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Jacques Callot
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Jacques Callot

France · 1592–1635 · Nonclassified artists · 3455 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Jacques Callot
1592–1635
Born 1592 (Nancy)
Died 1635 (Nancy)
Nationality France
Profession Druckgrafiker, Maler, Radierer, Zeichner, Graveur, Kupferstecher, Künstler
Teacher Philippe Thomassin, Jacques Bellange, Israël Henriet
Student François Collignon
Notable works Beggar with Dog, from Les Gueux (The Beggars) (1623), Les Grandes Miseres de la Guerre: L'Arquebusade (1632), Les Grandes Miseres de la Guerre: L'enrolement des Troupes (1632), The Temptation of St. Anthony
Museums Art Institute of Chicago, ETH Graphische Sammlung, Cleveland Museum of Art, National Gallery of Art, Princeton University Art Museum

Jacques Callot

    1592   -   March 1635

Even in his youth, Jacques Callot was a restless spirit. His hometown of Nancy was still an insignificant provincial town that still had its great heyday ahead of it. Twice he left his parents' home in order to be able to realize his dream of becoming an artist somewhere else. Remorsefully, he returned home each time and began an apprenticeship as a goldsmith. No sooner had this been completed than he was drawn to faraway Rome. He got a job with Philippe Thomassin, one of the most renowned engravers of his time, like Jacques Callot a migrant from the east of France. He learned quickly and much, but Rome was not the hub of the artistic world in the 17th century and he sought a new challenge in Florence. There he refined his etching technique in the workshops and studios of local masters Giulio Parigi and Antonio Tempestas.

No less a person than the legendary Cosimo II de' Medici encouraged the young talent from Nancy. Jacques Callot received an abundance of commissions from the famous princely house and earned very, very much money for the time. He was allowed to work completely freely and looked for his own motifs. He was particularly interested in the little people. He created scenes from the everyday life of the peasants from the surrounding area and the officials at the Medicis court. He dedicated numerous works to the actors and singers of the commedia dell'arte. After Cosimo's death, Jacques Callot was drawn back to his hometown of Nancy. The move from warm Italy to the sunless north seems to have weighed heavily on the artist at first. In the first period after his arrival, he did not create anything new, but merely produced new editions of his old motifs. It was to take two long years before he finally attracted attention at the court of the Lorraine duke Henry II. He documented the festivities at court in detailed etchings, created lifelike portraits of nobles, enchanting landscapes and milieu studies. Word of his talent spread, and both the French and Spanish royal families were among his clients in the years that followed. During that time, he also created probably his best-known and most famous etchings, which as Les misères de la guerre ( in German: Die Gräuel des Krieges) were to take a firm place in European art history.

Almost nothing is known about the personal life of the artist Jacques Callot. Whether he had affairs, was married and had children remains in the dark. Perhaps he was what today would be called a "nerd". A perfectionist who invented new etching tools, successfully sought out new printing techniques, and became completely absorbed in his vocation. The famous Rembrandt van Rijn collected many prints by Jacques Callot. The Dutch painter himself is considered a master of printmaking and admired the sophisticated work of his contemporary. In particular, the masterful depiction of perspectives and the distinctive light-dark depictions fascinate all experts to this day. Jacques Callot died at the age of only 43. Around 180 years later, the poet Ernst Theodor Amadeus (E-T.A.) Hoffmann created a literary monument to the artist he admired in his work "Fantasiestücke".

Artworks by Jacques Callot

3455 artworks found
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3.455 artworks found

Jacques Callot
Les Peches Capitaux (The Seven D...
Undated | etching

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Jacques Callot
Les Peches Capitaux (The Seven D...
Undated | etching

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Jacques Callot
Les Peches Capitaux (The Seven D...
Undated | etching

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Jacques Callot
Les Peches Capitaux (The Seven D...
Undated | etching

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Jacques Callot
Les Peches Capitaux (The Seven D...
Undated | etching

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Jacques Callot
Les Peches Capitaux (The Seven D...
Undated | etching

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Jacques Callot
Les Peches Capitaux (The Seven D...
Undated | etching

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Jacques Callot
 
Undated | etching

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Jacques Callot
Angriff auf eine Postkutsche, Bl...
1633 |

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Jacques Callot
Burning Phoenix, 1628.
Undated |

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Jacques Callot
 
1638 | engraving

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Jacques Callot
Soldier with Feathered Hat, c. 1...
Undated |

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Jacques Callot
The Martyrdom of the Apostles: S...
Undated | etching/etching/etching

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Jacques Callot
Saint Matthias from Les Grands A...
1631 | etching

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Jacques Callot
The temptation of Saint Anthony ...
17th century | oil on canvas

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Jacques Callot
Heiliger Matthäus, Blatt 15 der ...
1631 |

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Jacques Callot
Les Penitents: Mort de Ste. Mad...
1632 | etching

