Accent en Rose, 1926  by Wassily Kandinsky

Accent en Rose, 1926

(Accent en Rose, 1926)

Wassily Kandinsky

Expressionism  ·  Abstract shapes
abstract · circle · geometrical · geometric · blaue reiter · blue rider · vier · four · german expressionist · bauhaus · pink · composition · colour theory
Accent en Rose, 1926 by Wassily Kandinsky
1926   ·  Öl auf Leinwand  ·  Picture ID: 63635   ·  Musee National d'Art Moderne, Centre Pompidou, Paris, France / bridgemanimages.com
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Accent en Rose, 1926  by Wassily Kandinsky

Accent en Rose, 1926

(Accent en Rose, 1926)

Wassily Kandinsky

Expressionism  ·  Abstract shapes
abstract · circle · geometrical · geometric · blaue reiter · blue rider · vier · four · german expressionist · bauhaus · pink · composition · colour theory
Accent en Rose, 1926 by Wassily Kandinsky
1926   ·  Öl auf Leinwand  ·  Picture ID: 63635   ·  Musee National d'Art Moderne, Centre Pompidou, Paris, France / bridgemanimages.com
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0 Reviews
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Gemälde
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Keilrahmen
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Produktionszeit: 2-4 Werktage
Bildschärfe: PERFEKT
Other art prints by Wassily Kandinsky
Composition, 1930 (wc and indian ink) White Point Texture  Gewebe. 1923 Intersecting Lines, 1923 Yellow Red Blue Yellow, Red, Blue Soft Hard White Cloud Small Worlds VII (Small Worlds VII), 1922 Kleine Welten I (Small Worlds I), 1922 (lithograph printed in blue, red, yellow and black) Oval Anime Study in Winter No. 2, c.1910 Munich - Planegg I The Entourage, 1939 Study for On White II, 1922
Other art prints by Wassily Kandinsky
Composition, 1930 (wc and indian ink) White Point Texture  Gewebe. 1923 Intersecting Lines, 1923 Yellow Red Blue Yellow, Red, Blue Soft Hard White Cloud Small Worlds VII (Small Worlds VII), 1922 Kleine Welten I (Small Worlds I), 1922 (lithograph printed in blue, red, yellow and black) Oval Anime Study in Winter No. 2, c.1910 Munich - Planegg I The Entourage, 1939 Study for On White II, 1922
Other motives from the category Abstract shapes
Composition, 1930 (wc and indian ink) Shibuya Crossing II Intersecting Lines, 1923 Suprematist Composition, 1921 Soft Hard The Entourage, 1939 Study for On White II, 1922 Sign, 1926 (oil) Dreaming, Sunday Morning, Ascona Watercolour with a Red Stain, 1911 Composition X, 1939 Dominant Violet, 1934 (oil and sand on canvas) Scarcely, 1930 (tempera on gesso) Composition: The Grey Oval, 1917 Composition, 1930 (wc, pencil and ink on paper)
Other motives from the category Abstract shapes
Composition, 1930 (wc and indian ink) Shibuya Crossing II Intersecting Lines, 1923 Suprematist Composition, 1921 Soft Hard The Entourage, 1939 Study for On White II, 1922 Sign, 1926 (oil) Dreaming, Sunday Morning, Ascona Watercolour with a Red Stain, 1911 Composition X, 1939 Dominant Violet, 1934 (oil and sand on canvas) Scarcely, 1930 (tempera on gesso) Composition: The Grey Oval, 1917 Composition, 1930 (wc, pencil and ink on paper)
Excerpt from our top sellers
Head of a skeleton with a burning cigarette Russian Tea Blossoms Buffalo Hunt, plate 7 from Catlins North American Indian Collection, engraved by McGahey, Day and Haghe Joash Shooting the Arrow of Deliverance, 1844 Abbey in the Oakwood Lion from the Ishtar gate, Babylon (glazed bricks) Portrait of the Baker, Terentius Neo and his wife, from the atrium of a house in Pompeii, 1st century AD (fresco on plaster) Lumbarda Saint Sebastian, c.1615 Whittington in winter The Gare Saint-Lazare: Arrival of a Train, 1877 Room Architectures On Cold-Warm, 1915. Winter Day, Shortly before Noon. 1922 study of two male nudes, c.1900
Excerpt from our top sellers
Head of a skeleton with a burning cigarette Russian Tea Blossoms Buffalo Hunt, plate 7 from Catlins North American Indian Collection, engraved by McGahey, Day and Haghe Joash Shooting the Arrow of Deliverance, 1844 Abbey in the Oakwood Lion from the Ishtar gate, Babylon (glazed bricks) Portrait of the Baker, Terentius Neo and his wife, from the atrium of a house in Pompeii, 1st century AD (fresco on plaster) Lumbarda Saint Sebastian, c.1615 Whittington in winter The Gare Saint-Lazare: Arrival of a Train, 1877 Room Architectures On Cold-Warm, 1915. Winter Day, Shortly before Noon. 1922 study of two male nudes, c.1900

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Accent en Rose, 1926 (AT) Accent en Rose, 1926 (DE) Accent en Rose, 1926 (CH) Accent en Rose, 1926 (GB)
Accent en Rose 1926 (IT) Accent en Rose, 1926  (FR) Accent in Pink, 1926 (NL) Acento en rosa, 1926 (ES) Акцент в розовом, 1926 (RU)
एक्सेन्ट इन पिंक, 1926 (HI) 粉红色的口音,1926年 (ZH) Sotaque em rosa, 1926 (PT) アクセントアンローズ、1926 (JP) أكسنت روز ، 1926 (AE)

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Accent en Rose, 1926 (AT) Accent en Rose, 1926 (DE) Accent en Rose, 1926 (CH) Accent en Rose, 1926 (GB) Accent en Rose 1926 (IT) Accent en Rose, 1926  (FR) Accent in Pink, 1926 (NL) Acento en rosa, 1926 (ES) Акцент в розовом, 1926 (RU) एक्सेन्ट इन पिंक, 1926 (HI) 粉红色的口音,1926年 (ZH) Sotaque em rosa, 1926 (PT) アクセントアンローズ、1926 (JP) أكسنت روز ، 1926 (AE)


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