curt Herrmann")
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.jpg "Portrait of the Painter Otto Mueller, c.1914 by Curt Herrmann")
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.jpg "On the Beach of Binz on Rügen by Curt Herrmann")
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.jpg "Female Nude from the Back by Curt Herrmann")
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_-_(MeisterDrucke-1128988).jpg "Clematis by Curt Herrmann")
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.jpg "Fritz Herrmann by Curt Herrmann")
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.jpg "The")
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.jpg "Berlin in Winter, 1912-14 by Curt Herrmann")
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.jpg "Reading Lady on Red Sofa by Curt Herrmann")
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.jpg "Clematis by Curt Herrmann")
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.jpg "Garden in Bloom by Curt Herrmann")
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.jpg "River Landscape near Pretzfeld by Curt Herrmann")
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.jpg "Lady in Red Dress by Curt Herrmann")
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.jpg "In the Garden of Henry van de Velde")
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.jpg "In the Garden of Pretzfeld Castle by Curt Herrmann")
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.jpg "Pretzfeld Castle Behind Trees by Curt Herrmann")
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.jpg "Flower Composition by Curt Herrmann")
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.jpg "Golden Pheasant by Curt Herrmann")
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.jpg "Landscape with Trees near Pretzfeld by Curt Herrmann")
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.jpg "Self-Portrait, en face, with Pince-Nez by Curt Herrmann")
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_-_(MeisterDrucke-590581).jpg "In the Garden of Pretzfeld Castle, c.1903 by Curt Herrmann")
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.jpg "Garden Arbor at Pretzfeld Castle by Curt Herrmann")
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.jpg "Autumn Park Path in Pretzfeld by Curt Herrmann")
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.jpg "Still Life with Anemones, Glass Vase, and Porcelain Bowl by Curt Herrmann")
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.jpg "Meadow Landscape with Trees and Village by Curt Herrmann")
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.jpg "Pretzfeld Castle with Trees by Curt Herrmann")
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.jpg "Tree in the Castle Park in Pretzfeld by Curt Herrmann")
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.jpg "Sophie Herz in Blue Garment at the Window by Curt Herrmann")
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.jpg "Village Street in Pretzfeld by Curt Herrmann")
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.jpg "Old Woman Entering Pretzfeld Castle by Curt Herrmann")
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.jpg "Landscape with Trees near Pretzfeld by Curt Herrmann")
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.jpg "St. Moritz in Winter by Curt Herrmann")
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.jpg "Castle Pretzfeld with Bathers on the Riverbank by Curt Herrmann")
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.jpg "Still Life with Porcelain Guinea Fowl in Front of a Mirror by Curt Herrmann")
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.jpg "Woman in Red Dress Before Landscape by Curt Herrmann")
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.jpg "View from the Studio onto Snow-Covered Houses on Rauchstraße by Curt Herrmann")
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.jpg "Interior with Louis XV Chair by Curt Herrmann")
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.jpg "Knesebeck Street in Winter by Curt Herrmann")
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.jpg "Park of Belvedere Castle near Weimar by Curt Herrmann")
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.jpg "Adorning by Curt Herrmann")
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.jpg "White Peonies in Glass Vase by Curt Herrmann")
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_-_(MeisterDrucke-1129967).jpg "The Wife of the Painter at the Window by Curt Herrmann")
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.jpg "Peony Composition by Curt Herrmann")
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.jpg "In the Garden of Pretzfeld Castle by Curt Herrmann")
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.jpg "Summer Park Path with View of the Wiesent Valley by Curt Herrmann")
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.jpg "Poppies before Green Curtain by Curt Herrmann")
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.jpg "Blooming Apple Tree in Landscape near Pretzfeld by Curt Herrmann")
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.jpg "Playing Tennis in Surbiton on the Thames by Curt Herrmann")
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.jpg "Stables at Pretzfeld Castle by Curt Herrmann")
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.jpg "Sophie Herrmann at the Window in Wulkow by Curt Herrmann")
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.jpg "A Shaft of Sunlight, Still Life by Curt Herrmann")
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.jpg "Pretzfeld Castle by Curt Herrmann")
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.jpg "Still Life with Oranges by Curt Herrmann")
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.jpg "Poppies in Double-Bellied Glass Bottle by Curt Herrmann")
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.jpg "Still Life with Chinese Ceramics by Curt Herrmann")
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.jpg "Still Life with Japanese Golden Pheasant by Curt Herrmann")
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.jpg "Still Life with Bouquet by the Window by Curt Herrmann")
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.jpg "Lady in Red Dress on Green Chair by Curt Herrmann")
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.jpg "Landscape with Trees near Pretzfeld by Curt Herrmann")
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.jpg "Garden Arbor at Pretzfeld Castle by Curt Herrmann")
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.jpg "Interior with Flowers on an Empire Table by Curt Herrmann")
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.jpg "The Meadow Valley near Pretzfeld, c.1898 by Curt Herrmann")
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.jpg "Farmhouse in Breitbrunn am Chiemsee by Curt Herrmann")
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.jpg "Still Life with Strawberries in Pierced Porcelain Bowl by Curt Herrmann")
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.jpg "Still Life with Clematis on Rococo Console Table by Curt Herrmann")
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.jpg "In the Wiesental near Pretzfeld by Curt Herrmann")
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.jpg "View from the Studio of Snow-Covered Houses on Rauchstraße by Curt Herrmann")
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.jpg "Spring Flowers in the Garden by Curt Herrmann")
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.jpg "Still Life with Anemones and Dark Red Glass Carafe by Curt Herrmann")
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.jpg "Tulips in a Bulbous Vase in Front of a Curtain by Curt Herrmann")
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.jpg "In the Wiesental near Pretzfeld by Curt Herrmann")
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.jpg "Old Monuments in the Castle Park in Pretzfeld by Curt Herrmann")
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.jpg "Large Still Life with Dead Exotic Birds by Curt Herrmann")
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.jpg "Landscape near Pretzfeld by Curt Herrmann")
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.jpg "A Berlin Porcelain Bowl with Strawberries by Curt Herrmann")
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