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Jacques Callot
 
Undated | engraving

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Jacques Callot
Rad, Blatt 14 der Folge "Grauen ...
1633 |

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Jacques Callot
Schlacht, Blatt 3 der Folge "Gra...
1633 |

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Jacques Callot
 
1622 | etching

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Jacques Callot
Rad, Blatt 14 der Folge "Grauen ...
1633 |

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Jacques Callot
Rache der Bauern, Blatt 17 der F...
1633 |

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Jacques Callot
Garten, Blatt 1 der Folge "Die v...
1618 |

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Jacques Callot
Wippgalgen, Blatt 10 der Folge "...
1633 |

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Jacques Callot
Schlacht, Blatt 3 der Folge "Gra...
1633 |

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Jacques Callot
Entdeckung der Verbrecher, Blatt...
1633 |

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Jacques Callot
Angriff auf eine Postkutsche, Bl...
1633 |

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Jacques Callot
Ausschnitt aus "Die Schlacht von...
1628 |

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Jacques Callot
Plünderung eines Bauernhofes, Bl...
1633 |

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Jacques Callot
Entdeckung der Verbrecher, Blatt...
1633 |

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Jacques Callot
 
1627 |

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Jacques Callot
Erschiessung, Blatt 12 der Folge...
1633 |

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Jacques Callot
Frontispiz, Blatt 1 der Folge "G...
1633 |

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Jacques Callot
angriff auf eine Postkutsche, Bl...
1633 |

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Jacques Callot
Garten mit Arbeitern
1610 |

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Jacques Callot
Heiliger Thomas, Blatt 10 der Fo...
1631 |

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Jacques Callot
Heiliger Petrus, Blatt 4 der Fol...
1631 |

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Jacques Callot
 
Undated |

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Jacques Callot
Heiliger Johannes der Evangelist...
1631 |

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Jacques Callot
Figurenstudien [recto]; Figurens...
1619 |

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Jacques Callot
Scheiterhaufen, Blatt 13 der Fol...
1633 |

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Jacques Callot
Heiliger Matthias, Blatt 13 der ...
1631 |

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Jacques Callot
Taubenschlag, Blatt 2 der Folge ...
1618 |

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Jacques Callot
Frontispiz, Blatt 1 der Folge "G...
1633 |

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Jacques Callot
Het radbraken
1633 |

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Jacques Callot
Martyrium des Heiligen Barnabas,...
1632 |

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Jacques Callot
Scheiterhaufen, Blatt 13 der Fol...
1633 |

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Jacques Callot
Heiliger Paulus, Blatt 5 der Fol...
1631 |

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Jacques Callot
Plünderung eines Bauernhofes, Bl...
1633 |

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Jacques Callot
Rast, Blatt 3 der Folge "Die Boh...
1623 |

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Jacques Callot
Spital, Blatt 15 der Folge "Die ...
1633 |

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Jacques Callot
Wippgalgen, Blatt 10 der Folge "...
1633 |

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Jacques Callot
Wippgalgen, Blatt 10 der Folge "...
1633 |

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Jacques Callot
Sterbende am Strassenrand, Blatt...
1633 |

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Jacques Callot
Entdeckung der Verbrecher, Blatt...
1633 |

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Jacques Callot
Erschiessung, Blatt 12 der Folge...
1633 |

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Jacques Callot
Bohemiens [Fahrende] unterwegs
1634 |

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Jacques Callot
Heiliger Philipp, Blatt 11 der F...
1631 |

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Jacques Callot
Spital, Blatt 15 der Folge "Grau...
1633 |

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Jacques Callot
Besessene
1630 |

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Jacques Callot
Pantalone, Blatt 1 der Folge "Di...
1618 |

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Jacques Callot
Ecce homo, Blatt 5 der Folge "Di...
1619 |

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Jacques Callot
Het opbrengen van de gevangenen
1633 |

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Jacques Callot
De plundering
1633 |

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Jacques Callot
Heiliger Simon, Blatt 14 der Fol...
1631 |

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Jacques Callot
Anheuerung der Truppen, Blatt 2 ...
1633 |

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Jacques Callot
Plünderung, Blatt 4 der Folge "D...
1633 |

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Jacques Callot
Ansicht des Louvres, Blatt 1 der...
1630 |

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Jacques Callot
Study of a Horse,
Undated | pen and brown ink

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Jacques Callot
Heiliger Paulus, Blatt 5 der Fol...
1631 |

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Jacques Callot
 
Undated |

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Jacques Callot
Erlöser, Blatt 2 der Folge "Jesu...
1631 |

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Jacques Callot
Ausschnitt aus "Belagerung der Z...
1628 |

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Jacques Callot
Hängung, Blatt 11 der Folge "Gra...
1633 |

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Jacques Callot
De fusillade
1633 |

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Jacques Callot
Plünderung eines Klosters
1636 |

