The Pre-Raphaelites refer to an English art movement of the 19th century. It originated with the founding of the Pre-Raphaelite Brotherhood, PRB, by the artist friends William Holman Hunt, John Everett Millais and Dante Gabriel Rosetti.
The name outlines their chosen program - the model was Italian Renaissance art before the time of the painter and architect Raphael (1483-1520). The reason was their conviction that artistic naivety had been lost and that the omnipresent mannerism offered no possibilities for development. Later, artists such as Collinson, Deverell, William Michael Rosetti, Solomon, Stephens and Woolner were added to the group. At times the community published the journal The Germ, later Art and Poetry. The PRB was dissolved in 1853, some of the artists later found themselves in the Hogarth Club.
One focus was on the most accurate depiction of nature. What the Academy of Art taught was to be overcome, art was to be liberated. Here there was a parallel to the German Nazarenes who had come together around Overbeck. One source of motif was literature, especially works by Blake, Shakespeare, and the late Romantic Tennyson. In their nostalgic longing, the Pre-Raphaelites sought a landscape still unspoiled by industrialization and stability in the pure and unadulterated.
The Academy of Art took exception to the Pre-Raphaelites' painting style and excluded them from its exhibition halls. Critics scorned their work, while other artists sympathized. It was not until Ruskin's essay in The Times in 1851 that the painting style became suitable for the salon - the parallels to the esteemed William Turner as well as the painterly new approaches were now acclaimed. These included clear, luminous colors, bright light, the most precise, respectful study of nature, and the depiction of even the smallest details. The content was about the mystical in the life of the soul, the preference of true passion over beauty or elegance.
This approach clearly influenced English art; influences are visible, for example, in Burne-Jones, de Morgan, Morris or Stanhope.
Pre Raphaelites
The Pre-Raphaelites refer to an English art movement of the 19th century. It originated with the founding of the Pre-Raphaelite Brotherhood, PRB, by the artist friends William Holman Hunt, John Everett Millais and Dante Gabriel Rosetti.
The name outlines their chosen program - the model was Italian Renaissance art before the time of the painter and architect Raphael (1483-1520). The reason was their conviction that artistic naivety had been lost and that the omnipresent mannerism offered no possibilities for development. Later, artists such as Collinson, Deverell, William Michael Rosetti, Solomon, Stephens and Woolner were added to the group. At times the community published the journal The Germ, later Art and Poetry. The PRB was dissolved in 1853, some of the artists later found themselves in the Hogarth Club.
One focus was on the most accurate depiction of nature. What the Academy of Art taught was to be overcome, art was to be liberated. Here there was a parallel to the German Nazarenes who had come together around Overbeck. One source of motif was literature, especially works by Blake, Shakespeare, and the late Romantic Tennyson. In their nostalgic longing, the Pre-Raphaelites sought a landscape still unspoiled by industrialization and stability in the pure and unadulterated.
The Academy of Art took exception to the Pre-Raphaelites' painting style and excluded them from its exhibition halls. Critics scorned their work, while other artists sympathized. It was not until Ruskin's essay in The Times in 1851 that the painting style became suitable for the salon - the parallels to the esteemed William Turner as well as the painterly new approaches were now acclaimed. These included clear, luminous colors, bright light, the most precise, respectful study of nature, and the depiction of even the smallest details. The content was about the mystical in the life of the soul, the preference of true passion over beauty or elegance.
This approach clearly influenced English art; influences are visible, for example, in Burne-Jones, de Morgan, Morris or Stanhope.
What our customers think about us
4.8 / 5
Ich hatte nach einem jap. Farbholzschnitt von einem bestimmten Künstler gesucht. Die Auswahl auf der Web-Seite war riesig. Nachdem ich meine Wahl getroffen hatte, konnte ich noch vor dem Druck Einfluss auf die Farbgebung nehmen und bekam jedesmal eine Vorabversion zur Freigabe zugeschickt. So habe ich das (für mich) perfekte Bild (als ...
Die Drucke waren super, genau wie abgebildet und die Lieferung war zügig und auch gut und sicher verpackt . Wir waren durchweg zufrieden. Besser geht's nicht....
Qualité absolument irréprochable. Extraordinaire diversité des thèmes abordés et personnalisation des demandes (recadrage, réajustement des couleurs). Relation clientèle parfaite. Transport, réception sans aucun problème. Merci à toute l'équipe ! Hervé
Wow....ich bin sehr über die Qualität erstaunt. Diese Drucke haben all´meine Erwartungen übertroffen. Desgleichen der Ablauf der Bestellung. Grosses Kompliment.
I was extremely impressed with the ease of use and feedback on the delivery of this print. The choice of images is very impressive and the quality isdecond to none. Highly recommended!
très belle réalisation qui met en valeur l'œuvre choisi au point que l'œil va sur la toile alors qu'il y a d'autres œuvres d'art de l'époque dans la pièce. Merci pour cette réalisation sur toile avec le ton pierre. Merci beaucoup ! et bonnes suites !!!
Leider habe ich bei der Bestellung zwei Fehler gemacht: erstens hatte ich icht auf die TGiefe des Rahmens geachtet und zweitens habe ich nicht bedacht, das mein Motiv „Die Toteninsel“ von Böcklin in einem relativ großem Format viel zu dunkel wird. Am COmputerbildschrim kann man das schlecht einschätzen. Das ist nur als Ratschlag für an...
würde noch mehr Sterne vergeben, bin sehr zufrieden,freue mich jedesmal auf das bestellte Bild, und es übertrifft jedesmal meine Vorstellungen. Danke für die tolle Arbeit. hanni Stetter😘
Première expérience, je suis très satisfaite du résultat d'impression sur papier photos, finition mat, grande précision et fidélité de la reproduction. Je reviendrai !
Ich bin sehr zufrieden mit dem Produkt und der Abwicklung der Bestellung. Ich habe den Eindruck, dass bei der Herstellung des Drucks sehr auf Qualität geachtet wird. Die Information zu den einzelnen Schritten der Abwicklung war gelegentlich etwas irritierend, weil die angegebenen Daten nicht richtig sein konnten, das wurde aber sehr ra...
Sehr schönes Bild bekommen. Die Auswahl ist gigantisch und die Auswahl der Formate und Rahmen nochmals dazu. Bild sieht aus wie gemalt, bin sehr beeindruckt. Komplet was anderes als ein normaler Posterdruck. Beim liefern funktionierte das Traking nicht. Lieferfrist wurde jedoch eingehalten. Spannend war die Verfolgung der Verarbeitungs...
Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.
At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.
Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.
Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.
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