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Jacques Callot
Soldvergabe, Blatt 18 der Folge ...
1633 |

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Jacques Callot
Plünderung, Blatt 4 der Folge "G...
1633 |

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Jacques Callot
Plünderung eines Bauernhofes, Bl...
1633 |

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Jacques Callot
Soldvergabe, Blatt 18 der Folge ...
1633 |

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Jacques Callot
Einzug von Monsieur de Vroncourt...
1627 |

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Jacques Callot
Vorhut, Blatt 2 der Folge "Die B...
1623 |

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Jacques Callot
Ausschnitt aus "Belagerung der Z...
1628 |

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Jacques Callot
De veldslag
1633 |

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Jacques Callot
La Romaine, the property of Clau...
Undated | black chalk and ink on paper

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Jacques Callot
Kreuzigung, Blatt 11 der Folge "...
1624 |

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Jacques Callot
Heiliger Matthias, Blatt 13 der ...
1631 |

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Jacques Callot
 
1631 | etching

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Jacques Callot
Zerstörung eines Klosters, Blatt...
1633 |

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Jacques Callot
Detail aus 'Der Einzug von Monse...
1627 |

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Abraham Bosse
Les Penitents: Frontispiece
1632 | etching and engraving

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Jacques Callot
 
Undated | etching

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Jacques Callot
2. Tafel unten MItte aus "Belage...
1628 |

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Jacques Callot
Spital, Blatt 15 der Folge "Grau...
1633 |

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Jacques Callot
 
Undated | etching and engraving on laid paper [restrike]

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Page 1 / 35

About the artist

Jacques Callot
1592–1635
Born1592 (Nancy)
Died1635 (Nancy)
NationalityFrance
ProfessionDruckgrafiker, Maler, Radierer, Zeichner, Graveur, Kupferstecher, Künstler
TeacherPhilippe Thomassin, Jacques Bellange, Israël Henriet
StudentFrançois Collignon
Notable worksBeggar with Dog, from Les Gueux (The Beggars) (1623), Les Grandes Miseres de la Guerre: L'Arquebusade (1632), Les Grandes Miseres de la Guerre: L'enrolement des Troupes (1632), The Temptation of St. Anthony
MuseumsArt Institute of Chicago, ETH Graphische Sammlung, Cleveland Museum of Art, National Gallery of Art, Princeton University Art Museum

Even in his youth, Jacques Callot was a restless spirit. His hometown of Nancy was still an insignificant provincial town that still had its great heyday ahead of it. Twice he left his parents' home in order to be able to realize his dream of becoming an artist somewhere else. Remorsefully, he returned home each time and began an apprenticeship as a goldsmith. No sooner had this been completed than he was drawn to faraway Rome. He got a job with Philippe Thomassin, one of the most renowned engravers of his time, like Jacques Callot a migrant from the east of France. He learned quickly and much, but Rome was not the hub of the artistic world in the 17th century and he sought a new challenge in Florence. There he refined his etching technique in the workshops and studios of local masters Giulio Parigi and Antonio Tempestas.

No less a person than the legendary Cosimo II de' Medici encouraged the young talent from Nancy. Jacques Callot received an abundance of commissions from the famous princely house and earned very, very much money for the time. He was allowed to work completely freely and looked for his own motifs. He was particularly interested in the little people. He created scenes from the everyday life of the peasants from the surrounding area and the officials at the Medicis court. He dedicated numerous works to the actors and singers of the commedia dell'arte. After Cosimo's death, Jacques Callot was drawn back to his hometown of Nancy. The move from warm Italy to the sunless north seems to have weighed heavily on the artist at first. In the first period after his arrival, he did not create anything new, but merely produced new editions of his old motifs. It was to take two long years before he finally attracted attention at the court of the Lorraine duke Henry II. He documented the festivities at court in detailed etchings, created lifelike portraits of nobles, enchanting landscapes and milieu studies. Word of his talent spread, and both the French and Spanish royal families were among his clients in the years that followed. During that time, he also created probably his best-known and most famous etchings, which as Les misères de la guerre ( in German: Die Gräuel des Krieges) were to take a firm place in European art history.

Almost nothing is known about the personal life of the artist Jacques Callot. Whether he had affairs, was married and had children remains in the dark. Perhaps he was what today would be called a "nerd". A perfectionist who invented new etching tools, successfully sought out new printing techniques, and became completely absorbed in his vocation. The famous Rembrandt van Rijn collected many prints by Jacques Callot. The Dutch painter himself is considered a master of printmaking and admired the sophisticated work of his contemporary. In particular, the masterful depiction of perspectives and the distinctive light-dark depictions fascinate all experts to this day. Jacques Callot died at the age of only 43. Around 180 years later, the poet Ernst Theodor Amadeus (E-T.A.) Hoffmann created a literary monument to the artist he admired in his work "Fantasiestücke".



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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        Austria
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        support@meisterdrucke.com
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